In LaNana Creek Haiku, poet and neuroscientist Judith Lauter offers a photographic and poetic account of life along a forest creek that flows through the Deep-East Texas Pineywoods in and around Nacogdoches TX. The forest is a place of extreme quiet and intensely private moments of slow-moving water and towering pines, of filtered light and flowing, humid Gulf air. We might expect the poetry that grows from such a setting to evoke a sense of peace and serenity and the haiku paired with artful color photographs in this book do just that. A set of informative end-notes complements the poems and photographs with factual details about the creek and the unique natural areas through which it runs.
Sonora Spring Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic account of three spring months in the lush Sonoran desert near Tucson AZ. In a radical departure from the natural settings of most classical haiku a world of misty wetness, cranes, pagodas and perhaps a solitary, aged man these poems evoke a stony landscape of space, sun, and sharp edges. Such an extremely wide range of application for the form shows us that poetry is perhaps the most flexible of the literary arts, capable of engaging almost any experience or geography.
In Light from the Left, poet and neuroscientist Judith Lauter discovers a Rembrandt both familiar and far different from the one we are accustomed to. He is recognizably the massively talented artist of religious and secular masterpieces that have made him renowned throughout the world, a figure virtually synonymous with "great painter." But these poems also locate a new Rembrandt, a compassionate, subtle, and slyly subversive political thinker and observer of the human condition, who views the world from a unique perspective. After reading this book, you may never look at a Rembrandt painting in quite the same way again.
Coastal Bend Winter Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic experience of the Texas Coastal Bend, particularly the area around Corpus Christi, which the National Audubon Society has voted the “birdiest city in America” for the past 10 years. This book celebrates in color photos and poems the beauty of this unique coastline, and its rich diversity of plants and birds populating beaches, prairies, and wetlands.
Lady Slipper Trail Haikuby poet, photographer, and neuroscientist Judith Lautertakes the reader for a walk along a trail in the Moreno Valley, high in the Sangre de Cristo Mountains near Angel Fire, New Mexico. The lower trail begins just above Monte Verde Lake and, after following the lakes source creek through a series of marshy meadows, in an old forest of aspen, fir, and spruce. The upper trail then climbs a rocky hill through the forest toward a viewpoint looking out over rolling pine meadows. The photos and poems in this book reflect the variety of plant and animal life that can be seen along the trail and capture the sense of peace and awe that come from spending time in some of the most beautiful country in northern New Mexico. A set of informative endnotes further enriches the experience.
Intended for the general reader as well as specialists, this book presents a fascinating new theory that posits three major brain types created by sex hormones before birth-Polytropic, Middle, and Focal. A brief scientific background is given first, and then the theory is illustrated with vivid anecdotes about real cases. The author argues persuasively (and sometimes startlingly) that brain types influence many human traits and differences, such as personality, special skills, learning disabilities, and a whole host of medical conditions. This unique approach promises new (and practical) insights into such puzzling issues as hyperactivity, autism, nicotine addiction, cancer, Alzheimer's disease, and dyslexia. Read this book to find out which kind of "zebra brain" you have and discover unique insights into you and everyone you know. For more information, please visit www.zebrabrain.net and www.neuroscene.com
Intended for the general reader as well as specialists, this book presents a fascinating new theory that posits three major brain types created by sex hormones before birth-Polytropic, Middle, and Focal. A brief scientific background is given first, and then the theory is illustrated with vivid anecdotes about real cases. The author argues persuasively (and sometimes startlingly) that brain types influence many human traits and differences, such as personality, special skills, learning disabilities, and a whole host of medical conditions. This unique approach promises new (and practical) insights into such puzzling issues as hyperactivity, autism, nicotine addiction, cancer, Alzheimer's disease, and dyslexia. Read this book to find out which kind of "zebra brain" you have and discover unique insights into you and everyone you know. For more information, please visit www.zebrabrain.net and www.neuroscene.com
Lady Slipper Trail Haikuby poet, photographer, and neuroscientist Judith Lautertakes the reader for a walk along a trail in the Moreno Valley, high in the Sangre de Cristo Mountains near Angel Fire, New Mexico. The lower trail begins just above Monte Verde Lake and, after following the lakes source creek through a series of marshy meadows, in an old forest of aspen, fir, and spruce. The upper trail then climbs a rocky hill through the forest toward a viewpoint looking out over rolling pine meadows. The photos and poems in this book reflect the variety of plant and animal life that can be seen along the trail and capture the sense of peace and awe that come from spending time in some of the most beautiful country in northern New Mexico. A set of informative endnotes further enriches the experience.
Konza Tallgrass Prairie Haikuby poet, photographer, and neuroscientist Judith Lauteroffers an introduction to some of the wonders of the Konza Tallgrass Prairie Preserve located south of Manhattan, Kansas. Part of the beautiful Flint Hills region of northeast Kansas, Konza is a treasure trove of hills and valleys shaped by creeks that contribute to the watershed of the Kaw (Kansas) River. Through photos and poems, the author guides us to a greater appreciation of this area, beginning on the banks of the Kaw, and then following a tributary creek to a trail that wanders through a gallery forest, up a hill bright with prairie wildflowers, and finally to a lookout where we find more flowers, a monarch butterfly on its migration, and a breathtaking Flint Hills sunset. Endnotes provide information about Konza prairie, including facts about the plants and animals shown in the photos.
Sonora Spring Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic account of three spring months in the lush Sonoran desert near Tucson AZ. In a radical departure from the natural settings of most classical haiku a world of misty wetness, cranes, pagodas and perhaps a solitary, aged man these poems evoke a stony landscape of space, sun, and sharp edges. Such an extremely wide range of application for the form shows us that poetry is perhaps the most flexible of the literary arts, capable of engaging almost any experience or geography.
Rockies Autumn Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic account of three fall months in several locations in the southern Rocky Mountains. When you think of the Rockies, with their towering peaks, immense vistas, and deep snows, you might think that only an "epic" poem could do them justice something on the scale of a Homer or Milton perhaps. The highly condensed, snapshot-like haiku might be the last poetic form imaginable to capture their glory. And yet Rockies Autumn Haiku clearly proves that even the majestic Rockies can be memorably rendered in poetry of brevity, wit, keen observation, and vivid imagery. Here is a mountain autumn, then, seen in unforgettable micro-scale viewed through the double prism of fresh poems and striking color photographs.
Coastal Bend Winter Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic experience of the Texas Coastal Bend, particularly the area around Corpus Christi, which the National Audubon Society has voted the “birdiest city in America” for the past 10 years. This book celebrates in color photos and poems the beauty of this unique coastline, and its rich diversity of plants and birds populating beaches, prairies, and wetlands.
Pineywoods Summer Haiku, by poet and neuroscientist Judith Lauter, provides a photographic and poetic experience of a midsummer’s day deep in the pine forests of East Texas, in and around the college town of Nacogdoches. The area is well-known to naturalists as a fascinating intersection of five major bioecological regions – prairies, deserts, tropics, swamps, and forests – and thus unique for its amazing diversity of plants and animals. In this book of color photos paired with insightful, graceful haiku poems, the reader can explore the color, life, and energy of summer “behind the pine curtain” in the gardens, forests, and lakes of the East-Texas pineywoods.
In Light from the Left, poet and neuroscientist Judith Lauter discovers a Rembrandt both familiar and far different from the one we are accustomed to. He is recognizably the massively talented artist of religious and secular masterpieces that have made him renowned throughout the world, a figure virtually synonymous with "great painter." But these poems also locate a new Rembrandt, a compassionate, subtle, and slyly subversive political thinker and observer of the human condition, who views the world from a unique perspective. After reading this book, you may never look at a Rembrandt painting in quite the same way again.
In LaNana Creek Haiku, poet and neuroscientist Judith Lauter offers a photographic and poetic account of life along a forest creek that flows through the Deep-East Texas Pineywoods in and around Nacogdoches TX. The forest is a place of extreme quiet and intensely private moments of slow-moving water and towering pines, of filtered light and flowing, humid Gulf air. We might expect the poetry that grows from such a setting to evoke a sense of peace and serenity and the haiku paired with artful color photographs in this book do just that. A set of informative end-notes complements the poems and photographs with factual details about the creek and the unique natural areas through which it runs.
For more than a decade Judith Newton has been at the forefront of defining and promoting materialist feminist criticism. Starting Over brings together a selection of her essays that chart the establishment of feminist literary criticism in the academy and its relation to other forms of cultural criticism, including Marxist, post-Marxist, new historicist, and cultural materialist approaches, as well as cultural studies. The essays in Starting Over have functioned as exemplars of interdisciplinary thinking, mapping out the ways in which reading strategies and the constructions of history, culture, identity, change, and agency in various materialist theories overlap, and the ways in which feminist-materialist work both draws upon, revises, and complicates the vision of nonfeminist materialist critiques. They are shaped by an awareness that public knowledge is always informed by the so-called private realm of familial and sexual relations and that cultural criticism must bring together investigations of daily behaviors, economic and social relations, and the dynamics of race, class, gender, and sexual struggle. Starting Over is a brilliant synthesis of literature, history, anthropology, the many influential trends in contemporary theory, and the politics of feminism.
In a series of sketches, regionalist writers such as Alice Cary, Mary E. Wilkins Freeman, Sarah Orne Jewett, Grace King, Alice Dunbar-Nelson, Sui Sin Far, and Mary Austin critique the approach to regional subjects characteristic of local color and present narrators who serve as cultural interpreters for persons often considered "out of place" by urban readers. In their approach to these writers, Fetterley and Pryse offer contemporary readers an alternative vantage point from which to consider questions of regions and regionalism in the global economy of our own time."--Jacket.
This masterful history of the monumental architecture of Alexandria, as well as of the rest of Egypt, encompasses an entire millennium—from the city’s founding by Alexander the Great in 331 B.C. to the years just after the Islamic conquest of A.D. 642. Long considered lost beyond recall, the architecture of ancient Alexandria has until now remained mysterious. But here Judith McKenzie shows that it is indeed possible to reconstruct the city and many of its buildings by means of meticulous exploration of archaeological remains, written sources, and an array of other fragmentary evidence. The book approaches its subject at the macro- and the micro-level: from city-planning, building types, and designs to architectural style. It addresses the interaction between the imported Greek and native Egyptian traditions; the relations between the architecture of Alexandria and the other cities and towns of Egypt as well as the wider Mediterranean world; and Alexandria’s previously unrecognized role as a major source of architectural innovation and artistic influence. Lavishly illustrated with new plans of the city in the Ptolemaic, Roman, and Byzantine periods; reconstruction drawings; and photographs, the book brings to life the ancient city and uncovers the true extent of its architectural legacy in the Mediterranean world.
Leading sixteenth-century scholars such as Martin Luther and Desiderius Erasmus used print technology to engage in dialogue and debate with authoritative contemporary texts. By what Juan Luis Vives termed 'the unfolding of words,' these humanists gave old works new meanings in brief notes and extensive commentaries, full paraphrases, or translations. This critique challenged the Middle Ages' deference to authors and authorship and resulted in some of the most original thought - and most violent controversy - of the Renaissance and Reformation. The Unfolding of Words brings together international scholarship to explore crucial changes in writers' interactions with religious and classical texts. This collection focuses particularly on commentaries by Erasmus, contextualizing his Annotations and Paraphrases on the New Testament against broader currents and works by such contemporaries as François Rabelais and Jodocus Badius. The Unfolding of Words tracks humanist explorations of the possibilities of the page that led to the modern dictionary, encyclopedia, and scholarly edition.
This study describes the origins of early Reformed confessional development using the example of those congregations of religious refugees most heavily influenced by John Laski: the congregation at Emden and the Dutch and French Strangers’ Churches in London. At its center are questions about the congregation as the location of ecclesiology. The outlines of Laski’s theology--which viewed the congregation as the communion of the body of Christ--are described in comparison to the approaches of other Reformers and in relationship to daily reality in the second half of the sixteenth century. Working from a rich base of source materials, the author discusses the development of teachings on church offices and the practice of church discipline, thus illuminating the self-understanding of the three congregations. Becker shows how reciprocal influences and attempts to conform led to the unification of doctrine and community life within these congregations.
Supreme Court Justice Thurgood Marshall said of Wiley Austin Branton that he “devoted his entire life to fighting for his own people.” There When We Needed Him is the story of that fight, which began with Branton's being one of the first black students at the University of Arkansas Law School and which took him to the highest levels of business and government. From his private law practice in Pine Bluff, Arkansas, Branton became, along with Marshall, counsel for the Little Rock Nine in their 1957 efforts to integrate Central High School. Under his leadership of the Atlanta-based Voter Education Project, more than six hundred thousand black voters were registered from 1962 to 1965. He later became executive secretary of President Lyndon Johnson's Council on Equal Opportunity and special assistant to attorneys general Nicholas Katzenbach and Ramsey Clark. He provided leadership to the United Planning Organization, the Alliance for Labor Action, and the NAACP; and he was dean of Howard University Law School. At Branton’s funeral in 1988, former Arkansas senator David Pryor described him as “quiet and unassuming. . . . It is his humility and desire to always put the goals of the civil rights movement before self which probably accounts for the fact that [he] was not more famous than he was.” The influence of this quiet and unassuming man continues to be felt decades later.
The wives of rulers in early modern Europe did far more than provide heirs for their principalities and adornment for their courts. In this study, Judith Aikin examines the exceptionally well-documented actions of one such woman, Aemilia Juliana of Schwarzburg-Rudolstadt (1637-1706), in order to expand our understanding of the role of ruler’s consort in the small principalities characteristic of Germany during this period. Aikin explores a wide range of writings by her subject, including informal letters to another woman, hundreds of devotional song texts, manuscript books both devotional and practical, and published pamphlets and books. Also important for this study are the plays, paintings, and musical works that adorned the court under Aemilia Juliana’s patronage; the books, poems, and sermons published in her honor; and the massive memorial volume printed and distributed soon after her death. This material, when coupled with the more scanty record in official documents, reveals the nature and scope of Aemilia Juliana’s role as full partner in the ruling couple. Among the most important findings based on this evidence are those related to Aemilia Juliana’s advocacy for women of all social classes through her authorship and publications, her support for the education of girls, her efforts to ameliorate the fear and suffering of pregnant and birthing women, and her contributions to female support networks. In examining the career of a consort whose various activities are so well documented, this study helps to fill in the blanks in the documentary record of numerous consorts across early modern Europe, and serves as a model for future research on other consorts at other courts.
Hugo von Hofmannsthal had a lifelong fascination with the theatrum mundi topos. Judith Beniston analyses his changing responses to it against an unfamiliar backdrop - the revival of Catholic drama which, from the 1890s onwards, accompanied the rise of Austria's Christian Social party. The solipsism of `Jung Wien' and the conservative modernism of the Salzburg Festival are juxtaposed with the career of Richard von Kralik (1852-1934), the key figure in Austria's Catholic literary culture from 1890 to 1934. This study offers close readings of Das kleine Welttheater and Das Salzburger grosse Welttheater, and explores the ramifications of the fascination with the notion of Welttheater which Hofmannsthal and Kralik shared. In juxtaposing elite and popular culture, Beniston sheds new light on a neglected aspect of Austrian cultural history, on the selectivity of Hofmannsthal's approach towards Austria's Baroque tradition, and on the difficulties he faced in his attempt to assimilate his own work into it.
Women Online focuses on the problems of investigating interdisciplinary topics in women's studies, working with controlled vocabularies and inconsistent indexing, and locating feminist scholarship. The authoritative contributors to the book not only analyze these problems in general terms but also suggest practical strategies for making online research more effective and productive. The sixteen chapters in this much-needed book are organized into three broad categories covering disciplines, such as humanities and social sciences; format of the material covered, such as non-bibliographic and cited reference databases; and specific topics, such as lesbian studies and women of color. Chapter authors employ a variety of useful methods to analyze issues of coverage and content. They compare the results of controlled vocabulary and free-text or full-text searching and make use of search examples, cited reference and multi-file searching, and bibliometric techniques, including analysis of recall, precision, overlap, relevancy, uniqueness, and trends in file growth. The Database Matrix provides an alphabetical listing of files discussed in the book and serves as a directory for online research in women's studies. Women Online will be useful to librarians, scholars, and students who search databases, as well as to producers who design and market them.
This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations.
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
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