The trilogy Funeral Drums for Lambs and Wolves includes Isabel Banished in Isabel, the monologue of a woman left to go mad alone; Without Apparent Motive, the monologue of a murderer lamenting the spread of violence; and The Guest, or Tranquility Is Priceless, a confrontational dialogue that speaks directly to the spectators, implicating them for their silent, passive tolerance of Pinochet. The title play, Radrigan's 1981 masterpiece, speaks directly to the specter of the disappeared."--Jacket.
Children of Fate was written in 1981 and is a fascinating, passionate and humorous testament to the forgotten lives of the dispossessed and marginalised in General Pinochet's Chile. 2013 is the fortieth anniversary of the year Pinochet seized power in a vicious coup.
Les auteurs analysent les formes d'action collective novatrices qui émergent depuis la crise de 2008 et posent les jalons d'un nouveau modèle de mondialisation construit autour de l'inclusion, de la solidarité et de l'écologie. Leurs contributions sont issues du 3e colloque international tenu par le Centre de recherche sur les innovations sociales (CRISES) en avril 2011." In this book, the authors analyze the innovative forms of collective action that have emerged since the 2008 economic crisis and lay the groundwork for a new model of globalization built around inclusion, solidarity, and ecology. Their contributions stem from the 3rd international symposium held by the Centre de Recherche Sur Les Innovations Sociales (CRISES) in April 2011.
The trilogy Funeral Drums for Lambs and Wolves includes Isabel Banished in Isabel, the monologue of a woman left to go mad alone; Without Apparent Motive, the monologue of a murderer lamenting the spread of violence; and The Guest, or Tranquility Is Priceless, a confrontational dialogue that speaks directly to the spectators, implicating them for their silent, passive tolerance of Pinochet. The title play, Radrigan's 1981 masterpiece, speaks directly to the specter of the disappeared."--Jacket.
Children of Fate was written in 1981 and is a fascinating, passionate and humorous testament to the forgotten lives of the dispossessed and marginalised in General Pinochet's Chile. 2013 is the fortieth anniversary of the year Pinochet seized power in a vicious coup.
Gale Researcher Guide for: Cabeza de Vaca and the Birth of the Captivity Narrative is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
The story of Dan Fadrique Lopez de Mendoza, a man of seafaring adventures and a deist in the mould of the eighteenth-century philosophes, and Dona Blanca Roldan de Solis, a woman of unbounded pride and a Catholic driven by religious fanaticism, neither of which traits prevented her from having had an adulterous affair as a young woman in Lima, Peru, with Don Fadrique."--Back cover.
Bandits seem ubiquitous in Latin American culture. Even contemporary actors of violence are framed by narratives that harken back to old images of the rural bandit, either to legitimize or delegitimize violence, or to intervene in larger conflicts within or between nation-states. However, the bandit seems to escape a straightforward definition, since the same label can apply to the leader of thousands of soldiers (as in the case of Villa) or to the humble highwayman eking out a meager living by waylaying travelers at machete point. Dabove presents the reader not with a definition of the bandit, but with a series of case studies showing how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa's autobiography to Hugo Chavez's appropriation of his "outlaw" grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.
Examines the life and writings of Mario Vargas Llosa, an outspoken author from Peru, known for his political writings as well as his literary works, who at one time was scheduled to debate Hugo Chavez of Venezuela himself over matters of socialism versus free market neoliberalism--Chavez called the debate off, however, yielding a slough of questions about the late president's convictions about his political views and praise for the strength of Vargas Llosa's.
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