Originally published in 1994. This surveys the origin and development of one of Chaucer’s most problematic characters, Griselda, who through the centuries has challenged the horizon of expectations of many an audience. Starting with Boccaccio’s Decameron and suggesting in turn its precursors in whole or in part, Bronfman goes on to summarize the reigning opinions of Chaucer’s heroine and her situation. The advance of feminist perspectives on medieval literature had the result that for many the Clerk’s Tale has political overtones where the Walter-Griselda marriage may serve as a metaphor for, among other things, the state or right order. This study looks at the story from a long view, from its sources to the flood of critical interpretations - the creative reception of Chaucer’s story, outlining the many rewritings of Griselda from Chaucer to the twentieth century. A special chapter considers the Griselda story as represented in illustrations as well.
Compelling, Fascinating, sometimes unexpectedly moving, this vitally important book is, above all, a springboard for hope and transformation."—Isabella Tree "A lucid and compelling look at the global movement of ecological rehabilitation."— The Boston Globe In a time of uncertainty about our environmental future—an eye-opening global tour of some of the most wounded places on earth, and stories of how a passionate group of eco-restorers is leading the way to their revitalization. Award-winning science journalist Judith D. Schwartz takes us first to China’s Loess Plateau, where a landmark project has successfully restored a blighted region the size of Belgium, lifting millions of people out of poverty. She journeys on to Norway, where a young indigenous reindeer herder challenges the most powerful orthodoxies of conservation—and his own government. And in the Middle East, she follows the visionary work of an ambitious young American as he attempts to re-engineer the desert ecosystem, using plants as his most sophisticated technology. Schwartz explores regenerative solutions across a range of landscapes: deserts, grasslands, tropics, tundra, Mediterranean. She also highlights various human landscapes, the legacy of colonialism and industrial agriculture, and the endurance of indigenous knowledge. The Reindeer Chronicles demonstrates how solutions to seemingly intractable problems can come from the unlikeliest of places, and how the restoration of local water, carbon, nutrient, and energy cycles can play a dramatic role in stabilizing the global climate. Ultimately, it reveals how much is in our hands if we can find a way to work together and follow nature’s lead.
Six million Jews died in Europe, and the Holocaust lives on in the minds of those individuals who survived the worst genocide the world has ever known. One, by One, by One is a masterwork—a stark and haunting exploration of how people rationalize history, how rationalization gives birth to lies, how the victims are blamed, and history's horrors are forgotten.
This visually compelling publication highlights The Museum of Modern Art's unparalleled collection of prints and books byWilliam Kentridge - nearly fifty works spanning the past three decades. The book also features a succession of artistic interventions made by Kentridge especially for the occasion. Kentridge's practice brings together drawing, film animation, books, sculpture and performance. Too little known is the extent to which the artist applies his astonishing draftsmanship to the techniques of printmaking, including etching, screenprinting, lithography and linoleum cut. In fact printmaking has always been essential to his work, from his first forays into visual art in the 1970s to his recent large-scale operas. Kentridge's love of the printed image extends to an embrace of books. He often draws and prints on unbound pages from encyclopaedias, ledgers and the like, the readymade support adding nuance and complexity to his work. He has extended these practices in William Kentridge: Trace, using translucent pages interspersed throughout the book to respond to his prints reproduced between them in a visual dialogue between the past and the present. The book also includes an essay, an annotated checklist, a chronology and the text of a lecture by Kentridge on printmaking, illuminating its relevance to his broader practice. The publication coincides with the Museum's presentation of the touring exhibition William Kentridge: Five Themes. MoMA's presentation will be unique in its addition to the numerous collection works, including most of the prints reproduced in this volume.
If you are divorced, or are contemplating divorce, you’ve probably heard the diatribe: Divorce is messy. Divorce is a tragedy. Divorce will scar your children for life. Befriending Your Ex challenges many of these destructive myths about divorce, and sets out to change the way we think about the process of divorce and its ultimate outcome. While divorce certainly can have negative effects upon children, when they occur, these effects are likely to result from a hostile and combative relationship between ex-spouses. This uplifting book reminds the reader that all divorces need not follow this unhappy script, and that ex-spouses can collaboratively co-parent and be a source of support, not only to their children, but to one another as well. Author Judy Rabinor’s ability to write as both a divorcee and a psychologist gives her a unique perspective on the subject, and in the book she artfully and thoughtfully combines research, clinical practice, and the everyday reality faced by a divorced parent. As a guide for parents, this book is filled with practical exercises, suggestions and strategies for coping with anger, grief, and loss, as well as the myriad of day to day issues involved in co-parenting after divorce. Story after story—including Judy’s own story—reminds the reader that once the emotional tsunami of divorce settles back down, exes can be connected and supportive to one another as they share a major joy: loving and raising children and grandchildren, enjoying the family they have created, and creating a new family unit to evolve in the wake of divorce.
This book is a critical exploration of Israel's curfew-closure policy in the Occupied Palestinian Territories through the eyes of CheckpointWatch, an organization of Israeli women monitoring human rights abuses. The book combines observers' daily reports from the checkpoints and along the Separation Wall, with analysis of the bureaucracy that supports the ongoing occupation. Keshet demonstrates the link between Israeli bureaucracy and the closure system as integral to a wider project of ethnic cleansing. As co-founder of the group, Keshet critically reviews the organisation's transformation from a feminist, radical protest movement to one both reclaimed by, and reclaiming, the consensus. Illustrating the nature of Israeli mainstream discourse as both anodyne and cruel, the book also analyses Israeli media representation of Checkpoint Watch and human rights activism in general. Keshet contends that the dilemmas of these Israeli women, torn between opposition to the Occupation and their loyalty to the state, reflects political divisions within Israel society as a whole.
During World War II, the British military dropped several dozen parachutists from Palestine, including three women, behind enemy lines in Eastern Europe and the Balkans. These young soldiers, most of whom had fled Europe only a few years earlier, faced a double challenge: their British mission was to find pilots who had jettisoned over enemy territory and assist them in returning to Allied-occupied lands; their Zionist mission was to contact Jewish communities, assist them in rebuilding the local Zionist movement, and, when necessary, help their members escape from the Nazis. Seven of the parachutists lost their lives in this effort. In Perfect Heroes, an expanded and updated English adaptation of her Hebrew book Giborim le-mofet, Judith Tydor Baumel-Schwartz recounts the history of these parachutists' wartime escapades and also analyzes the ways that various segments of Israeli society—military, political, legal, educational, youth, literary, and artistic—used the parachutists' story over the course of fifty years to build a nationalist narrative and to promote their own partisan and, at times, contradictory agendas. Baumel-Schwartz also offers broader comparative discussions of how individuals were commemorated as WWII heroes and heroines in many countries, in service of national mythologizing and collective memory.
The first book of its kind to introduce a model to help you create conversations about money with your clients, Money and Meaning provides a framework and tools to provide a safe environment in which to have conversations and resolve conflicts. Written by a respected expert in business, financial, and relational issues, Money and Meaning is filled with useful case studies and helps you open the door to thoughtful conversations that explore and resolve money’s multiple meanings.
Encompassing black-and-white linoleum cuts made at community art centres in the 1960s and 1970s, resistance posters and other political art of the 1980s, and the wide variety of subjects and techniques explored by artists in printships over the last two decades, printmaking has been a driving force in contemporary South African artistic and political expression. Impressions from South Africa: 1965 to Now, published to accompany an exhibition at The Museum of Modern Art, introduces the vital role of printmaking through works by more than twenty artists in the Museum's collection. The volume features prints by John Muafangejo and Dan Rakgoathe, a selection of posters produced for anti-apartheid coalitions in the 1980s, and nuanced political work by SueWilliamson, Norman Catherine andWilliam Kentridge. The book features many more recent projects, demonstrating the contemporary relevance of the medium in South Africa today. The work, presented in a generous plate section, is contextualized in an introduction by Judith B. Hecker, and accompanied by brief biographies of the artists, a timeline of relevant events in South African history, and a selected bibliography.
The Holocaust has been the subject of countless books, works of art, and memorials. Fiftyfive years after the fact the world still ponders the enormity of this disaster. The Holocaust Encylopedia is the only comprehensive single-volume work of reference providing both a reflective overview of the subject and abundant detail concerning major events, policy, decisions, cities, and individuals, Up-to-date and designed for easy access, the encyclopedia presents information on the major aspects of the Holocaust in essays by scholars from eleven countries who draw on a number of sources - including recently uncovered evidence from the former Soviet bloc - to provide in-depth studies on the political, social, religious, and moral issues of the Holocaust as well as short entries identifying events, sites, and individuals. The book also has more than 250 photographs, many of them rare, and 19 maps. The volume includes: Raul Hilberg on concentration camps and Gypsies; Ruth Bondy, Israel Gutman, and Dina Porat on major ghettoes; Roger Greenspun on the Holocaust in cinema and television; Richard Breitman on American policy; Michael Berenbaum on theological and philosophical responses; Saul Friedlander on Nazi policy; Michael Hagemeister on the Protocols of the Elders of Zion; Michael R. Marrus on historiography; Christopher R. Browning on the Madagascar Plan; Robert S. Wistrich on Holocaust denial; James E. Young on Holocaust literature;
An artist who has long exploited the emotional power of color and texture, Jo Ann Callis is widely known for her inventive photographs involving tactile objects and images of people in mysterious, often unsettling narratives.Jo Ann Callis: Woman Twirling is the catalogue of an exhibition held at the J. Paul Getty Museum from March 31 to August 9, 2009. The book, comprising sixty-eight color and fifteen black-and-white works that range from 1974 to 2005, constitutes the first book-length treatment of Callis's work since 1989. Many of these invented, dreamlike scenes of people and objects will be new to viewers, including a photographic installation of fifteen images of pastries lusciously printed in Cibachrome against textile backgrounds, and a more recent series of digitally montaged domestic interiors. Others, such as Salt, Pepper, Fire, in which a pair of salt and pepper shakers and a cup of coffee stand next to a plate of food that has burst into flame while a bird flies over the table, are familiar favorites. All of these works attest to Callis's singular vision of the delicate boundary between the world within and the world without.
Some of the 426 child survivors of Buchenwald tell their stories, from their lives in the camp, their liberation, and their struggle for normalcy and emotional well-being.
DIVComics are a unique form of storytelling created by talented and visionary artists. Creating Comics! is the first book to truly explore the backstories of the most talented visual artists currently practicing. Two of the most successful comic artists, Paul Gulacy and Michael Cavallaro, pen the foreword and introduction of the book, setting the tone for a truly remarkable collection of interviews from artists. Featured artists include Ryan Alexander-Tanner, Joseph Arthur, Gregory Benton, Ben Brown, Jeffrey Brown, Keith Carter, Michael Cavallaro, Amanda Conner, Henry Covert, Molly Crabapple, Marguerite Dabaie, Fly, Dylan Gibson, Michael Golden, Dan Goldman, Paul Gulacy, Chris Haughton, Glenn Head, Danny Hellman, John Holmstrom, R. Kikuo Johnson, Justin Kavoussi, Jim Lawson, Sonia Leong, Benjamin Marra, Paul Maybury, Tara McPherson, Josh Neufeld, Hyeondo Park, Chari Pere, Paul Pope, James Romberger/Marguerite Van Cook, J.J. Sedelmaier, Dash Shaw, R. Sikoryak, Maria Smedstad, Steve Spatucci, Jim Steranko, Denis St. John, Ward Sutton, Neil Swaab, Mark Texeira, Shawnti Therrien, Sara Varon, and Todd Webb. These artists walk readers through their conceptual process when devising story lines with powerful graphics. This is a must-read for all graphic novel enthusiasts!/div
Originally published in 1994. This surveys the origin and development of one of Chaucer’s most problematic characters, Griselda, who through the centuries has challenged the horizon of expectations of many an audience. Starting with Boccaccio’s Decameron and suggesting in turn its precursors in whole or in part, Bronfman goes on to summarize the reigning opinions of Chaucer’s heroine and her situation. The advance of feminist perspectives on medieval literature had the result that for many the Clerk’s Tale has political overtones where the Walter-Griselda marriage may serve as a metaphor for, among other things, the state or right order. This study looks at the story from a long view, from its sources to the flood of critical interpretations - the creative reception of Chaucer’s story, outlining the many rewritings of Griselda from Chaucer to the twentieth century. A special chapter considers the Griselda story as represented in illustrations as well.
In the Image of God: A Feminist Commentary on the Torah is a unique blend of traditional Judaism and radical feminism and is a groundbreaking commentary on the Bible, the central document of Jewish life. Using classical Jewish sources as well as supplementary material from history, anthropology, sociology, psychology, ancient religion, and feminist theory, Judith Antonelli has examined in detail every woman and every issue pertaining to women in the Torah, parshah by parshah. The Torah is divided into fifty-four portions; each portion, or parshah, is read in the synagogue on the Sabbath (combining a few to make a yearly cycle of readings). This book is modeled on that structure; hence there are fifty chapters, each of which corresponds to a parshah. One may, therefore, read this book from beginning to end or use it as a study guide for the parshah of the week. The reader will discover in these pages that the Torah is not the root of misogyny, sexism, or male supremacy. Rather, by looking at the Torah in the context in which it was given, the pagan world of the ancient Near East, it becomes clear that far from oppressing women, the Torah actually improved the status of women as it existed in the surrounding societies. Not only does this book refute the common feminist stereotype that Judaism is a "patriarchal religion" but it also refutes the sexism found in Judaism by exposing it as sociological rather than "divine law.
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