The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a marketable commodity, translation as betrayal, data overload, and the implosion of the virtual into the biosphere? Is globalisation inevitable – or is it a fiction which fiction turns into reality? Fictions of America explores these questions and looks at the ways in which India, China and Africa can be said to have underwritten American culture, how literature has been marketed globally, and how novelists have answered back to power with resistant fictions. Judie Newman examines a wide range of fiction from the mid nineteenth to the twenty-first century including the transnational adoption narrative, short story, historical novel, slave narrative, international bestseller and Western to illustrate her argument. Looking closely at authors such as Bharati Mukherjee, John Updike, Emily Prager, Hannah Crafts, Zora Neale Hurston, David Bradley, Peter Høeg, and Cormac McCarthy, Fictions of America provides a bold response to the crucial questions raised by globalisation.
This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror — whether state or non-state, external or homegrown — shadows Utopian imaginings. Terror and Utopia are linked in fiction through the exploration of the commodification of affect, a phenomenon of a globalized world in which feelings are managed, homogenized across cultures, exaggerated, or expunged according to a dominant model. Narrative approaches to the terrorist offer a means to investigate the ways in which fiction can resist commodification of affect, and maintain a reasoned but imaginative vision of possibilities for human community. Newman explores topics such as the first American bestseller with a Muslim protagonist, the links between writer and terrorist, the work of Iranian-Jewish Americans, and the relation of race and religion to Utopian thought.
This, the first modern edition of Stowe's second abolitionist bestseller, launched the novel back into the American literary canon, as a compelling dramatization of a heroic black revolutionary leading a community of escaped slaves. Writing strategically against slavery, Stowe deployed all the weapons in a great writer's armoury; romance, realism, religious appeal, Gothic, broad comedy, strong black women characters, frontier violence and a blistering satire on the American legal system. Essential reading for anyone who wants to understand the centrality of slavery to American literature and history- and for anyone who enjoys a great novelist writing at the height of her powers.
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988). In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the 'International Theme' and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form. Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
International in her appeal, Nadine Gordimer is an original and accomplished novelist whose works have found literary and popular recognition. In this critical study, first published in 1988 and the first by a woman, Judie Newman discusses Gordimer’s novels, including A Sport of Nature. Gordimer’s writing is both political committed and formally innovative, confronting subject matter of great contemporary interest and at the same time seeking out narrative forms that combine European and indigenous culture. Her novels are sensitive to their context, while also offering an important contribution to postmodernist reassessments of narrative poetics, and a challenge to European conceptions of the novel. Judie Newman places particular emphasis on Gordimer’s searching investigation of the relation of gender to genre, and explores other major concerns such as the crisis of liberal values, the nature of historical consciousness, racism, sexual politics, and the psychopathology of power. Her study combines close literary analysis with a wide-ranging exploration of ideas, showing clearly how the artist can contribute to contemporary debate.
Wonderful for browsing, and invaluable for finding specific information, Literature Lovers Book of Lists is a compendium of useful and sometimes whimsical information for anyone who loves books and loves to read, at any age or reading level. It is organized into nine sections and provides nearly 200 lists relating to genres, authors, characters and settings, awards, literary terms with their definitions and much more. There are even lists of books of prose and poetry available on audiocassettes. If it has to do with literature, this book has the answers. What book has had the longest run on The New York Times best-seller list? Who is the only four-time winner of the Pulitizer Prize for drama? What is the complete list of Shakespeare's plays and poems? Who are some of the most notable African American authors? What are the three main variations of the sonnet? What famous writers belonged to The Bloomsbury Group? Literature Lovers Book of Lists is both exciting and informative at the same time.
It's been six months, and I STILL can't get my English language learners to participate in class " "How can I help my newcomers feel more comfortable around other students?" "Am I doing enough to help my English language learners succeed?" Have you had these thoughts? Take heart, you are not alone. As schools and districts swell with growing numbers of English language learners, and as administrators and teachers wrestle with federal guidelines for educating these students, many educators are faced with these same challenges and much more. To meet these challenges, it is imperative for educators to learn about and use the theories and teaching strategies that will help English language learners succeed in the classroom. In "Getting Started with English Language Learners: How Educators Can Meet the Challenge," Judie Haynes provides a practical resource to help educators who are new to the field of English as a Second Language understand the needs of English language learners. From learning how students acquire a second language to differentiating instruction to exploring practical strategies for teaching newcomers, this book will help educators learn how to create effective learning environments for English language learners. Real-life scenarios from actual classrooms are presented throughout the book. The book also includes a brief overview of different types of ESL programs used in the United States and a helpful glossary of common ESL terminology. New teachers, veteran educators working with English language learners for the first time, and administrators can all use this book to increase their knowledge, improve their practice, and, most importantly, effectively educate and inspire English language learners. Note: This product listing is for the Adobe Acrobat (PDF) version of the book.
Chronicles the life of Robert Kennedy, from his birth into the Kennedy clan, through his tenure in the United States Senate and as Attorney General, to his assassination in 1968.
Homicide Survivors: Misunderstood Grievers" is about families that have faced murder and how they have dealt with the trauma. It offers an interpretation of personal accounts of homicide survivors in order to understand the particular nature of homicide bereavement. The author herself a homicide survivor, Judie Bucholz offers a unique perspective and experiential base for examining the phenomenon of homicide bereavement. Her intent is to help the reader understand the homicide griever's situation both as one who grieves and one who grieves within a social context, as one who confronts horrific death at the personal level as well as at the social level.
Teenage movie actor Horace "Ace" Hobart and his New York gang, the Purple Falcons, get involved in live theatre and an arson plot when they take summer jobs at a home for retired actors.
- Content adapted for the current South Asian nursing setup - Current data and statistics pertaining to the South Asian region assimilated - Newest concepts and literature added to reflect the regional perspective - Regional pictures added to provide regional look and feel
The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a marketable commodity, translation as betrayal, data overload, and the implosion of the virtual into the biosphere? Is globalisation inevitable – or is it a fiction which fiction turns into reality? Fictions of America explores these questions and looks at the ways in which India, China and Africa can be said to have underwritten American culture, how literature has been marketed globally, and how novelists have answered back to power with resistant fictions. Judie Newman examines a wide range of fiction from the mid nineteenth to the twenty-first century including the transnational adoption narrative, short story, historical novel, slave narrative, international bestseller and Western to illustrate her argument. Looking closely at authors such as Bharati Mukherjee, John Updike, Emily Prager, Hannah Crafts, Zora Neale Hurston, David Bradley, Peter Høeg, and Cormac McCarthy, Fictions of America provides a bold response to the crucial questions raised by globalisation.
This, the first modern edition of Stowe's second abolitionist bestseller, launched the novel back into the American literary canon, as a compelling dramatization of a heroic black revolutionary leading a community of escaped slaves. Writing strategically against slavery, Stowe deployed all the weapons in a great writer's armoury; romance, realism, religious appeal, Gothic, broad comedy, strong black women characters, frontier violence and a blistering satire on the American legal system. Essential reading for anyone who wants to understand the centrality of slavery to American literature and history- and for anyone who enjoys a great novelist writing at the height of her powers.
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988). In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the 'International Theme' and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form. Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
International in her appeal, Nadine Gordimer is an original and accomplished novelist whose works have found literary and popular recognition. In this critical study, first published in 1988 and the first by a woman, Judie Newman discusses Gordimer’s novels, including A Sport of Nature. Gordimer’s writing is both political committed and formally innovative, confronting subject matter of great contemporary interest and at the same time seeking out narrative forms that combine European and indigenous culture. Her novels are sensitive to their context, while also offering an important contribution to postmodernist reassessments of narrative poetics, and a challenge to European conceptions of the novel. Judie Newman places particular emphasis on Gordimer’s searching investigation of the relation of gender to genre, and explores other major concerns such as the crisis of liberal values, the nature of historical consciousness, racism, sexual politics, and the psychopathology of power. Her study combines close literary analysis with a wide-ranging exploration of ideas, showing clearly how the artist can contribute to contemporary debate.
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