An inspiring tribute to Hispanic Americans who have made a positive impact on the world This visually stunning book showcases twenty Hispanic and Latino American men and women who have made outstanding contributions to the arts, politics, science, humanitarianism, and athletics. Gorgeous portraits complement sparkling biographies of Cesar Chavez, Sonia Sotomayor, Ellen Ochoa, Roberto Clemente, and many more. Complete with timelines and famous quotes, this tome is a magnificent homage to those who have shaped our nation. In this volume: Adelina Otero-Warren, Bernardo de Galvez, Cesar Chavez, David Farragut, Dennis Chavez, Desi Arnaz, Dolores Huerta, Ellen Ochoa, Helen Rodríguez Trías, Hero Street USA, Ignacio Lozano, Jaime Escalante, Joan Baez, Judy Baca, Julia de Burgos, Luis Alvarez, Rita Moreno, Roberte Clemente, Sonia Sotomayor, and Tomas Rivera
Voted a Best Poetry Book of the Year by Library Journal Included in Publishers Weekly's Top 10 Poetry Books of the Year One of LitHub's most Anticipated Books of the Year! A State of the Union from the nation’s first Latino Poet Laureate. Trenchant, compassionate, and filled with hope. "Many poets since the 1960s have dreamed of a new hybrid art, part oral, part written, part English, part something else: an art grounded in ethnic identity, fueled by collective pride, yet irreducibly individual too. Many poets have tried to create such an art: Herrera is one of the first to succeed."—New York Times "Herrera has the unusual capacity to write convincing political poems that are as personally felt as poems can be."—NPR "Juan Felipe Herrera's magnificent new poems in Every Day We Get More Illegal testify to the deepest parts of the American dream—the streets and parking lots, the stores and restaurants and futures that belong to all—from the times when hope was bright, more like an intimate song than any anthem stirring the blood."—Naomi Shihab Nye, The New York Times Magazine "From Basho to Mandela, Every Day We Get More Illegal takes us on an international tour for a lesson in the history of resistance from a poet who declares, 'I had to learn . . . to take care of myself . . . the courage to listen to my self.' You hold in your hands evidence of who we really are."—Jericho Brown, author of The Tradition "These poems talk directly to America, to migrant people, and to working people. Herrera has created a chorus to remind us we are alive and beautiful and powerful."—José Olivarez, Author of Citizen Illegal "The poet comes to his country with a book of songs, and asks: America, are you listening? We better listen. There is wisdom in this book, there is a choral voice that teaches us 'to gain, pebble by pebble, seashell by seashell, the courage.' The courage to find more grace, to find flames."—Ilya Kaminsky, author of Deaf Republic In this collection of poems, written during and immediately after two years on the road as United States Poet Laureate, Juan Felipe Herrera reports back on his travels through contemporary America. Poems written in the heat of witness, and later, in quiet moments of reflection, coalesce into an urgent, trenchant, and yet hope-filled portrait. The struggle and pain of those pushed to the edges, the shootings and assaults and injustices of our streets, the lethal border game that separates and divides, and then: a shift of register, a leap for peace and a view onto the possibility of unity. Every Day We Get More Illegal is a jolt to the conscience—filled with the multiple powers of the many voices and many textures of every day in America. "Former Poet Laureate Juan Felipe Herrera should also be Laureate of our Millennium—a messenger who nimbly traverses the transcendental liminalities of the United States . . ."—Carmen Gimenez Smith, author of Be Recorder
Raucous adobe hearts and urban violet mascara. Televised immigration games and ethnic sit-coms. Chile con karma served on a bed of race. In a startling melange of poetry, prose, journal entries, and even a screenplay, Zen Chicano desperado Juan Felipe Herrera fixes his gaze on his own life and times to craft his most personal work to date. Notebooks of a Chile Verde Smuggler is a river of faces and phrases, jottings and reflections—a personal pilgrimage and collective parade of love, mock-prophecy, and chiste. Tuning in voices from numerous time zones, languages, and minds, Herrera recalls his childhood and coming of age, his participation in the Chicano Movement, and the surreal aspects of postmodern America. He uses broad strokes to paint a historical, social, and familial portrait that moves from the twilight of the nineteenth century to the dawn of the twenty-first, then takes up a finer brush to etch the eternal tension between desire and frustration, hope and disillusionment, violence and tenderness. Here are transamerican sutras spanning metrocenters from Mexico City to San Francisco, or slinking across the border from Juárez to El Paso. Outrageous, rhythmic lists—"Foodstuffs They Never Told Us About," "Things Religion Makes Me Do"—that fire the imagination. Celebrations of his Plutomobile that "runs on ham hawks & bird grease," and of Chicano inventions such as cilantro aftershave and "the art of eating Vicks VapoRub with your dedos." Pushing forms to the edge of possibility while forcing readers to rethink reality as well as language, Herrera invokes childhoods and neighborhoods, stand-up clowns and Movimiento gypsies, grandmothers of the buñuelo kitchen and tragicomic soliloquies of dizzy-headed outcasts of paradise. Notebooks of a Chile Verde Smuggler is a crucible of flavorful language meant to be rolled lazily on the mind's tongue—and then swallowed whole to let its hot and savory sweetness fill your soul.
A former United States Poet Laureate shares secrets about viewing the world from a poet's perspective, explaining how "jabberwalking" poets draw inspiration from everything they experience to express themselves in creative ways.
From U.S. Poet Laureate Juan Felipe Herrera, one of the most prominent Chicano poets writing today, here are poems like sweet music Awarded the Pura Belpré Honor for this book, Herrera writes in both Spanish and English about the joy and laughter and sometimes the confusion of growing up in an upside-down, jumbled-up world—between two cultures, two homes. With a crazy maraca beat, Herrera creates poetry as rich and vibrant as mole de olé and pineapple tamales...an aroma of papaya...a clear soup with strong garlic, so you will grow, not disappear. Herrera's words show us what it means to laugh out loud until it feels like flying. Juan Felipe Herrera's vibrant poems dance across these pages in a dazzling explosion of two languages, English and Spanish. Skillfully crafted, beautiful, joyful, fun, the poems are paired with whimsical black-and-white drawings by Karen Barbour. The resulting collage fills the soul and celebrates a life lived between two cultures. Laughing out loud, I fly, toward the good things, to catch Mamá Lucha on the sidewalk, afterschool, waiting for the green-striped bus, on the side of the neighborhood store, next to almonds, José's tiny wooden mule, the wise boy from San Diego, teeth split apart, like mine in the coppery afternoon . . .
First Place co-winner, Best Poetry, Latino Literary Hall of Fame A poetic collage of voices, genres, and time-spaces. A display of power over language and rhythm. A postmodern performance of naked figures hanging in the nebulae of a militarized universe. A new millennium cubist manifesto against decrepit political machines. A mystic song in search of birth and love. In this new collection of poems, Juan Felipe Herrera's natural talent for capturing the raw dimensions of reality merges with his wild imagination and technical prowess. Things, names, places, histories, herstories, desires, wills, minds, and their effects and progeny are re-mixed, re-mastered, and re-cast into a new narrative theater. Characters in a constant and stubborn rush, appearance, disappearance, and flow—with, against, and for each other—create the fire and give birth to the hallucinatory spotted and leaf-eating, long-necked child. Exciting and original, cutting-edge and risk-taking, Giraffe on Fire is a breathtaking addition to a respected body of work by a poet not afraid to speak out about how poetry reflects the raw beauty and truth of life.
From one of the prominent Chicano poets writing today comes a collection of poems to take your breath away. With dazzling speed and energy, Juan Felipe Herrera sends readers rocketing through verbal space in a celebration of the rhythms and textures of words that will make you want to shout, dance, and read out loud. Lika a wild ride in a fast car, Border-Crosser with a Lamborghini Dream moves at breakneck speed, a post-Lorca journey across the new millennium terrain. Words careen through space and time, through blighted urban landscapes, past banjos and bees, past AIDS faces and mad friars, past severed heads and steel-toed border-crosser boots. To the rhythm of "The Blue Eyed Mambo that Unveils My Lover's Belly" and the sounds of the Last Mayan Acid rock band, Herrera races through the hallucinations of a nation that remains just outside of paradise. With dazzling poems that roar from the darkest corners of our minds toward an ecstatic celebration of the lushness of language, Border-Crosser with a Lamborghini Dream is a celebration of a world that is both sacred and cruel, a world of "Poesy Chicano style undone wild" by one of the most daring poets of our time.
This book, in a user-friendly format, is an ideal introduction to pediatric diagnostic imaging. It presents 100 cases drawn from clinical practice that range from commonly encountered disorders to complex and infrequent situations which must be recognized by the practitioner. Each case serves to identify essential imaging features of the pathology under consideration and will assist the reader in diagnosing similar cases. The book is divided into ten chapters, each comprising ten cases that are presented in a standard way. After discussion of the disorder in question, four representative images are displayed and described with special attention to distinctive features. In addition, informative key references are provided, including a book or book chapter, a web link, and ten recent articles.
Philosophically addressing three fundamental aspects of the Kamëntšá, an indigenous culture located in the southwest of Colombia, this book is an investigation of how a native culture creates meaning. Time, beauty and spirit are key philosophical experiences within the Kamëntšá culture which should be interpreted both as constituting and as constituted symbols because of their historicity and actuality and their potential power of transformation. The book addresses these living symbols that take hold of the past but whose significance goes beyond their antiquity through the traditions of storytelling and dance, ritual, healing and ceremony as well as the fraught political histories of colonialism and the ownership of the land. The author, raised within Kamëntšá culture, weaves personal experience with philosophical insights and significance of the Kamentsa culture, presented through its own frameworks and narratives. The philosophical dimensions of Kamentsa culture are articulated and contextualized within a legacy of colonial domination by long-term Spanish and Catholic rule that enacts the necessary separation of Kamentsa ideas from their representations through Catholic hermeneutic approaches. However, the book also embraces intercultural philosophical engagement, as the methodological approach is formed partly through some modern and contemporary Western thinkers as well as indigenous writers and figures like Carlos Tamabioy and N. Scott Momaday.
The Ku Klux Klan's persecution of Hispanics during the early 1920s was just as brutal as their terrorizing of the black community--a fact sparsely documented in historical texts. The KKK viewed Mexicans as subhuman foreigners supporting a Catholic conspiracy to subvert U.S. institutions and install the pope as leader of the nation, and mounted a campaign of intimidation and violence against them. Drawing on numerous Spanish-language newspapers and Klan publications of the day, the author describes the KKK's extensive anti-Hispanic activity in the southwest.
This monograph presents an approachable proof of Mirzakhani’s curve counting theorem, both for simple and non-simple curves. Designed to welcome readers to the area, the presentation builds intuition with elementary examples before progressing to rigorous proofs. This approach illuminates new and established results alike, and produces versatile tools for studying the geometry of hyperbolic surfaces, Teichmüller theory, and mapping class groups. Beginning with the preliminaries of curves and arcs on surfaces, the authors go on to present the theory of geodesic currents in detail. Highlights include a treatment of cusped surfaces and surfaces with boundary, along with a comprehensive discussion of the action of the mapping class group on the space of geodesic currents. A user-friendly account of train tracks follows, providing the foundation for radallas, an immersed variation. From here, the authors apply these tools to great effect, offering simplified proofs of existing results and a new, more general proof of Mirzakhani’s curve counting theorem. Further applications include counting square-tiled surfaces and mapping class group orbits, and investigating random geometric structures. Mirzakhani’s Curve Counting and Geodesic Currents introduces readers to powerful counting techniques for the study of surfaces. Ideal for graduate students and researchers new to the area, the pedagogical approach, conversational style, and illuminating illustrations bring this exciting field to life. Exercises offer opportunities to engage with the material throughout. Basic familiarity with 2-dimensional topology and hyperbolic geometry, measured laminations, and the mapping class group is assumed.
Costa Rica has been largely recognized as a democratic and politically stable country in a region (Central America) characterized by instability, dictatorships, and social inequality. Several social and institutional problems have risen during the last decades, but the country still maintains good social and health indicators. Historical Dictionary of Costa Rica contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 1,000 cross-referenced entries on important personalities, politics, economy, foreign relations, religion, and culture. This book is an excellent resource for students, researchers, and anyone wanting to know more about Costa Rica.
In a variety of narrative voices, poems, and a play, set at different times in history, the author presents a journey to the Maya Lowlands of Chiapas on a quest for his Indio heritage and a vision of the multicultured identity emerging in America, envisioning the disappearance of borders and evoking a fluid American self that needs no fixed identity or location.
With contributions from seven of Mexico's finest journalists, this is reportage at its bravest and most necessary - it has the power to change the world's view of their country, and by the force of its truth, to start to heal the country's many sorrows. Supported the Arts Council Grant's for the Arts Programme and by PEN Promotes Veering between carnival and apocalypse, Mexico has in the last ten years become the epicentre of the international drug trade. The so-called "war on drugs" has been a brutal and chaotic failure (more than 160,000 lives have been lost). The drug cartels and the forces of law and order are often in collusion, corruption is everywhere. Life is cheap and inconvenient people - the poor, the unlucky, the honest or the inquisitive - can be "disappeared" leaving not a trace behind (in September 2015, more than 26,798 were officially registered as "not located"). Yet people in all walks of life have refused to give up. Diego Enrique Osorno and Juan Villoro tell stories of teenage prostitution and Mexico's street children. Anabel Hernández and Emiliano Ruiz Parra give chilling accounts of the "disappearance" of forty-three students and the murder of a self-educated land lawyer. Sergio González Rodríguez and Marcela Turati dissect the impact of the violence on the victims and those left behind, while Lydia Cacho contributes a journal of what it is like to live every day of your life under threat of death. Reading these accounts we begin to understand the true nature of the meltdown of democracy, obscured by lurid headlines, and the sheer physical and intellectual courage needed to oppose it.
From U.S. Poet Laureate Juan Felipe Herrera comes the powerful journey of Chicano teen Lucky Z. A former skateboarder who's anything but lucky, he finds triumph and power through his voice. Raw, cool, real—this novel in verse is a shout-out to teens to find the extraordinary in the ordinary, to raise their voice and find strength in the sheer and simple power of expression. Lucky Z has always lived on the edge—he loved to skateboard, to drag race, to feel alive. But things have taken a turn—he's living with new foster parents and a tragic past. An accident changed everything. And only his voice will set him free. As you feel Lucky breathe in life again, you will want to shout out with him.
Una brevísima historia de España desde Altamira hasta el siglo XXI en 300 páginas (el que incluyen cronología, bibliografía y mapas originales) escrita por uno de los historiadores más prestigiosos de nuestro país: Juan Pablo Fusi. Un libro imprescindible para lectores de todas las edades, conocedores o no de la historia de España, para recordar, reflexionar, aprender o imaginar. La tesis del autor es que la historia siempre ha podido ser otra, que la historia no está determinada ni es inevitable. Con mapas originales, diseñados en exclusiva para este libro por Javier Belloso (colaborador del suplemento El Viajero de El País) Juan Pablo Fusi (San Sebastián, 1945) catedrático de Historia Contemporánea de la Universidad Complutense de Madrid, doctor en Historia y en Filosofía. En el extranjero se formó en Oxford con el profesor Raymond Carr. Entre 1976 y 1980 fue director del Centro de Estudios Ibéricos del St. Antony’s College de esa universidad. Entre 1986 y 1991 fue director de la Biblioteca Nacional (Madrid).
A potent mixture of history, fiction and literary gamesmanship." —Los Angeles Times "A cunning tribute to a classic." —Wall Street Journal "[A] post-modern literary revenge story.” —The New York Times An ingenious novel of historical invention from the global literary star author of The Sound of Things Falling. On the day of Joseph Conrad's death in 1924, the Colombian-born José Altamirano begins to write and cannot stop. Many years before, he confessed to Conrad his life's every delicious detail—from his country's heroic revolutions to his darkest solitary moments. Those intimate recollections became Nostromo, a novel that solidified Conrad’s fame and turned Altamirano’s reality into a work of fiction. Now Conrad is dead, but the slate is by no means clear—Nostromo will live on and Altamirano must write himself back into existence. As the destinies of real empires collide with the murky realities of imagined ones, Vásquez takes us from a flourishing twentieth-century London to the lawless fury of a blooming Panama and back in a labyrinthine quest to reclaim the past—of both a country and a man.
About 15 years ago, we asked ourselves why the methods developed by the research institutions for the management of pests were almost not used by small landholder farmers. It seemed obvious to us that conventional pest control –called “Integrated Pest Management”– was based on a reductionist approach. In reviewing the literature on the subject, we found that our concern was not new or unique. The agreement of some authors with our ideas reinforced our efforts to find a holistic approach to pest management. We took two central ideas to develop the holistic approach: First, pest management actions must put the farmer at the center of the system. Second, pest management must consider not only both pests but the other important components of the system in question. This approach based on the farmers and the systems in which they are immersed, is called “Holistic Pest Management” or HPM. In this book, I present the philosophy and practice of HPM, a new paradigm of pest management.
Composición social dominicana (Social Composition of the Dominican Republic), first published in 1970 in Spanish, and translated into English here for the first time, discusses the changing structure of social classes and groups in Dominican society from the first encounter between Europeans and Natives until the mid-twentieth century. This influential and pioneering book details the struggles of the Dominican people as they evolved from pre-colonial and colonial subjects to sovereign actors with the task of moving a republic forward, amidst imperialist desires and martial ambitions. Juan Bosch, one of the most well-known and best-loved Dominican politicians and scholars, here sets out the important themes that define modern Dominican society. He tackles topics such as the inter-imperialist rivalry between France, Spain, England, and Holland and its subsequent impact on the Caribbean region, as well as the U.S. occupation of the Dominican Republic from 1916-1924. He also discusses the aftermath of political alliances between liberals and conservatives during the birth of the Dominican Republic, the Restoration War fought against the Spanish Crown, the role of the petit bourgeoisie and the hateros (cattle-ranchers) in the formation of a Dominican oligarchy, the emergence of dictator Rafael Trujillo, and the composition of society during his time in power. This translation, introduced and contextualized by leading Dominican Studies scholar Wilfredo Lozano, opens up Bosch’s work for a new generation of scholars studying the Caribbean.
Bandits seem ubiquitous in Latin American culture. Even contemporary actors of violence are framed by narratives that harken back to old images of the rural bandit, either to legitimize or delegitimize violence, or to intervene in larger conflicts within or between nation-states. However, the bandit seems to escape a straightforward definition, since the same label can apply to the leader of thousands of soldiers (as in the case of Villa) or to the humble highwayman eking out a meager living by waylaying travelers at machete point. Dabove presents the reader not with a definition of the bandit, but with a series of case studies showing how the bandit trope was used in fictional and non-fictional narratives by writers and political leaders, from the Mexican Revolution to the present. By examining cases from Argentina, Brazil, Mexico, Peru, and Venezuela, from Pancho Villa's autobiography to Hugo Chavez's appropriation of his "outlaw" grandfather, Dabove reveals how bandits function as a symbol to expose the dilemmas or aspirations of cultural and political practices, including literature as a social practice and as an ethical experience.
The renowned blogger and Middle East expert Juan Cole illuminates the role of today's Arab youth--who they are, what they want, and how they will affect world politics. Beginning in January 2011, the revolutionary wave of demonstrations and protests, riots, and civil wars that comprised what many call "the Arab Spring" shook the world. These upheavals were spearheaded by youth movements, and yet the crucial role they played is relatively unknown. Middle East expert Juan Cole is here to share their stories. For three decades, Cole has sought to put the relationship of the West and the Muslim world in historical context. In The New Arabs he outlines the history that led to the dramatic changes in the region, and explores how a new generation of men and women are using innovative notions of personal rights to challenge the authoritarianism, corruption, and stagnation that had afflicted their societies. Not all big cohorts of teenagers and twenty-somethings necessarily produce movements centered on their identity as youth, with a generational set of organizations, symbols, and demands rooted at least partially in the distinctive problems besetting people of their age. The Arab Millennials did. And, in a provocative and optimistic argument about the future of the Arab world, The New Arabs shows just how they did it"--Provided by publisher.
This book provides a long-needed overview of the Chicana and Chicano movement's social history as it grew, flourished, and then slowly fragmented. The authors examine the movement's origins in the 1960s and 1970s, showing how it evolved from a variety of organizations and activities united in their quest for basic equities for Mexican Americans in U.S. society. Within this matrix of agendas, objectives, strategies, approaches, ideologies, and identities, numerous electrifying moments stitched together the struggle for civil and human rights. Gómez-Quiñones and Vásquez show how these convergences underscored tensions among diverse individuals and organizations at every level. Their narrative offers an assessment of U.S. society and the Mexican American community at a critical time, offering a unique understanding of its civic progress toward a more equitable social order.
“I wish I could find the words to tell you the story of our village after you were killed.” So begins Senegal Taxi, the new work by one of contemporary poetry’s most vibrant voices, Juan Felipe Herrera. Known for his activism and writings that bring attention to oppression and injustice, Herrera turns to stories of genocide and hope in Sudan. Senegal Taxi offers the voices of three children escaping the horrors of war in Africa. Unflinching in its honesty, brutality, and beauty, the collection fiercely addresses conflict and childhood, inviting readers to engage in complex and often challenging issues. Senegal Taxi weaves together verse, dialogue, and visual art created by Herrera specifically for the book. Stylistically genre-leaping, these many layers are part of the collection’s innovation. Phantom-like televisions, mud drawings, witness testimonies, insects, and weaponry are all storytellers that join the siblings for a theatrical crescendo. Each poem is told from a different point of view, which Herrera calls “mud drawings,” referring to the evocative symbols of hope the children create as they hide in a cave on their way to Senegal, where they plan to catch a boat to the United States. This collection signals a poignant shift for Herrera as he continues to use his craft to focus attention on global concerns. In so doing, he offers an acknowledgment that the suffering of some is the suffering of all.
An empowering story by former US poet laureate Juan Felipe Herrera about a young girl who uses her newfound superpowers to rescue her mamá from the United States-Mexico border. Young Esmeralda Sinfronteras eagerly waits for her mamá to come home from Mexico so the two of them can be together again. But when Esmeralda learns that that her mother is being kept at the United States-Mexico border, she begins to worry about when they'll be reunited. That night, Esmeralda makes a wish that Mamá comes home bright and full of life, like the heart-shaped cilantro leaves that grow in their garden. The next day, there's still no word from Mamá, but something strange has happened to Esmeralda's hands. They're green--as green as cilantro leaves! At school, Esmeralda tries to hide her hands and the other parts of her body that are turning green too, but it's no use. Her hair has become tangled like green vines and she's grown fifty feet tall. Esmeralda rushes home hoping to find Mamá and ask her for help, but Mamá still hasn't returned. Missing her mother more than ever, Esmeralda decides to use her newfound powers to save Mamá herself. In a daring rescue, Esmeralda--now known as Super Cilantro Girl--finds her mother, evades border patrol, and successfully reunites her family. Former US Poet Laureate Juan Felipe Herrera taps poetically into the wellsprings of imagination to address and transform the very serious concerns many first-generation children have about national borders and immigrant status. And artist Honorio Robledo Tapia, a prize-winning illustrator of children's books, has created landscapes that will delight all children in this heartwarming story about a brave girl who becomes her own hero.
THE POPULAR SERIES NARCOS CAPTURES ONLY HALF THE TRUTH. HERE, AT LAST, IS THE FULL STORY. THE INTERNATIONAL BEST SELLER! Until now, we believed that everything had been said about the rise and fall of Pablo Escobar, the most infamous drug kingpin of all time, but these versions have always been told from the outside, never from the intimacy of his own home. More than two decades after the full-fledged manhunt finally caught up with the king of cocaine, Juan Pablo Escobar travels to the past to reveal an unabridged version of his father—a man capable of committing the most extreme acts of cruelty while simultaneously professing infinite love for his family. This is not the story of a child seeking redemption for his father, but a shocking look at the consequences of violence and the overwhelming need for peace and forgiveness.
Libro en inglés sobre el consumo del cabrito con recetas tradicionales y de autor. "La senda del cabrito se compone de textos relacionados con el cabrito en México, animal común en la Mixteca, el norte y el Bajío del país; en ellos se plasman vivencias del autor y de varios expertos (caprinocultores, historiadores, cronistas y chefs) que comparten de manera amena datos relevantes mediante relatos, entrevistas y reportajes. La sección de recetas se divide en 3 apartados: Platillos clásicos de la región noreste de México; Recetas de autor, creadas por reconocidos chefs mexicanos de talla internacional, y Preparaciones contemporáneas y novedosas creadas por Juan Ramón Cárdenas.
With the dissolution of the Soviet Union, foreign policy analysts and international relations scholars expected communist Cuba to undergo transitions to democracy and to markets as had the Eastern European nations of the former Soviet bloc. But more than a decade after the fall of the Berlin Wall, Castro remains in power, with no sign that the Cuban government or economy is moving toward liberalization. In Democracy Delayed, political scientist Juan López offers a searching and detailed analysis of the factors behind Cuba's failure to liberalize. López begins by comparing the political systems of three Eastern European states—the former German Democratic Republic, Czechoslovakia, and Romania—with that of Cuba, in order to identify the differences that have allowed Castro to maintain his hold over the government and the economy. López also shows the various conditions promoting change, including the development of civil society groups in Cuba, and discusses why some U.S. policies help the possibility of democratization in Cuba while others hinder it. While the Catholic Church in Poland and the Protestant Church in East Germany fostered change, the Catholic Church in Cuba has not taken a defiant stance against authoritarianism but seems instead to be biding its time until Castro is out of the picture. In conclusion, López argues that a political transition in Cuba is possible even under the government of Fidel Castro. Some necessary conditions have been missing, but it is possible that U.S. policies could lay the groundwork for democratic charge.
‘Cuba in 1965 was no longer the paradise it had once been…There was, literally, nowhere else to go but out.’ So says The Shoebox Child, one of the many exiled voices in Cuban, That’s All! Listen to the stories of assimilation as you travel from 1959 to the world of today’s Cuban exiles. Hear the voices of Camarioca, the Freedom Flights, Operacion Pedro Pan, the Mariel Boatlift and today with the pathos, humor and honesty that only Cubans can bring to their repatriation experience. Laugh with Mayflower Mary as she tells you about her Cubano husb∧ Cry with Luisito Dolor, a gay, Mariel boatlift refugee who spent time in a Cuban prison; meet all the voices as they embark with you on their journey toward their new homeland.
SHORTLISTED FOR THE 2019 MAN BOOKER INTERNATIONAL PRIZE A sweeping tale of conspiracy theories, assassinations, and twisted obsessions -- the much anticipated masterpiece from Juan Gabriel Vásquez. The Shape of the Ruins is a masterly story of conspiracy, political obsession, and literary investigation. When a man is arrested at a museum for attempting to steal the bullet-ridden suit of a murdered Colombian politician, few notice. But soon this thwarted theft takes on greater meaning as it becomes a thread in a widening web of popular fixations with conspiracy theories, assassinations, and historical secrets; and it haunts those who feel that only they know the real truth behind these killings. This novel explores the darkest moments of a country's past and brings to life the ways in which past violence shapes our present lives. A compulsive read, beautiful and profound, eerily relevant to our times and deeply personal, The Shape of the Ruins is a tour-de-force story by a master at uncovering the incisive wounds of our memories.
William C. "Willie" Velásquez Jr. founded the Southwest Voter Registration and Education Project (SVREP) and was an influential participant in other leading Latino rights and justice groups, including the Mexican American Youth Organization (MAYO) and the Mexican American Unity Council (MAUC). From the late 1960s until his untimely death in 1988, Velásquez helped Mexican Americans and other Hispanics become active participants in American political life. Though still insufficiently appreciated, Velásquez holds a unique status in the pantheon of modern American civil rights figures. This critical biography features an introduction by Henry Cisneros, former Secretary of the Department of Housing and Urban Development. Former Rhodes Scholar and Velásquez protégé Juan A. Sepúlveda Jr.'s biography of the man provides a first, definitive glimpse into his life and times. Based on Sepúlveda's close personal relationship and exchanges with Velásquez during the SVREP founder's final years, and over a dozen years of research and writing, the book chronicles Velásquez's influences, his landmark contributions to American civic culture, and his enduring legacy. This is the story of both parts of the man: the public and the private. Velásquez's biography sheds light on the nature and price of public leadership in American politics.
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