Praise for Judith McCormack and Backspring Nominated for the 2016 Amazon.ca First Novel Award “A well-written and smart novel that unfolds many moments of profound and subtle beauty. McCormack’s treatment of details and prose are refreshing, confident, and attentive.”—The Winnipeg Review "A joy to read."—Nino Ricci "A wonderfully and uniquely gifted storyteller."—Midwest Book Review Eduardo, an architect from Lisbon, has come to Montreal to be with his wife Geneviève. Geneviève researches fungi and likes to catalog her orgasms. But when Eduardo is caught in an explosion and rumors of arson begin to circulate, both his marriage and his fledgling architecture firm verge on collapse. Gorgeous, colorful, and richly described, Backspring is a sensual taxonomy of desire. Judith McCormack, born near Chicago, has been nominated for the Commonwealth Writers Prize and the Rogers Writers' Trust Fiction Award.
In this first substantial study of Emily Dickinson's devotion to flowers and gardening, Judith Farr seeks to join both poet and gardener in one creative personality. She casts new light on Dickinson's temperament, her aesthetic sensibility, and her vision of the relationship between art and nature, revealing that the successful gardener's intimate understanding of horticulture helped shape the poet's choice of metaphors for every experience: love and hate, wickedness and virtue, death and immortality. Gardening, Farr demonstrates, was Dickinson's other vocation, more public than the making of poems but analogous and closely related to it. Over a third of Dickinson's poems and nearly half of her letters allude with passionate intensity to her favorite wildflowers, to traditional blooms like the daisy or gentian, and to the exotic gardenias and jasmines of her conservatory. Each flower was assigned specific connotations by the nineteenth century floral dictionaries she knew; thus, Dickinson's association of various flowers with friends, family, and lovers, like the tropes and scenarios presented in her poems, establishes her participation in the literary and painterly culture of her day. A chapter, "Gardening with Emily Dickinson" by Louise Carter, cites family letters and memoirs to conjecture the kinds of flowers contained in the poet's indoor and outdoor gardens. Carter hypothesizes Dickinson's methods of gardening, explaining how one might grow her flowers today. Beautifully illustrated and written with verve, The Gardens of Emily Dickinson will provide pleasure and insight to a wide audience of scholars, admirers of Dickinson's poetry, and garden lovers everywhere. Table of Contents: Introduction 1. Gardening in Eden 2. The Woodland Garden 3. The Enclosed Garden 4. The "Garden in the Brain" 5. Gardening with Emily Dickinson Louise Carter Epilogue: The Gardener in Her Seasons Appendix: Flowers and Plants Grown by Emily Dickinson Abbreviations Notes Acknowledgments Index of Poems Cited Index Reviews of this book: In this first major study of our beloved poet Dickinson's devotion to gardening, Farr shows us that like poetry, gardening was her daily passion, her spiritual sustenance, and her literary inspiration...Rather than speaking generally about Dickinson's gardening habits, as other articles on the subject have done, Farr immerses the reader in a stimulating and detailed discussion of the flowers Dickinson grew, collected, and eulogized...The result is an intimate study of Dickinson that invites readers to imagine the floral landscapes that she saw, both in and out of doors, and to re-create those landscapes by growing the same flowers (the final chapter is chock-full of practical gardening tips). --Maria Kochis, Library Journal Reviews of this book: This is a beautiful book on heavy white paper with rich reproductions of Emily Dickinson's favorite flowers, including sheets from the herbarium she kept as a young girl. But which came first, the flowers or the poems? So intertwined are Dickinson's verses with her life in flowers that they seem to be the lens through which she saw the world. In her day (1830-86), many people spoke 'the language of flowers.' Judith Farr shows how closely the poet linked certain flowers with her few and beloved friends: jasmine with editor Samuel Bowles, Crown Imperial with Susan Gilbert, heliotrope with Judge Otis Lord and day lilies with her image of herself. The Belle of Amherst, Mass., spent most of her life on 14 acres behind her father's house on Main Street. Her gardens were full of scented flowers and blossoming trees. She sent notes with nosegays and bouquets to neighbors instead of appearing in the flesh. Flowers were her messengers. Resisting digressions into the world of Dickinson scholarship, Farr stays true to her purpose, even offering a guide to the flowers the poet grew and how to replicate her gardens. --Susan Salter Reynolds, Los Angeles Times Cuttings from the book: "The pansy, like the anemone, was a favorite of Emily Dickinson because it came up early, announcing the longed-for spring, and, as a type of bravery, could withstand cold and even an April snow flurry or two in her Amherst garden. In her poem the pansy announces itself boldly, telling her it has been 'resoluter' than the 'Coward Bumble Bee' that loiters by a warm hearth waiting for May." "She spoke of the written word as a flower, telling Emily Fowler Ford, for example, 'thank you for writing me, one precious little "forget-me-not" to bloom along my way.' She often spoke of a flower when she meant herself: 'You failed to keep your appointment with the apple-blossoms,' she reproached her friend Maria Whitney in June 1883, meaning that Maria had not visited her . . . Sometimes she marked the day or season by alluding to flowers that had or had not bloomed: 'I said I should send some flowers this week . . . [but] my Vale Lily asked me to wait for her.'" "People were also associated with flowers . . . Thus, her loyal, brisk, homemaking sister Lavinia is mentioned in Dickinson's letters in concert with sweet apple blossoms and sturdy chrysanthemums . . . Emily's vivid, ambitious sister-in-law Susan Dickinson is mentioned in the company of cardinal flowers and of that grand member of the fritillaria family, the Crown Imperial.
Renowned Southwest gardening experts Mary Irish and Judith Phillips share their firsthand experiences with gardening in Arizona and New Mexico. The southwestern United States is home to some of the most beautiful landscapes and formations in the entire country. Alongside its famed attractions - the Grand Canyon, Rio Grande Gorge, and Havasu Falls among them - the region caters to a vast array of unique plant life, specially adapted to thrive in warm, dry climates as well as at high elevations. In Arizona & New Mexico Getting Started Garden Guide, authors and local gardening legends Mary Irish and Judith Phillips feature region-specific advice on planting, growing, and caring for more than 150 of the best-performing and most desirable plants across Arizona and New Mexico. Flowers and grasses, desert perennials and trees, shrubs and vines . . . this plant-by-plant guide includes useful information for the novice and the experienced gardener alike, paying special attention to low-water-use species that enjoy the specific climates of these two states. From the spectacular blooms of the claret-cup hedgehog to the puffballs of the Baja fairy duster, each plant is featured with full-color photography, detailed planting and care instructions, and recommendations for plants that can peacefully coexist with them. With an intuitive layout, pronunciation guides, a custom icon key for readily accessible plant facts, and color-coded USDA zone maps, Arizona & New Mexico Getting Started Garden Guide is the simplest, most foolproof plant manual for gardening everywhere from Carlsbad to Kingman.
Gardeners of today take for granted the many varieties of geraniums, narcissi, marigolds, roses, and other beloved flowers for their gardens. Few give any thought at all to how this incredible abundance came to be or to the people who spent a good part of their lives creating it. These breeders once had prosperous businesses and were important figures in their communities but are only memories now. They also could be cranky and quirky. In the eighteenth and nineteenth centuries, new and exotic species were arriving in Europe and the United States from all over the world, and these plants often captured the imaginations of the unlikeliest of men, from aristocratic collectors to gruff gardeners who hardly thought of themselves as artists. But whatever their backgrounds, they all shared a quality of mind that led them to ask “What if?” and to use their imagination and skills to answer that question themselves. The newest rose from China was small and light pink, but what if it were larger and came in more colors? Lilac was very nice in its way, but what if its blossoms were double and frilly? While there are many books about plant collectors and explorers, there are none about plant breeders. Drawing from libraries, archives, and the recollections of family members, horticultural historian Judith M. Taylor traces the lives of prominent cultivators in the context of the scientific discoveries and changing tastes of their times. Visions of Loveliness is international in scope, profiling plant breeders from many countries—for example, China and the former East Germany—whose work may be unknown to the Anglophone reader. In addition to chronicling the lives of breeders, the author also includes chapters on the history behind the plants by genus, from shrubs and flowering trees to herbaceous plants.
Fetterley's questions are often so crucial, her observations repeatedly so acute, that they force us to ask how we avoided them in the past." -- Women's Studies International Quarterly ..". thoughtful, informed, and well written." -- Choice
Contains all the information a cook/hunter/angler needs to prepare hearty game and fish meals in camp or at home. There are detailed and illustrated instructions for all procedures needed to prepare and cook game and fish. Over 800 recipes included.
The title Translating Investments, a manifold pun, refers to metaphor and clothing, authority and interest, and trading and finance. Translation, Latin translatio, is historically a name for metaphor, and investment, etymologically a reference to clothing, participates both in the complex symbolism of early modern dress and in the cloth trade of the period. In this original and wide-ranging book, Judith Anderson studies the functioning of metaphor as a constructive force within language, religious doctrine and politics, literature, rhetoric, and economics during the reigns of the Tudors and early Stuarts. Invoking a provocative metaphorical concept from Andy Clark's version of cognitive science, she construes metaphor itself as a form of scaffolding fundamental to human culture. A more traditional and controversial conception of such scaffolding is known as sublation-Hegel's Aufhebung, or raising, as the philosophers Jacques Derrida and Paul Ricoeur have understood this term. Metaphor is the agent of raising, or sublation, and sublation is inseparable from the productive life of metaphor, as distinct in its death in code or cliché. At the same time, metaphor embodies the sense both of partial loss and of continuity, or preservation, also conveyed by the term Aufhebung. Anderson's study is simultaneously critical and historical. History and the theory are shown to be mutually enlightening, as are a wide variety of early modern texts and their specific cultural contexts. From beginning to end, this study touches the present, engaging questions about language, rhetoric, and reading within post-structuralism and neo-cognitivism. It highlights connections between intellectual problems active in our own culture and those evident in the earlier texts, controversies, and crises Anderson analyzes. In this way, the study is bifocal, like metaphor itself. While Anderson's overarching concern is with metaphor as a creative exchange, a source of code-breaking conceptual power, each of her chapters focuses on a different but related issue and cultural sector. Foci include the basic conditions of linguistic meaning in the early modern period, instantiated by Shakespeare's plays and related to modern theories of metaphor; the role of metaphor in the words of eucharistic institution under Archbishop Cranmer; the play of metaphor and metonymy in the writings of Luther, Zwingli, and Calvin and in John Donne's Devotions; the manipulation of these two tropes in the politics of the controversy over ecclesiastical vestments and in its treatment by John Foxe; the abuse of figuration in the house of Edmund Spenser's Busirane, where catachresis, an extreme form of metaphor, is the trope du jour; the conception of metaphor in the Roman rhetorics and their legacy in the sixteenth century; and the concept of exchange in the economic writing of Gerrard de Malynes, merchant and metaphorist in the reigns of Elizabeth and James. What emerges at the end of this book is a heightened critical sense of the dynamic of metaphor in cultural history.
Every poem, Robert Frost declared, "is an epitome of the great predicament, a figure of the will braving alien entanglements". This study considers what Frost meant by those entanglements, how he braved them in his poetry, and how he invited his readers to do the same. In the process it contributes significantly to a new critical awareness of Frost as a complex artist who anticipated postmodernism--a poet who invoked literary traditions and conventions frequently to set himself in tension with them. Using the insights of reader-response theory, Judith Oster explains how Frost appeals to readers with his apparent accessibility and then, because of the openness of his poetry's possibilities, engages them in the process of constructing meaning. Frost's poems, she demonstrates, teach the reader how they should be read; at the same time, they resist closure and definitive reading. The reader's acts of encountering and constructing the poems parallel Frost's own encounters and acts of construction. Commenting at length on a number of individual poems, Oster ranges in her discussion from the ways in which the poet dramatizes the inadequacy of the self alone to the manner in which he "reads" the Book of Genesis or the writing of Emerson. Oster illuminates, finally, the central conflict in Frost: his need to be read well against his fear of being read; his need to share his creation against his fear of its appropriation by others.
...one of the most friendly, easygoing and instructive books on the design movement' Chicago Tribune Arts & Crafts is one of the most influential design movements of all time, beginning in the late 19th century and still being explored by designers today. The Arts & Crafts ethos - rejecting mass production and industrialization in favour of individualism, simplicity, honest craftsmanship, respect for materials and good design - had a massive impact on the design of the early 20th century and transformed design sensibilities globally. This invaluable guide covers furniture, ceramics, silver and metalware, glass, textiles, jewellery, books and posters, and includes fascinating profiles of key designers such as William Morris, the Stickleys, Liberty & Co, Tiffany Studios, George Ohr, Rookwood and many more. It comes with a pictorial design directory, price ranges and a wealth of essential information for collectors and anyone wishing to follow William Morris's golden rule of Arts & Crafts: 'Have nothing in your houses that you do not know to be useful or believe to be beautiful.
REFLECTIONS includes works written or adapted from writings created over a period of more than half a century. This anthology contains poems, lyrics, and stories, each written by one member of the mother-daughter team of Judith Weinshall Liberman (mother) and Dr. Laura Liberman (daughter). The vast majority of the works were previously unpublished. Both authors have spent most of their adult lives pursuing activities other than writing. For decades, Judith Weinshall Liberman created visual art. Dr. Laura Liberman has had a rewarding career in medicine. Yet both authors have long had a passion for writing and have written extensively within and outside their career fields. Judith Weinshall Liberman has published six books. Dr. Laura Liberman wrote I SIGNED AS THE DOCTOR (2009), a memoir recounting her experiences as a cancer doctor surviving cancer. In REFLECTIONS, the authors reflect on their lives and the people they have known. The poems, lyrics, and stories in REFLECTIONS cover a wide range of topics, and are arranged in about a dozen categories. Some writings are humorous, while others are somber. All come from the authors' heart. Like life itself, REFLECTIONS covers the whole gamut of human experience.
This comprehensive view of the Orpheus myth in modern art focuses on an extremely rich artistic symbol and cuts through all the clichés to explore truly significant problems of meaning. The author takes a new approach to the iconography of major modern artists by incorporating psychological and literary analysis, as well as biography. The three parts of the book explore the ways in which artists have identified with different aspects of the often paradoxical Orpheus myth. The first deals with artists such as Paul Klee, Carl Milles, and Barbara Hepworth. In the second, Max Beckmann, Oskar Kokoschka, and Isamu Noguchi are discussed. Artists examined in the final part include Pablo Picasso, Jacques Lipchitz, Ethel Schwabacher, and Cy Twombly. The author documents her argument with more than sixty illustrations.
A revised edition of the groundbreaking New Age book that seamlessly merges Western psychology and science with spirituality, creating a compelling interpretation of the Eastern chakra system and its relevance for Westerners today “A useful tool for contemplating our strengths, weaknesses, and appropriate approaches to growth.”—Yoga Journal In Eastern Body, Western Mind, chakra authority Anodea Judith brought a fresh approach to the yoga-based Eastern chakra system, adapting it to the Western framework of Jungian psychology, somatic therapy, childhood developmental theory, and metaphysics and applying the chakra system to important modern social realities and issues such as addiction, codependence, family dynamics, sexuality, and personal empowerment. Arranged schematically, the book uses the inherent structure of the chakra system as a map upon which to chart our Western understanding of individual development. Each chapter focuses on a single chakra, starting with a description of its characteristics and then exploring its particular childhood developmental patterns, traumas and abuses, and how to heal and maintain balance.
Due to overwhelming demand since its debut ten years ago, this beloved guide to the herbal wisdom of Mother Nature is back! With ancient folklore, simple instructions for growing an herb garden, and recipes from around the world, "Mother Nature's Herbal "is hands-down the most unique, thoughtful, and comprehensive guide to growing and preparing herbs. Divided into useful sections and graced with charming illustrations, this book is the perfect addition to any budding herbalist's kitchen counter. Part one presents a rich tapestry of centuries-old customs, recipes, and mythology from various cultures, including Native American, South American, Asian, Mediterranean, medieval, colonial, and more. Part two explains how to grow and use your own organic herbs. Make them thrive with tips on tending the soil, guarding against pests, and keeping your plants healthy. Once you've harvested your herbs, experiment with an assortment of recipes for foods, teas, tonics, ointments, and medicines. Explore the magical benefits of herbs, and enjoy invigorated health and a rejuvenated spirit!
This is an essential companion to The Presbyterian Hymnal and Hymns, Psalms, & Spiritual Songs. Church musicians and pastors will welcome the ease with which they can locate keywords, topics, and scriptural references.
The classic guide to crazy quilting, now with new projects, stitches, and techniques For nearly 30 years, The Crazy Quilt Handbook has been the essential guide to the fine art of crazy quilting. This newly updated edition brings you more of everything that makes crazy quilting wonderful: gorgeous stitches, embellishments, fabulous crazy quilt photos, and updated beautiful projects to make for yourself. Learn all the ways you can use crazy quilting to decorate clothing and accessories, beautify your home, share family memories, and create heirlooms for future generations. This is the must-have resource for any crazy quilter, whether you are just a beginner or are an experienced stitcher looking to enhance your technique. • The best-selling crazy quilting guide from world-renowned expert Judith Baker Montano (over 230,000 copies sold!), now updated with new stitches and techniques • Includes 12 beautiful projects, a dictionary of 37 embroidery and silk ribbon stitches, and instructions for additional embellishments • Benefit from Judith’s wealth of knowledge on colors, fabrics, piecing, embroidery, appliqué, embellishing, beading, photography, painting, dyeing, and more
Ida Rubinstein (1883–1960) captivated Paris's dancers, composers, artists, and audiences from her time in the Ballets Russes in 1909 to her final performances in 1939. Trained in Russia as an actress and a dancer, her life spanned the artistic freedom of the Belle Époque through the ravages of World War I, the Depression, and finally World War II. This critical biography carefully examines aspects of Rubinstein's life and career that have previously received little attention. These include her early life in Russia, her writing about performance aesthetics, her curated approach to acting and dancing roles, and her encumbered position as a woman and a Jew. Rubinstein used her considerable fortune to produce dozens of plays, lyric creations, and ballets, making her one of the foremost producers of the first half of the twentieth century. Employing the greatest scenic artists, Léon Bakst and Alexander Benois; the distinguished composers Igor Stravinsky, Arthur Honegger, and Claude Debussy; celebrated writers including Paul Valéry and André Gide; and the brilliant choreographer Bronislava Nijinska, Rubinstein transformed twentieth-century theater and dance.
Twenty years after the murder of her father-an agent for British intelligence-and her mother's conviction of the crime, Fiona Cartwright, now a grown woman, returns to Ireland to prove her mother's innocence. In a case long closed and cold as Siberia, Fiona struggles to find clues to the real assassin. She helps thwart the family barrister, Sir Dylan Kerrigan, who is immersed in a treacherous plot to fund the IRA's plan to bomb the London Tower Bridge. Possessed by her need to solve the case, she confronts the secret society of the Shamrock Brotherhood, an organization long part of her father's life as a double agent. The answers are almost in place, but Fiona, faced anew with the tragedy of her mother's death, falls over the edge into drunkenness and despair. Her childhood nanny, Erin-whose lapse of memory prevented her from revealing her secrets is treated with a drug that loosens her tongue. Not until an unexpected accident knocks her unconscious is Fiona transported back to the night of the murder and she discovers the identity of the assassin.
Coco Plotnick Hollander Harding, a columnist for Connecticut’s Seaport Gazette, relishes two things in life: food and sex. While the first can be satisfied with a delectable foie gras, her cravings for the latter leave her with hunger pangs of a different sort–particularly since her WASPy husband is not exactly a gourmand in the bedroom. While covering a Chaîne des Rôtisseurs vegetarian banquet for the Gazette, Coco finds her appetite whetted by a very charming (and very married) plastic surgeon, Harry Troutman. The two foodies quickly commence a feast of hot infidelity, but anonymous letters sent to Coco’s husband and Harry’s sleek, self-indulgent wife, Eclaire, hint at the torrid affair . . . and provide the crucial ingredients in a recipe for disaster. Will the lovers receive their just desserts? In this lip-smacking debut novel, Judith Marks-White whips up a five-course meal of saucy wit, steamy sex, and tantalizing scandal that will fill your plate and please your palate. From the Trade Paperback edition.
“This book is jam-packed with American heritage recipes, each one more delicious-sounding than the next!” —Gale Gand, James Beard Award–winning pastry chef These 400 delectable recipes showcase the essence of American desserts: high-quality ingredients put together with a brash spirit of fun and adventure found only in the good ol’ USA. Whether they are traditional sweets, back-of-the-box classics, or newly inspired creations, you’ll find them all in this veritable treasure-trove of goodies. “Unarguably comprehensive . . . this book—think of it as an enhanced Betty Crocker recipe cookbook—is well worth adding to the shelf.” —Publishers Weekly “Seductive and compulsively readable . . . Fertig has compiled an exhaustive and valuable collection of American recipes and the lore behind them that will as likely end up on your bedside table as your kitchen counter.” —Regan Daley, author of In the Sweet Kitchen “A significant addition to the sweet subject of desserts, Judith Fertig’s American Desserts does not miss a step as it marches along detailing just about any dessert worth preparing and pleasurably consuming.” —Marcel Desaulniers, author of Death by Chocolate “Her readable text reflects her exhaustive research on the history of our American desserts. She delved into old ‘receipt books,’ diaries, and other primary sources, and includes hundreds of recipes for both the beloved standards . . . and lesser-known old-fashioned desserts.” —Library Journal
This beautiful book presents the work of these two painters, exploring the artistic development of each, comparing their achievements and showing how both were influenced by their times and the milieus in which they worked.
The "annual" Saint Patrick's Day party hosted by Tim and Jamie Malone in their small northern New Mexico community is their first in many years. But it also marks their last as they prepare to move to the Midwest. For Albuquerque attorney Neil Hamel, going to the party is a reunion of sorts with various old friends she spent a year carousing with in a small town in Mexico in the late 1960s. Just about everyone seems to have made some move from hippie to mainstream except Lonnie Darmer, who--as in the old days--gets too drunk to drive home. Neil drives them both to Lonnie's little house in Santa Fe and wakes the next morning to discover her missing. Lonnie is found dead in an Anasazi ruin in the mountains near Santa Fe, her body unscathed. The police immediately conclude Lonnie committed suicide, and her friends seem almost relieved to concur--all except Neil. As she investigates her friend's death, suspects suddenly abound. Even Neil herself comes under suspicion, as the real killer draws ever closer, eager to satisfy a newfound appetite for killing.
The renowned fiber artist shares a wealth of inspiration in this illustrated reference guide with 100s of stitches for needleworkers of all skill levels. Judith Baker Montano’s Elegant Stitches features all the step-by-step instructions and illustrations you’ll need to create your own embroidered masterpieces. This volume includes 117 embroidery stitches and more than 130 crazy quilt combination stitches to start your stitching adventure. Judith also offers in-depth instruction on silk ribbon stitches, free-form stitches, composite stitches, and even left-handed stitches.
Turn your old bandanas into stylish new creations with these 21 fast, fun and easy-to-complete crafting projects for kids ages 8 and up. Full of inspiration for crafty kids, Bandana-rama shows how the classic bandana is also the ideal crafting material. Here you will find twenty-one easy inventive crafting projects that are easy for kids of all experience levels to complete. From headbands, belts, and hoodies, to pillows, guitar straps, and hoodie linings, all the projects can be achieved by hand sewing, machine sewing, or in some cases, by simply using scissors and glue. Since bandanas are prehemmed, they cut down on time spent sewing borders and following stitching lines. As a result, there's more time for kids to explore their creativity and come up with a style that's all their own.
Presenting the life and professional career of The Dean of Afro-American Composers, this is the first comprehensive book on the writings by and about Still, the compositions with manuscript sources, the performances of Still's works, and the reviews of those performances. It includes a touching personal reminiscence by his daughter Judith Anne. The full resources of the extensive collection known as The William Grant Still and Verna Arvey Papers at the University of Arkansas Libraries, Fayetteville, give this book the distinction of being the first one about Still that utilizes diaries, letters, scrapbooks, and family papers to provide information on his works and performances. Still performed, composed, and arranged in the commercial music field before he began to write orchestral works and opera. He is called the Dean of Afro-American Composers because of his pioneering efforts on behalf of American music and his achievements as an African American. Still was the first African American to write a symphony that was performed by a major symphony orchestra in the United States, the first to conduct a major symphony orchestra, the first to conduct a major symphony in the Deep South, the first to direct a white radio orchestra, the first to have an opera produced by a major company, and the first to have an opera televised over a national network. His career tells an important story about the development of an American style of music.
Passages is composed of vignettes taken from the pages of Judith Lynn's journals. She presents a compilation of selections from her previously unpublished meditations and poems, drawing from various scenarios recorded in her private journals. In these verses, she covers a wide range of topics, from encouragement and inspiration to love and friendship, seeking to answer questions asked during the vicissitudes of life in poetic form. Ms. Lynn knows the L-RD has provided some amazing answers; His dialog has opened up a whole new world for her. The pathway to finding Him and His Son Jesus can sometimes be a long one, but the poetry in Passages offers inspiring insight into how to choose to give our lives to the L-RD, serve Him, and worship only Him.
In Unthinking Modernity, Judith Stamps reinterprets the communications theory of Harold Innis and Marshall McLuhan as a Canadian variant of the critical theory associated with the early Frankfurt school. Stamps argues that Innis and McLuhan used their studies of media to develop a critique of the thoughts and habits that characterize the West. Like their European contemporaries, Innis and McLuhan worked toward a theory of how westerners have developed classifications through which they perceive the world. Moreover, Stamps shows that they used insights derived from their North American experience to add a new, media-based perspective to such a theory. Unthinking Modernity offers unique perspectives on the ways in which economics, politics, and media intertwine to create personal and social consciousness
This volume reproduces primary texts which embody the polymathic nature of the literature of science, and provides editorial overviews and extensive references, to provide a resource for specialized academics and researchers with a broad cultural interest in the long 18th century.
Drawing on previously unpublished sources, this groundbreaking biography of Robert Schumann sheds new light on the great composer’s life and work. With the rigorous research of a scholar and the eloquent prose of a novelist, Judith Chernaik takes us into Schumann’s nineteenth-century Romantic milieu, where he wore many “masks” that gave voice to each corner of his soul. The son of a book publisher, he infused his pieces with literary ideas. He was passionately original but worshipped the past: Bach and Beethoven, Shakespeare and Byron. He believed in artistic freedom but struggled with constraints of form. His courtship and marriage to the brilliant pianist Clara Wieck—against her father’s wishes—is one of the great musical love stories of all time. Chernaik freshly explores his troubled relations with fellow composers Mendelssohn and Chopin, and the full medical diary—long withheld—from the Endenich asylum where he spent his final years enables her to look anew at the mystery of his early death. By turns tragic and transcendent, Schumann shows how this extraordinary artist turned his tumultuous life into music that speaks directly—and timelessly—to the heart.
Julia, the fourth book of the author, departs from former settings; the protagonist comes from the homey, quiet and safe neighborhood of middle-class Maple Street, Any Town. She is raised with middle-class values and limitations. However, Julia detours from the path most girls of her time had chosen, and builds a formidable business venture. But in her case marriage and career suffer a head-on collision, which almost throws her off course. Conflicts had losses make her life difficult; a child on the other hand gives deep meaning. While she picks up the shards of her life and tells the world that she is not about to have a nervous breakdown any time soon, she also learns to say no, and refuses to continue the role of the accommodating wife, who can be used and manipulated by a man. He is not any worse than the rest of his generation; just like she, he too was raised with a set of values that were no longer justifiable in the twentieth century. The plot is simple, the psychology complex. She is quintessentially the embodiment of the romantic American dream - but is also the incarnation of the ambivalence and anguish, which thinking American women too often have to face. She rises above the desolation and loss, and uses her own power and energies to fashion her life according to her own vision. She does not lose hope, and despite the events which almost derail her, the absolute faith in herself never falters. She is a thoroughly modern woman of her own making. The denouement is satisfactory, not because she reaches her goals on the last page, but because the success she achieves is of her own making. The sparkling and exciting love, which is her ultimate reward, is not the result of sudden infatuation, happenstance, or romantic fantasies, but is based on the solid ground of knowing and respecting each other. It is a story for modern women, who often have to face those issues, which their mothers preferred to sweep under the carpet.
Superb... Flanders's convincing and smart synthesis of the evolution of an official police force, fictional detectives, and real-life cause célèbres will appeal to devotees of true crime and detective fiction alike." -Publishers Weekly, starred review In this fascinating exploration of murder in nineteenth century England, Judith Flanders examines some of the most gripping cases that captivated the Victorians and gave rise to the first detective fiction Murder in the nineteenth century was rare. But murder as sensation and entertainment became ubiquitous, with cold-blooded killings transformed into novels, broadsides, ballads, opera, and melodrama-even into puppet shows and performing dog-acts. Detective fiction and the new police force developed in parallel, each imitating the other-the founders of Scotland Yard gave rise to Dickens's Inspector Bucket, the first fictional police detective, who in turn influenced Sherlock Holmes and, ultimately, even P.D. James and Patricia Cornwell. In this meticulously researched and engrossing book, Judith Flanders retells the gruesome stories of many different types of murder in Great Britain, both famous and obscure: from Greenacre, who transported his dismembered fiancée around town by omnibus, to Burke and Hare's bodysnatching business in Edinburgh; from the crimes (and myths) of Sweeney Todd and Jack the Ripper, to the tragedy of the murdered Marr family in London's East End. Through these stories of murder-from the brutal to the pathetic-Flanders builds a rich and multi-faceted portrait of Victorian society in Great Britain. With an irresistible cast of swindlers, forgers, and poisoners, the mad, the bad and the utterly dangerous, The Invention of Murder is both a mesmerizing tale of crime and punishment, and history at its most readable.
The four Misses Bickering are too stubborn to marry unless it’s for love. They have just enough money to rent a bakery in Leicester Square, where bohemian earls rub elbows with ladies of the night, and all manner of people in between. To earn a living, they have to stick together — and as their name implies, that isn’t easy! Meet Anna, Jane, Emery and Rose. None of them are married, and each one has different dreams. Anna still longs for the life of drawing rooms and lace; she hasn’t given up her dreams of a fine marriage even though her life now is very different. Jane has never met a man who didn’t disappoint her, and wants the till full of good, solid coins. Emery has never planned to marry a man and won’t start now; what she loves is making rich, savory bread in the sisters’ new bakery. And Rose has yet to dream dreams of her own — but she starts now! Mystery men, men who leap into the bakery, men in ruffled collars and men who are rude, drunken men and men working on the road… and many kinds of women! Leicester Square bustles with all types of life and the Misses Bickering are in the middle of it all. It’s the last days of the wars with France and America, political movements are surging, prices are soaring, and these ladies are determined to make their bakery pay. If they’re going to marry, it’s only for love. Ladies’ Own Bakery is a Regency romance and a comedy serial – with happily ever afters on the far horizon. Like a sitcom, each “episode” is meant to be a fun short read, but with ongoing characters and storylines. Episodes are released weekly to my readers during the "season". This is the collected complete season.
The only monograph to chronicle the life and work of one of the most important figures in American landscape architecture. Beatrix Farrand, the only female founder of the American Society of Landscape Architects, is one of the most important landscape architects of the early twentieth century. Today the scope of her work and her influence on the profession are widely acknowledged, and her gardens are being studied, restored, and opened to the public. A long-awaited updated edition of the 2009 definitive monograph, Beatrix Farrand: Garden Artist, Landscape Architect chronicles the life and work of one of the most important figures in American landscape architecture. Born into a prominent New York family (she was Edith Wharton’s niece), Farrand designed lavish gardens for the leaders of society, including the Harknesses, the Rockefellers, and the Blisses. Ultimately, her portfolio extended to college and university campuses, including Princeton, Yale, and the University of Chicago, and public gardens, the Santa Barbara Botanic Garden and the Rose Garden at the New York Botanical Garden among them. Her best-known design is the landscape at Dumbarton Oaks in Washington, D.C., originally a private residence with extensive grounds and now a research center for Harvard University surrounded by a naturalistic park restored and maintained by the National Park Service. Deeply influenced by the English garden designer Gertrude Jekyll, Farrand was known for broad expanses of lawn with deep swaths of borders planted in a subtle palette of foliage and flowers. In her public work, she adapted this design strategy to create paths and plantings that define the character of the space and the hecirculation through it. Heavily illustrated with archival images and photographs of her gardens at their peak—many taken especially for this book, Beatrix Farrand: Garden Artist, Landscape Architect also displays beautiful watercolor wash renderings of her designs, now preserved at College of Environmental Design of the University of California at Berkeley. The new edition includes updated images that reflect the current state of gardens including the Peggy Rockefeller Rose Garden at the New York Botanical Garden, the International House Courtyard at the University of Chicago, Garland Farm (Farrand’s last home and garden, which has recently been restored), Dumbarton Oaks, Dumbarton Oaks Park (which was not included in the first edition), among others. The book concludes with a comprehensive list of Farrand’s commissions and the gardens open to the public, providing direction for further study and exploration. It also features a new preface outlining the milestones in research since the first edition's publication, updated details about ownership and renovations of many properties, and a revised bibliography including articles and books published over the past ten years. Published to coincide with the 150th anniversary of Farrand's birth and written by landscape historian and preservation consultant Judith B. Tankard, Beatrix Farrand: Garden Artist, Landscape Architect takes readers on a tour of Farrand’s finest works, celebrating her influence on succeeding generations of women landscape architects.
California may be the golden state but it is also a garden state. Innumerable gardens have been made since the Europeans first came, starting with the Franciscan missionaries.The gold rush was the defining period, leading to immense expenditures by newly rich miners. This book discusses many simple but beautiful gardens created by waves of immigrants. Gardens were necessary for food but also represented repose and leisure. The nature and style of domestic and private gardens shape the landscape of cities and towns just as much as large civic architectural achievements.
The perfect name is one of the first and most important gifts parents can give their children–and often one of the most challenging decisions of parenthood. Expectant parents who want their child’s name to be meaningful will find Classic Biblical Baby Names a unique and invaluable resource. Drawing from both the Old and New Testaments, here are hundreds of history’s most enduring names, carefully selected to appeal to contemporary tastes yet outlast trends. Organized alphabetically by gender, and complete with fascinating background information, each entry includes: • Scriptural stories surrounding the name • Meaning and spiritual connotation • Citation of where the name appears in the Bible • Proper pronunciation • Cultural origin • Alternate spellings, related names, nicknames • Famous namesakes From Adam to Zeph and Abigail to Zia, Classic Biblical Baby Names will enrich your understanding of familiar names and invite you to discover lesser-known possibilities. Names are an integral part of our identity and this one-of-a-kind guide will help you choose a name that reflects your hopes for the future and instills a sense of self in your child.
What if you could change your life, your health, your world in the wink of an eye? Like an optical illusion, a picture hidden in a picture that suddenly reveals itself with a change of focus, so alternate realities "alternities" await your discovery. Through true and astounding stories of healing, exercises to experience the mysteries for yourself, and detailed explanations of the quantum science behind them, you will discover how it is possible to change your health and your world with your imagination. This book uses the metaphor of metaphor to explode the prison of limits that has characterized three-dimensional life. It uses the illusion of allusion to melt hard forms and make them malleable. It offers you Alternity the domain of endless possibilities and invites you to move in.
In The Gardens of Los Poblanos, landscape designer and garden writer Judith Phillips recounts the history of these world-renowned gardens and demonstrates the ways in which the farm’s owners, designers, and gardeners have influenced the evolution of this unique landscape. Phillips showcases how the changes in landscape style and content are driven by cultural expectations and climatic realities, and she discusses how the gardens of Los Poblanos have helped preserve the deep agrarian roots of the village of Los Ranchos de Albuquerque. Although plants are always a focus for Phillips, she demonstrates how gardens are more than plants and how plants are much more than mere fillers of garden space.
The Poetry of Loss: Romantic and Contemporary Elegies presents a renewed look at elegy as a long-standing tradition in the literature of loss, exploring recent shifts in the continuum of these memorial poems. This volume investigates the tensions arising in elegiac formulations of grief through detailed analyses of seminal poets, including Wordsworth, Keats, and Plath, using psychoanalytic precepts to reconceptualize consolation through poetic strategies of inner representation and what it might mean for personal and collective experiences of loss. Tracing the development of elegy beyond extant readings, this volume addresses contemporary constructs of mourning and their attendant polemics within the wider culture as extensions of elegiac longings and the tendency to refuse consolation and cede to the endlessness of grief. Furthermore, this book concludes that contemporary elegies break with conventions of poetic structure and expression; rather than the poets seeking resolution to grief through compensation, they often find themselves dwelling within the loss rather than externalizing and transcending it. The Poetry of Loss: Romantic and Contemporary Elegies examines these developing psychoanalytic concepts pertaining to a poetics of loss, providing readers with a new appreciation of mourning culture and contemporary attitudes towards grief.
Aquatic Center Marketing delivers practical, affordable, and innovative marketing ideas for aquatic facilities of any type and size to increase membership, boost attendance, establish their image in the community, and reinforce the value of aquatics as an enjoyable lifelong activity.
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