The Missing Monument Murders is a veiled story of power, wealth, dark deeds and intrigue. In 1806, Jane Austen’s relative, the Reverend Thomas Leigh, came into vast estates and the mood in the extended Leigh/Austen family was jubilant. But within a few years, bizarre events were the talk of the district: the removal and destruction of monuments in the village church, cheating, blackmail, and the eviction of tenants who dared speak of events. It would even be alleged that the family engaged in murder to protect their inheritance. Judy Stove’s painstaking research pieces together for the first time in detail the full story, in which whistle blower Charles Griffin, a local solicitor, ended up in gaol. Whether scandal-mongering or clever and powerful suppression at a time when criminal investigations were all but non-existent, the truth remains a mystery. One that touched on Austen’s own world and in which connections not just to the great and the good but to some of her characters, plots and personal life unfold. Author Judy Stove is an academic based at the University of New South Wales, a role she balances with working in school administration. After studying classics at the University of Sydney, she worked for the Australian Commonwealth Departments of Defence and Finance. She is married with two adult sons, and is an active member of the Jane Austen Society of Australia.
When does our acknowledgment of the social contract really begin? When do young children first display an understanding of their social world? When and why do they begin to grasp that other people have feelings and thoughts like their own, yet different? In this pathbreaking work Judy Dunn explores several aspects of the early process of social discovery: children's recognition of the feelings of others, their ability to interpret and anticipate the behavior and relationships of others, and their comprehension of the prohibitions and accepted practices of their world. Dunn's work brings into focus an apparent paradox in our current view of the very young child's social understanding. Whereas research on infancy reveals that babies are born with a predisposition to learn about other people, and appear sensitive to the emotions and behavior of others, experimental studies suggest that children of three, four, and five years of age have difficulty gauging the feelings, intentions, and perceptions of others. Why should this social intelligence--which might be expected to be high on the developmental agenda--proceed so slowly? Is the social understanding of young children really so limited? Dunn pursues answers to these questions through close observation of children in their homes, in the complex social world of the family; her findings suggest a sophistication that has not yet been appreciated or documented. The Beginnings of Social Understanding draws upon observations and analyses from three longitudinal studies of children during the transition from infancy to childhood, examining children's disputes, jokes, play, their questions and narratives about others. The book demonstrates children's increasing subtlety as members of a cultural world, and argues that emotional relationships and family discourse play crucial roles in the development of this understanding. Dunn breaks through traditional notions of child development as she sets forth a refreshingly original perspective from which to view the social potential of children.
Fully revised and updated, this second edition is an ideal introduction for those who are new to the study of culture. Featuring global case studies, selections of readings, exercises, and commentary throughout, it spans the subject from issues of identity through to technological trends. Explores key issues and theories on identities, representation, histories, places, and spaces, discussing the various interpretations of culture and cultural studies Incorporates new work on the study of space, place, identity, gender, and cultural history, as well as new sections on cultural studies theories and methodology in each chapter Introduces more complex issues including high and popular culture, subjectivities, consumption, and new technologies, and a fully updated section on new and enduring trends in technology and culture
What do things mean? What does the life of everyday objects reveal about people and their material worlds? Has the quest for 'the real thing' become so important because the high-tech world of total virtuality threatens to engulf us? This pioneering book bridges design theory and anthropology to offer a new and challenging way of understanding the changing meanings of contemporary human-object relations. The act of consumption is only the starting point of object's “lives”. Thereafter they are transformed and invested with new meanings and associations that reflect and assert who we are. Defining designed things as “things with attitude” differentiates the highly visible fashionable object from ordinary aretefacts that are too easily taken for granted. Through case studies ranging from reproduction furniture to fashion and textiles to 'clutter', the author traces the connection between objects and authenticity, ephemerality and self-identity. Beyond this, she shows the materiality of the everyday in terms of space, time and the body and suggests a transition with the passing of time from embodiment to disembodiment.
Apologies from Death Row explores the notion of remorse, apologies, and forgiveness within the context of capital punishment in the United States, through the final words of offenders on death row, and the covictims’ responses to them in their statements to the press after witnessing the execution. The book demonstrates that there is evidence that some offenders on death row are truly remorseful and that some of the family members of their victims could benefit from this remorse, but that this is unlikely in the current system of capital punishment. Drawing from the fields of criminology, psychology, and sociology, the book begins with a theoretically informed introduction to the concepts of remorse and forgiveness, followed by an exploration of apology and forgiveness specifically in the context of capital punishment. It discusses how some initiatives within the criminal justice system, such as apology laws and restorative justice programmes, are being used to make it easier for offenders to apologize to their victims. Offenders on death row are considered, addressing why they might or might not apologize, and whether they are even capable of showing true remorse. The book then considers the family members of their victims ("covictims"), addressing whether they benefit from hearing the offender express remorse and witnessing the execution, and whether forgiveness is possible in this context. Evidence to support the arguments presented in the book come from the offenders’ final words and the covictims’ responses to them in their statements to the press. The book dispels two common myths about the death penalty. First, it shows that offenders on death row are not simply "monsters" who are incapable of understanding the severity of their crimes. Second, it provides evidence that, despite the popular belief that the death penalty is necessary in order to provide closure for the victims’ family members, it may actually have the opposite effect. The family members’ statements to the press after witnessing the execution contain more negative themes like anger and disappointment than positive themes like closure and peace. The book concludes with a discussion of the implications this has for systems of justice in general, and how a better understanding of the emotional state of offenders can help both victims and offenders. Apologies from Death Row will be of great interest to students and scholars of Criminology, Psychology, and Sociology.
Originally published in 1984, this book is concerned with our everyday behaviour with other people. It examines the nature of social interaction and the resources utilized in our engagement with others, and the ways in which these processes may be controlled and resources improved. Two themes are central to the book. One is the relationship between the intuitive psychology of everybody and the psychology of the professional scientist. The other is the shift in practice from the professional as expert and controller of the therapeutic processes towards self-management by the client. This is an essential guide for both students and professionals, and for anyone who would like to bring their social processes under more control.
George Stubbs is one of the greatest of British eighteenth-century painters, with a deep and unaffected sympathy for country life and the English countryside. This fully illustrated book outlines his career, followed by a catalogue raisonne (the first since Sir Walter Gilbey's short listing of 1898) of all his known works. One of the stickiest labels in the history of British art attached itself to Stubbs as 'Mr Stubbs the horse painter'. Over half of his paintings were of horses, each founded on the pioneering observations assembled (in 1766) in his book The Anatomy of the Horse; but Stubbs's wide-ranging subjects included portraits, conversation pieces and paintings of exotic animals from the Zebra to the Rhinoceros, as well as an extraordinarily sympathetic series of portraits of dogs.
Students First. Essentials of Understanding Psychology is written around the philosophy that an effective textbook must be oriented to students: informing them, engaging them, exciting them about the field, and expanding their intellectual capabilities because when students understand psychology, they learn psychology. No matter what brings students into the introductory course and regardless of their initial motivation, Essentials of Understanding Psychology, Seventh Edition, draws students into the field and stimulates their thinking. This revision integrates a variety of elements that foster students' understanding of psychology and its impact on their everyday lives. It also provides instructors with a fully integrated supplements package to objectively gauge their students' mastery of psychology's key principles and concepts and to create dynamic lectures.
Here's a book that takes the mystery out of horse ownership, from getting your fist horse to riding it. In language that's easy to understand, Judy Chapple explains it all.
From the Publisher: Concentrating on North American and European artists from the Renaissance to the present, Artists covers the life stories of 62 sculptors, painters, architects, photographers, illustrators and designers. It also provides a view of the artists' worlds and impact of their art on society and future generations of artists.
Quintessential country home is explored in irresistible detail, from the perfect setting - whether a farmhouse on the Isle of Mull, a converted mill in Greece, or a log cabin on the coast of Maine - to each room in the house, and to the perfect outdoor room where the garden and its produce can be fully enjoyed.
In personal interviews and correspondence, the popular author discusses the relationship between herself and her characters, how she became an author, and what her daily life is like now.
Judy's Journal magazine. Filled with short stories and novels all by Judy Lunsford. Included in this collection are the following short stories: Moth to the Flame Voices Ticked Tock The Gallery Marionette Burn-Out Coming Home Also included in this issue is the complete fantasy novel The Red Dart. This collection includes a variety of genres and subject matter. Everything from light-hearted fantasy, to dark fantasy, to sicfi (Burn-Out), to light horror (Marionette). Happy reading.
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