This lavishly illustrated volume of sumptuous, timeless rooms finished with impeccable detail from around the U.S. and abroad will become a key addition to any interior design library and will be a great gift for anyone who appreciates classic interior design.
Interior designer Richard Mishaan believes that all furniture and decorative accessories with inherently good form can be combined successfully regardless of style, period, or price. He creates exuberant, bold, glamorous spaces known for their masterful use of art that are nevertheless comfortable above all. In his work, every room is treated to at least one small luxury: bespoke embroidery on a wall covering, a shimmery midcentury Murano-glass chandelier, or a screen covered in wallpaper patterned like malachite. Mishaan believes that the best interiors are layered and rich. He skillfully brings together furnishings and objects from myriad eras—Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier—in a contemporary fusion style that has become his signature. This volume covers Mishaan’s best work since 2009 and includes a dozen spaces of every scale, from gemlike city apartments to Hamptons estates and the presidential suite at the St. Regis Hotel. Throughout, he weaves tips on how to live well in any size dwelling; full-color photography illustrates his ideas for truly personalizing spaces and for injecting areas devoted completely to comfort in every room.
Traces the history of the Omaha Indians from 1790, through the years under Chief Black Bird, to their confinement to a reservation in the 1850s and the loss of most of their land in 1916
The Pawnees have appeared in many historical documents, from early Spanish accounts and journals of American explorers and adventurers to fascinating accounts of daily life by Quaker agents and Presbyterian missionaries during the nineteenth century. In recent years, Pawnee activists have taken the lead in the repatriation struggle and have fought for respectful burials of their ancestors' remains. This is the first comprehensive bibliography of the Pawnees, examining a wide spectrum of books and journals on Pawnee history, culture, and ethnology. Chapters are devoted to topics such as: Pawnee archaeology and anthropology, Myths and legends, Social organization, Material culture, Music and dance, Religion, Education, Repatriation. Entries are thoroughly annotated and evaluated, making this up-to-date research tool essential for historians, ethnologists, and other Pawnee researchers.
An NPR 2023 "Books We Love" Pick • A Kirkus Best Nonfiction Book of 2023 A landmark biography that reclaims Ella Fitzgerald as a major American artist and modernist innovator. Ella Fitzgerald (1917–1996) possessed one of the twentieth century’s most astonishing voices. In this first major biography since Fitzgerald’s death, historian Judith Tick offers a sublime portrait of this ambitious risk-taker whose exceptional musical spontaneity made her a transformational artist. Becoming Ella Fitzgerald clears up long-enduring mysteries. Archival research and in-depth family interviews shed new light on the singer’s difficult childhood in Yonkers, New York, the tragic death of her mother, and the year she spent in a girls’ reformatory school—where she sang in its renowned choir and dreamed of being a dancer. Rarely seen profiles from the Black press offer precious glimpses of Fitzgerald’s tense experiences of racial discrimination and her struggles with constricting models of Black and white femininity at midcentury. Tick’s compelling narrative depicts Fitzgerald’s complicated career in fresh and original detail, upending the traditional view that segregates vocal jazz from the genre’s mainstream. As she navigated the shifting tides between jazz and pop, she used her originality to pioneer modernist vocal jazz. Interpreting long-lost setlists, reviews from both white and Black newspapers, and newly released footage and recordings, the book explores how Ella’s transcendence as an improvisor produced onstage performances every bit as significant as her historic recorded oeuvre. From the singer’s first performance at the Apollo Theatre’s famous “Amateur Night” to the Savoy Ballroom, where Fitzgerald broke through with Chick Webb’s big band in the 1930s, Tick evokes the jazz world in riveting detail. She describes how Ella helped shape the bebop movement in the 1940s, as she joined Dizzy Gillespie and her then-husband, Ray Brown, in the world-touring Jazz at the Philharmonic, one of the first moments of high-culture acceptance for the disreputable art form. Breaking ground as a female bandleader, Fitzgerald refuted expectations of musical Blackness, deftly balancing artistic ambition and market expectations. Her legendary exploration of the Great American Songbook in the 1950s fused a Black vocal aesthetic and jazz improvisation to revolutionize the popular repertoire. This hybridity often confounded critics, yet throughout the 1970s and 1980s, Ella reached audiences around the world, electrifying concert halls, and sold millions of records. A masterful biography, Becoming Ella Fitzgerald describes a powerful woman who set a standard for American excellence nearly unmatched in the twentieth century.
Ray Booth’s debut monograph presents curated home interiors by this master of modern elegance. Trained as an architect, designer Ray Booth’s distinctively elegant, strikingly evocative spaces exude modernism while reflecting a sense of place and history. Booth’s creativity is palpable in spectacular homes demonstrating his ability to harmonize open-plan interiors with the surrounding landscape. Presented here are Booth’s most celebrated Nashville residences and never-before-seen projects in Palm Beach, Louisiana, New York, Texas, and the Hamptons. Each illustrates his innovative use of furniture as architecture to define rooms, draperies in place of walls, captivating displays of art and mirrors, and an eclectic mix of antiques and contemporary pieces. Among the house profiles is Booth’s Nashville home, which shows the influence of Frank Lloyd Wright and the Prairie School, and reveals his appreciation for traditional materials, particularly large expanses of glass, masonry, and wood. Within a new home or one with a history, Booth applies a fresh vision for today’s living, including fabrics and furnishings accentuating his modern style. Evocative Interiors brings to the fore the work of this leading designer.
Interior designer Richard Mishaan believes that all furniture and decorative accessories with inherently good form can be combined successfully regardless of style, period, or price. He creates exuberant, bold, glamorous spaces known for their masterful use of art that are nevertheless comfortable above all. In his work, every room is treated to at least one small luxury: bespoke embroidery on a wall covering, a shimmery midcentury Murano-glass chandelier, or a screen covered in wallpaper patterned like malachite. Mishaan believes that the best interiors are layered and rich. He skillfully brings together furnishings and objects from myriad eras—Italian neoclassic, seventeenth-century French, African tribal, Art Deco, Biedermeier—in a contemporary fusion style that has become his signature. This volume covers Mishaan’s best work since 2009 and includes a dozen spaces of every scale, from gemlike city apartments to Hamptons estates and the presidential suite at the St. Regis Hotel. Throughout, he weaves tips on how to live well in any size dwelling; full-color photography illustrates his ideas for truly personalizing spaces and for injecting areas devoted completely to comfort in every room.
This lavishly illustrated volume of sumptuous, timeless rooms finished with impeccable detail from around the U.S. and abroad will become a key addition to any interior design library and will be a great gift for anyone who appreciates classic interior design.
Modern maximalist designer Philip Mitchell reveals his talent for blending collections, family heirlooms, contemporary art, and accessories in visually creative environments that are brimming with personality, color, authenticity, and warmth. The elegant, clean classicism of Philip Mitchell’s style is on full display in these homes, where he masterfully incorporates a wide-ranging mix of antiques, vintage collectibles, and contemporary pieces—everything from inherited furniture collections to modern art—in rooms that are filled with memories and warmth. As a master of what he calls modern maximalism, Mitchell embraces the challenge of taking wonderful things that a homeowner already has and making more of them. Once Mitchell has established a connecting thread among a variety of disparate pieces—whether through finish, material, scale, color, texture, or line—he starts the process of building the relationships that bring a space to life. Brilliant photographs take readers on in-depth tours of nine homes, ranging from an elegant Upper East Side pied-à-terre to a classic cottage on the water in Nova Scotia. Mitchell’s personal narrative in elegant text enlightens, while his takeaways accompanying each home help readers understand how to blend new and old, mix colors and patterns, and fill a home with an eclectic mix that is truly their own.
From AD100 landscape architect Edmund Hollander, a collection of spectacular projects celebrating the way we live outdoors, from pastoral retreats to seaside escapes to rooftop refuges. In this book, Hollander explores the idea of home as the natural surroundings that people live in: a place of living, changing beauty, refuge, and above all, joy, where family and friends gather to create a lifetime of memories. The book presents homes in the countryside, along the coast, and in town—and features a rich diversity of projects, from country estates to rooftop gardens. Throughout, Hollander discusses essential elements in his firm’s work: the importance of the procession of entry to a house, as well as its context in the landscape; the positioning of plant life and trees; the way people move into and through a property; and the way a garden looks and changes through the seasons. Within each project there are a striking variety of components—outdoor rooms for living and lounging, including oceanside hearths, infinity pools, and verdant dining spaces, as well as pollinator gardens, naturalistic meadows, and tranquil allées. Site maps illuminate each site, and the images capture moments large and small, from views of winding pathways to a vine-covered arbor and a rabbit enjoying flowers at dawn.
For her second Rizzoli book, well-known interior designer, consummate hostess, and world traveler Stephanie Stokes presents inspiring tables set with irresistible items accumulated on her far-flung journeys that will help you create imaginative tabletops. The World at Your Table features transporting tablescapes set with evocative, eye-catching, and exotic items this adventurous spirit has gathered over the years. To enliven her tabletops, Stokes creates experiences in miniature using china, glassware, linens, candlesticks, and cutlery from such widely different destinations as Japan, Cartagena, Budapest, and London. Each conjures the spirit of a particular place: Palm Beach’s tropical lushness, Provence’s remarkable charm, Portugal’s artisanal refinement, and so much more. By pairing her travel photography with the featured tables, she illustrates how incorporating the treasures collected on one’s travels can capture, express, and spark fresh memories at home. Throughout, Stokes discusses the design principles that inform her choices—from color palettes to indigenous materials. There is also a section on storage. This enchanting tabletop survey is for those who love design, entertaining, and travel—and the idea of incorporating beloved things purchased from far and wide into impressionistic tabletops.
One of today’s most celebrated and influential design firms creates eclectic, inspired, and quietly virtuosic interiors across the style spectrum—from bohemian glamour to country charm, sophisticated modern, and historically informed—for clients as individual in taste as Anna Wintour and Jessica Chastain. Here the Carriers showcase homes that express their clients’ personalities and dreams, through the practical filters of lifestyle and place—and reveal the design principles behind them. Their range spans a historic, art-filled New York duplex, replete with period vestiges, to an updated Mediterranean-style Southern California house with an art deco–era core, and a refreshed Connecticut lakeside retreat with glass expanses that capture the views. Discrete touches throughout lift the overall effect. For example, a cashmere-covered sofa transforms a library into a space not only for reading but also for contemplation while vibrant, orange leather lining turns kitchen cabinets from a necessity into an incredible luxury. This stunning book will appeal to design fans interested in chic, livable spaces.
In the Image of God: A Feminist Commentary on the Torah is a unique blend of traditional Judaism and radical feminism and is a groundbreaking commentary on the Bible, the central document of Jewish life. Using classical Jewish sources as well as supplementary material from history, anthropology, sociology, psychology, ancient religion, and feminist theory, Judith Antonelli has examined in detail every woman and every issue pertaining to women in the Torah, parshah by parshah. The Torah is divided into fifty-four portions; each portion, or parshah, is read in the synagogue on the Sabbath (combining a few to make a yearly cycle of readings). This book is modeled on that structure; hence there are fifty chapters, each of which corresponds to a parshah. One may, therefore, read this book from beginning to end or use it as a study guide for the parshah of the week. The reader will discover in these pages that the Torah is not the root of misogyny, sexism, or male supremacy. Rather, by looking at the Torah in the context in which it was given, the pagan world of the ancient Near East, it becomes clear that far from oppressing women, the Torah actually improved the status of women as it existed in the surrounding societies. Not only does this book refute the common feminist stereotype that Judaism is a "patriarchal religion" but it also refutes the sexism found in Judaism by exposing it as sociological rather than "divine law.
The Old English translation of the biblical Judith is preserved in only 1 manuscript, the 'B.L. Cotton Vitellius A.XV'. Even though the extant text is incomplete at the beginning and possibly at the end, the poem is an exceptionally fine piece of Old English writing. This study considers all different aspects of its composition and reception.
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