In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Udgivet i forbindelse med udstillinger i The National Museum of Women in the Arts, Washington, D.C. og seks andre museer mellem 15. marts 2001 og 1. december 2002
This volume explores the political, cultural, and ecclesiastical forces that linked the metropolis of Byzantium to the margins of its far-flung empire. Focusing on the provincial region of Hellas and Peloponnesos in central and southern Greece, Judith Herrin shows how the prestige of Constantinople was reflected in the military, civilian, and ecclesiastical officials sent out to govern the provinces. She evokes the ideology and culture of the center by examining different aspects of the imperial court, including diplomacy, ceremony, intellectual life, and relations with the church. Particular topics treat the transmission of mathematical manuscripts, the burning of offensive material, and the church's role in distributing philanthropy. Herrin contrasts life in the capital with provincial life, tracing the adaptation of a largely rural population to rule by Constantinople from the early medieval period onward. The letters of Michael Choniates, archbishop of Athens from 1182 to 1205, offer a detailed account of how this highly educated cleric coped with life in an imperial backwater, and demonstrate a synthesis of ancient Greek culture and medieval Christianity that was characteristic of the Byzantine elite. This collection of essays spans the entirety of Herrin's influential career and draws together a significant body of scholarship on problems of empire. It features a general introduction, two previously unpublished essays, and a concise introduction to each essay that describes how it came to be written and how it fits into her broader analysis of the unusual brilliance and longevity of Byzantium.
Extranodal Lymphomas is a practical, easy-to-use guide that helps you accurately diagnose even the most challenging cases. Dr. Judith Ferry and leaders in the field present their expertise to fill the need for a highly-illustrated, authoritative reference that keeps you up to date on histologic, immunophenotypic, genetic, and clinical features, along with risk factors and current nomenclature. This comprehensive resource features convenient access to everything you need for effective diagnostic decision making. - See specimens as they appear through the microscope with nearly 800 superb, full-color photographs, photomicrographs, and images taken at high power. - Apply current criteria for diagnosis with the terminology and criteria of the newest WHO Classification of Tumors of Haematopoietic and Lymphoid Tissues incorporated throughout the text. - Easily refer to key information through tables that highlight principle features of lymphomas in different anatomic sites and their differential diagnosis. - Effectively diagnose both extranodal and intranodal lymphomas using comprehensive coverage. - Quickly find pathologic criteria with chapters organized by anatomic site providing a comprehensive list of extranodal sites, including the central nervous system, the head and neck, heart, lungs, gastrointestinal tract, skin, bone, bone marrow, and more.
Written by nurse practitioners for nurse practitioners, this one-of-a-kind resource provides the expert guidance you need to provide comprehensive primary care to children with special needs and their families. It addresses specific conditions that require alterations in standard primary care and offers practical advice on managing the major issues common to children with chronic conditions. A consistent format makes it easy to locate essential information on each condition. Plus, valuable resources help you manage the issues and gaps in health care coverage that may hinder quality care. - This is the only book authored by Nurse Practitioners that focuses on managing the primary health care needs of children with chronic conditions. - More than 60 expert contributors provide the most current information available on specific conditions. - Comprehensive summary boxes at the end of all chronic conditions chapters provide at-a-glance access to key information. - Resource lists at the end of each chronic condition chapter direct you to helpful websites, national organizations, and additional sources of information that you can share with parents and families. - Updated references ensure you have access to the most current, evidence-based coverage of the latest research findings and management protocols. - Four new chapters — Celiac Disease, Eating Disorders, Muscular Dystrophy, and Obesity — keep you up to date with the latest developments in treating these conditions. - Autism content is updated with the latest research on autism spectrum disorders, including current methods of evaluation, identification, and management. - Coverage of systems of care features new information on how to help families obtain high-quality and cost-effective coordinated services within our complex health care system. - Easy-to-find boxes in the chronic conditions chapters summarize important information on treatment, associated problems, clinical manifestations, and differential diagnosis.
In 1959, Richard Bellamy was a witty, poetry-loving beatnik on the fringe of the New York art world who was drawn to artists impatient for change. By 1965, he was representing Mark di Suvero, was the first to show Andy Warhol’s pop art, and pioneered the practice of “off-site” exhibitions and introduced the new genre of installation art. As a dealer, he helped discover and champion many of the innovative successors to the abstract expressionists, including Claes Oldenburg, James Rosenquist, Donald Judd, Dan Flavin, Walter De Maria, and many others. The founder and director of the fabled Green Gallery on Fifty-Seventh Street, Bellamy thrived on the energy of the sixties. With the covert support of America’s first celebrity art collectors, Robert and Ethel Scull, Bellamy gained his footing just as pop art, minimalism, and conceptual art were taking hold and the art world was becoming a playground for millionaires. Yet as an eccentric impresario dogged by alcohol and uninterested in profits or posterity, Bellamy rarely did more than show the work he loved. As fellow dealers such as Leo Castelli and Sidney Janis capitalized on the stars he helped find, Bellamy slowly slid into obscurity, becoming the quiet man in oversize glasses in the corner of the room, a knowing and mischievous smile on his face. Born to an American father and a Chinese mother in a Cincinnati suburb, Bellamy moved to New York in his twenties and made a life for himself between the Beat orbits of Provincetown and white-glove events like the Guggenheim’s opening gala. No matter the scene, he was always considered “one of us,” partying with Norman Mailer, befriending Diane Arbus and Yoko Ono, and hosting or performing in historic Happenings. From his early days at the Hansa Gallery to his time at the Green to his later life as a private dealer, Bellamy had his finger on the pulse of the culture. Based on decades of research and on hundreds of interviews with Bellamy’s artists, friends, colleagues, and lovers, Judith E. Stein’s Eye of the Sixties rescues the legacy of the elusive art dealer and tells the story of a counterculture that became the mainstream. A tale of money, taste, loyalty, and luck, Richard Bellamy’s life is a remarkable window into the art of the twentieth century and the making of a generation’s aesthetic. -- "Bellamy had an understanding of art and a very fine sense of discovery. There was nobody like him, I think. I certainly consider myself his pupil." --Leo Castelli
Heidegger's Eschatology is a ground-breaking account of Heidegger's early engagement with theology, from his beginnings as an anti-Modernist Catholic to his turn towards an undogmatic Protestantism and finally to a resolutely a-theistic philosophical method. The book centres on Heidegger's developing commitment to an eschatological vision, derived from theological sources but reshaped into a central resource for the development of an atheistic phenomenological account of human existence. This vision originated in Heidegger's attempt, in the late 1910s, to formulate a phenomenology of religious life that would take seriously the inherent temporality of human existence. In this endeavour, Heidegger turned to two trends in Protestant scholarship: the discovery of eschatology as a central preoccupation of the Early Church by A. Schweitzer and the 'History of Doctrine' School, and the 'existential' eschatology of Karl Barth and Eduard Thurneysen, indebted to Kierkegaard, Dostoevsky, and Franz Overbeck. His synthesis of such trends within a phenomenological framework (elaborated primarily via readings of Paul and Augustine in his lecture courses of 1921-2) led Heidegger to postulate an existential sense of eschatological unrest as the central characteristic of authentic Christian existence. His description of this expectant restlessness, however, was now inescapably at odds with its Christian sources, since Heidegger's commitment to a phenomenological description of the human situation led him to abstract the 'existential' experience of expectation from its traditional object: the 'blessed hope' for the Kingdom of God. Christian hope thus for Heidegger no longer constitutes, but rather negates 'eschatological' unrest, because such hope projects an end to that unrest, and thus to authentic existence itself. Against the Christian vision, Heidegger therefore develops a systematic 'eschatology without eschaton', paradigmatically expressed as 'being-unto-death'. Judith Wolfe tells the story of his re-conception of eschatology, using a wealth of primary and newly available original-language sources, and offering in-depth analysis of Heidegger's relationship to theological tradition and the theology of his time.
In this unique volume Judith Abrams, author of the highly regarded series The Talmud for Beginners, examines the episodes recorded in rabbinic literature that suggest the actions of the women of those times.
A feminist critique of Judaism as a patriarchal tradition and an exploration of the increasing involvement of women in naming and shaping Jewish tradition.
This first collection of Judith Plaskow's essays and short writings traces her scholarly and personal journey from her early days as a graduate student through her pioneering contributions to both feminist theology and Jewish feminism to her recent work in sexual ethics. Accessibly organized into four sections, the collection begins with several of Plaskow's foundational essays on feminist theology, including one previously unavailable in English. Section II addresses her nuanced understanding of oppression and includes her important work on anti-Judaism in Christian feminism. Section III contains a variety of short and highly readable pieces that make clear Plaskow's central role in the creation of Jewish feminism, including the essential "Beyond Egalitarianism." Finally, section IV presents her writings on the significance of sexual ethics to the larger project of transforming Judaism. Intelligently edited with the help of Rabbi Donna Berman, and including pieces never before published, The Coming of Lilith is indispensable for religious studies students, fans of Plaskow's work, and those pursuing a Jewish education.
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