This volume uniquely draws together seven contemporary plays by a selection of the finest African women writers and practitioners from across the continent, offering a rich and diverse portrait of identity, politics, culture, gender issues and society in contemporary Africa. Niqabi Ninja by Sara Shaarawi (Egypt) is set in Cairo during the chaotic time of the Egyptian uprising. Not That Woman by Tosin Jobi-Tume (Nigeria) addresses issues of violence against women in Nigeria and its attendant conspiracy of silence. The play advocates zero-tolerance for violence against women and urges women to bury shame and speak out rather than suffer in silence. I Want To Fly by Thembelihle Moyo (Zimbabwe) tells the story of an African girl who wants to be a pilot. It looks at how patriarchal society shapes the thinking of men regarding lobola (bride price), how women endure abusive men and the role society at large plays in these issues. Silent Voices by Adong Judith (Uganda) is a one-act play based on interviews with people involved in the LRA and the effects of the civil war in Uganda. It critiques this, and by implication, other truth commissions. Unsettled by JC Niala (Kenya) deals with gender violence, land issues and relations of both black and white Kenyans living in, and returning to, the country. Mbuzeni by Koleka Putuma (South Africa) is a story of four female orphans, aged eight to twelve, their sisterhood and their fixation with death and burials. It explores the unseen force that governs and dictates the laws that the villagers live by. Bonganyi by Sophia Kwachuh Mempuh (Cameroon) depicts the effects of colonialism as told through the story of a slave girl: a singer and dancer, who wants to win a competition to free her family. Each play also includes a biography of the playwright, the writer's own artistic statement, a production history of the play and a critical contextualisation of the theatrical landscape from which each woman is writing.
This book argues that literary modernists engaged creatively with modernity's expanding forms of collective experience and performative identities; their work clarifies how popular subjectivity evolves from a nineteenth-century liberal citizenry to the contemporary sense of a range of political multitudes struggling with conditions of oppression.
Beginning with a detailed study of Homer's balance of negative and positive elements in the Circe-Odysseus myth, Judith Yarnall employs text and illustrations to demonstrate how Homer's Circe is connected with age-old traditions of goddess worship. She then examines how the image of a one-sided "witch," who first appeared in the commentary of Homer's allegorical interpreters, proved remarkably persistent, influencing Virgil and Ovid. Yarnall concludes with a discussion of work by Margaret Atwood and Eudora Welty in which the enchantress at last speaks in her own voice: that of a woman isolated by, but unashamed of, her power.
Throughout the nineteenth century and twentieth century, various attempts were made to define and control problematic behaviour in public by legal and legislative means through the use of a somewhat nebulous concept of ‘indecency’. Remarkably however, public indecency remains a much under-researched aspect of English legal, social and criminal justice history. Covering a period of just over a century, from 1857 (the date of the passing of the first Obscene Publications Act) to 1960 (the date of the famous trial of Penguin Books over their publication of Lady Chatterley’s Lover following the introduction of a new Obscene Publications Act in the previous year), Public Indecency in England investigates the social and cultural obsession with various forms of indecency and how public perceptions of different types of indecent behaviour led to legal definitions of such behaviour in both common law and statute. This truly interdisciplinary book utilises socio-legal, historical and criminological research to discuss the practical response of both the police and the judiciary to those caught engaging in public indecency, as well as to highlight the increasing problems faced by moralists during a period of unprecedented technological developments in the fields of visual and aural mass entertainment. It is written in a lively and approachable style and, as such, is of interest to academics and students engaged in the study of deviance, law, criminology, sociology, criminal justice, socio-legal studies, and history. It will also be of interest to the general reader.
Women Online focuses on the problems of investigating interdisciplinary topics in women's studies, working with controlled vocabularies and inconsistent indexing, and locating feminist scholarship. The authoritative contributors to the book not only analyze these problems in general terms but also suggest practical strategies for making online research more effective and productive. The sixteen chapters in this much-needed book are organized into three broad categories covering disciplines, such as humanities and social sciences; format of the material covered, such as non-bibliographic and cited reference databases; and specific topics, such as lesbian studies and women of color. Chapter authors employ a variety of useful methods to analyze issues of coverage and content. They compare the results of controlled vocabulary and free-text or full-text searching and make use of search examples, cited reference and multi-file searching, and bibliometric techniques, including analysis of recall, precision, overlap, relevancy, uniqueness, and trends in file growth. The Database Matrix provides an alphabetical listing of files discussed in the book and serves as a directory for online research in women's studies. Women Online will be useful to librarians, scholars, and students who search databases, as well as to producers who design and market them.
Beyond a Shadow of a Diet is the most comprehensive book available for professionals working with clients who struggle with Binge Eating Disorder, Compulsive Eating or Emotional Overeating. The authors present research revealing that food restrictions in the pursuit of weight loss actually trigger and sustain overeating. Next, they offer step-by-step guidelines to help clients end the diet mentality and learn an internally-based approach known as attuned eating. Divided into three sections–The Problem, The Treatment and The Solution–this engaging book contains chapters filled with compelling case examples, visualizations and other exercises so that therapists can deepen their knowledge and skills as they help clients gain freedom from preoccupation with food and weight. In addition to addressing the symptoms, dynamics and treatment of eating problems, Beyond a Shadow of a Diet presents a holistic framework that goes well beyond the clinical setting. This invaluable resource includes topics such as the clinician’s own attitudes toward dieting and weight; cultural, ethical and social justice issues; the neuroscience of mindfulness; weight stigma; and promoting wellness for children of all sizes. Drawing from the Health At Every Size paradigm–and the wealth of research examining the relationship between dieting, weight and health–Beyond a Shadow of a Diet offers both therapists and their clients a positive, evidence-based model to making peace with food, their bodies and themselves.
Cambridge English Readers is an exciting new series of original fiction, specially written for learners of English. Graded into seven levels - from starter to advanced - the stories in this series provide easy and enjoyable reading on a wide range of contemporary topics and themes."--Publisher.
Examining a range of contemporary fictional works that adapt Greco-Roman myths of the descent into the underworld, from novels and comics to children's culture, this volume reveals the ways in which the catabasis narrative can be manipulated by storytellers to reflect upon postmodern culture, feminist critiques, and postcolonial appropriations.
In the summer of 1957, eight-year-old Penelope Evans was sexually molested. Two months later, the man who molested her was found dead in his car from a gunshot wound to the head. It was ruled a suicide. Now, thirty-six years later, Elizabeth Scott—the granddaughter of the dead man and a police investigator—wonders why her beloved grandfather would commit suicide. Elizabeth is intent on finding out if it really was suicide or if he was actually murdered. Unaware of Penelope’s experience in 1957, Elizabeth asks her former childhood friend to help get the case reopened. Penelope refuses, and after secretly reading her mother’s diary, she is determined to keep Elizabeth from reopening the case. As these two women move forward on divergent paths, Elizabeth discovers unfathomable secrets her family has kept from her. Penelope is forced to confront her past as her current life unravels. Both women are faced with life-changing decisions that will affect their lives and the people they love most.
Brines's seven poetry collections offer a sustained inquiry into three fundamental philosophical themes: knowledge, the present moment, and non-being. These themes, however, are presented as conflictual differences. The numerous poetic voices heard throughout his poetry continually wrestle with knowledge perpetually oscillating with ignorance, the present moment unceasingly becoming past, and human existence endlessly displaying its own finitude. In this study, the critical interpretation of these themes leads to the critical exploration of language, the signifying process of language, and the warring forces of signification. The sign is thus viewed as a structure of difference and as such it endlessly displays the duplicitous nature of language engaged in a semantic struggle with itself."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
The developments that have occurred in the field of organ transplantation during the 1980s and early 1990s, and the simultaneous rise and fall of the Jarvik-7 artificial heart are the subject of this vividly written and absorbing new volume. In Spare Parts, fascinating, interconnected stories of organ transplantation and the artificial heart are recounted in an interpretive framework that explores the vision of the "replaceable body." Themes of uncertainty, gift exchange, and the allocation of scarce material and non-material resources underscore a discussion that openly examines the escalating ardor about the goodness of repairing and remaking people with transplanted organs. Likewise, the stories open questions of life and death, identity, and solidarity. This important book offers insights into the symbolic and anthropomorphic meanings associated with the human body and its organs, and into the ways that medical professionals come to terms with the concomitant aspects of transferring vital body parts. Both artificial and donor organs, as well as the process of transplantation, are the subject of a thoughtful discussion which touches on the medical myths and rituals that they generate. Chronologically, Spare Parts begins where the authors' previous book, The Courage to Fail, leaves off. More than a sequel, however, this work reflects their increasingly troubled and critical reactions to the expansion of organ replacement. Likely to be controversial, this book is must reading for bioethicists, medical sociologists and anthropologists, health-care lawyers, planners and administrators, nurses and physicians, medical journalists and science writers, and concerned lay readers.
Is thinking personal? Or should we not rather say, "it thinks," just as we say, "it rains"? In the late nineteenth century a number of psychologies emerged that began to divorce consciousness from the notion of a personal self. They asked whether subject and object are truly distinct, whether consciousness is unified or composed of disparate elements, what grounds exist for regarding today's "self" as continuous with yesterday's. If the American pragmatist William James declared himself, on balance, in favor of a "real and verifiable personal identity which we feel," his Austrian counterpart, the empiricist Ernst Mach, propounded the view that "the self is unsalvageable." The Vanishing Subject is the first comprehensive study of the impact of these pre-Freudian debates on modernist literature. In lucid and engaging prose, Ryan traces a complex set of filiations between writers and thinkers over a sixty-year period and restores a lost element in the genesis and development of modernism. From writers who see the "self" as nothing more or less than a bundle of sensory impressions, Ryan moves to others who hesitate between empiricist and Freudian views of subjectivity and consciousness, and to those who wish to salvage the self from its apparent disintegration. Finally, she looks at a group of writers who abandon not only the dualisms of subject and object, but dualistic thinking altogether. Literary impressionism, stream-of-consciousness and point-of-view narration, and the question of epiphany in literature acquire a new aspect when seen in the context of the "psychologies without the self." Rilke's development of a position akin to phenomenology, Henry and Alice James's relation to their psychologist brother, Kafka's place in the modernist movements, Joyce's rewriting of Pater, Proust's engagement with contemporary thought, Woolf's presentation of consciousness, and Musil's projection of a utopian counter-reality are problems familiar to readers and critics: The Vanishing Subject radically revises the way we see them.
Introducing Birmingham Detective Sergeant Kate Power, exiled from London's Metropolitan Police by personal tragedy and making a new start in the distant outpost of Birmingham CID. Her new Brummie bosses are good men, for the most part, but they can't seem to let their new female colleague alone long enough to get on with her job. Kate is anxious to lose herself in her work, and before too long a case comes along that will consume her in a way she could never have imagined. Young boys are being abducted, abused, and murdered on her patch, and she feels intense personal and professional pressure to catch those responsible. Kate must navigate the unfamiliar channels of power in male-dominated Birmingham; are her colleagues being deliberately obstructive or simply dragging their feet? Soon she is forced to make an important decision: Should she follow the conventional line of enquiry, toe the company line, and work as part of the team, or should she strike out on her own, reputation be damned? Kate's got her work cut out for her, but she's a tough young cop who's seen a lot in her brief career and no one, not a heavy-handed supervisor or a vicious killer, is going to stop her from surviving, and thriving, in Birmingham. Power on Her Own is a taut, gritty cop novel from talented crime writer Judith Cutler.
This volume reproduces primary texts which embody the polymathic nature of the literature of science, and provides editorial overviews and extensive references, to provide a resource for specialized academics and researchers with a broad cultural interest in the long 18th century.
Lila Chapin feels invisible. A devoted wife and mother of two, she sacrificed her teaching career as her husband’s job moved the family around the country. Now settled in the Boston suburbs, he is swiftly climbing the corporate ladder while she takes care of him and their sons. She is greatly appreciated at the soup kitchen where she volunteers, but at home she’s taken for granted. She realizes just how true this is when her husband and children forget her fortieth birthday. She withdraws a chunk of money from the bank and takes off. This will be her birthday present to herself: a month without her family, a month in which she puts herself, her needs and her whims first. Ken Chapin loves his wife. Yes, he has been neglecting her lately as he vies for a senior management position at the high-tech firm where he works, but he’s always assumed they were a team, working side by side to make their family happy. Yet what kind of team is it when Ken gets all the glory and Lila does all the vacuuming? Her disappearance forces him to reconsider the direction their lives have taken and just how much he needs her. But has his insight arrived too late to save their marriage?
Over the past three decades, Ralph T. Coe has traveled extensively throughout the United States and Canada to assemble this collection of Native American art, one of the finest in private hands today. Immersed in the cultures of Native America, he has come to know artists and artisans, traders, dealers, and shop proprietors, selecting the very best they have to offer. The Ralph T. Coe Collection includes representative pieces from most Native American geographic regions and historical periods, beginning with objects dating back to the fourth millennium B.C. Many examples-men's shirts with ermine fringe, weapons, and button blankets-evoke the heroic lifestyle of the past, while small objects, such as tipi and kayak models, dolls, and tiny moccasins, speak to a more intimate significance. Ritual objects imbued with spiritual meaning-masks and katsinas, tablitas and medicine bundles-as well as utilitarian objects, such as pottery and baskets, also have a strong presence. This catalogue tells the stories of nearly two hundred of these objects, combining art history with personal reminiscence, and reveals the role Coe has played in bringing about awareness of the artistic heritage of Native America.-- Metropolitan Museum of Art website.
When does a person become disqualified for some or all of the rights associated with full citizenship? Who does qualify for rights? When mental health workers took Joyce Brown from her "home" on a New York City sidewalk and hospitalized her against her will, she defended herself by asserting her rights: to live where she wanted, to speak to the press to deride the city's policy, and to refuse unwanted psychiatric treatment. In theory, as a United States citizen, Brown possessed rights protecting her from governmental intrusion into her personal life. In practice, those rights were curtailed at the time of her civil commitment.Using the case of Joyce Brown as an example, Judith Lynn Failer explores the theoretical, legal, and practical justifications for limiting the rights of people who are involuntarily hospitalized. By looking at the reasons why law and theory say that some people diagnosed with mental illnesses no longer qualify for the full complement of constitutional rights, the author pieces together basic assumptions about who does, and who should, qualify for rights. Failer's analysis is motivated by her concern that people facing involuntary hospitalization stand to lose the most effective means they have of protecting themselves from abuse—their rights. She concludes that there is insufficient guidance for deciding who qualifies for regular rights and full citizenship. Finally, the author calls for the use of flexible standards to determine who should and who does qualify for rights.
In 1976, Don and Judy Cremer, and their two very young children, moved into a Christian commune in an inner-city district of Portland, Oregon. Participants in a risky outreach experiment, they expected to experience "all things in common" with their co-habitants. But suddenly thrust into a myriad of both personal and corporate struggles, they unexpectedly discovered the "uncommon"-and often miraculous-protection and provision of God. Coping with dangers and dilemmas, and developing discernment of the "winds of the Spirit"-without being blown away by "every wind of doctrine"-has produced an indelible imprint of spiritual maturity in their lives. Written with delightful candor and authenticity, Judy's memoir allows us a peek over her shoulder, taking us back in time 30 years. Her story is just as compelling and relevant for today, as she touches on the Vietnam War era, Ford's presidency, the birth of the New Monastic Movement. Born in Portland, Oregon, Judith Cremer returned there at age 19, after meeting and marrying her husband, Donald, in California. It was there, in the midst of the "Jesus Movement" revival of the 1970s, they experienced the events chronicled in this memoir. Following her career as a retail store manager and paralegal during the 1980s and 90s, she now relishes the slower pace of life in the Arkansas Ozarks. She and Don have four grown children and six grandchildren, and one of their favorite pastimes is traveling around the country visiting them. They enjoy renovating their historic home and remain occupied working with various local ministries. For many years Judith wrote a monthly column in her church's newsletter, and has led and formatted women's Bible studies. Judith has numerous essays and short stories to her credit, dealing with current events, women's interest and Christian growth. This is her first book.
The study of children's illustrated books is located within the broad histories of print culture, publishing, the book trade, and concepts of childhood. An interdisciplinary history, Picturing Canada provides a critical understanding of the changing geographical, historical, and cultural aspects of Canadian identity, as seen through the lens of children's publishing over two centuries. Gail Edwards and Judith Saltman illuminate the connection between children's publishing and Canadian nationalism, analyse the gendered history of children's librarianship, identify changes and continuities in narrative themes and artistic styles, and explore recent changes in the creation and consumption of children's illustrated books. Over 130 interviews with Canadian authors, illustrators, editors, librarians, booksellers, critics, and other contributors to Canadian children's book publishing, document the experiences of those who worked in the industry. An important and wholly original work, Picturing Canada is fundamental to our understanding of publishing history and the history of childhood itself in Canada.
Ethan Harris never thought monsters and darkness would consume his daily thoughts, but every night the same visions repeat in his dreams. He's careful to project a semblance of normalcy, keeping the suffocating darkness locked inside. As much as he wishes he could focus on girls, sports, and cars like other seventeen-year-olds; nothing distracts him from his own demons or shines through. Until Nara Collins crosses his path. The blonde fascinates and intrigues him, giving him a measure of peace he's never felt before. When Ethan discovers there's more to Nara than she allows others to see, that she might have a unique secret of her own, suddenly his world comes into focus.
In the early 19th century, the Irish arrived in Cleveland in search of opportunity. Construction on the Ohio and Erie Canal in 1825 attracted many Irish seeking employment. After the canals were completed, many who survived grueling labor conditions left northeastern Ohio, but others became dockworkers and shipbuilders. The Irish who made Cleveland home impacted the city significantly. The Roman Catholic Church became a mainstay for Irish immigrants, and parochial schools offered Irish youth an education steeped in faith and knowledge. Irish pride is evident by enthusiastic participation in clubs, festivals, cultural organizations, and public service. Irish Americans are now one of the largest and most active of the many ethnic groups represented in Cleveland, as demonstrated by the much-anticipated and well-attended annual St. Patrick's Day parade.
Maeve Nolan left Brogan’s Point ten years ago in anger and pain, planning never to return. An unexpected inheritance lures her back to town. If she’s going to remain, she will have to mend her tattered relationship with her father, Police Detective Ed Nolan, and his girlfriend, Gus Naukonen—the owner of the Faulk Street Tavern. She’ll also have to deal with Quinn Connor, Brogan’s Point’s one-time golden boy, who’s changed his life but can’t escape the expectations the folks in town have of him. When the tavern’s Magic Jukebox plays “Gone and Back,” it casts its spell on Maeve and Quinn. Can they find their way back home in each other’s arms?
This wide range of letters reminds us of Judith Wright's deep engagement with life, her love of the world (and of friends), and the fine fury that led her to battle so courageously on the world's behalf.
This work traces the extraordinary journeys of three World War II radio broadcasters in Germany and Japan whose wartime choices became treason in Britain, Australia, and the United States. John Amery, a member of a well-connected British family, joined Hitler's propagandists in Berlin. He was executed for treason by Britain after the war. Charles Cousens was a soldier in Japanese captivity when he was put to work on Radio Tokyo with a team of Allied POWs. Cousens was later tried as a traitor in Australia. Iva Toguri, better known as Tokyo Rose, was an American student visiting Japan when war broke out. She broadcast her English show on Radio Tokyo out of necessity rather than conviction. The United States jailed Toguri for treason. Through these powerful stories, this work not only sheds new light on the history of wartime radio broadcasting in Germany and Japan, but also examines the laws of treason in Britain, Australia, and the United States and the ways in which trials such as these helped shape modern-day treason trials. All three accounts provoke thoughtful questions as to the nature of justice—and the justice of retribution. This work traces the extraordinary journeys of three World War II radio broadcasters in Germany and Japan whose wartime choices became treason in Britain, Australia, and the United States.
The essays in Gender Studies explore relationships between gender and creativity, identity, and genre within the context of literary analysis. Some of the essays are psychoanalytic in approach in that they seek to discover the sexual dynamic/s involved in the creation of literature as an art form. Still others attempt to isolate and examine the sexual attitudes inherent in the works of particular authors or genres, or to determine how writers explore the sensibilities of each gender.
Gaps and the Creation of Ideas: An Artist’s Book is a portrait of the space between things, whether they be neurons, quotations, comic-book frames, or fragments in a collage. This twenty-year project is an artist’s book that juxtaposes quotations and images from hundreds of artists and writers with the author’s own thoughts. Using Adobe InDesign® for composition and layout, the author has structured the book to show analogies among disparate texts and images. There have always been gaps, but a focus on the space between things is virtually synonymous with modernity. Often characterized as a break, modernity is a story of gaps. Around 1900, many independent strands of gap thought and experience interacted and interwove more intricately. Atoms, textiles, theories, women, Jews, collage, poetry, patchwork, and music figure prominently in these strands. The gap is a ubiquitous phenomenon that crosses the boundaries of neuroscience, rabbinic thinking, modern literary criticism, art, popular culture, and the structure of matter. This book explores many subjects, but it is ultimately a work of art.
Thoroughly revised and updated and with a new Introduction by the authors, this paperback edition of Her Place at the Table draws on extensive interviews with women leaders to help all women negotiate their path to leadership success. A Woman's Guide to Taking Her Place at the Leadership Table "It's time for women to take their places at the leadership tables alongside men. Why? Because the skills we developed at the foot of the table—bringing people together, building bridges across differences, and thinking outside the box—are in great demand. But to use this time and these skills to the greatest advantage, read this book. The authors have set a great meal for you...just devour it." —Marie C. Wilson, president and founder, The White House Project "Does she have the right stuff? That question follows women whenever they are promoted to visible leadership positions. Her Place at the Table lays out the pragmatic moves that can help any woman in business show she has the right stuff. I encourage all women with leadership aspirations to use this book as a guide." —Patricia Fili-Krushel, executive vice president, Time Warner "Women roar—they are the leaders we need in corporations today, but there are still some barriers. This book will help individual women negotiate what they need to succeed as leaders and help their firms support them in their efforts. That way we all win!" —Tom Peters, management consultant and author, Reimagine! Business Excellence in a Disruptive Age For more information about Her Place at the Table or a group discussion guide, visit http://www.herplaceatthetable.com. Completely Updated with a New Introduction by the Authors
Pagan Portals - God-Speaking offers a new concept in Earth ecology incorporating mysticism and folk religion. The author is both a trance seer and a biologist, bringing a unique balance to an examination of nature philosophy. Storytelling examples from Irish folklore, NeoPagan theology, and scientific observations all contribute to a carefully reasoned theory about the future of the Earth and ourselves. ,
Originally created as a teaching tool, this bibliography has taken on a second life as a research tool for various facets of American art song, including, in this edition, both current and historical discography.
Intended as a guide for those wishing to draw on research techniques in order to inform the planning and undertaking of multi-method evaluation studies of educational initiatives. While it is possible to undertake evaluation without reference to research, the formal evaluation of education initiatives is enhanced by the use of research approaches to gather information on the nature of the developments that have taken place and/or merit and worth of the initiatives. In a climate where the question, "Does it work?" is being asked with increasing frequency, this book will consider ways of designing multi-method evaluation studies to help answer this question.
An autobiography and selected writings by the former Chief Judge of New York’s highest court, the Court of Appeals. In 1983, Judith S. Kaye (1938–2016) became the first woman appointed to the Court of Appeals, New York’s highest court. Ten years later, she became the first woman to be appointed chief judge of the court, and by the time she retired, in 2008, she was the longest-serving chief judge in the court’s history. During her long career, she distinguished herself as a lawyer, jurist, reformer, mentor, and colleague, as well as a wife and mother. Bringing together Kaye’s own autobiography, completed shortly before her death, as well as selected judicial opinions, articles, and speeches, Judith S. Kaye in Her Own Words makes clear why she left such an enduring mark upon the court, the nation, and all who knew her. The first section of the book, Kaye’s memoir, focuses primarily on her years on the Court of Appeals, the inner workings of the court, and the challenges she faced, as chief judge, in managing a court system populated by hundreds of judges and thousands of employees. The second section, a carefully chosen selection of her written opinions (and occasional dissents), reveals how she guided the law in New York State for almost a quarter century with uncommon vision and humanity. Her decisions cover every facet of New York and federal law and have often been quoted and followed nationally. The final section of the book includes selections from her numerous articles and speeches, which cover the field, from common law jurisprudence to commercial law to constitutional analysis, all with an eye to the future and, above all, how the law can best affect the everyday lives of people who come to court—willingly or unwillingly—including, not least, those most in need of the law. BACK FLAP “Judith Kaye was one of the most admired judges in the nation—and a wonderful, real, often funny person as well. This collection captures the full range of the judge and the woman, and it serves as a great reminder of her enduring legacy.” — Jeffrey Toobin “An extraordinary woman, jurist, and leader who had a striking impact on the law and the administration of justice in New York State and beyond. This collection is more than a simple record of a remarkable life. It is a treasure—not only for those of us who knew and admired Judith but for all who may seek to understand and appreciate the profound impact she had on the law, the legal profession, and the administration of justice.” — from the Foreword by Honorable Janet DiFiore
Now in its 25th year, the Oxford Handbook of Clinical Specialties has been revised and updated by a trusted author team to bring you practical, up-to-date clinical advice and a unique outlook on the practice of medicine. Twelve books in one, this is the ultimate guide to the core clinical specialties for students, junior doctors, and specialists. This edition features a new and improved referencing system guided by a team of junior doctors, ensuring that the text is packed with valuable references to the most salient data and guidelines across the specialties. Each chapter has been updated on the advice of a team of specialists, to bring you everything you need for any eventuality on the ward or in the field. This essential handbook guides the reader through the management of an unprecedented spectrum of conditions and eventualties, from sexual health to major incident management. Compact and filled with high quality artwork, directions to further reading, and wise advice, this book is an ideal resource for revision and reference on the go. With its companion volume, the Oxford Handbook of Clinical Medicine, the Oxford Handbook of Clinical Specialties offers a unique perspective on the practice of medicine. Filled with wit, wisdom, and humanity, this book draws on literature, history, and personal experience to teach a philosophy of medicine that always puts the patient at the centre of compassionate care. It is a trustworthy companion for anyone with the spirit of self-improvement and a passion for their practice.
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