In The Late Nineteenth Century, Americas new railroads flooded Marion with extravagant cargo: the rich and famous. For the likes of Mark Twain, Henry James and President Grover Cleveland, whose home here was known as the summer White House, Marion became a treasured sanctuary from city life. Teeming with prosperity and the blossoming arts, this hamlet offered a setting so breathtaking that it inspired some of the worlds foremost creative minds. Encouraged by The Century Magazine editor Richard Watson Gilder, prominent artists, architects, writers and celebrities flocked to Marion. Also frequented by Academy Awardwinning actress Ethel Barrymore, it was here that Charles Dana Gibson sketched his iconic Gibson Girl. Whether following First Lady Frances Clevelands trendsetting fashion or the well-publicized wedding of Cecil Clark and Richard Harding Davis, the eyes of America were firmly planted on Marions sparkling shores and glittering guests.
St. Gabriel's Episcopal Church was founded in 1871, when Adm. Andrew Harwood decided to retire in Marion, Massachusetts, and fulfill a promise that he had made to the archangel Gabriel after surviving a fierce storm at sea. Initially a church for Marion's summer residents, it became a year-round church in 1896. In 1899, the national press corps lined up outside the church to glimpse the wedding of the country's most famous journalist, Richard Harding Davis, to artist Cecil Clark. Beginning in 1913, the chapel was enhanced with 11 stained-glass windows designed for the church by Charles J. Connick, the most famous American stained-glass artist of the 20th century. The church was later expanded after the acquisition of adjacent land and the construction of a parish hall, church school buildings, and a new sanctuary. In the 1950s, the church began having full-time rectors. Today, the church has 300 family members on its rolls and will celebrate 150 years in 2021.
In The Late Nineteenth Century, Americas new railroads flooded Marion with extravagant cargo: the rich and famous. For the likes of Mark Twain, Henry James and President Grover Cleveland, whose home here was known as the summer White House, Marion became a treasured sanctuary from city life. Teeming with prosperity and the blossoming arts, this hamlet offered a setting so breathtaking that it inspired some of the worlds foremost creative minds. Encouraged by The Century Magazine editor Richard Watson Gilder, prominent artists, architects, writers and celebrities flocked to Marion. Also frequented by Academy Awardwinning actress Ethel Barrymore, it was here that Charles Dana Gibson sketched his iconic Gibson Girl. Whether following First Lady Frances Clevelands trendsetting fashion or the well-publicized wedding of Cecil Clark and Richard Harding Davis, the eyes of America were firmly planted on Marions sparkling shores and glittering guests.
The Marion Art Center was founded in 1957 by a group of amateur actors and members of St. Gabriel's Episcopal Church in Marion. The minister, John Albert, was very interested in the theater, and he organized and directed several plays put on by young members of his church who called themselves the Hornblowers. The group performed multiple plays as fundraisers for the church before they began renting the Universalist church in Marion in 1957. Today the art center owns the church building and continues, among other things, to produce plays and sponsor art exhibits in its Cecil Clark Davis Gallery. Marion Art Center documents the rich history of the center that became an active and vital part of the community.
Originally called Sippican for the Native Americans who lived here, the town of Marion has a long and rich history, which can be seen here in over two hundred beautiful photographs. Settled by twenty-nine Pilgrim families in 1678, its shores have since attracted artists, writers, and architects, as well as two U.S. presidents. Henry James's characters visited Marion in The Bostonians, and Century Magazine highlighted the summer community in its pages at the start of the twentieth century. Located on Buzzards Bay, the town of Marion has evaded the real estate development that has destroyed many historic towns. Many of the original houses built in Marion between 1690 and 1920 still remain. Each chapter in Marion is dedicated to a distinct area in this charming seaside town and to the notable people who made Marion their summer home. Old Landing, Wharf Village, Water Street, and the Tabor Academy campus are just a few of the neighborhoods captured in these pages.
Marion's relationship with the ocean has been the defining element in the small town's development since its settlement as Sippican in America's colonial era. Since 1678, generation after generation of Marion families have relied upon the opportunities a port and sea provide in both life and industry. The waters of Buzzards Bay run deep in this coastal community, and its influence leaves an indelible mark not only upon every cove, beach, and inlet, but upon the very spirit of each resident and visitor. For many, the sea is a temperamental and dangerous mistress, and Marion's affair with her is no different, for this town has experienced both great gain in wealth and horrific loss of life and property by her hands over the centuries. In Maritime Marion, Massachusetts, readers take a remarkable journey across four centuries of struggle and prosperity as a simple coastal hamlet evolves into a celebrated nautical center for shipbuilding, fishing, and racing. This unique volume, containing over 100 black-and-white illustrations, chronicles the many aspects of maritime life, from trade to recreation, including the once-prominent whaling industry, the various local saltworks, the traditions of Tabor Academy, the influence of the Marconi Wireless Telegraph Company, and the prestige of the Beverly Yacht Club. However, one of the greatest pleasures and customs of any seacoast community is its storytelling, and Maritime Marion recounts several of the town's most interesting and puzzling tales, such as the mystery of the Mary Celeste's lost crew, the tragedies of numerous hurricanes, the fate of the British warship HMS Nimrod, and the experiences of the first lighthouse keepers on Bird Island.
The Beverly Yacht Club, one of the oldest yacht clubs in America, was founded in 1872 by young men who summered in Beverly. They were upset that the newly formed Eastern Yacht Club in Marblehead refused to recognize yachts under 30 feet in length on the waterline for the races that they held. Thus, Edward and Walter Burgess (the famous yacht designer), at a supper party at their home in Boston on February 24, 1872, formally launched the Beverly Yacht Club. The first regatta was held by the club on June 22, 1872, in which 11 boats, 10 catboats, and a sloop started in three classes. For the first 23 years, the Beverly Yacht Club had no fixed abode; they held races and regattas at ports most convenient to the members. By the mid-1880s, regattas were held in Monument Beach and Marblehead, but as the Buzzards Bay membership increased, the Beverly Yacht Club leased its first clubhouse on Wings Neck in 1895. In 1913, the club moved to Marion, where it has been located ever since. The Beverly Yacht Club, one of the oldest yacht clubs in America, was founded in 1872 by young men who summered in Beverly. They were upset that the newly formed Eastern Yacht Club in Marblehead refused to recognize yachts under 30 feet in length on the waterline for the races that they held. Thus, Edward and Walter Burgess (the famous yacht designer), at a supper party at their home in Boston on February 24, 1872, formally launched the Beverly Yacht Club. The first regatta was held by the club on June 22, 1872, in which 11 boats, 10 catboats, and a sloop started in three classes. For the first 23 years, the Beverly Yacht Club had no fixed abode; they held races and regattas at ports most convenient to the members. By the mid-1880s, regattas were held in Monument Beach and Marblehead, but as the Buzzards Bay membership increased, the Beverly Yacht Club leased its first clubhouse on Wings Neck in 1895. In 1913, the club moved to Marion, where it has been located ever since.
Originally called Sippican for the Native Americans who lived here, the town of Marion has a long and rich history, which can be seen here in over two hundred beautiful photographs. Settled by twenty-nine Pilgrim families in 1678, its shores have since attracted artists, writers, and architects, as well as two U.S. presidents. Henry James's characters visited Marion in The Bostonians, and Century Magazine highlighted the summer community in its pages at the start of the twentieth century. Located on Buzzards Bay, the town of Marion has evaded the real estate development that has destroyed many historic towns. Many of the original houses built in Marion between 1690 and 1920 still remain. Each chapter in Marion is dedicated to a distinct area in this charming seaside town and to the notable people who made Marion their summer home. Old Landing, Wharf Village, Water Street, and the Tabor Academy campus are just a few of the neighborhoods captured in these pages.
The Beverly Yacht Club, one of the oldest yacht clubs in America, was founded in 1872 by young men who summered in Beverly. They were upset that the newly formed Eastern Yacht Club in Marblehead refused to recognize yachts under 30 feet in length on the waterline for the races that they held. Thus, Edward and Walter Burgess (the famous yacht designer), at a supper party at their home in Boston on February 24, 1872, formally launched the Beverly Yacht Club. The first regatta was held by the club on June 22, 1872, in which 11 boats, 10 catboats, and a sloop started in three classes. For the first 23 years, the Beverly Yacht Club had no fixed abode; they held races and regattas at ports most convenient to the members. By the mid-1880s, regattas were held in Monument Beach and Marblehead, but as the Buzzards Bay membership increased, the Beverly Yacht Club leased its first clubhouse on Wings Neck in 1895. In 1913, the club moved to Marion, where it has been located ever since. The Beverly Yacht Club, one of the oldest yacht clubs in America, was founded in 1872 by young men who summered in Beverly. They were upset that the newly formed Eastern Yacht Club in Marblehead refused to recognize yachts under 30 feet in length on the waterline for the races that they held. Thus, Edward and Walter Burgess (the famous yacht designer), at a supper party at their home in Boston on February 24, 1872, formally launched the Beverly Yacht Club. The first regatta was held by the club on June 22, 1872, in which 11 boats, 10 catboats, and a sloop started in three classes. For the first 23 years, the Beverly Yacht Club had no fixed abode; they held races and regattas at ports most convenient to the members. By the mid-1880s, regattas were held in Monument Beach and Marblehead, but as the Buzzards Bay membership increased, the Beverly Yacht Club leased its first clubhouse on Wings Neck in 1895. In 1913, the club moved to Marion, where it has been located ever since.
The Marion Art Center was founded in 1957 by a group of amateur actors and members of St. Gabriels Episcopal Church in Marion. The minister, John Albert, was very interested in the theater, and he organized and directed several plays put on by young members of his church who called themselves the Hornblowers. The group performed multiple plays as fundraisers for the church before they began renting the Universalist church in Marion in 1957. Today the art center owns the church building and continues, among other things, to produce plays and sponsor art exhibits in its Cecil Clark Davis Gallery. Marion Art Center documents the rich history of the center that became an active and vital part of the community.
Marion's relationship with the ocean has been the defining element in the small town's development since its settlement as Sippican in America's colonial era. Since 1678, generation after generation of Marion families have relied upon the opportunities a port and sea provide in both life and industry. The waters of Buzzards Bay run deep in this coastal community, and its influence leaves an indelible mark not only upon every cove, beach, and inlet, but upon the very spirit of each resident and visitor. For many, the sea is a temperamental and dangerous mistress, and Marion's affair with her is no different, for this town has experienced both great gain in wealth and horrific loss of life and property by her hands over the centuries. In Maritime Marion, Massachusetts, readers take a remarkable journey across four centuries of struggle and prosperity as a simple coastal hamlet evolves into a celebrated nautical center for shipbuilding, fishing, and racing. This unique volume, containing over 100 black-and-white illustrations, chronicles the many aspects of maritime life, from trade to recreation, including the once-prominent whaling industry, the various local saltworks, the traditions of Tabor Academy, the influence of the Marconi Wireless Telegraph Company, and the prestige of the Beverly Yacht Club. However, one of the greatest pleasures and customs of any seacoast community is its storytelling, and Maritime Marion recounts several of the town's most interesting and puzzling tales, such as the mystery of the Mary Celeste's lost crew, the tragedies of numerous hurricanes, the fate of the British warship HMS Nimrod, and the experiences of the first lighthouse keepers on Bird Island.
St. Gabriel's Episcopal Church was founded in 1871, when Adm. Andrew Harwood decided to retire in Marion, Massachusetts, and fulfill a promise that he had made to the archangel Gabriel after surviving a fierce storm at sea. Initially a church for Marion's summer residents, it became a year-round church in 1896. In 1899, the national press corps lined up outside the church to glimpse the wedding of the country's most famous journalist, Richard Harding Davis, to artist Cecil Clark. Beginning in 1913, the chapel was enhanced with 11 stained-glass windows designed for the church by Charles J. Connick, the most famous American stained-glass artist of the 20th century. The church was later expanded after the acquisition of adjacent land and the construction of a parish hall, church school buildings, and a new sanctuary. In the 1950s, the church began having full-time rectors. Today, the church has 300 family members on its rolls and will celebrate 150 years in 2021.
Marion's relationship with the ocean has been the defining element in the small town's development since its settlement as Sippican in America's colonial era. Since 1678, generation after generation of Marion families have relied upon the opportunities a port and sea provide in both life and industry. The waters of Buzzards Bay run deep in this coastal community, and its influence leaves an indelible mark not only upon every cove, beach, and inlet, but upon the very spirit of each resident and visitor. For many, the sea is a temperamental and dangerous mistress, and Marion's affair with her is no different, for this town has experienced both great gain in wealth and horrific loss of life and property by her hands over the centuries. In Maritime Marion, Massachusetts, readers take a remarkable journey across four centuries of struggle and prosperity as a simple coastal hamlet evolves into a celebrated nautical center for shipbuilding, fishing, and racing. This unique volume, containing over 100 black-and-white illustrations, chronicles the many aspects of maritime life, from trade to recreation, including the once-prominent whaling industry, the various local saltworks, the traditions of Tabor Academy, the influence of the Marconi Wireless Telegraph Company, and the prestige of the Beverly Yacht Club. However, one of the greatest pleasures and customs of any seacoast community is its storytelling, and Maritime Marion recounts several of the town's most interesting and puzzling tales, such as the mystery of the Mary Celeste's lost crew, the tragedies of numerous hurricanes, the fate of the British warship HMS Nimrod, and the experiences of the first lighthouse keepers on Bird Island.
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