This collection of five essays and a useful chronology focuses on the canvases of Juan Manuel Blanes, the first internationally renowned painter from Uruguay. Born in 1830, Blanes was self-taught until he refined his skills in Italy in the 1860s. Blanes's art illustrates Uruguayan society in all its splendor: portraits of gentlemen, ladies, and leaders; paintings of historical events; and his famous depictions of the gauchos. Blanes did more than simply portray his homeland, he helped create a national identity with his paintings, after the bloody Uruguayan civil war of 1839-1852.
Examining the vast breadth and diversity of contemporary documentary production, while also situating nonfiction film and video within the cultural, political, and socio-economic history of the region, this book addresses topics such as documentary aesthetics, indigenous media, and transnational filmmaking, among others.
Este libro cubre las elecciones de 1952 al 1964, desde el dominio maximo del PPD, en 1952, hasta el primer relevo de gobernadores, aunque del mismo partido, en 1964. Cubre el ascenso del movimiento Estadista y la caida del movimiento Independentista. This book covers the elections held in Puerto Rico between 1952 and 1964. That period saw the highest point in the dominance by the Popular Party; and it also saw the fall and rebirth of the pro-Statehood movement (from 12.87%% in '52 to 34.8%% in '64), coupled with the rise and fall of the pro-Independence movement (from 18.98%% in '52 to 2.81%% in '64).
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