The 220 letters selected for this book offer a fresh and intimate encounter with Juanita Brooks, one of the most influential historians of Utah and the Mormons. Born and raised in the small and remote agricultural village of Bunkerville, Nevada, Brooks lived most most of her life in St. George, Utah, and rose to prominence following the 1950 publication of her landmark book, The Mountain Meadows Massacre. Her unwavering commitment to honest scholarship continues to inspire younger generations laboring to produce excellent objective history. The letters in this volume, written from 1941 to 1978, trace Brooks's development from fledgling historian to recognized authority. Serving almost as an autobiography of her interactions with her contemporaries, this selection provides a new perspective on Brooks's personality and growth as a scholar. Richly detailed, chatty, and covering a wide array of subjects, the letters afford an important glimpse into Brooks's struggles, concerns, and interests.
In the Fall of 1857, some 120 California-bound emigrants were killed in lonely Mountain Meadows in southern Utah; only eighteen young children were spared. The men on the ground after the bloody deed took an oath that they would never mention the event again, either in public or in private. The leaders of the Mormon church also counseled silence. The first report, soon after the massacre, described it as an Indian onslaught at which a few white men were present, only one of whom, John D. Lee, was actually named. With admirable scholarship, Mrs. Brooks has traced the background of conflict, analyzed the emotional climate at the time, pointed up the social and military organization in Utah, and revealed the forces which culminated in the great tragedy at Mountain Meadows. The result is a near-classic treatment which neither smears nor clears the participants as individuals. It portrays an atmosphere of war hysteria, whipped up by recitals of past persecutions and the vision of an approaching "army" coming to drive the Mormons from their homes.
Emma Lee is the classic biography of one of John D. Lee's plural wives. Emma experienced the best and worst of polygamy and came as near to the Mountain Meadows Massacre as anyone could without participating first hand.
In the Fall of 1857, some 120 California-bound emigrants were killed in lonely Mountain Meadows in southern Utah; only eighteen young children were spared. The men on the ground after the bloody deed took an oath that they would never mention the event again, either in public or in private. The leaders of the Mormon church also counseled silence. The first report, soon after the massacre, described it as an Indian onslaught at which a few white men were present, only one of whom, John D. Lee, was actually named. With admirable scholarship, Mrs. Brooks has traced the background of conflict, analyzed the emotional climate at the time, pointed up the social and military organization in Utah, and revealed the forces which culminated in the great tragedy at Mountain Meadows. The result is a near-classic treatment which neither smears nor clears the participants as individuals. It portrays an atmosphere of war hysteria, whipped up by recitals of past persecutions and the vision of an approaching "army" coming to drive the Mormons from their homes.
Emma Lee is the classic biography of one of John D. Lee's plural wives. Emma experienced the best and worst of polygamy and came as near to the Mountain Meadows Massacre as anyone could without participating first hand.
In Performing Racial Uplift: E. Azalia Hackley and African American Activism in the Postbellum to Pre-Harlem Era, Juanita Karpf rediscovers the career of Black activist E. Azalia Hackley (1867–1922), a concert artist, nationally famous music teacher, and charismatic lecturer. Growing up in Black Detroit, she began touring as a pianist and soprano soloist while only in her teens. By the late 1910s, she had toured coast-to-coast, earning glowing reviews. Her concert repertoire consisted of an innovative blend of spirituals, popular ballads, virtuosic showstoppers, and classical pieces. She also taught music while on tour and visited several hundred Black schools, churches, and communities during her career. She traveled overseas and, in London and Paris, studied singing with William Shakespeare and Jean de Reszke—two of the classical music world’s most renowned teachers. Her acceptance into these famous studios confirmed her extraordinary musicianship, a “first” for an African American singer. She founded the Normal Vocal Institute in Chicago, the first music school founded by a Black performer to offer teacher training to aspiring African American musicians. Hackley’s activist philosophy was unique. Unlike most activists of her era, she did not align herself unequivocally with either Booker T. Washington or W. E. B. Du Bois. Instead, she created her own mediatory philosophical approach. To carry out her agenda, she harnessed such strategies as giving music lessons to large audiences and delivering lectures on the ecumenical religious movement known as New Thought. In this book, Karpf reclaims Hackley's legacy and details the talent, energy, determination, and unprecedented worldview she brought to the cause of racial uplift.
Grieving the sudden death of her beloved husband a few years after they lost their first child, Eda Kampmann Herff picks up an abandoned ledger and starts writing a Diary on the first day of 1884. A century later, her granddaughter, Ilse Herff Frost yields to a grandson's pleading and writes her Reminiscence. She recounts growing up in South Texas Boerne and San Antonio in the early 20th century. These two women are descendents of J.H. Kampmann, one of the 19th century German settlers who brought their enterprise, culture and utopian ideals to the vivid Mexican city of San Antonio. JHK was a dynamic civic leader. He built several of the classic German houses in the city's King William District, along with now-historic business buildings downtown like the Menger Hotel. He also founded two breweries and a bank that later became a significant cornerstone in the Frost Bank organization. Eda was JHK's daughter. She married a Herff, a son in a family of active physicians serving the burgeoning population of the young city. Herffs were among the founders of Boerne in Texas Hill Country. Eda records 30 months of 19th century daily life in her Diary as she raises her surviving son, participates in social and civic life, and travels. Ilse, JHK's great-granddaughter, was a daughter of that son of Eda's known as "Johnny" or "Buby" Herff in her Diary. He eventually became another generation's Dr. John Herff. Ilse's Reminiscence details life two generations later as her family splits time between the city and the "ranch" in Boerne. These two documents are preserved through the efforts of two more Kampmann/Herff descendents. Judith Carrington is the granddaughter of Elizabeth Ilse's Aunt Elizabeth who was born to the diarist, Eda, after she remarried. Judith found Eda's Diary among family memorabilia hidden in her mother's storage. Judith made the Diary available to The Witte Museum in San Antonio for an exhibit chronicling the early German settlers, including a special collection documenting J.H. Kampmann. A volunteer translator brought the lost document, written in old German, to life more than 100 years after it was written. Juanita Herff Drought Chipman Johnny Herff's granddaughter and Ilse's niece compiled the documents, added historic family photographs, and contributed sketches she drew from other, fading images, to create this book. These stories are valuable to the many descendents of South Texas' German settlers. History records the accomplishments of their men, but the women of the families also carry an important story bygone routines that kept homes running, raised children, and built community. Thank you for your interest in Eda & Ilse.
A powerful examination of the unsettling history of photography and its fraught relationship to global antiblackness. Since photography’s invention, black life has been presented as fraught, short, agonizingly filled with violence, and indifferent to intervention: living death—mortevivum—in a series of still frames that refuse a complex humanity. In Mortevivum, Kimberly Juanita Brown shows us how the visual logic of documentary photography and the cultural legacy of empire have come together to produce the understanding that blackness and suffering—and death—are inextricable. Brown traces this idea from the earliest images of the enslaved to the latest newspaper photographs of black bodies, from the United States and South Africa to Haiti and Rwanda, documenting the enduring, pernicious connection between photography and a global history of antiblackness. Photography's history, inextricably linked to colonialism and white supremacy, is a catalog of othering, surveillance, and the violence of objectification. In the genocide in Rwanda, for instance, photographs after the fact tell viewers that blackness comes with a corresponding violence that no human intervention can abate. In Haiti, the first black republic in the Western Hemisphere, photographic “evidence” of its sovereign failure suggests that the formerly enslaved cannot overthrow their masters and survive to tell the tale. And in South Africa and the United States, a loop of racial violence reminds black subjects of their lower-class status mandated via the state. Illustrating the global nature of antiblackness that pervades photographic archives of the present and the past, Mortevivum reveals how we live in a repetition of imagery signaling who lives and who dies on a gelatin silver print—on a page in a book, on the cover of newspaper, and in the memory of millions.
Grieving the sudden death of her beloved husband a few years after they lost their first child, Eda Kampmann Herff picks up an abandoned ledger and starts writing a Diary on the first day of 1884. A century later, her granddaughter, Ilse Herff Frost yields to a grandson’s pleading and writes her Reminiscence. She recounts growing up in South Texas – Boerne and San Antonio – in the early 20th century. These two women are descendents of J.H. Kampmann, one of the 19th century German settlers who brought their enterprise, culture and utopian ideals to the vivid Mexican city of San Antonio. JHK was a dynamic civic leader. He built several of the classic German houses in the city’s King William District, along with now-historic business buildings downtown like the Menger Hotel. He also founded two breweries and a bank that later became a significant cornerstone in the Frost Bank organization. Eda was JHK’s daughter. She married a Herff, a son in a family of active physicians serving the burgeoning population of the young city. Herffs were among the founders of Boerne in Texas Hill Country. Eda records 30 months of 19th century daily life in her Diary as she raises her surviving son, participates in social and civic life, and travels. Ilse, JHK’s great-granddaughter, was a daughter of that son of Eda’s – known as “Johnny” or “Buby” Herff in her Diary. He eventually became another generation’s Dr. John Herff. Ilse’s Reminiscence details life two generations later as her family splits time between the city and the “ranch” in Boerne. These two documents are preserved through the efforts of two more Kampmann/Herff descendents. Judith Carrington is the granddaughter of Elizabeth – Ilse’s Aunt Elizabeth – who was born to the diarist, Eda, after she remarried. Judith found Eda’s Diary among family memorabilia hidden in her mother’s storage. Judith made the Diary available to The Witte Museum in San Antonio for an exhibit chronicling the early German settlers, including a special collection documenting J.H. Kampmann. A volunteer translator brought the lost document, written in old German, to life more than 100 years after it was written. Juanita Herff Drought Chipman – Johnny Herff’s granddaughter and Ilse’s niece – compiled the documents, added historic family photographs, and contributed sketches she drew from other, fading images, to create this book. These stories are valuable to the many descendents of South Texas’ German settlers. History records the accomplishments of their men, but the women of the families also carry an important story – bygone routines that kept homes running, raised children, and built community. Thank you for your interest in Eda & Ilse.
Many churchgoers will recognize the name William Bradbury, a nineteenth-century American composer of popular hymns still sung at Sunday services. Bradbury’s name may also bring to mind Esther, the Beautiful Queen, his choral setting of a text based on the biblical Book of Esther. The uncomplicated score became enormously popular almost immediately after its initial publication in 1856. In From Biblical Book to Musical Megahit: William B. Bradbury’s “Esther, the Beautiful Queen,” Juanita Karpf traces the work’s rich performance and reception history. Bradbury emphatically stated that he intended Esther to be sung as an unadorned religious and educational piece. Yet many music directors exploited the potential for his score, producing elaborately staged events with costumes, scenery, and acting. Although directors retained Bradbury’s original music, they nonetheless facilitated Esther’s rapid entrée into the realm of music theater. This stylistic transformation ignited a firestorm of controversy. Some clergy and religiously pious citizens condemned theatrical representations of biblical texts as the epitome of debauchery, sacrilege, and sin. In contrast, more tolerant and open-minded theater enthusiasts welcomed the dramatic staging of Esther as wholesome entertainment and as evidence of a refreshingly enlightened approach to biblical interpretation. However heated this debate seemed at times, it did little to quell the continued rise in popularity of Esther. In fact, by the late 1860s, Bradbury’s score had worked its way across the continent, north to Canada and, eventually, to Great Britain, Australia, Asia, and Africa. With performances recorded over a century after Bradbury published his score, Esther became, by any measure, an international megahit.
The proof of any group's importance to history is in the detail, a fact made plain by this informative book's day-by-day documentation of the impact of African Americans on life in the United States. One of the easiest ways to grasp any aspect of history is to look at it as a continuum. African American History Day by Day: A Reference Guide to Events provides just such an opportunity. Organized in the form of a calendar, this book allows readers to see the dates of famous births, deaths, and events that have affected the lives of African Americans and, by extension, of America as a whole. Each day features an entry with information about an important event that occurred on that date. Background on the highlighted event is provided, along with a link to at least one primary source document and references to books and websites that can provide more information. While there are other calendars of African American history, this one is set apart by its level of academic detail. It is not only a calendar, but also an easy-to-use reference and learning tool.
Richard Dandridge has left a big city Manhattan law firm to open up his own small private practice in his hometown of Rochester, NY. He is eking out a meager living representing small clients, but he is content to play golf and no longer be part of the scandals and notoriety of the big city law firms. Now, however, he has been thrown back into the big leagues by a huge local murder case. Lieutenant Vincent Trapp has shot and killed businessman Noah Arietta at the Foundry Café, in front of witnesses. There is no question that Trapp has done the murder and he certainly had motive, as Arietta had violently raped and beaten Trapp's wife Paige. Lieutenant Trapp has requested that Richard Dandridge represent him.
Many Christians would be excited to know they have a spiritual inheritance, but they don't have a clue what that really involves. Why is that? Juanita Bynum, author of the New york Times best seller The Threshing Floor, takes you right to the core issue. What place does your pastor hold in your church, your community, and your own heart? Bynum minces no words as she describes how our spiritual leaders have been placed in our lives to help us move into the full portion of the inheritance god has for us. But it will not happen unless we allow them to speak into our lives. Bynum answers the following questions: ? Do I really want to be released into the spiritual destiny god has for me? ? Am I ready to inherit the power god has deposited in my spiritual forefathers? ? Do I want to see spiritual authority flowing through my pastor and my church? ? Am I ready to inherit my destiny from god to go out and minister to others?
The Madman and the Marathon by Juanita Tischendorf sums up this incredible man's running history, painting vivid and inspiring pictures of race days-including what it looks (and smells) like when sixteen men pack into two vans and relay across the country-and answering questions that aspiring runners have always wanted to know about what it takes to go the distance. What is the method to Don McNelly's madness? Did he do it all without injury? What does his family think about his running crazy? Is he still running? Find out in The Madman and the Marathon. In 2017 Don McNelly passed. The reissue says goodbye to this amazing man.
About the Book 1775: Overlooked Heroines focuses entirely on ordinary women who broke away from their social constraints to become soldiers, spies, and heroines in the American Revolutionary War. These women physically fought for America to be free from colonial imperialism, but yet society fails to recant their names. The historical narrative of women's involvement in the Revolutionary War must be corrected. This book will tell the heroic stories of women not commonly studied and remove the myth that women only maintained their domestic duties, organized fundraising, and protested the non-importation of British goods. 1775: Overlooked Heroines fills in the gaps of history and places these women back into the historical narrative, whose names are less celebrated and are overshadowed or misattributed simply because they are women. About the Author Juanita Stellato Maldonado personally believes in community involvement. She involves her community in her life by having barbecues in her driveway every weekend during summertime. Her hobbies include collecting 17th- to 18th-century American Revolutionary War books and family genealogy; she can go back seven generations on her mother's side. Besides, the more family you have, the more chances you will be invited for dinner. Juanita was a single mother for fifteen years. She must have done something right, because one daughter is a deputy and the other is in the Air Force. Ten years ago, Juanita married a wonderful man who puts up with her sarcastic humor.
NEW YORK TIMES BEST SELLER From the author of My Spiritual Inheritance, No More Sheets, Matters of the Heart Devotions for Women, and A Heart for Jesus. Discover how the seed of true prayer is separated from the chaff of selfish desires. Encouraging you to carry the needs of others to the Lord, Bynum offers practical advice on becoming a "doer" of the Word and a "living sacrifice" as you learn to pray wit
These stories by Hazel Juanita Winters Collins will take you back to a horse-and-buggy time, the early automobile, prerefrigeration, moonshine, and the one-room schoolhouse. For this was the time of Ms. Collinss youth, a time when she was between the ages of five and thirteen, the period 1924 to 1932. From recollections in her mature years, we learn about the many people she knew and grew up with on her parents plantation farm in South Georgiaparents Ruth and Clower; sisters Claudene and Sarah; black Irish aunt Min; a specially gifted child named Angel; uncles Clarence and Willis; cousins Epp, Ellick, Junior, and Frances; and the many black people she loved and admired, including Isabella and Allen, Uncle Gus and Aunt Mary, Mousie, Ed, Sugar, Alice, Lizzer, and Uncle Alp. Then there were the Bruces, who arrived from New York City. Like Uncle Gus and Aunt Mary before them, and Mousie and Ed later, they took up residence at the Creek House. For the year they were there, sons Ben, Bo, and Boaz got into so much trouble for their lack of knowledge about undomesticated animals, it might have spelled their doom.
This is a historical fiction novel, based on a true event that happened in 1725. In the early fall of that year, a woman, her two daughters, and maidservant were captured from their farmstead. They were kidnapped by the Mohawk Indians. This was before the French and Indian wars and Before the Salem Witch Trials. She and her daughters spent one year and 26 days as a slave to the Mohawk Indians. This is the story of what happened during that one year and 26 days. It is the story of all the problems on the trail to the village, the things that happened in the village, and all the harsh parts of living an Indian life at that time. The beatings and the terrors that they endured during this time were incredible. Meanwhile, many things happened back in the village of Salem because life does go on. The oldest son marries, has a fight with his father, and leaves home. The younger son becomes the heir apparent, as well as his fathers confidant. Elizabeths husband went to Canada to Port Royal, to redeem his women. When they were finally redeemed by French, the youngest was unable to be redeemed at the same time. Her husbands attitude had changed when she got back. When Elizabeths husband went to Canada a second time to redeem her, he died. What was Elizabeth to do? The youngest daughter was finally brought home, and the questions were answered.
As technology grows more sophisticated, more and more children will receive therapies such as apnea monitoring, dialysis, and prolonged IV therapy at home on an ongoing basis. This book provides an overview of the research evidence available on home health care of children who are technology dependent and their families. A major study of 800 children that the author conducted is highlighted. The book also describes practical strategies to assist these children with complex needs. Family stress, case management, respite care, and financial concerns are addressed.
The bestselling author of "Matters of the Heart" takes readers right to a core issue: What place does the pastor hold in church, in the community, and in parishoners' own hearts? She minces no words as she describes how spiritual leaders have been placed in our lives to help us move into the full portion of the inheritance God has for us.
From a lauded poet and playwright, a novel of a young woman's life with the Black Panthers in 1960s San Francisco At first glance, Geniece’s story sounds like that of a typical young woman: she goes to college, has romantic entanglements, builds meaningful friendships, and juggles her schedule with a part-time job. However, she does all of these things in 1960s San Francisco while becoming a militant member of the Black Panther movement. When Huey Newton is jailed in October 1967 and the Panthers explode nationwide, Geniece enters the organization’s dark and dangerous world of guns, FBI agents, freewheeling sex, police repression, and fatal shoot-outs—all while balancing her other life as a college student. A moving tale of one young woman’s life spinning out of the typical and into the extraordinary during one of the most politically and racially charged eras in America, Virgin Soul will resonate with readers of Monica Ali and Ntozake Shange.
Haunted by representations of black women that resist the reality of the body's vulnerability, Kimberly Juanita Brown traces slavery's afterlife in black women's literary and visual cultural productions. Brown draws on black feminist theory, visual culture studies, literary criticism, and critical race theory to explore contemporary visual and literary representations of black women's bodies that embrace and foreground the body's vulnerability and slavery's inherent violence. She shows how writers such as Gayl Jones, Toni Morrison, Audre Lorde, and Jamaica Kincaid, along with visual artists Carrie Mae Weems and María Magdalena Campos-Pons, highlight the scarred and broken bodies of black women by repeating, passing down, and making visible the residues of slavery's existence and cruelty. Their work not only provides a corrective to those who refuse to acknowledge that vulnerability, but empowers black women to create their own subjectivities. In The Repeating Body, Brown returns black women to the center of discourses of slavery, thereby providing the means with which to more fully understand slavery's history and its penetrating reach into modern American life.
Internet Security incorporates not only the technology needed to support a solid security strategy but also those policies and processes that must be incorporated in order for that strategy to work.New methods of breaking into corporate networks are resulting in major losses. This book provides the latest information on how to guard against attacks and informs the IT manager of the products that can detect and prevent break-ins. Crucial concepts such as authentication and encryption are explained, enabling the reader to understand when and where these technologies will be useful. Due to the authors' experiences in helping corporations develop secure networks, they are able to include the newest methods for protecting corporate data.·Shield data from both the internal and external intruder·Discover products that can detect and prevent these break-ins ·Protect against major losses with the latest incident handling procedures for detecting and recovering data from new viruses·Get details of a full security business review from performing the security risk analysis to justifying security expenditures based on your company's business needs
This important new reference and resource is brimming with stimulating information about the history, culture, and accomplishements of African Americans from the Middle Passage through Slavery and Reconstruction, to the Civil Rights Movement and today. These lists give you an ideal way to build your students' knowledge and appreciation of African American culture and the important contributions African Americans have made to virtually every aspect of living in the United States. All of this valuable material is printed in a big 8-1/4" x 11" spiral-bound format that folds flat for easy photocopying of any list as many times as you need it.
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