Partition's Legacies offers a selection of Joya Chatterji's finest and most influential essays. "Partition, nation-making, frontiers, refugees, minority formation, and categories of citizenship have been my preoccupations," she writes in the preface, and these are also the major themes of this book. Chatterji's first book, Bengal Divided, shifted the focus from Muslim fanaticism as the driving force of Partition towards "secular" nationalism and Hindu aggression. Her Spoils of Partition rejected the idea of Partition as a breaking apart, showing it to be a process in the remaking of society and state. Her third book, Bengal Diaspora, cowritten with Claire Alexander and Annu Jalais, challenged the idea of migration and resettlement as exceptional situations. Partition's Legacies can be seen as continuous with Chatterji's earlier work as well as a distillation and expansion of it. Chatterji is known for the elegance of her prose as much as for the sharpness of her insights into Indian history, and Partition's Legacies will enthrall everyone interested in modern India's apocalyptic past. "What emerges from the essays," David Washbrook writes in the introduction, "is often quite startling. The demarcation of Partition followed no master plan or even coherent strategy but was made up of myriad ad hoc decisions taken on the ground, often by obscure actors. Refugee policy, immigrant rights, and even definitions of national citizenship ... were produced by no deus ex machina but out of day-to-day struggles on the streets and in the courts.
A groundbreaking view of South Asian history in the twentieth century that underlines the similarities and intertwined cultures of India and Pakistan "[A] definitive new 20th-century thematic history of the Indian subcontinent that rejects hegemonic conceptions of national 'difference.'"--Financial Times This radically original and ambitious history of the Indian subcontinent explores the region's unique twentieth-century history and foregrounds the deep connections, rather than the well-publicized fissures, between the cultures of India and Pakistan. Taking the partitions of British India rather than the two world wars as the century's inflection points, Joya Chatterji examines how issues of nationalism, internal and external migration, and technological innovation contributed to South Asia's tumultuous twentieth century. Chatterji weaves together elements of her autobiography and family history; stories of such legendary figures as Tagore, Jinnah, Gandhi, and Nehru; and, in particular, the accounts of the many who were left behind and marginalized in relentless nation-building projects. Chatterji examines the countries' mirroring patterns in state building, social and cultural life, modes of leisure, consumption, and oppression, and offers a timely course correction to our understanding of the dynamics of South Asian history. It reframes the events of the twentieth century that are continuing to play out in the present day.
The partition of India in 1947 was a seminal event of the twentieth century. Much has been written about the Punjab and the creation of West Pakistan; by contrast, little is known about the partition of Bengal. This remarkable book by an acknowledged expert on the subject assesses the social, economic and political consequences of partition. Using compelling sources, the book, which was originally published in 2007, shows how and why the borders were redrawn, how the creation of new nation states led to unprecedented upheavals, massive shifts in population and wholly unexpected transformations of the political landscape in both Bengal and India. The book also reveals how the spoils of partition, which the Congress in Bengal had expected from the new boundaries, were squandered over the twenty years which followed. This is an intriguing and challenging work whose findings change our understanding and its consequences for the history of the subcontinent.
India’s partition in 1947 and the creation of Bangladesh in 1971 saw the displacement and resettling of millions of Muslims and Hindus, resulting in profound transformations across the region. A third of the region’s population sought shelter across new borders, almost all of them resettling in the Bengal delta itself. A similar number were internally displaced, while others moved to the Middle East, North America and Europe. Using a creative interdisciplinary approach combining historical, sociological and anthropological approaches to migration and diaspora this book explores the experiences of Bengali Muslim migrants through this period of upheaval and transformation. It draws on over 200 interviews conducted in Britain, India, and Bangladesh, tracing migration and settlement within, and from, the Bengal delta region in the period after 1947. Focussing on migration and diaspora ‘from below’, it teases out fascinating ‘hidden’ migrant stories, including those of women, refugees, and displaced people. It reveals surprising similarities, and important differences, in the experience of Muslim migrants in widely different contexts and places, whether in the towns and hamlets of Bengal delta, or in the cities of Britain. Counter-posing accounts of the structures that frame migration with the textures of how migrants shape their own movement, it examines what it means to make new homes in a context of diaspora. The book is also unique in its focus on the experiences of those who stayed behind, and in its analysis of ruptures in the migration process. Importantly, the book seeks to challenge crude attitudes to ‘Muslim’ migrants, which assume their cultural and religious homogeneity, and to humanize contemporary discourses around global migration. This ground-breaking new research offers an essential contribution to the field of South Asian Studies, Diaspora Studies, and Society and Culture Studies.
Shadows at Noon is an ambitious synthesis of decades of research and scholarship which explores the key strands of South Asian history in the twentieth century with clarity and authority. Unlike other narrative histories of the subcontinent that concentrate exclusively on politics, here food, leisure and the household are given equal importance to discussions of nationhood, the development of the state and patterns of migration. While it tells the subcontinent's story from the British Raj to independence and partition and on to the forging of the modern nations of India, Pakistan and Bangladesh, the book's structure is thematic rather than chronological. Each of the chapters illuminates on overarching theme or sphere that has shaped South Asia over the course of the century. This format allows the reader to explore particular issues such as the changing character of nationalism or food consumption over time and in depth. Shadows at Noon is a bold, innovative and personal work that pushes back against standard narratives of 'inherent' differences between India, Pakistan and Bangladesh. Its purpose is to make contemporary South Asia intelligible to readers who are fascinated by the subcontinent's cultural vibrancy and diversity but are often perplexed by its social and political makeup. And it illuminates the many aspects that its people have in common rather than what divides them.
India’s partition in 1947 and the creation of Bangladesh in 1971 saw the displacement and resettling of millions of Muslims and Hindus, resulting in profound transformations across the region. A third of the region’s population sought shelter across new borders, almost all of them resettling in the Bengal delta itself. A similar number were internally displaced, while others moved to the Middle East, North America and Europe. Using a creative interdisciplinary approach combining historical, sociological and anthropological approaches to migration and diaspora this book explores the experiences of Bengali Muslim migrants through this period of upheaval and transformation. It draws on over 200 interviews conducted in Britain, India, and Bangladesh, tracing migration and settlement within, and from, the Bengal delta region in the period after 1947. Focussing on migration and diaspora ‘from below’, it teases out fascinating ‘hidden’ migrant stories, including those of women, refugees, and displaced people. It reveals surprising similarities, and important differences, in the experience of Muslim migrants in widely different contexts and places, whether in the towns and hamlets of Bengal delta, or in the cities of Britain. Counter-posing accounts of the structures that frame migration with the textures of how migrants shape their own movement, it examines what it means to make new homes in a context of diaspora. The book is also unique in its focus on the experiences of those who stayed behind, and in its analysis of ruptures in the migration process. Importantly, the book seeks to challenge crude attitudes to ‘Muslim’ migrants, which assume their cultural and religious homogeneity, and to humanize contemporary discourses around global migration. This ground-breaking new research offers an essential contribution to the field of South Asian Studies, Diaspora Studies, and Society and Culture Studies.
Partition's Legacies offers a selection of Joya Chatterji's finest and most influential essays. "Partition, nation-making, frontiers, refugees, minority formation, and categories of citizenship have been my preoccupations," she writes in the preface, and these are also the major themes of this book. Chatterji's first book, Bengal Divided, shifted the focus from Muslim fanaticism as the driving force of Partition towards "secular" nationalism and Hindu aggression. Her Spoils of Partition rejected the idea of Partition as a breaking apart, showing it to be a process in the remaking of society and state. Her third book, Bengal Diaspora, cowritten with Claire Alexander and Annu Jalais, challenged the idea of migration and resettlement as exceptional situations. Partition's Legacies can be seen as continuous with Chatterji's earlier work as well as a distillation and expansion of it. Chatterji is known for the elegance of her prose as much as for the sharpness of her insights into Indian history, and Partition's Legacies will enthrall everyone interested in modern India's apocalyptic past. "What emerges from the essays," David Washbrook writes in the introduction, "is often quite startling. The demarcation of Partition followed no master plan or even coherent strategy but was made up of myriad ad hoc decisions taken on the ground, often by obscure actors. Refugee policy, immigrant rights, and even definitions of national citizenship ... were produced by no deus ex machina but out of day-to-day struggles on the streets and in the courts.
This book analyzes representations of mass violence in film and fiction about African, South American, and Asian genocides, from the points of view of the bystander and the survivor. It argues that in commercial film and fiction, metaphors and looks represent the violence and trauma indirectly, even when the representation is quite graphic; whereas in experimental novels and films, looks used to describe the violence are individualized or interactive. Both Bapsi Sidhwa’s novel Cracking India and Deepa Mehta’s film Earth deal with the violence of the partition of India in 1947. While Cracking India educates us about the dangers of “the beast” (the violence), Earth shows us the impact the beast has on victims like the beautiful Ayah/nanny. Similarly, both Buchi Emecheta's novel Destination Biafra and Charles Enonchong's videos The Nigerian-Biafran War, Parts I, II & III, depict the Nigerian Civil War of 1966–69. Yet, while Emecheta’s metaphors of division and bestiality highlight the selfishness of politicians and the suffering of civilians like Debbie, looks exchanged by the survivors and the military in Enonchong’s videos highlight the tragic ways in which generals like Ojukwu betrayed and were betrayed. Metaphors and looks in Isabel Allende’s novel The House of the Spirits and Bille August’s movie, which is based on it, depict the terror of Pinochet’s 1973–89 dictatorship in Chile. Allende and August use metaphors and looks of sight and blindness to describe torture survivor Alba/Blanca’s trauma. Alba/Blanca re-tells the events of the past in order to survive. Photo journalist Alfredo Jaar’s photos and notes, Let There Be Light, and Terry George’s feature film Hotel Rwanda, both depict the Rwandan genocide of 1994, but their emphasis is on inability of the Western bystander/reader to hear or see the pain of the survivors. Accordingly, Jaar and George choose “dark” metaphors and looks to represent the violence, using diffuse lighting, fades, and absences to stand for the violence and trauma. Overall, representations of genocide that involve individualized metaphors and interactive looks are vitally important if the complexities of that violence are to be appreciated in the West.
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