Soon come in Jamaica means, dont worry, be happy, and was the title of the newsletter Beth and Mike Ohlsson sent home during a Peace Corps tour in Jamaica. It is two years since traumatic events forced Beth to leave Jamaica, the Peace Corps, and husband Mike. Now alone, she decides to come to grips with the past by retreating to her cabin at Bent Needle Lake in Northern Minnesota to write a book to exorcise her Jamaican duppies (ghosts). Actually, SOON COME is two interwoven stories: One is Beths story of two middle-aged people chucking a comfortable life to join the Peace Corps and her role in the events that have been haunting her. The other story is of her summer of writing and meeting Nick Faber, a college instructor, who rents a neighboring cabin. The stories shift between the sharply contrasted worlds of serene Bent Needle Lake and turbulent Jamaica.
This book analyzes the common narrative residing in American History textbooks published in the first half of the 19th century. That story, what the author identifies as the American “creation” or “origins” narrative, is simultaneously examined as both historic and “mythic” in composition. It offers a fresh, multidisciplinary perspective on an enduring aspect of these works. The book begins with a provocative thesis that proposes the importance of the relationship between myth and history in the creation of America’s textbook narrative. It ends with a passionate call for a truly inclusive story of who Americans are and what Americans aspire to become. The book is organized into three related sections. The first section provides the context for the emergence of American History textbooks. It analyzes the structure and utility of these school histories within the context of antebellum American society and educational practices. The second section is the heart of the book. It recounts and scrutinizes the textbook narrative as it tells the story of America’s emergence from “prehistory” through the American Revolution—the origins story of America. This section identifies the recurring themes and images that together constitute what early educators conceived as a unified cultural narrative. Section three examines the sectional bifurcation and eventual re-unification of the American History textbook narrative from the 1850s into the early 20th century. The book concludes by revisiting the relationship between textbooks, the American story, and mythic narratives in light of current debates and controversies over textbooks, American history curriculum and a common American narrative.
Caller One: "She was just the sweetest thing... there's no way she could have done all those horrible things you media people keep saying she did. Just no way." Caller Two:"Who's to say someone else didn't kill that Johnny Venture? Jasmine could have just been in the wrong place at the wrong time. How do we know for sure?" Caller Three: "If she really didn't do it, why break out of jail? Why not wait for the verdict and walk away a free woman?" These are some of the comments--not really unexpected--that Shauna J. Bogart is getting on her talk radio show after the news that a television and radio star known as Jasmine has escaped from custody. After a long career as an entertainer, Jasmine has been making an amazing comeback, but now she's just been jailed. Well, someone who wakes up and finds a dead body beside her in her hotel bed can't really complain about that. The news now is that as Jasmine and four other women prisoners are being transferred to a different jail, the police van is intercepted on the road and the women freed. Since the nationally famous Jasmine was a local girl, Shauna J's callers, all of whom claim to have known her, are quick (and thrilled) to comment. Shauna J. is thrilled, too. Anyone who works in the news business, she tells us, will admit to the same, if they're honest. Add to that the notice she's just received that tells her she's been voted into the Broadcast Legends Hall of Fame. With her lover Peter off on some annoyingly mysterious mission, Shauna decides to follow her dream - she will find Jasmine herself, and get a firsthand interview. Shauna's convinced she can get it; she's got something other news people don't have. The song, "Meet Me at the Casbah," is what has sparked Jasmine's second round of fame, and Shauna's own mother had coached Jasmine in that song, many years ago. That, the identity of the dead man, and a scam connected with the song itself all begins to come obligingly together. But the tighter the strands are tied, the more Shauna herself is in real jeopardy. As in her first, award-winning book, Joyce Krieg has the delightful Shauna take you behind the scenes of the broadcast world and beyond, spiced by the call-ins of Shauna J.'s listeners and decorated with bona fide pictures of what goes on "backstage" in local radio, in Slip Cue.
Soon come in Jamaica means, dont worry, be happy, and was the title of the newsletter Beth and Mike Ohlsson sent home during a Peace Corps tour in Jamaica. It is two years since traumatic events forced Beth to leave Jamaica, the Peace Corps, and husband Mike. Now alone, she decides to come to grips with the past by retreating to her cabin at Bent Needle Lake in Northern Minnesota to write a book to exorcise her Jamaican duppies (ghosts). Actually, SOON COME is two interwoven stories: One is Beths story of two middle-aged people chucking a comfortable life to join the Peace Corps and her role in the events that have been haunting her. The other story is of her summer of writing and meeting Nick Faber, a college instructor, who rents a neighboring cabin. The stories shift between the sharply contrasted worlds of serene Bent Needle Lake and turbulent Jamaica.
A beautiful and accessible collection of quotes and short extracts taken from the major works of James Joyce: Dubliners, A Portrait of the Artist as a Young Man, Ulysses and Finnegans Wake, with additional quotes from Joyce's poetry & letters. Best-Loved Joyce is a collection of the writer's wit and wisdom on truth, love, family, art, literature, music, living, religion, mortality, history, politics, and Ireland. Grand-nephew Bob Joyce's introduction focuses on the life, works and the man.
This eBook features the unabridged text of ‘Pomes Penyeach’ from the bestselling edition of ‘The Complete Works of James Joyce’. Having established their name as the leading publisher of classic literature and art, Delphi Classics produce publications that are individually crafted with superior formatting, while introducing many rare texts for the first time in digital print. The Delphi Classics edition of Joyce includes original annotations and illustrations relating to the life and works of the author, as well as individual tables of contents, allowing you to navigate eBooks quickly and easily. eBook features: * The complete unabridged text of ‘Pomes Penyeach’ * Beautifully illustrated with images related to Joyce’s works * Individual contents table, allowing easy navigation around the eBook * Excellent formatting of the textPlease visit www.delphiclassics.com to learn more about our wide range of titles
Primer of influential and innovative works features A Portrait of the Artist as a Young Man in its entirety, excerpts from Ulysses, the short story collection Dubliners, the play Exiles, and Chamber Music, an early book of poems.
Ulysses Dubliners A Portrait of the Artist as a Young Man Exiles Chamber Music "There was no hope for him this time: it was the third stroke. Night after night I had passed the house (it was vacation time) and studied the lighted square of window: and night after night I had found it lighted in the same way, faintly and evenly. If he was dead, I thought, I would see the reflection of candles on the darkened blind for I knew that two candles must be set at the head of a corpse. He had often said to me: "I am not long for this world," and I had thought his words idle. Now I knew they were true. Every night as I gazed up at the window I said softly to myself the word paralysis. It had always sounded strangely in my ears, like the word gnomon in the Euclid and the word simony in the Catechism. But now it sounded to me like the name of some maleficent and sinful being. It filled me with fear, and yet I longed to be nearer to it and to look upon its deadly work.
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