One of the most important issues facing today’s contemporary church is the subject of public worship. What does God require from sinners who draw near to him in this ordinance? Surveying the landscape of American Colonial preachers on this topic is exceedingly illuminating. In theological kinship to their Puritan counterparts, New World preachers were vehement in their desire to explain the particulars of prescribed worship according to God’s word. Their solid biblical conviction and passion gives the contemporary church a scriptural remedy for understanding God’s requirements. This anthology is compiled of six enlarged sermons and one lecture, all of which have never been published since the days the original preachers ministered in their respective congregations. They are: The Sinfulness of Worshipping God with Men’s Institutions by Samuel Willard (1640-1707) taken from Matthew 15:9, “But in vain do they worship me, teaching for doctrines the commandments of men.”. The Vanity of Human Institutions in the Worship of God by Jonathan Dickinson (1688-1747) taken from Gal. 4:9, “…how turn you again to the weak and beggerly elements, whereunto ye desire again to be in bondage?” The Great Sin of Formality in God’s Worship by Joshua Moodey (1633-1697) taken from Hosea 11:12, “Ephraim compasseth me about with lies, and the house of Israel with deceit.” The Duty of Worshipping God in His House by Nathan Stone (1737-1804) taken from Psalm 5:7, “But as for me, I will come into thy house, in the multitude of thy mercy; and in thy fear will I worship toward thy holy temple.” And then two unpublished sermons and one lecture from Jonathan Edwards (1703-1758): The Profanation of God’s Holy Worship taken from Ezekiel 23:36-39, “…they have committed adultery…then they came the same day into my sanctuary to profane it.” Provoking the Lord to Jealousy in the Worship of God taken from 1 Cor. 10:22, “Do we provoke the Lord to jealousy? Are we stronger than he?” And an Appendix: The Holiness of God taken from Isaiah 6:3, “And one cried unto another and said holy, holy, holy is the Lord of hosts.” This work is not a scan or facsimile, has been carefully transcribed by hand being made easy to read in modern English, and has an active table of contents for electronic versions.
The world can always do with a little more happiness, family, friends, love, and kindness. There can never be too much, but often there is too little. Here, you will find happy conclusions, glorifying endings, new loves, and smiles. With eleven tales of love, life, and bliss. Happy is objective; remember that.
One of the most important issues facing today’s contemporary church is the subject of public worship. What does God require from sinners who draw near to him in this ordinance? Surveying the landscape of American Colonial preachers on this topic is exceedingly illuminating. In theological kinship to their Puritan counterparts, New World preachers were vehement in their desire to explain the particulars of prescribed worship according to God’s word. Their solid biblical conviction and passion gives the contemporary church a scriptural remedy for understanding God’s requirements. This anthology is compiled of six enlarged sermons and one lecture, all of which have never been published since the days the original preachers ministered in their respective congregations. They are: The Sinfulness of Worshipping God with Men’s Institutions by Samuel Willard (1640-1707) taken from Matthew 15:9, “But in vain do they worship me, teaching for doctrines the commandments of men.”. The Vanity of Human Institutions in the Worship of God by Jonathan Dickinson (1688-1747) taken from Gal. 4:9, “…how turn you again to the weak and beggerly elements, whereunto ye desire again to be in bondage?” The Great Sin of Formality in God’s Worship by Joshua Moodey (1633-1697) taken from Hosea 11:12, “Ephraim compasseth me about with lies, and the house of Israel with deceit.” The Duty of Worshipping God in His House by Nathan Stone (1737-1804) taken from Psalm 5:7, “But as for me, I will come into thy house, in the multitude of thy mercy; and in thy fear will I worship toward thy holy temple.” And then two unpublished sermons and one lecture from Jonathan Edwards (1703-1758): The Profanation of God’s Holy Worship taken from Ezekiel 23:36-39, “…they have committed adultery…then they came the same day into my sanctuary to profane it.” Provoking the Lord to Jealousy in the Worship of God taken from 1 Cor. 10:22, “Do we provoke the Lord to jealousy? Are we stronger than he?” And an Appendix: The Holiness of God taken from Isaiah 6:3, “And one cried unto another and said holy, holy, holy is the Lord of hosts.” This work is not a scan or facsimile, has been carefully transcribed by hand being made easy to read in modern English, and has an active table of contents for electronic versions.
Today, artist Joshua Holmes is secure in Christ, at peace with His timing, eager to create, and ready to overcome any life obstacle. In thirty-eight years, he faced a myriad of struggles, however, before arriving at a place of acceptance. In this remarkable autobiography, Joshua Holmes paints a stellar picture. He recounts a life of trial, accomplishment, survival, and blessing. Introspective, informative, fast-paced, and filled with irony, Painting the Whole Picture is a harrowing tale you won't want to put down.
This fascinating volume explores an important fifteenth-century illustrated manuscript tradition that provides a revealing glimpse of how western Europeans conceptualized the world. From the classical encyclopedias of Pliny to famous tales such as The Travels of Marco Polo, historical travel writing has had a lasting impact, despite the fact that it was based on a curious mixture of truth, legend, and outright superstition. One foundational medieval source that expands on the ancient idea of the “wonders of the world” is the fifteenth-century French Book of the Marvels of the World, an illustrated guide to the globe filled with oddities, curiosities, and wonders—tales of fantasy and reality intended for the medieval armchair traveler. The fifty-six locales featured in the manuscript are presented in a manner that suggests authority and objectivity but are rife with stereotypes and mischaracterizations, meant to simultaneously instill a sense of wonder and fear in readers. In The Book of Marvels, the authors explore the tradition of encyclopedias and travel writing, examining the various sources for geographic knowledge in the Middle Ages. They look closely at the manuscript copies of the French text and its complex images, delving into their origins, style, content, and meaning. Ultimately, this volume seeks to unpack how medieval white Christian Europeans saw their world and how the fear of difference—so pervasive in society today—is part of a long tradition stretching back millennia. This volume is published to accompany an exhibition on view at the J. Paul Getty Museum at the Getty Center from June 11 to September 1, 2024, and at the Morgan Library & Museum from January 24 to May 25, 2025.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.