In her award-winning book Harmful to Minors, Judith Levine radically upended our fixed ideas about childhood. Now, she tackles the other end of life in this poignant memoir of a daughter coming to terms with a difficult father who is sinking into dementia, presenting an insightful exploration of the ways we think about disability, aging, and the self as it resides in the body and the world. In prose that is unsentimental yet moving, serious yet darkly funny, complex in emotion and ideas yet spare in diction, Levine reassembles her father's personal and professional history even as he is losing track of it. She unpeels the layers of his complicated personality and uncovers information that surprises even her mother, to whom her father has been married for more than sixty years. As her father deteriorates, the family consensus about who he was and is and how best to care for him constantly threatens to collapse. Levine recounts the painful discussions, mad outbursts, and gingerly negotiations, and dissects the shifting alliances among family, friends, and a changing guard of hired caretakers. Spending more and more time with her father, she confronts a relationship that has long felt bereft of love. By caring for his needs, she learns to care about and, slowly, to love him. While Levine chronicles these developments, she looks outside her family for the sources of their perceptions and expectations, deftly weaving politics, science, history, and philosophy into their personal story. A memoir opens up to become a critique of our culture's attitudes toward the elderley. A claustrophobic account of Alzheimer's is transformed into a complex lesson about love, duty, and community. What creates a self and keeps it whole? Levine insists that only the collaboration of others can safeguard her father's self against the riddling of his brain. Embracing interdependence and vulnerability, not autonomy and productivity, as the seminal elements of our humanity, Levine challenges herself and her readers to find new meaning, even hope, in one man's mortality and our own.
A journalist traces a year during which she and her partner struggled to stop consumer spending practices in spite of their American conditioning, an effort that had an impact on their careers, family relationships, and personal identities.
AinÕt No Trust explores issues of trust and distrust among low-income women in the U.S.Ñat work, around childcare, in their relationships, and with caseworkersÑand presents richly detailed evidence from in-depth interviews about our welfare system and why itÕs failing the very people it is designed to help. By comparing low-income mothersÕ experiences before and after welfare reform, Judith A. Levine probes womenÕs struggles to gain or keep jobs while they simultaneously care for their children, often as single mothers. By offering a new way to understand how structural factors impact the daily experiences of poor women, AinÕt No Trust highlights the pervasiveness of distrust in their lives, uncovering its hidden sources and documenting its most corrosive and paralyzing effects. LevineÕs critique and conclusions hold powerful implications for scholars and policymakers alike. Ê
If your son or daughter is among the growing number of overweight children in this country, it's time to take action -- before the problem gets any worse. You've probably already discovered that trying to get your child to diet or exercise just doesn't work.
Fully acknowledging that Judaism, as described in both the Bible and the Talmud, was patriarchal, Judith Hauptman demonstrates that the rabbis of the Talmud made significant changes in key areas of Jewish law in order to benefit women. Reading the texts with feminist sensibilities, recognizing that they were written by men and for men and that the
The 4th International Congress of Modern Architecture (CIAM), 1933 was held onboard the boat, Patris II, for four days at sea and in Athens. The artist and attendee László Moholy-Nagy prepared a visual documentary of the Congress. This book is built around Mohol-Nagy's documentary.
In this unique volume Judith Abrams, author of the highly regarded series The Talmud for Beginners, examines the episodes recorded in rabbinic literature that suggest the actions of the women of those times.
In the late 1960s, while still a recent graduate with scant means, artist Bruce Nauman (born 1941) explored a trio of interwoven subjects: the studio, the daily practice of making art and the role of the artist. He outlined the latter, for example, in a memorable neon sign, alongside more commercial counterparts affixed to the exterior of his building. The work's cool spiral letters traced the claim, at once ironic and heartfelt: "The true artist helps the world by revealing mystic truths." Questioning the role of the spectator and channeling Nauman's inquisitive attitude, this book features contributions by Judith Barry, William Kentridge, David Levine, Gedi Sibony, Gary Simmons, Charline von Heyl and Mark Wallinger.
The Open Society Foundations continue to position pain relief and palliative care as a pressing human rights issue. Through grants and technical assistance, we help to create links between legal services and palliative care providers. We work with our grantees to evaluate financing schemes for palliative care and help them develop advocacy and communications strategies to advance palliative care policies and programs. We work with the Global Fund to Fight AIDS, Tuberculosis and Malaria to educate staff, country partners, and grant recipients about the role of and need for palliative care in AIDS treatment. The International Palliative Care Initiative's strategy of "planting a seed to let a thousand flowers grow" has enhanced the development of palliative care in resource-limited countries worldwide. The challenges ahead are many but the dedication of individuals and civil society organizations to reduce suffering and improve the care of patients and families remains inspirational. This report offers a snapshot of the challenges and opportunities for advancing palliative care globally.
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