Poetry. Joshua Marie Wilkinson's SELENOGRAPHY finds words in want of their own life to chart an adumbrated landscape, "a good song played // too patchily / to keep / in your lungs." Side by side with full-color Polaroids by Califone's Tim Rutili, these poems traverse thought and image, object and vestige, contingency and intention, likening the haunted drift through this sounding of words to a river, "easy incomplete but it / took us / like twigs.
Drawing from the paintings of Susan Rothenberg, Gwyneth Scally, and Eric Fischl as well as from the photography of Allison Maletz, Joshua Marie Wilkinson’s Lug Your Careless Body out of the Careful Dusk is a book-length poem written in small fragments. Comprised of seven sections, the poem is formed as much by the poet’s travels through Turkey, the Baltics, and Eastern Europe as it is by the movies of Rainer Werner Fassbinder, Krzysztof Kieslowski, and Bill Morrison. The painters Francis Bacon and Lucian Freud are here alongside whispers of Emily Dickinson and Wallace Stevens. Lug Your Careless Body out of the Careful Dusk is a book of cinematic images and fragments, of small stories overheard and quickly abandoned, of hidden letters and phone booths, and of ghosts who return with questions. Born and raised in Seattle’s Haller Lake neighborhood, Joshua Marie Wilkinson is the author of one other book of poetry, Suspension of a Secret in Abandoned Rooms, and the chapbook A Ghost as King of the Rabbits. He holds an MFA from the University of Arizona and an MA in film studies from University College Dublin. Presently he lives in Denver, Colorado, where he is pursuing his doctorate in English and creative writing and completing his first film.
Born out of the author's exploration of Egon Schiele's work, region and era, "Suspension of a Secret in Abandoned Rooms" is a book length poem published in a stunning edition.
Drawing from the paintings of Susan Rothenberg, Gwyneth Scally, and Eric Fischl as well as from the photography of Allison Maletz, Joshua Marie Wilkinson’s Lug Your Careless Body out of the Careful Dusk is a book-length poem written in small fragments. Comprised of seven sections, the poem is formed as much by the poet’s travels through Turkey, the Baltics, and Eastern Europe as it is by the movies of Rainer Werner Fassbinder, Krzysztof Kieslowski, and Bill Morrison. The painters Francis Bacon and Lucian Freud are here alongside whispers of Emily Dickinson and Wallace Stevens. Lug Your Careless Body out of the Careful Dusk is a book of cinematic images and fragments, of small stories overheard and quickly abandoned, of hidden letters and phone booths, and of ghosts who return with questions. Born and raised in Seattle’s Haller Lake neighborhood, Joshua Marie Wilkinson is the author of one other book of poetry, Suspension of a Secret in Abandoned Rooms, and the chapbook A Ghost as King of the Rabbits. He holds an MFA from the University of Arizona and an MA in film studies from University College Dublin. Presently he lives in Denver, Colorado, where he is pursuing his doctorate in English and creative writing and completing his first film.
Anne Carson’s works re-think genre in some of the most unusual and nuanced ways that few writers ever attempt, from her lyric essays, enigmatic poems, and novels in verse to further forays into video and comics and collaborative performance. Carson’s pathbreaking translations of Ancient Greek poetry and drama, as well as her scholarship on everything from Sappho to Celan, only continue to demonstrate the unique vision she has for what’s possible for a work of literature to become. Anne Carson: Ecstatic Lyre is the first book of essays dedicated to the breadth of Anne Carson’s works, individually, spanning from Eros the Bittersweet through Red Doc. With contributions from Kazim Ali, Dan Beachy-Quick, Julie Carr, Harmony Holiday, Cole Swensen, Eleni Sikelianos, and many others (including translators, poets, essayists, scholars, novelists, critics, and collaborators themselves), we learn from Carson’s greatest admirers and closest readers about the books that moved and inspired them.
Black celebrities in America have always walked a precarious line between their perceived status as spokespersons for their race and their own individual success--and between being "not black enough" for the black community or "too black" to appeal to a broader audience. Few know this tightrope walk better than Kanye West, who transformed hip-hop, pop and gospel music, redefined fashion, married the world's biggest reality TV star and ran for president, all while becoming one of only a handful of black billionaires worldwide. Despite these accomplishments, his polarizing behavior, controversial alliances and bouts with mental illness have made him a caricature in the media and a disappointment among much of his fanbase. This book examines West's story and what it reveals about black celebrity and identity and the American dream.
In failing to take the sacramentality of the word of God seriously, the preaching of the church has suffered negative consequences, particularly failing to bring about divine participation with Jesus corporeal humanity in his living word. In order to recover this sacramental reality, this volume argues that one should consider the annunciation to Mary as the paradigm of the corporeal Christ taking up residence in the flesh of his hearer and delivering the fullness of the Godhead.
This comprehensive text thoroughly reviews the theories and history of racism, the sociology of and the psychology of racism, intergroup relations and intergroup conflict, and how racism is manifested institutionally, between groups, and between people, providing a unique view of the connections between these multiple perspectives. Readers can then apply this knowledge to their work as helping professionals. Students learn to explore their own biases and how they influence their view of themselves and others, which strengthens their work with future clients. Fulfilling NASW and CSWE cultural competency requirements, this book teaches socially just practices to helping professionals from any discipline. Many people want to dismantle racism but they do not know how. This book gets us closer to that goal. Using critical race theory as a conceptual framework, the text analyzes all levels of racism: personal, professional, institutional, and cultural. Integrating theory, research, and practice, racism is linked to other forms of oppression with an emphasis on how helping professionals can respond. Tips on how to facilitate racial dialogues are provided. Early chapters map out the contours of racism and later chapters emphasize how to dismantle it. Readers appreciate the book's sensitive approach to this difficult topic. Examples and exercises encourage insight into understanding racism, and insightful analyses offer strategies, solutions, and hope. Readers learn to respond to racism in all contexts including working with individuals, families, groups, organizations, and communities. NEW TO THE SECOND EDITION: Reflects recent sociopolitical changes including "Islamophobia" the Obama presidency, the murders of young men of color by police, the racialization of the criminal justice system, and current immigration issues. More cases and experiential exercises help readers explore how racism is manifested and how to incorporate the lessons learned into future working environments. More emphasis on the intersectionality of racism and other social oppressions including class, gender, sexual orientation, citizenship, immigration experiences, and disability to give readers a better understanding of the relationship between these issues. PowerPoints and Instructor's resources with sample syllabi, teaching tips, and suggested videos and related websites. An ideal text for advanced courses on racism, oppression, diversity, prejudice and discrimination, or racism and professional practice, this book also appeals to helping professionals (social workers, psychologists, counselors, and nurses) who need to understand racism to better serve their clients.
Drawing material from the Imperial War Museum's extensive aural archive, Joshua Levine brings together voices from both sides of the Blitz and the Battle of Britain to give us a unique, complete and compelling picture of this turbulent time. In June 1940, British citizens prepared for an imminent German onslaught. Hitler's troops had overrun Holland, Belgium and France in quick succession, and the British people anticipated an invasion would soon be upon them. From July to October, they watched the Battle of Britain play out in the skies above them, aware that the result would decide their fate. Over the next nine months, the Blitz killed more than 43,000 civilians. For a year, the citizens of Britain were effectively front-line soldiers in a battle which united the country against a hated enemy. We hear from the soldiers, airmen, fire-fighters, air-raid wardens and civilians, people in the air and on the ground, on both sides of the battle, giving us a thrilling account of Britain under siege. With first-hand testimonies from those involved in Dunkirk and the Battle of Britain, Black Saturday on 7th September 1940 when the Luftwaffe began the Blitz, to its climax on the 10th May 1941, this is the definitive oral history of a period when Britain came closer to being overwhelmed by the enemy than at any other time in modern history.
In this volume Joshua Paul Smith challenges the long-held assumption that Luke and Acts were written by a gentile, arguing instead that the author of these texts was educated and enculturated within a Second-Temple Jewish context. Advancing from a consciously interdisciplinary perspective, Smith considers the question of Lukan authorship from multiple fronts, including reception history and social memory theory, literary criticism, and the emerging discipline of cognitive sociolinguistics. The result is an alternative portrait of Luke the Evangelist, one who sees the mission to the gentiles not as a supersession of Jewish law and tradition, but rather as a fulfillment and expansion of Israel’s own salvation history.
This book examines the communicative aspects and implications of US counter-terrorist policies towards al-Qaeda. Recent US counter-terrorist strategy has been largely based upon projecting certain perceptions of America as an actor to those drawn to al-Qaeda, and this book investigates in what ways, and to what extent, US officials believed that the signals sent by what America did and said could influence the behaviour of the terrorist and would-be terrorist. The study then draws on a growing understanding of that audience to analyse how those drawn to al-Qaeda were and, indeed, still are likely to be influenced by the perceptions of America that Washington's policies generated. The study's central argument is that, given al-Qaeda's unconventional strategy and the particularities of the world-view characterising those drawn to the group, America's counter-terrorist signalling proved largely counter-productive to America's objective of undermining al-Qaeda's strategic narrative, instead serving in many ways to validate it. Firstly, this book seeks to reveal the significant and largely unexplored role that signalling has played in US counter-terrorist policy towards al-Qaeda. Second, it tries to capture the objectives, strategy, tactics, ideology, and other defining features of the world-view characterising those drawn to al-Qaeda. Third, it strives to combine those two lines of inquiry by applying the al-Qaeda world-view to a critical analysis of the signals sent by US policies. Finally, the book aims to offer broad policy implications that demonstrate how an informed understanding of the world-view of those drawn to al-Qaeda can be employed to revise and refine American counter-terrorist signalling. This book will be of much interest to students of US foreign policy and public diplomacy, counter-terrorism, strategy and international security. Joshua Alexander Geltzer has a PhD in War Studies from Kings College London, and is currently a juris doctoral student at Yale Law School.
Cover -- Half Title -- Title -- Copyright -- Dedication -- Contents -- Acknowledgments -- Introduction. The Turn from Truth -- Chapter 1. Machine: Conceptual Photography -- Chapter 2. Matter: Art in the Desert -- Chapter 3. Surface: Photorealist Painting -- Chapter 4. System: Gerhard Richter -- Conclusion. The Lasting Problem of Realism -- Notes -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- R -- S -- T -- V -- W -- Z -- Illustration Credits
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