Chronicles the life of Robert Kennedy, from his birth into the Kennedy clan, through his tenure in the United States Senate and as Attorney General, to his assassination in 1968.
- Content adapted for the current South Asian nursing setup - Current data and statistics pertaining to the South Asian region assimilated - Newest concepts and literature added to reflect the regional perspective - Regional pictures added to provide regional look and feel
Wonderful for browsing, and invaluable for finding specific information, Literature Lovers Book of Lists is a compendium of useful and sometimes whimsical information for anyone who loves books and loves to read, at any age or reading level. It is organized into nine sections and provides nearly 200 lists relating to genres, authors, characters and settings, awards, literary terms with their definitions and much more. There are even lists of books of prose and poetry available on audiocassettes. If it has to do with literature, this book has the answers. What book has had the longest run on The New York Times best-seller list? Who is the only four-time winner of the Pulitizer Prize for drama? What is the complete list of Shakespeare's plays and poems? Who are some of the most notable African American authors? What are the three main variations of the sonnet? What famous writers belonged to The Bloomsbury Group? Literature Lovers Book of Lists is both exciting and informative at the same time.
The Internet has had a huge impact on channels of communication and information, reaching across time and space to connect the world through globalisation. In this Internet-led world, story links to story, windows open on new stories and no overall authority establishes priority. This sense of globalisation has raised many questions for contemporary American Novelists, primarily the usefulness or redundancy of narrative and its potentially adaptive function. What are the right stories for such a broadband world? How do contemporary American novelists respond to issues such as the influence of the multinational corporation and its predecessors, human rights Imperialism, the literary work as a marketable commodity, translation as betrayal, data overload, and the implosion of the virtual into the biosphere? Is globalisation inevitable – or is it a fiction which fiction turns into reality? Fictions of America explores these questions and looks at the ways in which India, China and Africa can be said to have underwritten American culture, how literature has been marketed globally, and how novelists have answered back to power with resistant fictions. Judie Newman examines a wide range of fiction from the mid nineteenth to the twenty-first century including the transnational adoption narrative, short story, historical novel, slave narrative, international bestseller and Western to illustrate her argument. Looking closely at authors such as Bharati Mukherjee, John Updike, Emily Prager, Hannah Crafts, Zora Neale Hurston, David Bradley, Peter Høeg, and Cormac McCarthy, Fictions of America provides a bold response to the crucial questions raised by globalisation.
Drawing on personal interviews, manuscript collections, and the author's unpublished writings, Judie Newman offers a comprehensive study of the work of Alison Lurie from her early involvement in the Poets' Theatre to the AIDS comedy of her most recent novel, The Last Resort (1988). In her profound social and intellectual engagement with American Utopianism, from its historical origins through such contemporary manifestations as Walter Benjamin's Hollywood, the American University, feminist theorisations, the religious cult and the gay heterotopia, and in her intertextual reworkings of folk and fairy tale, biography, diary novel, the 'International Theme' and the classic ghost story, Lurie maintains an uncanny ability to serve critical aesthetic purposes within a popular fictional form. Semiotic comedies - comedies of the sign - rather than novels of manners, Lurie's fictions place her squarely within a radical American tradition.
Kapa'a, like most rural towns on Kaua'i and many in Hawai'i, got its start in the 19th century as a sugar town. But, within five years, Kapa'a's sugar mill was gone; the little village almost disappeared. By the early 20th century, Kapa'a was once again a thriving community. Self-reliant merchants and shopkeepers, first mostly Chinese and then Japanese, competed with the neighboring plantation store. Homesteaders populated the hills behind Kapa'a, and two pineapple canneries offered employment. Several movie theaters provided alternatives to the bars and taxi-dance halls. By the 1970s, pineapple, too, was gone, and Kapa'a faced new challenges. Today, new entrepreneurs working alongside the old provide entertainment for a new clientele of pleasure-seekers, tourists.
In the early 1980s, thousands of Ethiopian Jews fled the civil unrest, famine and religious persecution of their native land in the hopes of being reunited in Yerusalem, their spiritual homeland, with its promises of a better life. Wuditu and her family risk their lives to make this journey, which leads them to a refugee camp in Sudan, where they are separated. Terrified, 15-year-old Wuditu must return to Ethiopia alone. “Don’t give up, Wuditu! Be strong!” The words of her little sister come to Wuditu in a dream and give her the courage to keep going. Wuditu must find someone to give her food and shelter or she will surely die. Finally Wuditu is offered a solution: working as a servant. However, she quickly realizes that she has become a slave. With nowhere else to go, she stays — until the villagers discover that she is a falasha, a hated Jew. Only her dream of one day being reunited with her family gives her strength — until the arrival of a stranger heralds hope and a new life in Israel. Based on real events, Wuditu’s story mirrors the experiences of thousands of Ethiopian Jews.
This book examines the quest for/failure of Utopia across a range of contemporary American/transnational fictions in relation to terror and globalization through authors such as Susan Choi, André Dubus, Dalia Sofer, and John Updike. While recent critical thinkers have reengaged with Utopia, the possibility of terror — whether state or non-state, external or homegrown — shadows Utopian imaginings. Terror and Utopia are linked in fiction through the exploration of the commodification of affect, a phenomenon of a globalized world in which feelings are managed, homogenized across cultures, exaggerated, or expunged according to a dominant model. Narrative approaches to the terrorist offer a means to investigate the ways in which fiction can resist commodification of affect, and maintain a reasoned but imaginative vision of possibilities for human community. Newman explores topics such as the first American bestseller with a Muslim protagonist, the links between writer and terrorist, the work of Iranian-Jewish Americans, and the relation of race and religion to Utopian thought.
This, the first modern edition of Stowe's second abolitionist bestseller, launched the novel back into the American literary canon, as a compelling dramatization of a heroic black revolutionary leading a community of escaped slaves. Writing strategically against slavery, Stowe deployed all the weapons in a great writer's armoury; romance, realism, religious appeal, Gothic, broad comedy, strong black women characters, frontier violence and a blistering satire on the American legal system. Essential reading for anyone who wants to understand the centrality of slavery to American literature and history- and for anyone who enjoys a great novelist writing at the height of her powers.
Grief-stricken after the mid-air collision of her parents' planes leaves her an orphan, Sue Sudley moves to her aunt's small mid-western town where she hopes to become "a real teenager.
Chronicles the life of Robert Kennedy, from his birth into the Kennedy clan, through his tenure in the United States Senate and as Attorney General, to his assassination in 1968.
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