Damascus succeeds in conveying a big-hearted vision." —The Wall Street Journal "At once gripping, lucid and fierce, Damascus is the mature effort of an artist devoted to personal growth and as such contains the glints of real gold." -San Francisco Chronicle It's 2003 and the country is divided evenly for and against the Iraq War. Damascus, a dive bar in San Francisco's Mission District, becomes the unlikely setting for a showdown between the opposing sides. Tensions come to a boil when Owen, the bar's proprietor who has recently taken to wearing a Santa suit full-time, agrees to host the joint's first (and only) art show by Sylvia Suture, an ambitious young artist who longs to take her act to the dramatic precipice of the high-wire by nailing live fish to the walls as a political statement. An incredibly creative and fully rendered cast of characters orbit the bar. There's No Eyebrows, a cancer patient who has come to the Mission to die anonymously; Shambles, the patron saint of the hand job; Revv, a lead singer who acts too much like a lead singer; and Owen, donning his Santa costume to mask the most unfortunate birthmark imaginable. Damascus is the place where confusion and frustration run out of room to hide. By gracefully tackling such complicated topics as cancer, Iraq, and issues of self-esteem, Joshua Mohr has painted his most accomplished novel yet. Joshua Mohr is the San Francisco Chronicle best-selling author of Some Things That Meant the World to Me and Termite Parade, a New York Times Book Review editors' choice selection.
The intimate, gorgeous, garish confessions of Joshua Mohr—writer, father, alcoholic, addict Her teeth marks in the wood are some of my favorite things. Every now and again she rips the pick out of my hand and tosses it inside the guitar . . . I hold it over my head, hole down, shaking it back and forth, the pick rattling around in there. And as it ricochets from side to side, I always think about pills. Maybe the pick has turned into oxy. Or Norco, codeine, Demerol. Maybe it’s a pill and when it falls out I can gobble it up. After years of hard-won sobriety, while rebuilding a life with his wife and young daughter, thirty-five-year-old Joshua Mohr suffers a stroke—his third, it turns out— which uncovers a heart condition requiring surgery. Which requires fentanyl, one of his myriad drugs of choice. This forced “freelapse” should fix his heart, but what will it do to his sobriety? And what if it doesn’t work? Told in stunning, surreal, time-hopping vignettes, Model Citizen is a raw, revealing portrait of an addict. Mohr shines a harsh spotlight into all corners of his life, throwing the wild joys, tragedies, embarrassments, and adventures of his past into bold relief. Pulsing with humanity and humor, revealing the immediacy of an addict climbing out of the murky pit of his past, Model Citizen is a darkly beautiful, incisive confession.
With a wide cast of characters and an exciting pace that mimics the speed of our modern, all-too-connected lives, All This Life examines the dangerous intersection of reality and the imaginary, where coding and technology seek to highlight and augment our already flawed human connections. Morning rush hour on the Golden Gate Bridge. Amidst the river of metal and glass a shocking event occurs, leaving those who witnessed it desperately looking for answers, most notably one man and his son Jake, who captured the event and uploaded it to the internet for all the world to experience. As the media swarms over the story, Jake will face the ramifications of his actions as he learns the perils of our modern disconnect between the real world and the world we create on line. In land-locked Arizona, as the entire country learns of the event, Sara views Jake’s video just before witnessing a horrible event of her own: her boyfriend’s posting of their intimate sex tape. As word of the tape leaks out, making her an instant pariah, Sara needs to escape the small town’s persecution of her careless action. Along with Rodney, an old boyfriend injured long ago in a freak accident that destroyed his parents’ marriage, she must run faster than the internet trolls seeking to punish her for her indiscretions. Sara and Rodney will reunite with his estranged mother, Kat, now in danger from a new man in her life who may not be who he--or his online profiles--claim to be, a dangerous avatar in human form. Using his trademark talent for creating memorable characters, with a deep insight into language and how it can be twisted to alter reality, Joshua Mohr returns with his most contemporary and insightful novel yet.
“A Generation X call-to-arms about facing mid-life on our own terms with the unique heart that beats inside us all . . . Poignant, honest, and funny as hell.” —The Huffington Post When his bicycle is intentionally run off the road by a neighbor’s SUV, something snaps in Bob Coffin. Modern suburban life has been getting him down and this is the last straw. To avoid following in his own father’s missteps, Bob is suddenly desperate to reconnect with his wife and his distant, distracted children. And he’s looking for any guidance he can get. Bob soon learns that the wisest words come from the most unexpected places, from characters that are always more than what they appear to be: a magician/marriage counselor, a fast-food drive-thru attendant/phone-sex operator, and a janitor/guitarist of a French KISS cover band. Can these disparate voices inspire Bob to fight for his family? To fight for his place in the world? A call-to-arms for those who have ever felt beaten down by life, Fight Song is a quest for happiness in a world in which we are increasingly losing control. It is an exciting novel by one of the most surprising and original writers of his generation. "A whimsical, madcap, delightfully depraved fable for our age.” —Jonathan Evison, New York Times bestselling author "For its irreverent beat, relentless energy, and sharp, funny characters, Fight Song may as well be titled 'Battle Cry.'" —The Rumpus “Mohr . . . brings a dollop of David Sedaris–like humor to the pathos . . . It’s a surprisingly sweet, rollicking tribute to anyone who’s ever needed a fight song to fight back.” —Booklist
One of the distinctive features of the Fourth Gospel is the emphasis it places on the "name" of God. As the earliest Christian texts already exhibit a shift toward Jesus's name as the cultic or divine name, what might have motivated the Evangelist to this recovery of the divine name category? Joshua J. F. Coutts argues that the divine name acquired particular significance through the Evangelist's reading of Isaiah, which, in combination with the polemical experience and pastoral needs of early Christians, formed the impetus for his interest in and emphasis on the divine name.
This book is a myth for our time. It is a story, not in that it has a plot, but rather that it grows as it goes on. It consists of 72 interwoven chapters, which can be read independently, but together name the collective experience of life in the present age. Each chapter addresses a current personal, cultural, or spiritual topic, and each word participates meaningfully in the development of these ideas. At the beginning of October 2019, I had an urge to sit down and begin speaking. This book is a record of all that I said over the course of the following 40 days. I offer here the result of that work. Anyone who wishes to contact me may do so at heller.joshua.98@gmail.com. I warmly welcome any curiosity or conversation.
This keepsake edition of Joshua was taken from the King James translation of the Bible. The King James Translation is a masterwork of style, and the most important book in the English language, it has been the driving force in shaping the English-speaking world for hundreds of years. The Book of Joshua is the story of Israel from the conquest of Canaan to the Babylonian exile. It tells of the campaigns of the Israelites in central, southern and northern Canaan, the destruction of their enemies, and the division of the land among the Twelve Tribes, framed by speeches, the first by God commanding the conquest of the land, and, the second by Joshua warning of the need for faithful observance of the Law as revealed to Moses.
When the trumpets sounded, the people shouted, and at the sound of the trumpet, when the people gave a loud shout, the wall collapsed; so every man charged straight in, and they took the city." The Book of Joshua (Hebrew: 'Sefer Y'hoshua') is the sixth book in the Hebrew Bible and the Christian Old Testament. Its 24 chapters tell of the entry of the Israelites into Canaan, their conquest and division of the land under the leadership of Joshua, and of serving God in the land. 'Joshua' forms part of the biblical account of the emergence of Israel which begins with the exodus of the Israelites from slavery in Egypt, continues with the book of Joshua, and culminates in the Judges with the conquest and settlement of the land. The book is in two roughly equal parts. The first part depicts the campaigns of the Israelites in central, southern and northern Canaan, as well as the destruction of their enemies. The second part details the division of the conquered land among the twelve tribes. The two parts are framed by set-piece speeches by God and Joshua commanding the conquest and at the end warning of the need for faithful observance of the Law (torah) revealed to Moses. It's a story of miracles, bloody battles, and dividing the land among the 12 tribes. Characterized as an historical account, the book of Joshua tells how a leader's obedience to God resulted in divine help in the face of overwhelming odds. The King James Version Douay-Rheims Version The American Standard Version Bible in Basic English Version Webster Bible Version Chapter and Verse Commentary by Matthew Henry.
Joshua D. A. Bloor argues that the purification of the consciousness of sin, via Jesus' perpetual heavenly blood offering, is a vital motif for understanding Hebrews' sacrificial argumentation, and vice-versa. Jesus' 'objective' earthly achievements are many, yet only his 'subjective' heavenly blood offering purges the heavenly tabernacle and subsequently the consciousness of sin. Bloor views the Levitical cult as having a positive role in Hebrews, with Levitical 'guilt' foreshadowing and informing Hebrews' notion of the 'consciousness of sin'. Levitical sacrifices could purge the consciousness, but only Jesus' heavenly blood can offer complete perpetual purgation. This blood is a qualitative type of purgation which continually speaks in heaven, offering eternal assurance for the recipients regarding their consciousness of sin. Bloor begins with the 'defiled consciousness' and situates the world of Hebrews within cultic defilement, enabling the consciousness of sin and its cosmic implications to be properly understood. From here, the solution to a defiled consciousness is explored by examining Hebrews' cultic argumentation. Bloor highlights the distinctive purposes inherent in both Jesus' earthly and heavenly achievements, with the latter concerned particularly with Yom Kippur imagery and the purgation of the consciousness. Bloor concludes by differentiating between Jesus' session, present heavenly activity and perpetual heavenly blood offering. Throughout this volume, Bloor engages, critiques and advances current discourse concerning the nature and timing of Jesus' offering in Hebrews.
One of the earliest Christian confessions—that Jesus is Messiah and Lord—has long been recognized throughout the New Testament. Joshua Jipp shows that the New Testament is in fact built upon this foundational messianic claim, and each of its primary compositions is a unique creative expansion of this common thread. Having made the same argument about the Pauline epistles in his previous book Christ Is King: Paul’s Royal Ideology, Jipp works methodically through the New Testament to show how the authors proclaim Jesus as the incarnate, crucified, and enthroned messiah of God. In the second section of this book, Jipp moves beyond exegesis toward larger theological questions, such as those of Christology, soteriology, ecclesiology, and eschatology, revealing the practical value of reading the Bible with an eye to its messianic vision. The Messianic Theology of the New Testament functions as an excellent introductory text, honoring the vigorous pluralism of the New Testament books while still addressing the obvious question: what makes these twenty-seven different compositions one unified testament?
Too few Christians today, says Joshua Jipp, understand hospitality to strangers and the marginalized as an essential part of the church's identity. In this book Jipp argues that God's relationship to his people is fundamentally an act of hospitality to strangers, and that divine and human hospitality together are thus at the very heart of Christian faith. Jipp first provides a thorough interpretation of the major biblical texts related to the practice of hospitality to strangers, considering especially how these texts portray Christ as the divine host who extends God's welcome to all people. Jipp then invites readers to consider how God's hospitality sets the pattern for human hospitality, offering suggestions on how the practice of welcoming strangers can guide the church in its engagement with current social challenges—immigration, incarceration, racism, and more.
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