As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler's investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Döblin, Günter Grass, Gabriel García Márquez, Salman Rushdie, and W. G. Sebald.
This book explores how the anarchist fiction of Joseph Conrad can help us understand terrorism today. Conrad undermines the popular view that terrorists are fanatics. He portrays anarchists and police as counterparts driven by the human desires for autonomy and affiliation, the need to control their own lives and to be part of a group. Postcritique encourages readers to consider the accuracy of such information, and research in Terrorism Studies confirms Conrad’s insights: his characters are more realistic and his political stance is more hopeful than critics have recognized.
Examining the ways the publishing experiences of Conrad, Joyce, and Lawrence affected their fiction, Wexler draws on diverse sources of evidence to challenge some of the myths of modernism.
A beautiful and accessible collection of quotes and short extracts taken from the major works of James Joyce: Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake, with additional quotes from Joyce's poetry & letters. Best-Loved Joyce is a collection of the writer's wit and wisdom on truth, love, family, art, literature, music, living, religion, mortality, history, politics, and Ireland. Grand-nephew Bob Joyce's introduction focuses on the life, works and the man.
This book explores how the anarchist fiction of Joseph Conrad can help us understand terrorism today. Conrad undermines the popular view that terrorists are fanatics. He portrays anarchists and police as counterparts driven by the human desires for autonomy and affiliation, the need to control their own lives and to be part of a group. Postcritique encourages readers to consider the accuracy of such information, and research in Terrorism Studies confirms Conrad’s insights: his characters are more realistic and his political stance is more hopeful than critics have recognized.
Ulysses Dubliners A Portrait of the Artist as a Young Man Exiles Chamber Music "There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: "I am not long for this world," and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.
Contains updated and revised sketches on nearly 800 of the most widely read authors and illustrators appearing in Gale's Something about the author series.
The Portable James Joyce, edited and with an introduction by Harry Levin, includes four of the six books on which Joyce's astonishing reputatuion is founded: A Portrait of the Artist As a Young Man; his Collected Poems (including Chamber Music); Exiles, Joyce's only drama; and his volume of short stories, Dubliners. In addition, there is a generous sampling from Ulysses and Finnegans Wake, including the famous "Anna Livia Plurabelle" episode.
As twentieth-century writers confronted the political violence of their time, they were overcome by rhetorical despair. Unspeakable acts left writers speechless. They knew that the atrocities of the century had to be recorded, but how? A dead body does not explain itself, and the narrative of the suicide bomber is not the story of the child killed in the blast. In the past, communal beliefs had justified or condemned the most horrific acts, but the late nineteenth-century crisis of belief made it more difficult to come to terms with the meaning of violence. In this major new study, Joyce Wexler argues that this situation produced an aesthetic dilemma that writers solved by inventing new forms. Although Symbolism, Expressionism, Modernism, Magic Realism, and Postmodernism have been criticized for turning away from public events, these forms allowed writers to represent violence without imposing a specific meaning on events or claiming to explain them. Wexler's investigation of the way we think and write about violence takes her across national and period boundaries and into the work of some of the greatest writers of the century, among them Joseph Conrad, T. S. Eliot, D. H. Lawrence, James Joyce, Alfred Döblin, Günter Grass, Gabriel García Márquez, Salman Rushdie, and W. G. Sebald.
This selection of the major poems James Joyce published in his lifetime is accompanied by his only surviving play, Exiles. Joyce is most celebrated for his remarkable novel Ulysses, and yet he was also a highly accomplished poet. Chamber Music is his debut collection of lyrical love poems, which he intended to be set to music; in it, he enlivens the styles of the Celtic Revival with his own brand of playful irony. Pomes Penyeach, a collection written while Joyce was working on A Portrait of the Artist as a Young Man, sounds intimately autobiographical notes of passion and betrayal that would go on to resonate throughout the rest of his work. Joyce’s other poems include the moving “Ecce Puer,” written on the occasion of the birth of his grandson, and his fiery satires “The Holy Office” and “Gas from a Burner.” Exiles was written after Joyce had left Ireland, never to return; it is a richly nuanced drama that reflects a grappling with the state of his own marriage and career as he was about to embark on the writing of Ulysses. In its tale of an unconventional couple involved in a love triangle, Exiles engages Joycean themes of envy and jealousy, freedom and love, men and women, and the complicated relationship between an artist and his homeland.
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A unique, positive collection of essays profiles a number of forgotten female Jewish leaders who played key roles in various American social and political movements, from suffrage and birth control to civil rights and fair labor practices.
When four boys decide to spend the day exploring a cave, they have no idea that their fun afternoon is about to become a fight for survival Neil and his best friend, Randy, can’t wait to explore a nearby cave for the afternoon. But when Neil’s little brother, David, finds out, Neil is forced to bring David and his timid friend Terry along for the ride. What starts out as an exciting expedition soon turns dangerous when the four boys get lost in the cave’s labyrinth of winding passages. Neil knows it’s not David’s fault that they’re lost, yet he still lashes out at his brother with every wrong turn, and Randy and David’s constant bickering isn’t helping to calm his nerves. As tension builds between the boys, Neil and David try to address what they’ve kept hidden for years: the truth about David that can never be forgotten—or forgiven. Hopelessly lost, angry, hungry, and terrified, the boys are willing to do just about anything to find a way out of the cave before they end up killing one another. But to escape, Neil and David are going to have to figure out a way to put the past behind them and work together.
Presents a guide to the issues of genocide and international justice, including global and primary sources, important documents, research tools, organizations, and notable persons.
Discover creative new ways to facilitate the therapeutic process Therapeutic modalities that psychotherapists usually rely on--such as psychodynamic, humanistic, systems, cognitive, narrative, analytic and solution focused--are all verbal interventions. Introduction to Complementary and Alternative Therapies presents a comprehensive overview of complementary and alternative therapeutic interventions that go beyond the standard verbal approaches. The therapies presented in this book--including mindfulness and meditation, spirituality, poetry therapy, art therapy, psychodrama, dance/movement therapy, music therapy, animal-assisted therapy, and touch therapy--provide the reader with creative non-traditional modalities that are effective in conjunction with traditional treatment, or as substitutes. They may enrich talk-therapy, especially when therapists and/or clients get “stuck,” or they may provide healing on their own. Introduction to Complementary and Alternative Therapies explains the basics about how these nontraditional therapies work and provides vivid examples for utilizing them in treatment. Each chapter is written by an expert in the field of expertise, and includes a description of the approach, research evidence about its effectiveness, guidelines on how to use the therapy in practice, and case examples. This excellent volume also provides practitioners with a wide range of resources, including Web sites, information on state and national organizations, accrediting board info, and more. Topics in Introduction to Complementary and Alternative Therapies include: the mind-body relationship ways to integrate spirituality in counseling the healing components of poetry research studies on art therapy different techniques available in Psychodrama using body movement as a means of expressing conflicts and desires how music therapy promotes positive changes in the client the healing aspects of animals and much more! Introduction to Complementary and Alternative Therapies is a horizon-expanding guide for therapists, social workers, psychologists, counselors, physicians, educators, and students.
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