Turn your old bandanas into stylish new creations with these 21 fast, fun and easy-to-complete crafting projects for kids ages 8 and up. Full of inspiration for crafty kids, Bandana-rama shows how the classic bandana is also the ideal crafting material. Here you will find twenty-one easy inventive crafting projects that are easy for kids of all experience levels to complete. From headbands, belts, and hoodies, to pillows, guitar straps, and hoodie linings, all the projects can be achieved by hand sewing, machine sewing, or in some cases, by simply using scissors and glue. Since bandanas are prehemmed, they cut down on time spent sewing borders and following stitching lines. As a result, there's more time for kids to explore their creativity and come up with a style that's all their own.
Raymond Chandler was among the most original and enduring crime novelists of the twentieth century. Yet much of his pre-writing life, including his unconventional marriage, has remained shrouded in mystery. In this compelling, wholly original book, Judith Freeman sets out to solve the puzzle of who Chandler was and how he became the writer who would create in Philip Marlowe an icon of American culture. Visiting Chandler's many homes and apartments, Freeman uncovers vestiges of the Los Angeles that was Chandler's terrain and inspiration for his imagination. She also uncovers the life of Cissy Pascal, the older, twice-divorced woman Chandler married in 1924. A revelation of a marriage that was a wellspring of need, illusion, and creativity, The Long Embrace provides us with a more complete picture of Raymond Chandler's life and art than any we have had before.
A love story set against the backdrop of Restoration England, Jacobite Scotland and Ireland, and the rise and fall of kings, by an award-winning author. Amidst the upheaval of the first Jacobite war in 17th century Britain, Jamie Sinclair's wit and military prowess have served him well. Leading a troop in Scotland, he impetuously marries a captured maiden, saving her from a grim fate. A Highlands heiress to title and fortune, Catherine Drummond is not the friendless woman Jamie believed her to be. When her people effect her rescue, and he cannot annul the marriage, Jamie determines to recapture his hellcat of a new wife. In a world where family and creed cannot be trusted, where faith fuels intolerance and war, Catherine and Jamie test the bounds of love, loyalty, friendship, and trust...
Feminist scholarship and criticism has retrieved the Bluestocking women from their marginal position in 18th-century literature. This work collects the principal writings of these women, together with a selection of their letters. Each volume is annotated and all texts are edited and reset.
This book explores the relations between literacy and "people's power" in the context of Mozambique's project of socialist construction. It probes the tensions between literacy as a tool for grassroots democracy versus literacy as a tool for mobilizing at the base for top-down initiatives.
For early modern Europeans, the past was a measure of most things, good and bad. For that reason it was also hotly contested, manipulated, and far too important to be left to historians alone. Memory in Early Modern Europe offers a lively and accessible introduction to the many ways in which Europeans engaged with the past and 'practised' memory in the three centuries between 1500 and 1800. From childhood memories and local customs to war traumas and peacekeeping , it analyses how Europeans tried to control, mobilize and reconfigure memories of the past. Challenging the long-standing view that memory cultures transformed around 1800, it argues for the continued relevance of early modern memory practices in modern societies.
The author reads four 18th-century satiric novels—Joseph Andrews, A Sentimental Journey, Humphrey Clinker, and Cecilia—"from below," exploring how the gentle authors' experiences of the poor shape the novels both thematically and formally.
Enabling Engagements contributes to current critical debates regarding early modern subjectivity and early modern cultural capital. In stressing the boldness of Edmund Spenser's poetics of patronage, Judith Owens shows that Elizabethans could and did exercise agency within a wide range of institutions. By consistently challenging assumptions of courtly hegemony in early modern society, Owens suggests a new appraisal of the processes of cultural commodification. Enabling Engagements challenges conventional assessments of Spenser as court-centred and of patronal relations in the early modern period as asymmetrical and prescriptive. Owens demonstrates that Spenser exercised a vigorous sense of agency within the close quarters of patronage and courtly culture, fashioning his laureate's role and envisioning nationhood in resistance to the centre. She shows that his independence from court-centred values and tropes informed his poetics from the start of his publishing career, not just as a result of increasing disillusionment with the court. Owens develops detailed readings of Spenser's poetry and his paratextual material in The Shepheardes Calender, the 1590 Faerie Queene, and Complaints, providing contexts that are both broader and more varied than those usually accorded Spenser's poetry. She extends the horizons of The Faerie Queene in particular to include not only court and sovereign but also London, the material conditions of early modern publishing, and Ireland. Bringing together concerns usually approached individually, she shows us a Spenser who is neither the careerist of much recent criticism nor the Elizabethan propagandist of long-standing custom.
On 1 January 1753 Elizabeth Canning, an eighteen-year-old maidservant, disappeared somewhere between her uncle's and her mother's home. Nearly a month later she reappeared at her mother's door; she was half-naked, emaciated, unable even to swallow. Elizabeth's neighbors rallied around her with medical and legal support, and when they pieced together her story of assault, kidnapping, and detention, they pursued her assailants. Susannah Wells, an Enfield woman, was soon identified as the owner of the house where Canning said she had been held; Canning identified Mary Squires, a gypsy woman resident in Wells's house, as the person who had stripped her of her stays and thrust her into the derelict attic from which she had eventually escaped." "Eighteenth-century criminal proceedings were swift: Squires was sentenced to hang within a month of being charged, and Wells was branded and imprisoned. Lord Mayor Sir Crisp Gascoyne of London had presided at their trial, but he was dissatisfied with the verdict. He began to collect evidence that would provide an alibi for Mary Squires. Other prominent figures were drawn into the complexities of the case, among them the novelist and magistrate Henry Fielding, who saw Canning as a figure of injured innocence, as well as Dr. John Hill, an enemy of Fielding and a journalist, who presented her as a scheming sexual adventuress." "Public controversy over the case grew rapidly inflamed. Although Wells remained in jail, Squires was pardoned, and Canning was charged with and ultimately convicted of perjury. Her trial, one of the longest in the eighteenth century, presented evidence placing Mary Squires in Enfield, where Canning said she was, and in Dorsetshire, at the same time. The case was ultimately decided not on the contradictory alibi evidence but by the judge's instructions to the jury to convict. Canning was sentenced to transportation, and she ultimately lived out the remainder of her life in Wethersfield, Connecticut, leaving the unanswered questions of her case to the many contemporary and subsequent authors who have written about it." "This study examines both the trial record and the various accounts of the Canning case. Issues of probability, class, gender, and, most importantly, narrative truth and authority are all central to this reanalysis of the notorious case."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
This is an unusual study of the nature of service and other types of dependency and patronage in Shakespeare's drama. By considering the close associations of service with childhood or youth, marriage and friendship, Judith Weil sheds light on social practice and dramatic action. Approached as dynamic explorations of a familiar custom, the plays are shown to demonstrate a surprising consciousness of obligations, and a fascination with how dependants actively change each other. They help us understand why early modern people may have found service both frightening and enabling. Attentive to a range of historical sources, and social and cultural issues, Weil also emphasises the linguistic ambiguities created by service relationships, and their rich potential for interpretation on the stage. The book includes close readings of dramatic sequences in twelve plays, including Hamlet, Macbeth, The Taming of the Shrew and King Lear.
Ideas about marriage, gender and the family were central to political debate in late Stuart England. Newly available in paperback, this book shows how political argument became an arena in which the proper relations between men and women, parents and children, public and private were defined and contested. Using sources that range from high political theory to scurrilous lampoons, she considers public debates about succession, resistance and divorce. Weil examines the allegedly fraudulent birth of the Prince of Wales in 1688, the uses to which Williamite propagandists put the image of the paradoxically sovereign but obedient Mary II, anxieties about the influence of bedchamber women on Queen Anne, the political self-image of the notorious Duchess of Marlborough, the relationship of feminism and Tory ideology in the polemical writings of Mary Astell and the scandal novels of Delariviere Manley. Solidly grounded in current historical scholarship, but written in an engaging manner accessible to non-specialists, this book will interest students of literature, gender studies, political culture and political theory as well as historians.
This manual contains the information needed for human service institutions, liberal arts colleges, and community volunteers to present a program of creative visual arts in jails, psychiatric facilities, drug rehabilitation centres, nursing homes, shelters and facilities for youth in need. By engaging in one-on-one artistic interaction with the individuals served, students not only perform community service but gain unique personal understanding of the major domestic issues of our time—crime, mental illness, substance abuse, domestic abuse and aging. The covered activities are designed to stimulate memory, acknowledge experience and achievement, and improve self-esteem. Delivering everything needed to set up the course in any liberal arts college, the book offers approaches for diverse populations and covers planning and execution, aesthetic and humanistic objectives, projected outcomes, and methods of evaluation. Techniques are presented for drawing, painting, collage, sculpture and crafts. By adopting this manual, colleges with programs in art and social work, can provide students with education relevant to their lives and potential careers while providing a unique service to social service institutions.
Introduction : toward a theory of nostalgia -- "Pronouncing her case to be grief" : nostalgia and the body in Clarissa and Sir Charles Grandison -- Desire, body, and landscape in Pope's "Eloisa to Abelard" and Rousseau's Julie, ou La nouvelle Heloïse -- The "secret pleasure" of the picturesque -- "In a world so changed" : feminine nostalgia and Sarah Scott's A description of Millenium Hall, and the country adjacent.
Reformed highwayman Josiah Elliot had undertaken some remarkable pursuits in his time, but his courtship of Lady Miranda Wesley was by far the most scandalous. What business did this valet have with a noblewoman? Love is the most illogical of emotions--but Josiah can claim a pedigree linking him to an ancient dukedom if only he can find the evidence.
Turn your old bandanas into stylish new creations with these 21 fast, fun and easy-to-complete crafting projects for kids ages 8 and up. Full of inspiration for crafty kids, Bandana-rama shows how the classic bandana is also the ideal crafting material. Here you will find twenty-one easy inventive crafting projects that are easy for kids of all experience levels to complete. From headbands, belts, and hoodies, to pillows, guitar straps, and hoodie linings, all the projects can be achieved by hand sewing, machine sewing, or in some cases, by simply using scissors and glue. Since bandanas are prehemmed, they cut down on time spent sewing borders and following stitching lines. As a result, there's more time for kids to explore their creativity and come up with a style that's all their own.
Offers ideas for transforming a paper bag into a variety of headgear, from Perseus's winged helmet and George Washington's wig to a Japanese geisha hairdo and an African mask, with step-by-step instructions for each project.
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