A powerful—and empowering—gathering of women’s voices transmitting Judaism’s Passover legacy to the next generation. The Women’s Passover Companion offers an in-depth examination of women’s relationships to Passover as well as the roots and meanings of women’s seders. This groundbreaking collection captures the voices of Jewish women—rabbis, scholars, activists, political leaders and artists—who engage in a provocative conversation about the themes of the Exodus and exile, oppression and liberation, history and memory, as they relate to contemporary women’s lives. Whether seeking new insights into the text and traditions of Passover or learning about women’s seders for the first time, both women and men will find this collection an inspiring introduction to the Passover season and an eye-opening exploration of questions central to Jewish women, to Passover and to Judaism itself.
This collection of stories with accompanying essays is meant for all readers who are, or who might be interested in, "women like us." The readers will encounter allegories both Jungian and socio-political, classic fairytales cheerfully allowed to subvert themselves or lured towards unexpected new completions, dream narratives, and diverse chick-lit stories gone grippingly awry
The essays in Gender Studies explore relationships between gender and creativity, identity, and genre within the context of literary analysis. Some of the essays are psychoanalytic in approach in that they seek to discover the sexual dynamic/s involved in the creation of literature as an art form. Still others attempt to isolate and examine the sexual attitudes inherent in the works of particular authors or genres, or to determine how writers explore the sensibilities of each gender.
Judith Lomax was born into a world of emerging Evangelical fervor and tightly prescribed gender roles. Her own unique vision of evangelical Christian faith and the strength it instilled shaped her life. A record of her experience as an independent Southern woman in a patriarchal religious and social culture survives in the form of a devotional journal covering her mature years, 1819-1827. Journal entries include reflections on sermons, accounts of worship rituals, tales of life among her circle of evangelical companions, theologically dense religious poetry, and intimate devotional meditations which sprang from her personal and communal religious experience. Witty, thoughtful, and persistent, she lived as an individual bereft of traditional earthly attachments and support, yet bolstered by her complete devotion to evangelical Christianity and to her "Heavenly Bridegroom.
This catalogue accompanies the exhibition "Judith Godwin: Paintings, 1954-2002." It includes color illustrations of the eighteen works included in the show, an introduction by Ira Spanierman, and essays by Lowery Stokes Sims and David Ebony.
In the spring of 1967, James Merrill taught a creative writing course in poetry at the Univ. of Wisconsin. Judith Moffett was a graduate student in the course. The two connected in Madison, and in the years that followed, during which Moffett completed her degree and embarked on a teaching career, Merrill served in the role of mentor, encouraging her writing and critiquing seriously the poems she sent him. Their friendship--conducted mainly through letters, as they were seldom in the same location--developed and deepened. From the start Moffett had found her mentor's poetry uniquely mesmerizing. She reviewed his books as they appeared, and a literary-critical study of his work--James Merrill: An Introduction to the Poetry--was published in 1984 by Columbia University Press. And through it all they wrote to each other. Merrill, one of the last great correspondents to write on paper, sent Moffett hundreds of letters, including many that covered his years at work on his Ouija board trilogy, The Changing Light at Sandover. Unlikely Friends quotes extensively from these letters--letters which comprise a treasure trove of insight into Merrill's thinking and poetic practice. Scholars and critics will find them fascinating.Other readers may be engaged with the mysterious psychological side of their story. For the course of the relationship was complicated, sometimes tortuous, owing to the fact that almost at once Moffett's feelings about the gay poet approached obsession. Both found her feelings difficult to deal with, and it would be long years before the driving force behind the strange attraction became clear and allowed the obsessive quality to fade out of the friendship. But despite the awkwardness and tension which that obsession created between them for so long, Merrill remained faithful in his support of Moffett's work and career in poetry. Moreover, he continued to keep faith after she had left poetry for science fiction. Through all its ups and downs, their unlikely friendship endured until Merrill's death in 1995.
From a cotton plantation in south Alabama, to a seat on the Federal Bench in Tennessee, Ruth The Life of Ruth McDowell Kinnard: Rememberances of Her Family and Friends McDowell Kinnard was at the forefront of her generation of women, setting standards in her professional life that are still hard to achieve. But she was even better known as a woman of grace and beauty whose spiritual journey, fueled by her deep compassion, touched all around her. Like the jeweled shards of glass fit together by the artist's hand into windows of Saints in her beloved church, this book brings together voices of love and admiration to create a mosaic of an extraordinary life. It can provide a pathway to a life well lived and loved.
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