All of London knows Eleanor has a temper, and she’s about to lose it. Her father expects her marriage to be advantageous—for him. It’s that or a French nunnery, complete with cold baths and spiders. She’s desperate to convince the gentleman she prefers to propose first. Jesper has no time to grieve the loss of his father. Face to face with his own mortality, the new baronet needs an heir. And the first step is to travel to London to find a nice, placid wife. He crosses paths, and wits, with a viscount’s daughter who’s always ready to spit thorns. But Jesper soon realizes that Eleanor Henry is in more trouble than she knows. He might be the shabbiest of baronets, but he’s cared for Roseford’s people and its wild lands; how hard could it be to help one friendless woman? It’s not like they’re in danger of falling in love. Travel back to the Georgian years for the love story of Sir Michael’s parents. An icy London lady, a ragged, bereft baronet—what could go wrong? Winner, 2022 Heart Award for Best Steamy Romance - Oklahoma Romance Writers Guild "...Jesper is the charmer and when opposites attract ... I got immediate heart flutters. I am a huge sucker for a good romance book. Even without reading books 1-5, I loved this book as a stand-alone." Anna P., Goodreads reader ""A unique and delightful storyline... I did not want to say goodbye at the end." Cathie B., Goodreads reader
Letty’s lost everything but one friend, and her horse. She desperately needs to convince the fierce baronet to buy any horse but hers. Now she's causing her own problems, because she cannot stop touching a man she'd been prepared to hate. Sir Michael Grantley is Roseford's new baronet, and a salty ex-sailor who lost half a leg in the war. He's desperate to ride again - but for that he needs a biddable horse. He's not prepared for the horse to come with an independent young woman who decides that the key to her future is helping him ride again. The last think Michael needs is a wife, and Letty has never been anything like a lady. Neither of them can resist the one person they ought to refuse. A sensual, engrossing, enchanting romance between two people who can't keep their hands off one another. Not Like a Lady is a historical Regency romance novel with steamy moments and sweet ones, of about 300 pages. It includes a woman with a knack for saying what she thinks and no talent for needlework, a gallant if grumpy baronet, no cheating, no cliffhanger, and a Happily Ever After! Not Like a Lady is a standalone story! But check out the prequel, No Titled Lady, for the love story of Sir Michael's parents... and Letty and Michael return in the rest of the Lords and Undefeated Ladies books. — "Judith Lynne... demonstrates that it is possible to write a genuinely erotic sex scene that sizzles on the page without so much as a hint of coarseness." - Booklife Judith Lynne's Regency romances are for modern lovers of classic romance, meticulously researched, with a family of characters as rich and diverse as Britain herself at the time. The Lords and Undefeated Ladies series is light, fun reading featuring characters with disabilities for whom their disability is not the drama. Fans of Mary Balogh and Grace Burrowes will love Judith Lynne. Dukes and thieves, bakers and baronets, inventors and artists and late-night adventurers — you'll meet them all. Enjoy your introduction to the world of Judith Lynne romance!
Alara has one night to find the love of her life. She's as British as bluebells and rain. But now the Continental wars are over, her mother plans a life for Alara in the Ottoman Empire where she'll never see Britain again. With one night of freedom, Alara's future depends on finding a British husband and forgetting the curious boy she's waited for all her life. Lord Harman is heir to a political dynasty. But hates intrigue and compromise. He'd trade it all for one more lazy summer day with the girl who inspired his mind and his heart. At a wild Christmas revel he meets her again, still challenging him every step of the way and now very much a woman. When a dangerous mission falls into his lap, he must make an absolute choice: spend his last night with her playing pirate - or fulfill his destiny. *** The Curious Countess is a standalone novella of about 100 pages, but readers of The Clandestine Countess may rejoice to see Lord Harman have a love story of his own. Previously appeared as "His Unlaced Love" in the Penford Press anthology Lords and Lace.
A seemingly fragile beauty, Zelda Rawle is anything but the pliant heiress the Faircombe family expected. Once her wedding to the heir is over, she intends to carry out her own plans. They don't include the towering enigma that is the estate's shepherd. Lord Geoffrey Eliot will play his sheep-herding part as long as it takes to learn Miss Rawle's secrets. The laughing, peculiar Miss Rawle would make a poor lady of Faircombe, and he's made an unbreakable promise to protect his family. The closer the mismatched pair become, the greater the danger that Zelda will miss her chance at her lifelong dream - and that Geoffrey will shatter his family by falling in love with the woman intended for his brother. A sweet and sensual romance of two people who had to meet to find the world at their feet. *** He Stole the Lady is a historical regency romance novel with steamy moments and sweet ones, of about 430 pages. It features a big man with an even bigger heart, a woman who loves whiskey and saying what she thinks, an estate full of animals and the icy spring of 1814. No cliffhanger, and a Happily Ever After! He Stole the Lady is a standalone book! But fans of the series will appreciate seeing old friends again. Lord Geoffrey makes a very large Cinderella. Enjoy a good English country estate? Follow up He Stole the Lady with Letty and Michael's love story in Not Like a Lady!
Five years of silence. Seeing Bess again is a kick in what’s left of Dan’s soul. She makes a fine ballerina. And actress. And thief. She can be anything… except his. If he can catch one more criminal, he can buy her the life she deserves. She’ll finally be safe, and that’s all he ever wanted. Five years alone. Bess decided long ago her scowling, black-haired boy from London’s gutters must be dead. Now he’s back. With no explanation. She ought to kill him herself. But she fills the void he left by collecting titled admirers. Including one lord in particular who praises all her skills… even the ones that break the law. When Bess finds out her night-time escapades have dropped her in deep, deep trouble, she'll have to pull both herself and Dan out of a pit of intrigue with consequences far beyond London. Their only chance is to remember how to rescue each other.
He can afford to indulge Lady Viola in a little kidnapping. Not forever; since the war, Mr. Waite doesn't believe in forever. That's fine with Viola; neither does she. Lady Viola doesn't make mistakes. So her yearning for lonely Lord Callendar can't be wrong. Her powerful friends and family are about to discover that secretly, she's ruthless—because she'll do anything to have him. Even marry someone else. Bradley Waite has found solace drifting with England's winds. He's not prepared to be kidnapped by his best friend's delicate, determined sister. He may despise the rules of polite society, but he knows better than anyone that Lady Viola's brother is a crack shot. If she's got to get married to have the man of her dreams, so be it. But Waite must escape Lady Viola's lord trap before she learns what kind of man she's captured. -- The Duchess of Talbourne’s maids in waiting will finally find love; these are Maids Done Waiting! Fans of Judith Lynne’s What a Duchess Does will be delighted to return to Talbourne House for the love stories of Selene and Nicholas’ friends, but anyone can enjoy The Lord Trap as a standalone book. Stay tuned for Virginia’s happily-ever-after!
She's in no position to turn down a duke. They both know it. That doesn't mean the game is over... Selene's mother is deathly ill, and there's little a poor housemaid can do. Working in her cousin's house, grateful for the roof over her head, Selene doesn't dream anymore of a titled marriage. Only a little of falling in love. Nicholas Hayden, the Duke of Talbourne, learned early in life never to show what he wanted. But sad experience, and silence, won't help him conquer his passion for the housemaid he has rescued — a passion that threatens everything he has built for his life. A mother's scheme with a duke as cold as the devil could transform Selene from a housemaid to a duchess in a matter of days. But Selene dares to want a marriage that isn't just for show. If she's going to make a deal with this devil, she has demands of her own. A fairytale romance with a touch of intrigue What a Duchess Does is a standalone book! But its characters appear not only in the next book in the series, Crown of Hearts, but also in The Caped Countess, the first book of Judith Lynne's exciting new action Regency romance series. What a Duchess Does features a game-playing duchess, a duke who gets a dog, and some political intrigue based on actual events of spring 1813. Winner of The Carla for Best Romance of the Year, 2021, chosen by the Mid-America Romance Authors Finalist for The Beverley for Best Romance of the Year, 2021, chosen by the Colorado Romance Writers "Fresh, funny, and exciting, What a Duchess Does is a superior example of what it is possible for an intelligent, witty writer to achieve within the corseted constraints of the romance genre." - The BookLife Prize -- "What a Duchess Does is a lively, engaging tale, with a well-executed emphasis on wit and banter. Judith Lynne also demonstrates that it is possible to write a genuinely erotic sex scene that sizzles on the page without so much as a hint of coarseness." - Booklife Judith Lynne's Regency romances are for modern lovers of classic romance. Meticulously researched, these books bring to life a cast of characters as diverse as Britain herself in the world of 1812-1814. This series is light, fun reading with characters who face life's challenges with determination, wit, and each other. Fans of Mary Balogh and Grace Burrowes will love these books by Judith Lynne. Each book is unique, as each love story is unique; and readers will find themselves both utterly satisfied by the novel's end and also looking forward to the characters' returns in future books. Dukes and thieves, bakers and baronets, inventors and artists and late-night adventurers — you'll meet them all. Enjoy discovering Judith Lynne romance!
The four Misses Bickering are too stubborn to marry unless it's for love. They have just enough money to rent a bakery in Leicester Square, where bohemian earls rub elbows with ladies of the night, and all manner of people in between. To earn a living, they have to stick together — and as their name implies, that isn't easy! Follow Anna, Jane, Emery and Rose as they build up their bakery business and launch into 1814. Nothing is quite as easy as they thought it would be; once one round of problems is solved, there's always another. If it isn't money, it's love; and if it isn't either one of those, it's the challenge of a life with so many sisters! Anna's dreams of a fine lady's life are about to come true; she only has to reconcile them with the life she's taken on as a woman of business. Jane's determined to make money of her own - and learn how to have fun at the same time. Emery never expected to find love, and isn't sure what to do now that love has found her. And Rose is learning that her happily-ever-after is only the beginning of the story! It's the coldest winter in living memory, and these ladies are determined to make it through together. If they're going to marry, it's only for love. Ladies' Own Bakery is a Regency romance and a comedy serial - with happily ever afters on the far horizon. Like a sitcom, each "episode" is meant to be a fun short read, but with ongoing characters and storylines. Readers receive an episode weekly during the "season" - this is the collected season.
The four Misses Bickering are too stubborn to marry unless it’s for love. They have just enough money to rent a bakery in Leicester Square, where bohemian earls rub elbows with ladies of the night, and all manner of people in between. To earn a living, they have to stick together — and as their name implies, that isn’t easy! Meet Anna, Jane, Emery and Rose. None of them are married, and each one has different dreams. Anna still longs for the life of drawing rooms and lace; she hasn’t given up her dreams of a fine marriage even though her life now is very different. Jane has never met a man who didn’t disappoint her, and wants the till full of good, solid coins. Emery has never planned to marry a man and won’t start now; what she loves is making rich, savory bread in the sisters’ new bakery. And Rose has yet to dream dreams of her own — but she starts now! Mystery men, men who leap into the bakery, men in ruffled collars and men who are rude, drunken men and men working on the road… and many kinds of women! Leicester Square bustles with all types of life and the Misses Bickering are in the middle of it all. It’s the last days of the wars with France and America, political movements are surging, prices are soaring, and these ladies are determined to make their bakery pay. If they’re going to marry, it’s only for love. Ladies’ Own Bakery is a Regency romance and a comedy serial – with happily ever afters on the far horizon. Like a sitcom, each “episode” is meant to be a fun short read, but with ongoing characters and storylines. Episodes are released weekly to my readers during the "season". This is the collected complete season.
She needs a man's help to protect her secret identity. She doesn't need to fall in love. Can he help without drawing her into his own tangled web? London inventor Mr. Cullen is actually Miss Cassandra Cullen, happy hiding behind her letters. When some new customers want to meet face to face, she has to trust Dr. Burke, her favorite correspondent, to help keep her secrets. Trusting Oliver Burke might not be entirely wise. Dr. Burke occupies himself with women and gin, trying to forget his soul-crushing family and the nightmares of the war. He'd rather distance himself from polite society as much as possible. One too many indiscretions, and Cass' father insists: Marry. Now. Nothing less than an earl will do. He doesn't realize his mostly deaf daughter will turn for help to the one man she thinks she knows. Can a woman who's given up on love and a man who's given up on hope find a future together? The Countess Invention is about two people who have to believe in each other to find dizzying pleasure, devastating heartbreak... and forever love. "Sensational and riveting from the first word to the last. ... 10 out of 10." The BookLife Prize It's a historical Regency romance novel with steamy moments and sweet ones, of about 350 pages. It includes an admittedly bad attempt at cross-dressing and a woman who believes in pockets. It also includes a beautiful man who has made love to too many ladies and a Happily Ever After! All Judith Lynne books can stand alone, but old friends stay in touch and old questions are answered as the books progress. A complete timeline is available at judithlynne.com. — Judith Lynne's Regency romances are for modern lovers of classic romance, meticulously researched, with a family of characters as rich and diverse as Britain herself at the time. The Lords and Undefeated Ladies series is light, fun reading featuring characters with disabilities for whom their disability is not the drama. Fans of Mary Balogh and Grace Burrowes will love Judith Lynne. Dukes and thieves, bakers and baronets, inventors and artists and late-night adventurers — you'll meet them all.
Dancing for Health explains the cognitive, emotional, and physical dimensions of dance in a spectrum of stress management approaches. Designed for anyone interested in health and healing, this book offers lessons learned from the experiences of people of different cultures and historical periods, as well as current knowledge, on how to resist, reduce, and dance away stress in the disquieting times of the 21st century.
Ambitious in its scope and interdisciplinary in its purview. . . . Without doubt future researchers will want to refer to Hanna's study, not simply for its rich bibliographical sources but also for suggestions as to how to proceed with their own work. Dance, Sex, and Gender will initiate a discussion that should propel a more methodologically informed study of dance and gender."—Randy Martin, Journal of the History of Sexuality
Exploring dance from the rural villages of Africa to the stages of Lincoln Center, Judith Lynne Hanna shows that it is as human to dance as it is to learn, to build, or to fight. Dance is human thought and feeling expressed through the body: it is at once organized physical movement, language, and a system of rules appropriate in different social situations. Hanna offers a theory of dance, drawing on work in anthropology, semiotics, sociology, communications, folklore, political science, religion, and psychology as well as the visual and performing arts. A new preface provides commentary on recent developments in dance research and an updated bibliography.
In Partnering Dance and Education, Dr. Judith Lynne Hanna presents a compelling argument for making dance central to every student's education. She examines current trends and issues in dance education to show how dance can be successfully justified and taught in today's changing educational environment. The book is essential and timely reading for university dance educators and their students, as well as other teachers, school administrators, physical educators and dance specialists in grades K-12, dance studio owners and instructors, professional dancers, and policy makers.
Dancing to Learn: Cognition, Emotion, and Movement explores the rationale for dance as a medium of learning to help engage educators and scientists to explore the underpinnings of dance, and dancers as well as members of the general public who are curious about new ways of comprehending dance. Among policy-makers, teachers, and parents, there is a heightened concern for successful pedagogical strategies. They want to know what can work with learners. This book approaches the subject of learning in, about, and through dance by triangulating knowledge from the arts and humanities, social and behavioral sciences, and cognitive and neurological sciences to challenge dismissive views of the cognitive importance of the physical dance. Insights come from theories and research findings in aesthetics, anthropology, cognitive science, dance, education, feminist theory, linguistics, neuroscience, phenomenology, psychology, and sociology. Using a single theory puts blinders on to other ways of description and analysis. Of course, all knowledge is tentative. Experiments necessarily must focus on a narrow topic and often use a special demographic—university students, and we don’t know the representativeness of case studies.
The Soviet Gulag was one of the largest, most complex, and deadliest systems of incarceration in the 20th century. What lessons can we learn from its network of labor camps and prisons and exile settlements, which stretched across vast geographic expanses, included varied institutions, and brought together inmates from all the Soviet Union's ethnicities, professions, and social classes? Drawing on a massive body of documentary evidence, Rethinking the Gulag: Identities, Sources, Legacies explores the Soviet penal system from various disciplinary perspectives. Divided into three sections, the collection first considers "identities"—the lived experiences of contingents of detainees who have rarely figured in Gulag histories to date, such as common criminals and clerics. The second section surveys "sources" to explore the ways new research methods can revolutionize our understanding of the system. The third section studies "legacies" to reveal the aftermath of the Gulag, including the folk beliefs and traditions it has inspired and the museums built to memorialize it. While all the chapters respond to one another, each section also concludes with a reaction by a leading researcher: geographer Judith Pallot, historian Lynne Viola, and cultural historian and literary scholar Alexander Etkind. Moving away from grand metaphorical or theoretical models, Rethinking the Gulag instead unearths the complexities and nuances of experience that represent a primary focus in the new wave of Gulag studies.
Historical Romance (Medieval): He holds her father captive and threatens his life. She must lie with him until she bears him a son. She hates him; he scorns her. She will do what she must. He will make her do more--much more.
The possibility of brand imitation or counterfeiting should be contemplated in designing new products or brand packaging, just as it is in the printing of currency. It is the intent of The Psychology Behind Trademark Infringement and Counterfeiting to provide those involved in commerce with some understanding, some ideas, and perhaps some strategy for building differentiated brands that are easy to protect. Brand managers, expert witnesses to trademark cases, intellectual property lawyers, and academics of consumer behavior and marketing will find this book useful to understanding consumer motives and processes of trademark infringement and counterfeiting. -- BOOK JACKET.
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