Juanita Helm Floyd "Women inside the Life of Balzac" gives a nuanced exploration of the relationships that performed an important position in shaping the existence and literary works of the famend French novelist Honoré de Balzac. This work gives readers a charming perception into the complicated interaction among Balzac's private experiences and the portrayal of girls in his fiction. Floyd meticulously examines the substantial women who prompted Balzac, from his mom and sisters to the diverse romantic entanglements that marked his life. The biography delves into the effect of these relationships on Balzac's emotional and innovative lifestyles, supplying a deeper understanding of the motivations and characterizations observed in his novels. The creator explores Balzac's approach to depicting girls in his extensive frame of labor, such as the huge series of novels referred to as "La Comedie Humaine." Floyd analyzes the numerous girl characters in Balzac's fiction, dropping light on the author's perceptions of women, love, and societal expectancies. The narrative skillfully weaves together biographical information with literary analysis, creating a comprehensive portrait of the symbiotic relationship among Balzac's private international and his imaginitive literary universe.
The Madman and the Marathon by Juanita Tischendorf sums up this incredible man's running history, painting vivid and inspiring pictures of race days-including what it looks (and smells) like when sixteen men pack into two vans and relay across the country-and answering questions that aspiring runners have always wanted to know about what it takes to go the distance. What is the method to Don McNelly's madness? Did he do it all without injury? What does his family think about his running crazy? Is he still running? Find out in The Madman and the Marathon. In 2017 Don McNelly passed. The reissue says goodbye to this amazing man.
Using 163 photographs of images carved on the underside of medieval choir stalls in the churches and cathedrals of England in the thirteenth through sixteenth centuries, this work provides a spirited examination of the social history of ordinary men and women during the late-medieval period. This examination is particularly useful in that the choir stalls have become less accessible to the public in recent years. Misericords have received some scholarly attention, but this work is the first to interpret the carvings as social commentary. They are not examined as decorative embellishments or pieces of church furniture, but rather "read" as intimate glimpses into the thoughts, actions, and beliefs of a segment of the English medieval population. Whatever amused, angered, frightened, or elated the common person is recorded here in these extraordinary records.
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