Widely praised as a splendid addition to the literature on the great wave of post - 1970 immigration from Mexico - as a result of which an estimated 6 million undocumented Mexican migrants now live in the United States - The World of Mexican Migrants, by acclaimed author Judith Adler Hellman, takes us into the lives of those who, no longer able to eke out even a modest living in their homeland, have traveled north to find jobs. Hellman takes us deep into the sending communities in Mexico, where we witness the conditions that lead Mexicans to risk their lives crossing the border and meet those who live on Mexico's largest source of foreign income, remittances from family members al Norte. We hear astonishing border crossing tales - including one man's journey riding suspended from the undercarriage of a train. In New York and Los Angeles, construction workers, restaurant staff, street vendors, and deliverymen share their survival strategies - the ways in which they work, send money home, find housing, learn English, send their children to school, and avoid detection. Drawing upon five years of in-depth interviews, Hellman offers a humanizing perspective and ''essential window'' (Booklist ) into the lives and struggles of Mexican migrants living in the United States.
England 1810. Young Parson Tobias Campion is excited and nervous to be starting at the small parish of Moreton Priory. But his first night in the village brings excitement of the wrong kind when he has to intervene in the attempted rape of housemaid Lizzie Woodman. Even in the normal course of events life in the village is far from quiet, as soon Tobias has to deal with both violent and suspicious deaths which put his character and ministry to the test. But matters come to a head when Lizzie disappears from her employers. What has become of the girl and who is responsible? As Tobias searches for answers they find themselves delving into the dark secrets that haunt Lizzie's past.
This work offers insights into how specific films influenced the Americanization of the Holocaust and how the medium per se helped seed that event into the public consciousness. In addition to an in-depth study on films produced for both theatrical release and TV since 1937 - including The Great Dictator, Cabaret, Julia, and the mini-series Holocaust - this work provides an analysis of Schindler's List and the debate over the merit of Spielberg's vision of the Holocaust. It also examines more thoroughly made-for-television movies, such as Escape From Sobibor, Playing For Time, and War and Remembrance. A special chapter on The Diary of Anne Frank discusses the evolution of that singularly European work into a universal symbol. Paying special attention to the tumultuous 1960s in America, it assesses the effect of the era on Holocaust films made during that time. It also discusses how these films helped integrate the Holocaust into the fabric of American society, transforming it into a metaphor for modern suffering. Finally, the work explores cinema in relation to the Americanization of the Jewish image.
DIVComics are a unique form of storytelling created by talented and visionary artists. Creating Comics! is the first book to truly explore the backstories of the most talented visual artists currently practicing. Two of the most successful comic artists, Paul Gulacy and Michael Cavallaro, pen the foreword and introduction of the book, setting the tone for a truly remarkable collection of interviews from artists. Featured artists include Ryan Alexander-Tanner, Joseph Arthur, Gregory Benton, Ben Brown, Jeffrey Brown, Keith Carter, Michael Cavallaro, Amanda Conner, Henry Covert, Molly Crabapple, Marguerite Dabaie, Fly, Dylan Gibson, Michael Golden, Dan Goldman, Paul Gulacy, Chris Haughton, Glenn Head, Danny Hellman, John Holmstrom, R. Kikuo Johnson, Justin Kavoussi, Jim Lawson, Sonia Leong, Benjamin Marra, Paul Maybury, Tara McPherson, Josh Neufeld, Hyeondo Park, Chari Pere, Paul Pope, James Romberger/Marguerite Van Cook, J.J. Sedelmaier, Dash Shaw, R. Sikoryak, Maria Smedstad, Steve Spatucci, Jim Steranko, Denis St. John, Ward Sutton, Neil Swaab, Mark Texeira, Shawnti Therrien, Sara Varon, and Todd Webb. These artists walk readers through their conceptual process when devising story lines with powerful graphics. This is a must-read for all graphic novel enthusiasts!/div
Widely praised as a splendid addition to the literature on the great wave of post - 1970 immigration from Mexico - as a result of which an estimated 6 million undocumented Mexican migrants now live in the United States - The World of Mexican Migrants, by acclaimed author Judith Adler Hellman, takes us into the lives of those who, no longer able to eke out even a modest living in their homeland, have traveled north to find jobs. Hellman takes us deep into the sending communities in Mexico, where we witness the conditions that lead Mexicans to risk their lives crossing the border and meet those who live on Mexico's largest source of foreign income, remittances from family members al Norte. We hear astonishing border crossing tales - including one man's journey riding suspended from the undercarriage of a train. In New York and Los Angeles, construction workers, restaurant staff, street vendors, and deliverymen share their survival strategies - the ways in which they work, send money home, find housing, learn English, send their children to school, and avoid detection. Drawing upon five years of in-depth interviews, Hellman offers a humanizing perspective and ''essential window'' (Booklist ) into the lives and struggles of Mexican migrants living in the United States.
This book is a study of economic policymaking in Mexico focusing upon the sexenio (the six-year term) of Lopez Portillo—the era of the petroleum boom, the 1982 economic crisis, and the eventual bank nationalization.
The colony on the red planet had no need for heroes. It wanted people who knew how to solve the problem of simple survival. More than anything else it wanted independence form a doomed Earth—and it was in deadly danger of succeeding. A gripping tale of adventure, survival, and defiance set on a future Mars.
Malaria in pregnancy is a significant health problem in malaria-endemic areas. It not only causes substantial childhood morbidity and mortality but also increases the risks of adverse events for pregnant women and their developing fetuses. Most of the burden in these areas is due to infection with Plasmodium falciparum. Artemisinin-based combination therapy (ACT) has been recommended as first-line treatment for uncomplicated P. falciparum malaria in all populations, including pregnant women in their second and third trimesters, since 2006. However, for women in their first trimester of pregnancy, WHO recommended as first-line treatment a combination of quinine and clindamycin. Based on a review of the evidence conducted in 2022, WHO now recommends artemether–lumefantrine, the ACT with the most human safety data available, as the preferred treatment for uncomplicated P. falciparum malaria in the first trimester of pregnancy. This document presents all relevant evidence on the effects and safety in early pregnancy of artemisinins and partner medicines used in ACTs from both studies in experimental animals and observational studies in humans.
From the earliest days of the cinema to the present, Shakespeare has offered a tempting bank of source material than the film industry has been happy to plunder. Shakespeare on Film deftly examines an extensive range of films that have emerged from the curious union of an iconic dramatist with a medium of mass appeal. The many films Buchanan studies are shown to be telling indicators of trends in Shakespearean performance interpretation, illuminating markers of developments in the film industry and culturally revealing about broader influences in the world beyond the movie theatre. As with other titles from the Inside Film series, the book is illustrated throughout with stills. Each chapter concludes with a list of suggested further reading in the field.
Getting to Zero takes on the much-debated goal of nuclear zero—exploring the serious policy questions raised by nuclear disarmament and suggesting practical steps for the nuclear weapon states to take to achieve it. It documents the successes and failures of six decades of attempts to control nuclear weapons proliferation and, within this context, asks the urgent questions that world leaders, politicians, NGOs, and scholars must address in the years ahead.
A wide-ranging study of empire, religious prophecy, and nationalism in literature, Russia’s Rome: Imperial Visions, Messianic Dreams, 1890–1940 provides the first examination of Russia’s self-identification with Rome during a period that encompassed the revolutions of 1905 and 1917 and the rise of the Soviet state. Analyzing Rome-related texts by six writers—Dmitrii Merezhkovskii, Valerii Briusov, Aleksandr Blok, Viacheslav Ivanov, Mikhail Kuzmin, and Mikhail Bulgakov—Judith E. Kalb argues that the myth of Russia as the “Third Rome” was resurrected to create a Rome-based discourse of Russian national identity that endured even as the empire of the tsars declined and fell and a new state replaced it. Russia generally finds itself beyond the purview of studies concerned with the ongoing potency of the classical world in modern society. Slavists, for their part, have only recently begun to note the influence of classical civilization not only during Russia’s neo-classical eighteenth century but also during its modernist period. With its interdisciplinary scope, Russia’s Rome fills a gap in both Russian studies and scholarship on the classical tradition, providing valuable material for scholars of Russian culture and history, classicists, and readers interested in the classical heritage.
The New School for Social Research opened in 1919 as an act of protest. Founded in the name of academic freedom, it quickly emerged as a pioneer in adult education—providing what its first president, Alvin Johnson, liked to call “the continuing education of the educated.” By the mid-1920s, the New School had become the place to go to hear leading figures lecture on politics and the arts and recent developments in new fields of inquiry, such as anthropology and psychoanalysis. Then in 1933, after Hitler rose to power, Johnson created the University in Exile within the New School. Welcoming nearly two hundred refugees, Johnson, together with these exiled scholars, defiantly maintained the great traditions of Europe’s imperiled universities. Judith Friedlander reconstructs the history of the New School in the context of ongoing debates over academic freedom and the role of education in liberal democracies. Against the backdrop of World War I and the first red scare, the rise of fascism and McCarthyism, the student uprisings during the Vietnam War and the downfall of communism in Eastern Europe, Friedlander tells a dramatic story of intellectual, political, and financial struggle through illuminating sketches of internationally renowned scholars and artists. These include, among others, Charles A. Beard, John Dewey, José Clemente Orozco, Robert Heilbroner, Hannah Arendt, and Ágnes Heller. Featured prominently as well are New School students, trustees, and academic leaders. As the New School prepares to celebrate its one-hundredth anniversary, A Light in Dark Times offers a timely reflection on the legacy of this unique institution, which has boldly defended dissident intellectuals and artists in the United States and overseas.
In the 1980s and 1990s, nations throughout Latin America experienced the dual transformations of market liberalizing reforms and democratization. Since then, perhaps no issue has been more controversial among those who study the region than the exact nature of the relationship between these two processes. Bringing a much-needed comparative perspective to the discussion, Judith Teichman examines the politics of market reform in Chile, Argentina, and Mexico, analyzing its implications for democratic practices in each case. Teichman considers both internal and external influences on the process of Latin American market reform, anchoring her investigation in the historical, political, and cultural contexts unique to each country, while also highlighting the important role played by such international actors as the World Bank and the International Monetary Fund (IMF). Informed by interviews with more than one hundred senior officials involved in the reform process, her analysis reveals that while the initial stage of market reform is associated with authoritarian political practices, later phases witness a rise in the importance of electoral democracy. She concludes, however, that the legacy of authoritarian decision making represents a significant obstacle to substantive democratization.
An autobiography and selected writings by the former Chief Judge of New York’s highest court, the Court of Appeals. In 1983, Judith S. Kaye (1938–2016) became the first woman appointed to the Court of Appeals, New York’s highest court. Ten years later, she became the first woman to be appointed chief judge of the court, and by the time she retired, in 2008, she was the longest-serving chief judge in the court’s history. During her long career, she distinguished herself as a lawyer, jurist, reformer, mentor, and colleague, as well as a wife and mother. Bringing together Kaye’s own autobiography, completed shortly before her death, as well as selected judicial opinions, articles, and speeches, Judith S. Kaye in Her Own Words makes clear why she left such an enduring mark upon the court, the nation, and all who knew her. The first section of the book, Kaye’s memoir, focuses primarily on her years on the Court of Appeals, the inner workings of the court, and the challenges she faced, as chief judge, in managing a court system populated by hundreds of judges and thousands of employees. The second section, a carefully chosen selection of her written opinions (and occasional dissents), reveals how she guided the law in New York State for almost a quarter century with uncommon vision and humanity. Her decisions cover every facet of New York and federal law and have often been quoted and followed nationally. The final section of the book includes selections from her numerous articles and speeches, which cover the field, from common law jurisprudence to commercial law to constitutional analysis, all with an eye to the future and, above all, how the law can best affect the everyday lives of people who come to court—willingly or unwillingly—including, not least, those most in need of the law. BACK FLAP “Judith Kaye was one of the most admired judges in the nation—and a wonderful, real, often funny person as well. This collection captures the full range of the judge and the woman, and it serves as a great reminder of her enduring legacy.” — Jeffrey Toobin “An extraordinary woman, jurist, and leader who had a striking impact on the law and the administration of justice in New York State and beyond. This collection is more than a simple record of a remarkable life. It is a treasure—not only for those of us who knew and admired Judith but for all who may seek to understand and appreciate the profound impact she had on the law, the legal profession, and the administration of justice.” — from the Foreword by Honorable Janet DiFiore
A longtime yoga instructor reveals how to manage pain, relieve stress, and promote relaxation through the gentle and meditative practices of restorative yoga Whether you have five minutes or an hour, taking time out of each day to relax and renew is essential to living well. This book presents nurturing physical postures and breathing techniques called restorative yoga. When practiced regularly, they will help you heal the effects of chronic stress, recover from illness or injury, balance energy, and quiet the mind. With clear instructions and photographs, Relax and Renew gently guides the experienced practitioner and enthusiastic beginner—regardless of age, flexibility, or strength—in techniques that will ease your way through this hectic world. Judith Lasater draws from decades of experience to provide readers with: • A general restorative sequence • Programs for back pain, headaches, insomnia, jet lag, and breathing problems • Guidance for women during menstruation, pregnancy, and menopause • Routines for when time is limited, including one for the office • Practical suggestions that help you prevent stress and live more fully in the present moment And much more!
Beyond overcoming, Judith Mudd-Krijgelmans' memoir is one of hope and resilience. Flowers for Brother Mudd: One Woman's Path from Jim Crow to Career Diplomat explores the paradox of an African American and a Catholic - a minority within a minority - who craved a wider future. Find out how a girl from Louisville, Kentucky's Smoke Town forged independent-mindedness to survive a segregated society. Learn what propelled this "colored girl" to jet across the world for three decades in a career that she chose at age 16. This former diplomat recounts the cushioning love of her upstanding, social studies teacher father, who rose from tobacco farming to head a school in coal country; and imaginative mother from Virginia's Blue Ridge Mountains. She salutes the Ursuline Sisters; educators at Morgan State and American Universities; and in India where she went on a Fulbright. In the face of a bleak future if Civil Rights changes hadn't come, she shows how a person of color could thrive and strive to tell her story to the world.
A son of poor Jamaican immigrants who grew up in Depression-era Harlem, Harry Belafonte became the first black performer to gain artistic control over the representation of African Americans in commercial television and film. Forging connections with an astonishing array of consequential players on the American scene in the decades following World War II—from Paul Robeson to Ed Sullivan, John Kennedy to Stokely Carmichael—Belafonte established his place in American culture as a hugely popular singer, matinee idol, internationalist, and champion of civil rights, black pride, and black power. In Becoming Belafonte, Judith E. Smith presents the first full-length interpretive study of this multitalented artist. She sets Belafonte's compelling story within a history of American race relations, black theater and film history, McCarthy-era hysteria, and the challenges of introducing multifaceted black culture in a moment of expanding media possibilities and constrained political expression. Smith traces Belafonte's roots in the radical politics of the 1940s, his careful negotiation of the complex challenges of the Cold War 1950s, and his full flowering as a civil rights advocate and internationally acclaimed performer in the 1960s. In Smith's account, Belafonte emerges as a relentless activist, a questing intellectual, and a tireless organizer. From his first national successes as a singer of Calypso-inflected songs to the dedication he brought to producing challenging material on television and film regardless of its commercial potential, Belafonte stands as a singular figure in American cultural history—a performer who never shied away from the dangerous crossroads where art and politics meet.
WINNER OF THE 2023 PEN/DIAMONSTEIN-SPIELVOGEL AWARD FOR THE ART OF THE ESSAY A collection of essays from Judith Thurman, the National Book Award–winning biographer and New Yorker staff writer. Judith Thurman, a prolific staff writer at The New Yorker for more than two decades, has gathered a selection of her essays and profiles in A Left-Handed Woman. They consider our culture in all its guises: literature, history, politics, gender, fashion, and art, though their paramount subject is the human condition. Thurman is one of the preeminent essayists of our time—“a master of vivisection,” as Kathryn Harrison wrote in The New York Times. “When she’s done with a subject, it’s still living, mystery intact.”
How did menopause change from being a natural (and often welcome) end to a woman's childbearing years to a deficiency disease in need of medical and pharmacological intervention? By examining the history of menopause over the course of the twentieth century, Houck shows how the experience and representation of menopause has been profoundly influenced by biomedical developments and by changing roles for women and the changing definition of womanhood.
List of Contributors. Introduction. Martin Jay. Reification and Recognition: A New Look at an Old Idea. Axel Honneth. Comments. Judith Butler. Raymond Geuss. Jonathan Lear. Rejoinder. Axel Honneth. Index.
From the New York Times bestselling author of Looking for Mr. Goodbar— the story of two women, a psychoanalyst and her patient who help each other through very different periods in their lives. When Dawn Henley, the beautiful, talented Barnard College freshman steps into psychoanalyst Dr. Lulu Shinefeld’s office, she’s immediately intrigued. What could have driven this girl to such extreme levels of depression? Over the course of five years, Dawn’s bizarre and tortured childhood is drawn out, and both women are inevitably changed.
Light figures being; darkness, death. Bridging mathematical science, semantics, rhetoric, grammar, and major poems, Judith H. Anderson seeks to negotiate writings from multiple disciplines in the shared terms of poiesis and figuration rather than as cultural opposites. Analogy, a type of metaphor, has always been the connector of the known to the unknown, the sensible to the infinite. Anderson’s study moves from the figuration of light and death to the history of analogy and its pertinence to light in physics and metaphysics, from Kepler to Donne, Spenser, and Milton. Topics proliferate: creativity, optics, the relation of literature to science, the methodology of thought and argument, and the processes of narrative, discovery, and interpretation.
Robertson Davies (1913–1995), one of Canada’s most distinguished authors of the twentieth century, was known for his work as a novelist, playwright, critic, journalist, and professor. This descriptive bibliography is dedicated to his writing career, covering all publications from his first venture into print at the age of nine to works published posthumously to 2011. Entries include each of Davies’ signed publications and those pseudonymous or anonymous writings he acknowledged having written. Included are his plays, novels, journalism, academic writing, translations, interviews, speeches, lectures, unsigned articles and editorials, films, audio recordings, and multimedia editions. Also listed is a generous sampling of unsigned articles and editorials. Using Davies’ archives and the archives of other authors, organizations, and publishers, Carl Spadoni and Judith Skelton Grant present A Bibliography of Robertson Davies to serve the research demands of Canadian literature and book history scholars.
In her characteristically engaging style, Nelson explores a topic that has fascinated and frustrated scholars for centuries. Initially drawn to the meaning of laughter through her decades of work studying crying from an attachment perspective, Nelson argues that laughter is based in the attachment system, which explains much about its confusing and apparently contradictory qualities. Laughter may represent connection or detachment. It can invite closeness, or be a barrier to it. Some laughter helps us cope with stress, other laughter may serve as a defense and represent resistance to growth and change. Nelson resolves these paradoxes and complexities by linking attachment-based laughter with the exploratory/play system in infancy, and the social/affiliative system, the conflict/appeasement, sexual/mating, and fear/wariness systems of later life. An attachment perspective also helps to explain the source of different patterns and uses of laughter, suggests how and why they may vary according to attachment style, and explain the multiple meanings of laughter in the context of the therapeutic relationship. As she discovers, attachment has much to teach us about laughter, and laughter has much to teach us about attachment. This lively book sheds light on the ways in which we connect, grow, and transform and how, through shared humor, play, and delight, we have fun doing so.
A dazzling biography of the French literary superstar Colette, who is also the subject of a major motion picture. “A fine and intelligent biography of Colette, with her long tumultuous life and the great body of her work scrupulously considered and presented with style.”—The New York Times Book Review (Editors’ Choice) NATIONAL BOOK AWARD FINALIST • WINNER OF THE LOS ANGELES TIMES BOOK AWARD • NOMINATED FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD Having spent her childhood in the shadow of an overpowering mother, Colette escaped at age twenty into a turbulent marriage with the sexy, unscrupulous Willy—a literary charlatan who took credit for her bestselling Claudine novels. Weary of Willy’s sexual domination, Colette pursued an extremely public lesbian love affair with a niece of Napoleon’s. At forty, she gave birth to a daughter who bored her, at forty-seven she seduced her teenage stepson, and in her seventies she contributed to the pro-Nazi press during the Occupation, even though her beloved third husband, a Jew, had been arrested by the Gestapo. And all the while, this incomparable woman poured forth a torrent of masterpieces, including Gigi, Sido, Cheri, and Break of Day. Judith Thurman, author of the National Book Award-winning biography of Isak Dinesen, portrays Colette as a thoroughly modern woman: frank in her desires, fierce in her passions, forever reinventing herself. Rich with delicious gossip and intimate revelations, shimmering with grace and intelligence, Secrets of the Flesh is one of the great biographies of our time. Chosen as one of the Best Books of the Year by The Village Voice and Newsday “[Colette] has been the subject of . . . a half-dozen significant biographies over the past thirty years. Yet this one by Judith Thurman will be hard to top. . . . Its prose is smoothly urbane, at times aphoristic, always captivating.”—The Washington Post Book World “It will stand as literature in its own right.”—Richard Bernstein, The New York Times “[An] essential biography by a stylish writer of great sympathetic understanding and intellectual authority.”—Philip Roth
There is also a brief description of the provincial organisation of the Order, with particular reference to the houses in Aragon, where it is most likely that the manuscript was used; a summary of clauses; and a concordance with both de Curzon's 1886 edition of the French Rule and Delaville Le Roulx's partial transcription of the Catalan Rule. Footnotes to the English translation elucidate the text; give biographical information on the named officers of the Order where possible; and indicate significant differences from the French Rule."--BOOK JACKET.
Mathematics is an essential component of the educated mind. It has two important roles to play: as queen of the sciences (providing the logical structure that holds science together) and as a handmaiden to those sciences (carrying out the computations that apply scientific concepts.) Unfortunately, a gulf exists between science and the humanities, and our text, About Mathematics, seeks to bridge that gap, to serve humanities students just as humanities texts are offered to inform science students. In doing so, unlike most math texts, we avoid the usual focus on detailed techniques to expose instead some of the important concepts and values of mathematics.
The modern American university has, for more than a century, been the frontier where those who aspired to social and economic advancement ventured. Initially, the guides for the aspirants were the professors, who having earned the trust of both the general public and practitioners, provided the necessary foundation for entry into the profession.
Visions of Belonging explores how beloved and still-remembered family stories—A Tree Grows in Brooklyn, I Remember Mama, Gentleman's Agreement, Death of a Salesman, Marty, and A Raisin in the Sun—entered the popular imagination and shaped collective dreams in the postwar years and into the 1950s. These stories helped define widely shared conceptions of who counted as representative Americans and who could be recognized as belonging. The book listens in as white and black authors and directors, readers and viewers reveal divergent, emotionally textured, and politically charged social visions. Their diverse perspectives provide a point of entry into an extraordinary time when the possibilities for social transformation seemed boundless. But changes were also fiercely contested, especially as the war's culture of unity receded in the resurgence of cold war anticommunism, and demands for racial equality were met with intensifying white resistance. Judith E. Smith traces the cultural trajectory of these family stories, as they circulated widely in bestselling paperbacks, hit movies, and popular drama on stage, radio, and television. Visions of Belonging provides unusually close access to a vibrant conversation among white and black Americans about the boundaries between public life and family matters and the meanings of race and ethnicity. Would the new appearance of white working class ethnic characters expand Americans'understanding of democracy? Would these stories challenge the color line? How could these stories simultaneously show that black families belonged to the larger "family" of the nation while also representing the forms of danger and discriminations that excluded them from full citizenship? In the 1940s, war-driven challenges to racial and ethnic borderlines encouraged hesitant trespass against older notions of "normal." But by the end of the 1950s, the cold war cultural atmosphere discouraged probing of racial and social inequality and ultimately turned family stories into a comforting retreat from politics. The book crosses disciplinary boundaries, suggesting a novel method for cultural history by probing the social history of literary, dramatic, and cinematic texts. Smith's innovative use of archival research sets authorial intent next to audience reception to show how both contribute to shaping the contested meanings of American belonging.
In this third volume of the series Junctures: Case Studies in Women’s Leadership, Judith K. Brodsky and Ferris Olin profile female leaders in music, theater, dance, and visual art. The diverse women included in Junctures in Women's Leadership: The Arts have made their mark by serving as executives or founders of art organizations, by working as activists to support the arts, or by challenging stereotypes about women in the arts. The contributors explore several important themes, such as the role of feminist leadership in changing cultural values regarding inclusivity and gender parity, as well as the feminization of the arts and the power of the arts as cultural institutions. Amongst the women discussed are Bertha Honoré Palmer, Louise Noun, Samella Lewis, Julia Miles, Miriam Colón, Jaune Quick-To-See Smith, Bernice Steinbaum, Anne d’Harnoncourt, Martha Wilson, Jawole Willa Jo Zollar, Kim Berman, Gilane Tawadros, Joanna Smith, and Veomanee Douangdala.
The essays in Gender Studies explore relationships between gender and creativity, identity, and genre within the context of literary analysis. Some of the essays are psychoanalytic in approach in that they seek to discover the sexual dynamic/s involved in the creation of literature as an art form. Still others attempt to isolate and examine the sexual attitudes inherent in the works of particular authors or genres, or to determine how writers explore the sensibilities of each gender.
Basing their findings on four years of research during which they studied rural districts drawn from a variety of contrasting regions of European Russia, the authors discuss the place of rural households in Russia's agri-food production system. They show that far from being solely concerned with 'survival' household plots in contemporary Russia are increasingly used to produce crops and livestock products for the market. In the book they describe the rich variety of forms that small and independent farming takes today from highly localised clusters of cucumber or tomato producers to specialization in crop or animal husbandry at a higher spatial scale or associated with particular ethnic groups. The authors systematically examine the influence on past and present practices of distance and the environment, the state of the large farm sector, local customs, and ethnicity on what households produce and how they produce it often using case studies of people they have met (plot holders, farmers, local officials) to illustrate their point. They criticise the tendency of the household production to be treated as the agricultural 'Other' in post-Soviet Russia and argue with the right incentives it has the potential for further development.
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