A tale from Fringe star Joshua Jackson explores key events between seasons 3 and 4, Jhonen Vasquez and Becky Cloonan tell the story of Nina Sharp's robotic arm, and five more tales from beyond the Fringe!
Overcoming the Exploitation of Passion in Videogame Labor: Playing with Passion examines the intersection of passion, precarity, and collocation to pinpoint where and how interventions can be made towards better working conditions. Jackson contends that videogames and passion are inextricably linked and explores this intrinsic link where passion is expected and valorized, be it in the context of play, work, or culture. Passion, Jackson argues, is the connective tissue that sews together the shared experiences that people all over the world will undertake through videogames, including winning close matches, experiencing new worlds, and forging new friendships. This book interrogates the outcomes of labor, videogames, and passion colliding – work and play become inextricably linked, and suddenly a ‘passion for games’ becomes an insistent and expected ‘passion for work.’ This, Jackson ultimately posits, leads to the current reality of much of the videogame production industry, where passion is used as a workplace policing tool and a way to push workers to periods of extended work, or crunch periods. Through theorizations regarding passion, bodies, assembly, and assemblage, this text wrestles with what can be done to manifest real change in the videogame industry. Scholars of media studies, technology, and labor studies will find this book of particular interest.
In the first half of this 2 part series, Joshua takes us back into his challenging child hood surrounded by drugs, violence, religion, controversy, and drama out of his control! I Am King is a great read for those of you who have been through challenges in life that may affect you emotionally, spiritually, and physically! Some of you may have used those challenges as fuel to take you directly up the royal path and the rest of you took a detour down a dark lane. Which path did Joshua choose?
In 1834 Virgil Stewart rode from western Tennessee to a territory known as the "Arkansas morass" in pursuit of John Murrell, a thief accused of stealing two slaves. Stewart's adventure led to a sensational trial and a wildly popular published account that would ultimately help trigger widespread violence during the summer of 1835, when five men accused of being professional gamblers were hanged in Vicksburg, nearly a score of others implicated with a gang of supposed slave thieves were executed in plantation districts, and even those who tried to stop the bloodshed found themselves targeted as dangerous and subversive. Using Stewart's story as his point of entry, Joshua D. Rothman details why these events, which engulfed much of central and western Mississippi, came to pass. He also explains how the events revealed the fears, insecurities, and anxieties underpinning the cotton boom that made Mississippi the most seductive and exciting frontier in the Age of Jackson. As investors, settlers, slaves, brigands, and fortune-hunters converged in what was then America's Southwest, they created a tumultuous landscape that promised boundless opportunity and spectacular wealth. Predicated on ruthless competition, unsustainable debt, brutal exploitation, and speculative financial practices that looked a lot like gambling, this landscape also produced such profound disillusionment and conflict that it contained the seeds of its own potential destruction. Rothman sheds light on the intertwining of slavery and capitalism in the period leading up to the Panic of 1837, highlighting the deeply American impulses underpinning the evolution of the slave South and the dizzying yet unstable frenzy wrought by economic flush times. It is a story with lessons for our own day. Published in association with the Library Company of Philadelphia's Program in African American History. A Sarah Mills Hodge Fund Publication.
Our journey begins in a mystical realm called Mjornia. It lies in the darkest, farthest, most forgotten corner of existence just between the imagination and reality. Yet it violently flourishes with life. It is a plane of existence where thoughts, emotions, and even consciousness can affect the physical world and manifest around you whether you are aware of its presence or not. It is overflowing with magic, enchantment, and sheer fantasy around every turn and where, in some areas, nothing imaginable is impossible. While lush green forests and hills are the dominant nature for the most part, there are several places in Mjornia that are not so fortunateplaces that are beyond the reaches of what is considered safe and habitable lands like the swamps and marshes of Morvoria. Anyone that foolishly wandered in or around that place is neither seen nor heard from again. Then there is the far northeastern Kjolferdorn mountains. Beaten weekly with snowstorms, it is also home to some of the deepest ravines and crevices in all Mjornia. It has openings that stretched deep beneath the surface where numerous large caverns lie. Some stretched on for miles where none dare tread. Others led to ruined underground fortresses made entirely from clear quartz crystals along with other precious gems and minerals. Relics were formed by the most skilled enchanters and crafters in Mjornias ancient past. No matter where you find yourself in Mjornia, magic is inescapable, and the allure of such a place mesmerizes you with beauty and wonder. But for now, our story starts simple. It begins with the most innocent form in all Mjorniaa child. However, in this case, its actually several children who must discover their purpose and how it affects everything that exists in this realm, before all is lost.
The last thing plastic surgery resident Jackson Maebry wants at the end of a long day in the operating room is a call to the ER. Once he gets there, what he finds is worse than his most hellish imaginings: a young woman, beaten and burned almost beyond recognition, a trauma case as terrible as any he has ever seen. What Jackson's colleagues don't know is that the victim, Allie, is actually his lover. With Allie in a coma, Jackson keeps their relationship quiet and takes part in her reconstruction, a complicated and grueling set of procedures that only the most skilled specialists can perform. But as he and the other doctors struggle to put her back together, the fractures in Jackson's own life begin to break apart dramatically. When the San Francisco Police Department's investigation of the attack leads to his door, Jackson knows the truth can no longer be suppressed. Ghost Image is an expertly plotted, chillingly vivid, and wholly absorbing mystery, signaling the debut of an unforgettable new voice in the genre. Taking readers inside the operating room and literally under the skin of its patients, it's a story that will appeal to those fascinated by medicine and forensics. It is also a story -- like all classic crime novels -- about guilt and innocence, good and evil. But, above all, it is a story of love -- the kind of love that might prove deadly, or that might just save your soul.
The world has changed dramatically. We no longer live in a world relatively empty of humans and their artifacts. We now live in the “Anthropocene,” era in a full world where humans are dramatically altering our ecological life-support system. Our traditional economic concepts and models were developed in an empty world. If we are to create sustainable prosperity, if we seek “improved human well-being and social equity, while significantly reducing environmental risks and ecological scarcities,” we are going to need a new vision of the economy and its relationship to the rest of the world that is better adapted to the new conditions we face. We are going to need an economics that respects planetary boundaries, that recognizes the dependence of human well-being on social relations and fairness, and that recognizes that the ultimate goal is real, sustainable human well-being, not merely growth of material consumption. This new economics recognizes that the economy is embedded in a society and culture that are themselves embedded in an ecological life-support system, and that the economy cannot grow forever on this finite planet. In this report, we discuss the need to focus more directly on the goal of sustainable human well-being rather than merely GDP growth. This includes protecting and restoring nature, achieving social and intergenerational fairness (including poverty alleviation), stabilizing population, and recognizing the significant nonmarket contributions to human well-being from natural and social capital. To do this, we need to develop better measures of progress that go well beyond GDP and begin to measure human well-being and its sustainability more directly.
The world can always do with a little more happiness, family, friends, love, and kindness. There can never be too much, but often there is too little. Here, you will find happy conclusions, glorifying endings, new loves, and smiles. With eleven tales of love, life, and bliss. Happy is objective; remember that.
The world cradling humankind is yet to be understood. Much of its archaic beginnings linger within the mind upon a plane of postulates, mystery and uncertain truth, the voice of myth from times long past. In these legends are glimmers of truths dismissed as lore. This is such a story: the origin of a legend that spans from distant past to the present day, the origin of the vampire. Alluring and suspenseful, it is the dark, epic chronicle of a man changed in nature and body. Once a sentinel of a prosperous settlement, he is forced into a nocturnal existence, and instinctually compelled in ways that he fears will cost him his very humanity. He gained an unnatural longevity, and while the ages pass, the modern world develops around him. His existence is discovered by an old organization whose siege even he shall be hard pressed to survive.
A collection of the contemporary texts about Thomas Gainsborough, a leading British portraitist and landscape painter in the eighteenth century. Thomas Gainsborough (1727–1788) was a leading English landscape and portrait painter, draftsman, and printmaker who is now considered one of the most important British artists of the eighteenth century. This volume illuminates his life, career, personality, and passions through three diverse character sketches by Philip Thicknesse, an eccentric British adventurer, businessman, and writer; William Jackson, an artist and close friend to Gainsborough; and Sir Joshua Reynolds, an English portrait painter and the first president of the Royal Academy of Arts. An obituary published shortly after Gainsborough’s death lends insight into the artist’s impact. An introduction by Anthony Mould, a British art dealer and independent scholar, offers an overview of Gainsborough’s life and career.
The story is about a little rat named Cheese. He was once a lab rat in Toronto in a secret lab underground in the sewers. The scientists used him for an experiment. When Cheese fell into a toxic vat of waste, it changed his life, and he developed all these crazy powers.
Films as Rhetorical Texts: Cultivating Discussion about Race, Racism, and Race Relations presents critical essays focusing on select commercial films and what they can teach us about race, racism, and race relations in America. The films in this volume are critically assessed as rhetorical texts using various aspects and components of critical race theory, recognizing that race and racism are intricately ingrained in American society. Contributors argue that by viewing and evaluating culture-centered films—often centered around race—and critically analyzing them, faculty and students can promote the opportunity for genuine open discussions about race, racism, and race relations in the United States, specifically in the higher education classroom. Scholars of film studies, media studies, race studies, and education will find this book particularly useful.
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