This book explores the role of the ubiquitous nurse character found in over one hundred operas and provides insight into opera nurses’ unique musical and dramatic journey from servant to sister, and women’s perceived place and status on the opera stage and in society.
Citation Tracking in Academic Libraries: An Overview presents results from the overarching need for researchers to get relevant advice for their scholarly pursuits. This is even more critical in the fast changing environment, where even those who are established scholars find the new scholarly publishing paradigm hectic, and amateurs get easily intimidated. In the wake of the competitive ranking of universities, there is an added requirement for faculty to be involved with research activities so they can enhance the standing of their parent institutions. That means there is a need to use valid and authentic platforms for publishing. Making reference to already existing texts and answering questions that have been encountered by the author, the book is compiled to make easy, short, and concise reading that is an overview on the tracking of citations. Besides giving suggestions on how academic librarians can provide support to scholars, it includes the benefit of having librarians who are also scholars. - Explains the role of the academic library in citation tracking matters - Presents an explanation of what the academic librarian does in the scholarly publishing arena - Articulates the role of a research agenda in giving direction to research activities - Provides reasons to discuss the collaborative nature of library work and other offices of the university that support scholarly productivity
“The theatre scholar’s daunting but irresistible quest to recover some echoes of performance of the past has never been more engagingly presented than in Pascoe’s account of tracing the long-silenced voice of Sarah Siddons. Her report is a warm, witty, and highly informative exploration of the methodology and the pleasures of historical research.” —Marvin Carlson, author of The Haunted Stage: The Theatre as Memory Machine During her lifetime (1755–1831), English actress Sarah Siddons was an international celebrity acclaimed for her performances of tragic heroines. We know what she looked like—an endless number of artists asked her to sit for portraits and sculptures—but what of her famous voice, reported to cause audiences to hyperventilate or faint? In The Sarah Siddons Audio Files, Judith Pascoe takes readers on a journey to discover how the actor’s voice actually sounded. In lively and engaging prose, Pascoe retraces her quixotic search, which leads her to enroll in a “Voice for Actors” class, to collect Lady Macbeth voice prints, and to listen more carefully to the soundscape of her life. Bringing together archival discoveries, sound recording history, and media theory, Pascoe shows how romantic poets’ preoccupation with voices is linked to a larger cultural anxiety about the voice’s ephemerality. The Sarah Siddons Audio Files contributes to a growing body of work on the fascinating history of sound and will engage a broad audience interested in how recording technology has altered human experience.
Synthesizing decades of work, but up-to-date, this book focuses on organism-level responses to pollutants by marine animals, mainly crustaceans, molluscs, and fishes. Emphasizing effects on physiological processes (feeding/digestion, respiration, osmoregulation), life-cycle (reproduction [including endocrine disruption], embryo development, larval development, developmental processes later in life (growth, regeneration, molting, calcification, cancer), and behaviour, the book also covers bioaccumulation and detoxification of contaminants, and the development of tolerance. The major pollutants covered are metals, organic compounds (oil, pesticides, industrial chemicals), nutrients and hypoxia, contaminants of emerging concern, and ocean acidification. Some attention is also devoted to marine debris and noise pollution.
This wide range of letters reminds us of Judith Wright's deep engagement with life, her love of the world (and of friends), and the fine fury that led her to battle so courageously on the world's behalf.
Maggie Tyrell believes in happy endings. Her brothers run Tyrell Investigative Services and spend their days getting the dirt on cheating spouses and scam artists, but Maggie wants none of that. She sets up her own agency, “Finders, keepers,” to locate lost lovers and bring them together. Noah Davis’s lover is lost. He and Sisela agreed to marry, but before they took that step, they decided to spend one year apart, pursuing their separate dreams. Noah wanted to travel around the world. Sisela wanted to see if she could make it as a popular singer. A year later, he’s ready to settle down and she’s nowhere to be found. Maggie promises to find Sisela—and discovers that happy endings aren’t necessarily as easy to find as lost lovers. For one thing, Sisela is no longer the woman she was when Noah proposed to her. For another, Maggie realizes she’s falling in love with Noah. Her job is to create happy endings for others. Does that mean she can never have her own happy ending?
This comprehensive and up-to-date dictionary provides all the information necessary for dance fans to navigate the diverse dance scene of the 21st century. It includes entries ranging from classical ballet to the cutting edge of modern dance.
From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal. The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre. As with other titles from the Inside Film series, the book is illustrated throughout with stills. Each chapter concludes with a list of suggested further reading in the field.
Anna Brownwell Jameson (1794-1869) was a central figure in the London world of letters and art in the early Victorian period, and an important feminist writer. Her friends included such figures as Harriet Martineau, Lady Byron, Robert Browning and Elizabeth Barrett Browning. This study considers her life and works, using a different Jameson work as the central focus of each chapter. The author considers the particular non-fiction discourse in which the work is written, as well as such issues as gender and colonialism. Arranged chronologically, the book also charts the growth and development of a determined feminism in the vital years of the early Victorian period, and compares Jameson to her contemporaries.
When Gillian Chappell and Owen Moore meet by chance in Verona, Italy, their relationship seems as doomed as that of the city’s most famous tragic lovers, Romeo and Juliet. Little do Gillian and Owen know that the ghosts of Romeo and Juliet are guiding them, hoping to steer them to the happy ending Romeo and Juliet had dreamed of for themselves. But like Shakespeare’s hero and heroine, Gillian and Owen are star-crossed, forced to deal with historic feuds, meddlesome friends and relatives, and their own irrational longing for each other. From Verona, Italy to Verona, New Jersey, Owen fights for everything Gillian’s family has always fought against, and Gillian tries to defend her beloved father while her heart cries out for Owen’s love. Romeo and Juliet may have brought them together, but the stars alone will determine their fate.
This wide-ranging study uses close readings of texts by Marlowe, Shakespeare, Webster, Middleton and Ford to investigate the intersections of erotic desire and dramatic form in the early modern period, considering to what extent disruptive desires can successfully challenge, change or undermine the structures in which they are embedded.
What Persists contains eighteen of the nearly fifty essays on poetry that Judith Kitchen published in The Georgia Review over a twenty-five-year span. Coming at the genre from every possible angle, this celebrated critic discusses work by older and younger poets, most American but some foreign, and many of whom were not yet part of the contemporary canon. Her essays reveal a cultural history from the dismantling of the Berlin Wall, through 9/11 and the Iraq War, and move into today's political climate. They chronicle personal interests while they also make note of what was happening in contemporary poetry by revealing overall changes of taste, both in content and in the use of craft. Over time, they fashion a comprehensive overview of the contemporary literary scene. At its best, What Persists shows what a wide range of poetry is being written--by women, men, poets who celebrate their ethnicity, poets who show a fierce individualism, poets whose careers have soared, promising poets whose work has all but disappeared.
Examines the origins of the deicide accusation, the claim that the Jews killed Jesus, which has always been the main antisemitic cliché. Although St. Paul, who made the sacrifice of God's son a centerpoint of the new religion, can be regarded as the inventor of Christian antisemitism, he did not level the accusation of deicide against the Jews. Argues that it was the authors of the Synoptic Gospels, who wanted both to placate the Roman rulers by diverting the guilt from them and to dissociate themselves from Jewish nationalism after 70 CE, who accused the Jews. The image of Abraham's sacrifice always lurked behind the Crucifixion in Christian theology; Isaac was regarded as a spiritual ancestor of Christians. Abraham's sacrifice which was thwarted by God posed a theological problem for Christianity: if God prohibited the sacrifice of children, how could He sacrifice His own son? The problem was solved by diverting the accusation of infanticide from God to His people. In the Middle Ages, the notion that the Jews were capable of killing children was transformed into the belief in ritual murder. Scenarios of many blood libels included crucifixion of the victim. In the views of that epoch, the Jews needed to consume Christian blood because it was their only substitute for the Eucharist, essential for salvation. The image of the Jew as a ritual murderer, and at the same time the devil's henchman and a traitorous Judas, was adopted by classical English literature, the most striking example of which is Shakespeare's Shylock.
Fast paced, high adventure and a sizzling romance, Tender Fortune keeps the reader gripped from page one." ~Margaret Watkins, eBook Discovery Reviewer --The Son of an English Lord Turns American Smuggler and Falls In Love With an English Fugitive Hiding in the Colonies in the Historical Romance High Adventure,Tender Fortune, by Judith French-- As Charity Brown glides down the grand staircase of Maryland's finest estate, no one suspects she is an escaped prisoner of the Crown, sentenced to 30 years slave labor. Charity's plan: secure her new-found identity and her future with a good marriage. Then Jamie Drummond arrives. Masquerading as a dissolute son of an English lord, Jamie is a smuggler on the run who can offer Charity nothing... except a passion that sets her ablaze. Surrendering to desire could send them both to the gallows. But rolling fate's dice and shedding their masquerades may well earn a bounty far greater than either imagined, if it does not first burn their hopes to ashes. Publisher's Note: An impeccably researched, masterful work that tells the tale of adventure, strife and romance surrounding the birth of a new nation. Readers who enjoy quality historical romance by authors such as Colleen French, Christi Caldwell, Lauraine Snelling, Adriana Trigiani, Mary Balogh, Sabrina Jeffries, Candace Camp and Stephanie Lauens will enjoy this historical fiction series. ". . . full of a rich history of colonialism, so many superb and endearing characters from "Father Brady" to Aunt Elizabeth to Lord Beauford, and action packed dangerous adventures." ~Sharon Thomas "Trials and tribulations. Ups and downs. The characters keep you guessing and have multiple OMG moments as well as "are you kidding me"." ~Michelle Maynard TRIUMPHANT HEARTS SERIES in order Defiant Love Tender Fortune Bold Surrender By Love Alone AWARDS: Career Achievement Award for American Historicals, Romantic Times Best Historical American Romance of the Year, Affaire de Coeur
Who or whom? Lay or lie? Conjunction, pronoun, predicate, or gerund? If such questions and terms leave you scratching your head, you need the hip and fun follow-up to NITTY-GRITTY GRAMMAR. With a new, easy-to-use alphabetical format and the same winning formula of wacky cartoons, off-the-wall examples, and catchy reminders, MORE NITTY-GRITTY GRAMMAR will help you sidestep common bloopers, untangle your malapropisms, secure those dangling modifiers, and teach you to speak and write with clarity and confidence.
Aquatic Center Marketing delivers practical, affordable, and innovative marketing ideas for aquatic facilities of any type and size to increase membership, boost attendance, establish their image in the community, and reinforce the value of aquatics as an enjoyable lifelong activity.
Scenes especially selected for young thespians -- taken from such major plays as The Effect of Gamma Rays and Member of the Wedding -- are supplemented with acting tips, preparatory exercises, and directions.
This proven resource covers every issue that affects family life. The third edition includes updates to all chapters and the inclusion of current research.
A lot can change in six years. The last time Dylan Scott was in Brogan’s Point, he was a nobody. Now he’s rich and famous. But he still has memories of the charming seaside New England town where he’d spent one unforgettable night with Gwen Parker, a local shop clerk who’d wanted nothing more than a no-strings-attached fling. Six years later, she’s still in town—only now she owns the shop. She’s practically engaged to be married. And she’s got a five-year-old daughter who looks an awful lot like Dylan. One thing hasn’t changed in Brogan’s Point: the antique jukebox in the Faulk Street Tavern. It still plays oldies, and those oldies can still cast spells over the tavern’s patrons. When the jukebox plays “Angel at Sunrise,” Dylan and Gwen realize that walking away from what they’d once had might have been the biggest mistake of their lives. Now, six years later, is it too late to make things right?
This major new collection of essays by leading scholars of Renaissance Italy transforms many of our existing notions about Renaissance politics, economy, social life, religion, medicine, and art. All the essays are founded on original archival research and examine questions within a wide chronological and geographical framework - in fact the pan-Italian scope of the volume is one of the volume's many attractions.Gender and Society in Renaissance Italy provides a broad, comprehensive perspective on the central role that gender concepts played in Italian Renaissance society.
Digital Libraries: Policy, Planning and Practice brings together a wealth of international experience in the planning and implementation of digital and hybrid library projects, providing a stimulating and informative handbook and reference for library staff and information managers. It consists of chapters contributed by leading specialists from Europe, North America, South Africa and the Middle East, who offer their insight into the decision-making processes that have shaped a variety of different digitization programmes. Beginning with introductory overviews of the digital library context, the US Digital Library Program and the UK e-lib and hybrid library programmes, Digital Libraries then divides into two main sections on policy and planning, and implementation and practice. The first explores concerns such as financial and resource planning, digitized compared to born-digital content and related service issues, open access to scholarly research archives, policies for and against preservation and their justification, and evaluating electronic information services. The second section is based on case studies on major European and North American digital library projects, including the Glasgow Digital Library, UCEEL (University of Central England Electronic Library), the Networked Digital Library of Theses and Dissertations (discussed in the context of five international projects), the Indiana University music Variations and Variations2 Project, and the beginnings of the Library of Congress digital program and its integration into core library services. The concluding chapter discusses the way forward for digital libraries in the context of experiences at Tilburg University library, and possible enabling or limiting factors in the future. The result of drawing together these varied and illuminating experiences is a book that offers useful information and comparisons for all digital library project staff, institutional administrators, educators and developers of learning technology. It also provides useful pointers for researchers and project staff involved in archive and museum projects, as well as introducing students to the key ingredients of successful digital libraries.
This issue of Surgical Pathology Clinics, edited by Dr. Judith V.M.G. Bovée, will discuss the latest updates in Bone Tumor Pathology. Topics covered in this issue include, but are not limited to Molecular pathology of bone tumors; Ewing sarcoma; Ewing-like tumors; Vascular tumors of bone; Giant cell containing tumours of bone; Cartilaginous tumours; bone forming tumours; jaw tumours, among others.
Considers the reputations and biographical portrayal of three innovative and controversial writers: Mary Elizabeth Braddon, Wilkie Collins and William Thackeray. These anthologies of contemporary biographical material shed light on the processes at work in the establishment of a public image and a critical reputation.
Teaching in Nursing, 4th Edition is the only nursing text to address all three components of education -- teaching, curriculum, and evaluation. Comprehensive guidelines help you meet the day-to-day challenges of teaching, including curriculum development, the diversity of student learning styles, and developing and using classroom tests. This edition has been updated with information on the latest trends in education including new information on the use of simulations to facilitate learning, the latest on competency-based and concept-focused curricula, developing learner-centered courses, and more. Edited by expert nursing educators Diane M. Billings and Judith A. Halstead, Teaching in Nursing is a past winner of the AJN Book of the Year award, and is an excellent resource for nurses preparing to take the Certified Nurse Educator (CNE) Exam. The only nursing resource to cover teaching, curriculum, and evaluation of students -- the three essential components of nursing education. Contributing authors are nationally recognized scholars in their fields of expertise. Models of teaching are used to demonstrate clinical teaching, teaching in interdisciplinary setting, how to evaluate students in the clinical setting, and how to adapt teaching for community-based practice. Teaching strategies promote critical thinking and active learning, including evaluation techniques, lesson planning, and constructing examinations. Evidence-based teaching boxes explain how to practice and apply evidence-based teaching, with implications for faculty development, administration, and the institution. End-of-chapter summaries let you draw conclusions based on the chapter content. Open-ended application questions at the end of each chapter are ideal for faculty-guided discussion and online education. Up-to-date research looks ahead to the needs of the future.
Add No Vulgar Hotel to the list of books you must read before you come to Venice." —Donna Leon This is the definitive book for managing an incurable passion for a decaying, waterlogged village. Whether you already have a raging case of Venetophilia or are among the fifteen million people who yearly put themselves in danger of contracting it, here is where you get your fix of Venetian wit, history, practicality, and enchantment.
Writing about Literature combines detailed practical and scholarly advice with a sense of the scope and creative possibilities of literary criticism, empowering the student reader to make his or her own discoveries and experiments with language. In addition, it gives valuable guidance on adult language learning and translation skills for students of foreign literature. This handy, accessible guide covers all aspects of the essay-writing process, including: preliminary reading and choosing and researching a topic referencing and presentation computer use style, structure, vocabulary, grammar and spelling the art and craft of writing scholarly and personal insights into the problems and pleasures of writing about literature. Written in an entertaining and informative way and containing a wealth of practical advice and scholarly insights, this wise, witty and helpful book should be on every literature student's bookshelf.
An autobiography and selected writings by the former Chief Judge of New York’s highest court, the Court of Appeals. In 1983, Judith S. Kaye (1938–2016) became the first woman appointed to the Court of Appeals, New York’s highest court. Ten years later, she became the first woman to be appointed chief judge of the court, and by the time she retired, in 2008, she was the longest-serving chief judge in the court’s history. During her long career, she distinguished herself as a lawyer, jurist, reformer, mentor, and colleague, as well as a wife and mother. Bringing together Kaye’s own autobiography, completed shortly before her death, as well as selected judicial opinions, articles, and speeches, Judith S. Kaye in Her Own Words makes clear why she left such an enduring mark upon the court, the nation, and all who knew her. The first section of the book, Kaye’s memoir, focuses primarily on her years on the Court of Appeals, the inner workings of the court, and the challenges she faced, as chief judge, in managing a court system populated by hundreds of judges and thousands of employees. The second section, a carefully chosen selection of her written opinions (and occasional dissents), reveals how she guided the law in New York State for almost a quarter century with uncommon vision and humanity. Her decisions cover every facet of New York and federal law and have often been quoted and followed nationally. The final section of the book includes selections from her numerous articles and speeches, which cover the field, from common law jurisprudence to commercial law to constitutional analysis, all with an eye to the future and, above all, how the law can best affect the everyday lives of people who come to court—willingly or unwillingly—including, not least, those most in need of the law. BACK FLAP “Judith Kaye was one of the most admired judges in the nation—and a wonderful, real, often funny person as well. This collection captures the full range of the judge and the woman, and it serves as a great reminder of her enduring legacy.” — Jeffrey Toobin “An extraordinary woman, jurist, and leader who had a striking impact on the law and the administration of justice in New York State and beyond. This collection is more than a simple record of a remarkable life. It is a treasure—not only for those of us who knew and admired Judith but for all who may seek to understand and appreciate the profound impact she had on the law, the legal profession, and the administration of justice.” — from the Foreword by Honorable Janet DiFiore
As befitting her name, lovely Submit Channing-Downes was the proper, obedient wife of an aging Marquess--until her husband′s death left her penniless and alone...with one final obligation to fulfill. Entrusted with delivering a small black box to its rightful owner, she calls upon Graham Wessit, the notorious Earl of Netham, whose life has been marred by rumor and scandal. But Graham wants nothing to do w/ her gift. Fate however, has entwined these two lives in astonishing ways neither Submit nor Graham could ever imagine.
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