This rich compilation of Joyce Carol Oates's letters across four decades displays her warmth and generosity, her droll and sometimes wicked sense of humor, her phenomenal energy, and most of all, her mastery of the lost art of letter writing. "It's hard to think of another writer with as fecund and protean an imagination as the eighty-five-year-old Joyce Carol Oates, who is surely on any short list of America's greatest living writers." —New York Times Magazine In this generous selection of Joyce Carol Oates’s letters to her biographer and friend Greg Johnson, readers will discover a never-before-seen dimension of her phenomenal talent. In 1975, when Johnson was a graduate student, he first wrote to Oates, already a world-famous author, and drew an appreciative, empathetic response. Soon the two began a fairly intense, largely epistolary friendship that would last until the present day. As time passed, letters became faxes, and faxes became emails, but the energy and vividness of Oates’s writing never abated. Her letters were often sprinkled with the names of well-known public figures, from John Updike and Toni Morrison to Steve Martin and Jacqueline Kennedy Onassis. There are also descriptions of far-flung travels she undertook with her first husband, the scholar and editor Raymond Smith, and with her second, the distinguished Princeton neuroscientist Charlie Gross. But much of Oates’s prose centered on the pleasures of her home life, including her pet cats and the wildlife outside her study window. Whereas her academic essays and book reviews are eloquent in a formal manner, in these letters she is wholly relaxed, even when she is serious in her concerns. Like Johnson, she was always engaged in work, whether a long novel or a brief essay, and the letters give a fascinating glimpse into Oates’s writing practice.
The Journal of Joyce Carol Oates, edited by Greg Johnson, offers a rare glimpse into the private thoughts of this extraordinary writer, focusing on excerpts written during one of the most productive decades of Oates's long career. Far more than just a daily account of a writer's writing life, these intimate, unrevised pages candidly explore her friendship with other writers, including John Updike, Donald Barthelme, Susan Sontag, Gail Godwin, and Philip Roth. It presents a fascinating portrait of the artist as a young woman, fully engaged with her world and her culture, on her way to becoming one of the most respected, honored, discussed, and controversial figures in American letters.
In dramatic, tightly focused narratives charges with tension, menace, and the shock of the unexpected, Where Is Here? examines a world in which ordinary life is electrified by the potential for sudden change. Domestic violence, fear and abandonment and betrayal, and the obsession with loss shadow the characters that inhabit these startling, intriguing stories. With the precision and intensity that are the hallmarks of her remarkable talent, Joyce Carol Oates explores the unexpected turns of events that leave people vulnerable and struggling to puzzle out the consequences of their abrupt reversals of fortune. As in the title story, in which a married couple find their controlled life irrevocably altered by a stranger's visit, the fiction in this new collection is punctuated again and again by mysterious, perhaps unanswerable, questions: "Out of what does our life arise? Out of what does our consciousness arise? Why are we here? Where is here?" Like the questions they pose, these tales -- at once elusive and direct -- unfold with the enigmatic twists of riddles and, often, the blunt shock of tragedy. Where is Here? is the work of a master practitioner of the short story.
Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. In Expensive People, Oates takes a provocative and suspenseful look at the roiling secrets of America’s affluent suburbs. Set in the late 1960s, this first-person confession is narrated by Richard Everett, a precocious and obese boy who sees himself as a minor character in the alarming drama unfolding around him. Fascinated by yet alienated from his attractive, self-absorbed parents and the privileged world they inhabit, Richard incisively analyzes his own mismanaged childhood, his pretentious private schooling, his “successful-executive” father, and his elusive mother. In an act of defiance and desperation, eleven-year-old Richard strikes out in a way that presages the violence of ever-younger Americans in the turbulent decades to come. A National Book Award finalist, Expensive People is a stunning combination of social satire and gothic horror. “You cannot put this novel away after you have opened it,” said The Detroit News. “This is that kind of book–hypnotic, fascinating, and electrifying.” Expensive People is the second novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, them, and Wonderland, are also available from the Modern Library.
New York Times bestselling author Joyce Carol Oates’ imaginative look at the last days of five giants of American literature, now available in a deluxe paperback edition in Ecco’s The Art of the Story Series. Edgar Allan Poe, Emily Dickinson, Samuel Clemens (“Mark Twain”), Henry James, Ernest Hemingway—Joyce Carol Oates evokes each of these American literary icons in this work of prose fiction, poignantly and audaciously reinventing the climactic events of their lives. In subtly nuanced language suggestive of each of these writers, Oates explores the mysterious regions of the unknowable self that is “genius.” Darkly hilarious, brilliant, and brazen, Wild Nights! is an original and haunting work of the imagination.
Finally returned to print in a beautiful new trade paperback edition, American Appetites is classic Joyce Carol Oates—a suspenseful thriller in which the happy facade of an affluent suburban couple crumbles under the weight of tragedy and scandal. For twenty-six years, Ian McCullough, a demographics researcher at a social science think tank, has been happily married to Glynnis, a successful cookbook writer and a brilliant hostess. When a drunken argument about a suspected infidelity turns physical, Ian accidentally pushes Glynnis through a plate glass window—or did she fall? Now, Glynnis is dead, Ian is charged with murder, and their American dream is shattered. And soon, in a courtroom where guilt and responsibility become two very separate issues, Ian will stand trial, fighting for his life. A sophisticated, witty, and chilling novel from the incomparable Joyce Carol Oates, American Appetites explores our insatiable hunger for power, love, and success, and how comfortable, privileged lives—and the course of fate—can be dramatically transformed in an instant.
These twenty-five interviews with Joyce Carol Oates from early in her career to the present are the first such collection to be published. In these conversations from sources as diverse as major news magazines and small scholarly journals, Oates candidly talks about her work, her concepts of literature, her methods of writing, and many other topics. Throughout this anthology, Oates discusses how her writing paints a modern panorama of American life. Oates described her vast canvas to an interviewer: ""I could not take the time to write about a group of people who did not represent, in their various struggles, fantasies, unusual experiences, hopes, etc., our society in miniature."" She also comments upon her responsibility as an artist ""to bear witness"" to certain aspects of society. In this light, she responds to criticisms that violence seems to dominate her work by noting that ""one simply cannot know strengths unless suffering, misfortune, and violence are explored quite frankly by the writer.""In addition to discussing her works---from her first book By the North Gate (1963) to her most popular novel You Must Remember This (1987)---this prolific writer also answers questions about her writing habits. These interviews, spanning nineteen years, reveal a vivid portrait of Joyce Carol Oates writing as the conscience of society, as the creator of memorable prose and poetry, and as the artist deeply committed to a unique vision.
Joyce Carol Oates adds to her extraordinary body of work with this stunning National Book Award Finalist filled with violence, love, racism, and a shared secret in mid-century New York. In the early 1950s in an industrial town, racial boundaries may keep people apart—or bring them together explosively. Iris Courtney, who is white, is the only witness when handsome Jinx Fairchild, a black basketball player, kills a white man in order to protect her. The secret link between Iris and Jinx is not only their attraction to each other, but a bond of passion and guilt that has formed between them. This one irrevocable, tragic act shapes their lives and alters their destinies in Joyce Carol Oates’s finest, emotion-packed novel—a work critics call a masterpiece, the best work of America’s best writer of contemporary realism.
Joyce Carol Oates’s Wonderland Quartet comprises four remarkable novels that explore social class in America and the inner lives of young Americans. Spanning from the Great Depression to the turbulent Vietnam War era, Wonderland is the epic account of Jesse Vogel, a boy who emerged from a family tragedy with his life spared but his world torn apart. Orphaned after watching his father murder his entire family, Jesse embarks on a personal odyssey that takes him from a Dickensian foster home to college and graduate school to the pinnacle of the medical profession. As an adult, Jesse must summon the strength to reach across the “generation gap” and rescue his endangered teenaged daughter, who has fallen into the drug-infused 1960s counterculture. Hailed by Library Journal as “the greatest of Oates’s novels,” Wonderland is the capstone of a magnificent literary excursion that plunges beneath the glossy surface of American life. Wonderland is the final novel in Joyce Carol Oates’s Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, Expensive People, and them, are also available from the Modern Library.
A book lover’s lust for acquisition drives him to murder in this short tale from the New York Times–bestselling author of Beautiful Days. Identified only by the hastily—and clumsily—chosen alias Charles Brockden, the narrator of this story finds a bookstore that instantly piques his desire. He must call it his own; he must add it to his already-extensive collection of bookstores. But surely the owner of such a fine shop wouldn’t easily part with it. Brockden forms a plan to acquire the store in such a way that no one would ever suspect foul play: untraceable murder. And he knows he will be successful—because he has done it before. The Bibliomysteries are a series of short tales about deadly books, by top mystery authors.
Obsession with loss, fear of betrayal, and sudden violence plague the characters who inhabit these twenty-two stories in Will You Always Love Me? Joyce Carol Oates uses her talent like a scalpel to cut swiftly and precisely through the surface of everyday life to lay bare the powerful, perilous emotional currents swirling below. In the title story, a woman's rage over the savage murder of her sister years ago crowds out all reason and hope of happiness. A respectable suburban matron becomes her son's accomplice in sexually humiliating a glamorous new neighbor in the prize-winning "The Goose-Girl." In all of the stories-characters, male and female, young and old, rich and poor, sophisticated and naive-come to vivid life in a world of dangerous truths and fateful consequences. Joyce Carol Oates's uncanny eye for physical detail, her flawless ear for American speech, and her X-ray vision of the human heart and psyche make the stories she tells indelibly and inescapably real.
Joyce Carol Oates is not only one of our most important novelists and literary critics, she is also an unparalleled master of the short story. Sourland—sixteen previously uncollected stories that explore the power of violence, loss, and grief to shape the psyche as well as the soul—shows us an author working at the height of her powers. With lapidary precision and an unflinching eye, Oates maps the surprising contours of “ordinary” life, from a desperate man who dons a jack-o'-lantern head as a prelude to a most curious sort of courtship to a beguiling young woman librarian whose amputee state attracts a married man and father; from a girl hopelessly in love with her renegade, incarcerated cousin to the concluding title story of an unexpectedly redemptive love rooted in radical aloneness and isolation. Each story in Sourland resonates beautifully with Oates's trademark fascination for the unpredictable amid the prosaic—the commingling of sexual love and violence, the tumult of family life—and shines with her predilection for dark humor and her gift for voice.
Unlike anything Joyce Carol Oates has written before, A Widow’s Story is the universally acclaimed author’s poignant, intimate memoir about the unexpected death of Raymond Smith, her husband of forty-six years, and its wrenching, surprising aftermath. A recent recipient of National Book Critics Circle Ivan Sandrof Lifetime Achievement Award, Oates, whose novels (Blonde, The Gravedigger’s Daughter, Little Bird of Heaven, etc.) rank among the very finest in contemporary American fiction, offers an achingly personal story of love and loss. A Widow’s Story is a literary memoir on a par with The Year of Magical Thinking by Joan Didion and Calvin Trillin’s About Alice.
“If the phrase ‘woman of letters’ existed, [Joyce Carol Oates] would be, foremost in this country, entitled to it.”—John Updike, The New Yorker As powerful and relevant today as it was on its initial publication, them chronicles the tumultuous lives of a family living on the edge of ruin in the Detroit slums, from the 1930s to the 1967 race riots. Praised by The Nation for her “potent, life-gripping imagination,” Joyce Carol Oates traces the aspirations and struggles of Loretta Wendall, a dreamy young mother who is filled with regret by the age of sixteen, and the subsequent destinies of her children, Maureen and Jules, who must fight to survive in a world of violence and danger. Winner of the National Book Award, them is an enthralling novel about love, class, race, and the inhumanity of urban life. It is, raves The New York Times, “a superbly accomplished vision.” Them is the third novel in the Wonderland Quartet. The books that complete this acclaimed series, A Garden of Earthly Delights, Expensive People, and Wonderland, are also available from the Modern Library. [Oates is] a superb storyteller. For sheer readability, them is unsurpassed.”—The Atlanta Journal-Constitution
A “sinister, edgy, delectably creepy” story of mistaken identity, murder, and madness from a #1 New York Times–bestselling author (San Francisco Chronicle). Tristram Heade is a reclusive, repressed Virginia bachelor and antiquarian book collector who has traveled to Philadelphia to keep an appointment with a fellow dealer. But when he arrives, his life takes an unexpected and dizzying turn. A train porter returns his lost wallet, but the identification inside belongs to a man named Angus Markham, a gambler and real estate prospector. When Tristram returns to his hotel, he’s greeted by staff as Markham, and in his room, he finds Markham’s suitcase and clothes—as well as Fleur Grunwald, a woman who certainly knows her lover, Markham, when she sees him. And she seems to desperately need his help. At first baffled, then intrigued, Tristram decides to play along—only to discover that he’s not in control of the game. Especially when he takes on Fleur and her sadistic husband and finds himself lost in a conspiracy of madness and murder. If only Tristram could be certain whether he’s to be the killer—or the victim. From a winner of countless awards, the author of such bestsellers as We Were the Mulvaneys and Black Water, You Can’t Catch Me is “a tense psychological suspense novel filled with dual identities, double crosses, and duplicity. It is also filled with philosophical and literary allusions suggesting that this is less about the mystery of Markham than about the fragile mystery of identity. It’s just what one would expect from the celebrated Joyce Carol Oates, who uses the pseudonym ‘Rosamond Smith’ for her psychological thrillers” (Library Journal).
The latest Ecco reissue of Joyce Carol Oates’ early classics: a fiery gothic tale of doomed fates and demons of biblical proportions in rural New York state Nathan Vickery came into the world amid unfortunate circumstances. His mother, Elsa Vickery, daughter of an agnostic small town doctor and his pious wife, was brutally assaulted at the age of seventeen. The son she gave birth to in the wake of this event is brought up by his grandmother as a devoted Christian. At the age of seven, Nathan begins to see visions of Christ and embarks on a path as a prodigy boy-preacher, hurtling toward enlightenment while increasingly falling under the dangerous spell of power. Nathan becomes the leader of an evangelical church, accumulating vast riches from donation. Each year, his visions grow more elaborate and grandiose. When he suddenly feels that God has forsaken him, is it punishment for indulging in the sins of lust, pride, and greed that he has long preached against? Joyce Carol Oates’s talent for searing psychological inquiry and her eye for detail as well as her knack for indelible character portrayals and unflinching social commentary are fully on display in Son of the Morning. Fans of her work will be thrilled to see this early novel, the influences of which can be observed in later tour-de-force works like A Book of American Martyrs and The Sacrifice.
A new collection of critical and personal essays on writing, obsession, and inspiration from National Book Award-winning and New York Times bestselling author Joyce Carol Oates. "Why do we write?" With this question, Joyce Carol Oates begins an imaginative exploration of the writing life, and all its attendant anxieties, joys, and futilities, in this collection of seminal essays and criticism. Leading her quest is a desire to understand the source of the writer’s inspiration—do subjects haunt those that might bring them back to life until the writer submits? Or does something "happen" to us, a sudden ignition of a burning flame? Can the appearance of a muse-like Other bring about a writer’s best work? In Soul at the White Heat, Oates deploys her keenest critical faculties, conjuring contemporary and past voices whose work she deftly and creatively dissects for clues to these elusive questions. Virginia Woolf, John Updike, Emily Dickinson, Henry James, J. M. Coetzee, Margaret Atwood, Joan Didion, Zadie Smith, and many others appear as predecessors and peers—material through which Oates sifts in acting as literary detective, philosopher, and student. The book is at its most thrilling when watching the writer herself at work, and Oates provides rare insight into her own process, in candid, self-aware dispatches from the author’s own writing room. The New York Times Book Review has raved, "who better than Joyce Carol Oates . . . to explicate the craft of writing?" Longtime admirers of Joyce Carol Oates’s novels as well as her prose will discover much to be inspired by and obsess upon themselves in this inventive collection from an American master.
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