Do you get the feeling that the most popular trend in faith circles is to abandon faith altogether? Are you wooed by the voices inviting you to deconstruct Christianity? If you're tempted to leave the faith of your youth, you're part of a growing crowd. But if you're questioning the questions, you're not alone either. Joshua Porter has been there and back again. Now he's sharing the rollercoaster story of deconstruction in his characteristically thoughtful--and unconventional--voice. Buckle in and get ready for a ride that will both take your breath away and restore your heart. "A heart-wrenchingly honest account from someone who deconstructed and returned to tell the tale. This lived experience ensures that this book is a compassionate guide for those wrestling with their faith--faith that has been warped by the American culture, dented by doubt, and hurt by hypocrisy." --Mark Sayers, author of Reappearing Church and A Non-Anxious Presence "Deliciously dark, blisteringly honest, and funny . . . Like the best art, this book will provoke, not placate; ruffle your feathers, not soothe them; work you up, not calm you down." --John Mark Comer, New York Times best-selling author of The Ruthless Elimination of Hurry and Live No Lies "One thing we need a lot more of in our current moment is wise, thoughtful, and pastoral voices stepping into the main conversations we are all having. Josh is one of those voices and this book is one of those conversations." --Jefferson Bethke, New York Times best-selling author of To Hell with the Hustle "Josh writes as an insider, a wrestler with God, church, life, all of it--which makes his voice not just unique but credible. If you're going on a journey through your own deconstruction you need a credible guide . . . [Josh] will lead you to the real Jesus who is more radical, more rebellious, more tolerant and unwavering than popular podcast personalities dare to have you believe. If you want Jesus and not an off-ramp from faith, read this book." --Rick McKinley, author of Faith for This Moment and This Beautiful Mess
The era of silent film, long seen as black and white, has been revealed in recent scholarship as bursting with color. Yet the 1920s remain thought of as a transitional decade between early cinema and the rise of Technicolor—despite the fact that new color technologies used in film, advertising, fashion, and industry reshaped cinema and consumer culture. In Chromatic Modernity, Sarah Street and Joshua Yumibe provide a revelatory history of how the use of color in film during the 1920s played a key role in creating a chromatically vibrant culture. Focusing on the final decade of silent film, Street and Yumibe portray the 1920s as a pivotal and profoundly chromatic period of cosmopolitan exchange, collaboration, and experimentation in and around cinema. Chromatic Modernity explores contemporary debates over color’s artistic, scientific, philosophical, and educational significance. It examines a wide range of European and American films, including Opus 1 (1921), L’Inhumaine (1923), Die Nibelungen (1924), The Phantom of the Opera (1925), The Lodger (1927), Napoléon (1927), and Dracula (1932). A comprehensive, comparative study that situates film among developments in art, color science, and industry, Chromatic Modernity reveals the role of color cinema in forging new ways of looking at and experiencing the modern world.
Los Angeles Documentary and the Production of Public History, 1958–1977 explores how documentarians working between the election of John F. Kennedy and the Bicentennial created conflicting visions of the recent and more distant American past. Drawing on a wide range of primary documents, Joshua Glick analyzes the films of Hollywood documentarians such as David Wolper and Mel Stuart, along with lesser-known independents and activists such as Kent Mackenzie, Lynne Littman, and Jesús Salvador Treviño. While the former group reinvigorated a Cold War cultural liberalism, the latter group advocated for social justice in a city plagued by severe class stratification and racial segregation. Glick examines how mainstream and alternative filmmakers turned to the archives, civic institutions, and production facilities of Los Angeles in order to both change popular understandings of the city and shape the social consciousness of the nation.
Color was used in film well before The Wizard of Oz. Thomas Edison, for example, projected two-colored films at his first public screening in New York City on April 23, 1896. These first colors of early cinema were not photographic; they were applied manually through a variety of laborious processes—most commonly by the hand-coloring and stenciling of prints frame by frame, and the tinting and toning of films in vats of chemical dyes. The results were remarkably beautiful. Moving Color is the first book-length study of the beginnings of color cinema. Looking backward, Joshua Yumibe traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century. Looking forward, he explores the implications of this genealogy on experimental and contemporary digital cinemas in which many colors have become, once again, vividly unhinged from photographic reality. Throughout this history, Moving Color revolves around questions pertaining to the sensuousness of color: how color moves us in the cinema—visually, emotionally, and physically.
This book provides a comprehensive description of how evangelicals in Northern Ireland interpreted the "Troubles" (1966-2007) in the light of how they read the Bible. The rich and diverse landscape of Northern Irish evangelicalism during the "Troubles" is ideally suited to this study of both the light and dark sides of apocalyptic eschatology. Searle demonstrates how the notion of apocalypse shaped evangelical and fundamentalist interpretations of the turbulent events that characterized this dark yet fascinating period in the history of Northern Ireland. The book uses this case study to offer a timely reflection on some of the most pressing issues in contemporary negotiations between culture and religion. Given the current resurgence of religious fundamentalism in the wake of 9/11, together with popular conceptions of a "clash of civilizations" and the so-called War on Terror, this book is not only an engaging academic study; it also resonates with some of the defining cultural issues of our time.
Telling the story of the ill-fated campaigns to eradicate the fire ant from American soil, this is also the history of changing attitudes to nature, to science and a reconsideration of the place of humankind in the natural world.
Do you get the feeling that the most popular trend in faith circles is to abandon faith altogether? Are you wooed by the voices inviting you to deconstruct Christianity? If you're tempted to leave the faith of your youth, you're part of a growing crowd. But if you're questioning the questions, you're not alone either. Joshua Porter has been there and back again. Now he's sharing the rollercoaster story of deconstruction in his characteristically thoughtful--and unconventional--voice. Buckle in and get ready for a ride that will both take your breath away and restore your heart. "A heart-wrenchingly honest account from someone who deconstructed and returned to tell the tale. This lived experience ensures that this book is a compassionate guide for those wrestling with their faith--faith that has been warped by the American culture, dented by doubt, and hurt by hypocrisy." --Mark Sayers, author of Reappearing Church and A Non-Anxious Presence "Deliciously dark, blisteringly honest, and funny . . . Like the best art, this book will provoke, not placate; ruffle your feathers, not soothe them; work you up, not calm you down." --John Mark Comer, New York Times best-selling author of The Ruthless Elimination of Hurry and Live No Lies "One thing we need a lot more of in our current moment is wise, thoughtful, and pastoral voices stepping into the main conversations we are all having. Josh is one of those voices and this book is one of those conversations." --Jefferson Bethke, New York Times best-selling author of To Hell with the Hustle "Josh writes as an insider, a wrestler with God, church, life, all of it--which makes his voice not just unique but credible. If you're going on a journey through your own deconstruction you need a credible guide . . . [Josh] will lead you to the real Jesus who is more radical, more rebellious, more tolerant and unwavering than popular podcast personalities dare to have you believe. If you want Jesus and not an off-ramp from faith, read this book." --Rick McKinley, author of Faith for This Moment and This Beautiful Mess
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