Stephanie, if we're going to get serious I should tell you that Taiwan will always be the other woman." "You mean I have to share you with 23 million other people?" Stephanie has never been to Asia; Portland, Oregon seems to be a metropolis to this small-town girl. Josh has spent years living in Taiwan and plans to make that country his home once again. Several years later, they've packed a few essentials, given away everything else and are on a flight to Taipei. From five-star luxury to a hostel on an island that was once a penal colony, from the chaotic excitement of urban night markets to an isolated mountain village, Josh shows Stephanie the country that has claimed him. Hoping she'll fall in love with Taiwan and choose to live there with him, he's even chosen the place where he plans to propose to her. And then they visit a fortune-teller. Stephanie, plunged into a whirlwind exploration of Taiwan before she's even recovered from jet lag, is an artist faced with a nonstop barrage of sensory overload. She doesn't speak Chinese, she's on a gluten-free diet, and she's firmly rooted in Josh's itinerary, where there's no room for sitting still. Luckily she's a woman with a taste for adventure. Formosa Moon sets the bar for a whole new form of travel writing. Written in two voices, it gives the vivid impressions of a first-time Asia traveler and the deep-rooted knowledge of a man who is returning home. Stephanie's excitement, confusion, and delight combine with Josh's irreverent humor and carefully researched facts to create a travel memoir/travel guide that's cloaked in a quest for home. Josh has already found his but he knows Stephanie needs to find hers in her own way. And then there's that fortune-teller...
When Joshua Samuel Brown first stepped out of the passenger terminal at Chiang Kai-shek International Airport in Taiwan, he was a stranger in a humid land with insufficient funds, zero job prospects and an over-packed suitcase. Like much else in his life up to that point, his decision to move to Taiwan was based largely on random occurrence and cosmic coincidence. He was twenty-four years old, thousands of miles away from home, and at that moment the happiest man alive. This anthology of short stories, travel essays, photographs, random meditations, and political meanderings grew out of his years on the island formerly known as Formosa.
When Joshua Samuel Brown first stepped out of the passenger terminal at Chiang Kai-shek International Airport in Taiwan, he was a stranger in a humid land with insufficient funds, zero job prospects and an over-packed suitcase. Like much else in his life up to that point, his decision to move to Taiwan was based largely on random occurrence and cosmic coincidence. He was twenty-four years old, thousands of miles away from home, and at that moment the happiest man alive. This anthology of short stories, travel essays, photographs, random meditations, and political meanderings grew out of his years on the island formerly known as Formosa.
Christians are sometimes faced with uncertainty. But is all uncertainty bad? Theologian Joshua McNall encourages readers to reclaim the little word "perhaps" as a sacred space between the warring extremes of unchecked doubt and zealous dogmatism. Learn how to exercise a hopeful imagination, ask hard questions, return once again to Scripture, and reclaim the place of holy speculation.
“A wide-ranging volume that is sure to appeal to beer enthusiasts and casual consumers alike. Highly recommended.” —Library Journal (STARRED REVIEW) Go on a fun, flavorful tour through the world of craft brews with one of the most unique and fascinating voices in beer today. It's a great time to be a beer drinker, but also the most confusing, thanks to the dizzying array of available draft beers. Expert Joshua Bernstein comes to the rescue with The Complete Beer Course, demystifying the sudsy stuff and breaking down the elements that make a beer's flavor spin into distinctively different and delicious directions. Structured around a series of easy-to-follow classes, his course hops from lagers and pilsners to hazy wheat beers, Belgian-style abbey and Trappist ales, aromatic pale ales and bitter IPAs, roasty stouts, barrel-aged brews, belly-warming barley wines, and mouth-puckering sour ales. There is even a class on international beer styles and another on pairing beer with food and starting your own beer cellar. Through suggested, targeted tastings, you'll learn when to drink down-and when to dump those suds down a drain.
Since his death, Abraham Lincoln has been celebrated as savior of the Union, proponent for emancipation, president of the United States, and skilled statesman. Although Lincoln's adult life has been well documented and analyzed, most biographers have regarded his early years as inconsequential to his career and accomplishments. In 1920 a group of historians known as the Lincoln Inquiry were determined to give Lincoln’s formative years their due. Abe’s Youth takes a look into their writings, which focus on Lincoln’s life between 7 and 21 years of age. By filling in the gaps on Lincoln’s childhood, these authors shed light on how his experiences growing up influenced the man he became. As the first fully annotated edition of the Lincoln Inquiry papers, Abe’s Youth offers indispensable reading for anyone hoping to learn about Lincoln's early life.
This book is a study of earnings management, aimed at scholars and professionals in accounting, finance, economics, and law. The authors address research questions including: Why are earnings so important that firms feel compelled to manipulate them? What set of circumstances will induce earnings management? How will the interaction among management, boards of directors, investors, employees, suppliers, customers and regulators affect earnings management? How to design empirical research addressing earnings management? What are the limitations and strengths of current empirical models?
In his narrative history of black Republicans in the twentieth century, Joshua Farrington reevaluates the relationship between black politicians, activists, and voters and the Republican Party, challenging the assumption that African Americans abandoned the "Party of Lincoln" after 1936.
In Preserving the White Man’s Republic, Joshua Lynn reveals how the national Democratic Party rebranded majoritarian democracy and liberal individualism as conservative means for white men in the South and North to preserve their mastery on the eve of the Civil War. Responding to fears of African American and female political agency, Democrats in the late 1840s and 1850s reinvented themselves as "conservatives" and repurposed Jacksonian Democracy as a tool for local majorities of white men to police racial and gender boundaries by democratically withholding rights. With the policy of "popular sovereignty," Democrats left slavery’s expansion to white men’s democratic decision-making. They also promised white men local democracy and individual autonomy regarding temperance, religion, and nativism. Translating white men’s household mastery into political power over all women and Americans of color, Democrats united white men nationwide and made democracy a conservative assertion of white manhood. Democrats thereby turned traditional Jacksonian principles—grassroots democracy, liberal individualism, and anti-statism—into staples of conservatism. As Lynn’s book shows, this movement sent conservatism on a new, populist trajectory, one in which democracy can be called upon to legitimize inequality and hierarchy, a uniquely American conservatism that endures in our republic today.
According to a dichotomy commonly found in studies of American Indians, some noble Native people defiantly defend their pristine indigenous traditions in honor of their ancestors, while others in weakness or greed surrender their culture and identities to white American economies and institutions. This traditionalist-versus-assimilationist divide is, Joshua B. Nelson argues, a false one. To make his case that American Indians rarely if ever conform to such simplistic identifications, Nelson considers the literature and culture of many Cherokee people. Exploring a range of linked cultural practices and beliefs through the works of Cherokee thinkers and writers from the nineteenth century to today, Nelson finds ample evidence that tradition can survive through times of radical change: Cherokees do their cultural work both in progressively traditional and traditionally progressive ways. Studying individuals previously deemed either “traditional” or “assimilationist,” Nelson presents a more nuanced interpretation. Among the works he examines are the political rhetoric of Elias Boudinot, a forefather of American Indian literature, and of John Ross, the principal chief during the Removal years; the understudied memoirs of Catharine Brown, a nineteenth-century Cherokee convert to Christianity; and the novel Kholvn, by contemporary traditionalist Sequoyah Guess, a writer of peculiarly Cherokee science fiction. Across several genres—including autobiography, fiction, speeches, laws, and letters—Progressive Traditions identifies an “indigenous anarchism,” a pluralist, community-centered political philosophy that looks to practices that preceded and surpass the nation-state as ways of helping Cherokee people prosper. This critique of the common call for expansion of tribal nations’ sovereignty over their citizens represents a profound shift in American Indian critical theory and challenges contemporary indigenous people to rethink power among nations, communities, and individuals.
Argues that, although the British won the Battle of Guilford Courthouse, the losses they sustained were significant enough to force a withdrawal from the state, and were an important factor in their final defeat at Yorktown, which ended the American Revolution.
Living Opera is a fascinating collection of 20 wide-ranging interviews with the preeminent opera professionals working on and behind the stage today. Joshua Jampol invites opera-lovers to listen in as performers such as Renee Fleming, Natalie Dessay, Rolando Villazon and Placido Domingo speak in exceptionally frank terms about their strengths and weaknesses, and address such hard-hitting, enduring topics as how they deal with critics, vocal troubles, and balancing their career and family lives. We hear conductors such as James Conlon, Esa-Pekka Salonen, and Kent Nagano discuss their likes and dislikes about the state of contemporary opera, their own inspirations, and whom they themselves hope to inspire. World-class directors such as Robert Carsen and Patrice Chéreau discuss the complexities involved in staging a successful opera, and how opera can remain relevant today. Jampol has unprecedented access to these major singers, conductors, and directors, and the table of contents reads like a "who's who" of the global opera world. Each interview highlights a distinctive voice, and Jampol brings immense knowledge and a wonderful flair to these conversations. He allows his subjects to follow their thoughts wherever they lead, and reveals in the process a more intimate, reflective side of the emotional and extravagant world of the lyric arts. For anyone wanting to know more about the people behind the performances--what they think, how they feel, and who they really are--Living Opera is full of delights and surprises.
In the 19th-century debate over whether the United States should be an explicitly Christian nation, California emerged as a central battleground. Racial groups that were perceived as godless and uncivilized were excluded from suffrage, and evangelism among Indians and the Chinese was seen as a politically incendiary act. Joshua Paddison sheds light on ReconstructionÕs impact on Indians and Asian Americans by illustrating how marginalized groups fought for a political voice, refuting racist assumptions with their lives, words, and faith. Reconstruction, he argues, was not merely a remaking of the South, but rather a multiracial and multiregional process of reimagining the nation.
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