A devastating war, a burning cross, a crime network, and a victorious general--these are some of the many threads Hadžić and Irby weave together to clarify one of history's most misunderstood symbols: the cross. The authors interweave Hadžić's story with that of the cross in a way that seeks to rescue the true meaning of the cross from its misrepresentations and misuses throughout history. The result is a compelling tapestry that illuminates the transformative power of one of the most complex and controversial symbols in today's global community.
In 1855, a wealthy 24-year-old English woman, Adeline Paulina Irby, left her London home to search for her purpose in life. By a strange turn of events, she ended up in Sarajevo where she stayed and became a national hero. In 1999, an average 22-year-old man left his home in the United States to live in the Balkans for a year. There-in the most unlikely city on the other side of the world-he not only found another Irby, but also a purpose for his life. This creative memoir reveals that extraordinary things happen when ordinary people search for meaning and, instead, discover love.
A devastating war, a burning cross, a crime network, and a victorious general--these are some of the many threads Hadžić and Irby weave together to clarify one of history's most misunderstood symbols: the cross. The authors interweave Hadžić's story with that of the cross in a way that seeks to rescue the true meaning of the cross from its misrepresentations and misuses throughout history. The result is a compelling tapestry that illuminates the transformative power of one of the most complex and controversial symbols in today's global community.
The Hellenistic Period witnessed striking new developments in art, literature and science. This volume addresses a particularly vibrant area of innovation: the study of animals and the natural world. While Aristotle and his followers had revolutionized fields such as zoology and botany during the fourth century BC, these disciplines took on exciting new directions during Hellenistic times. Kings imported exotic species into their royal capitals from faraway lands. Travel writers described unusual creatures that they had never previously encountered. And buyers from a range of social levels chose works of art featuring animals and plants to decorate their palaces, houses and tombs. While textual sources shed some light on these developments, the central premise of Art, Science and the Natural World in the Ancient Mediterranean is that our surviving artistic evidence permits a fuller understanding. Accordingly, the study brings together a rich body of visual material that invites new observations on how and why knowledge of the natural world became so important during this period. It is suggested that this cultural phenomenon affected many different groups in society: from kings in Alexandria and Pergamon to provincial aristocrats in the Levant, and from the Julio-Claudian imperial family to prosperous homeowners in Pompeii. By analysing the works of art produced for these individuals, a vivid picture emerges of this remarkable aspect of ancient culture.
Philosophy as Fiction seeks to account for the peculiar power of philosophical literature by taking as its case study the paradigmatic generic hybrid of the twentieth century, Marcel Proust's In Search of Lost Time. At once philosophical--in that it presents claims, and even deploys arguments concerning such traditionally philosophical issues as knowledge, self-deception, selfhood, love, friendship, and art--and literary, in that its situations are imaginary and its stylization inescapably prominent, Proust's novel presents us with a conundrum. How should it be read? Can the two discursive structures co-exist, or must philosophy inevitably undermine literature (by sapping the narrative of its vitality) and literature undermine philosophy (by placing its claims in the mouth of an often unreliable narrator)? In the case of Proust at least, the result is greater than the sum of its parts. Not only can a coherent, distinctive philosophical system be extracted from the Recherche, once the narrator's periodic waywardness is taken into account; not only does a powerfully original style pervade its every nook, overtly reinforcing some theories and covertly exemplifying others; but aspects of the philosophy also serve literary ends, contributing more to character than to conceptual framework. What is more, aspects of the aesthetics serve philosophical ends, enabling a reader to engage in an active manner with an alternative art of living. Unlike the "essay" Proust might have written, his novel grants us the opportunity to use it as a practice ground for cooperation among our faculties, for the careful sifting of memories, for the complex procedures involved in self-fashioning, and for the related art of self-deception. It is only because the narrator's insights do not always add up--a weakness, so long as one treats the novel as a straightforward treatise--that it can produce its training effect, a feature that turns out to be its ultimate strength.
TOPICS IN THE BOOK Learning Styles Influence on Consumer Decision-Making Styles of Generation Y Consumers in Namibia: A Comparison Study of the Three Major Universities in Namibia Analysis of Beef Marketing In Lafia Metropolis of Nasarawa State, Nigeria Pattern Drafting and Free-Hand Cutting Technique on Apparel Fit Effect of Entrepreneurial Marketing Strategies on Performance of Micro and Small Enterprises (Mses) in Kenya
When the trumpets sounded, the people shouted, and at the sound of the trumpet, when the people gave a loud shout, the wall collapsed; so every man charged straight in, and they took the city." The Book of Joshua (Hebrew: 'Sefer Y'hoshua') is the sixth book in the Hebrew Bible and the Christian Old Testament. Its 24 chapters tell of the entry of the Israelites into Canaan, their conquest and division of the land under the leadership of Joshua, and of serving God in the land. 'Joshua' forms part of the biblical account of the emergence of Israel which begins with the exodus of the Israelites from slavery in Egypt, continues with the book of Joshua, and culminates in the Judges with the conquest and settlement of the land. The book is in two roughly equal parts. The first part depicts the campaigns of the Israelites in central, southern and northern Canaan, as well as the destruction of their enemies. The second part details the division of the conquered land among the twelve tribes. The two parts are framed by set-piece speeches by God and Joshua commanding the conquest and at the end warning of the need for faithful observance of the Law (torah) revealed to Moses. It's a story of miracles, bloody battles, and dividing the land among the 12 tribes. Characterized as an historical account, the book of Joshua tells how a leader's obedience to God resulted in divine help in the face of overwhelming odds. The King James Version Douay-Rheims Version The American Standard Version Bible in Basic English Version Webster Bible Version Chapter and Verse Commentary by Matthew Henry.
“A Generation X call-to-arms about facing mid-life on our own terms with the unique heart that beats inside us all . . . Poignant, honest, and funny as hell.” —The Huffington Post When his bicycle is intentionally run off the road by a neighbor’s SUV, something snaps in Bob Coffin. Modern suburban life has been getting him down and this is the last straw. To avoid following in his own father’s missteps, Bob is suddenly desperate to reconnect with his wife and his distant, distracted children. And he’s looking for any guidance he can get. Bob soon learns that the wisest words come from the most unexpected places, from characters that are always more than what they appear to be: a magician/marriage counselor, a fast-food drive-thru attendant/phone-sex operator, and a janitor/guitarist of a French KISS cover band. Can these disparate voices inspire Bob to fight for his family? To fight for his place in the world? A call-to-arms for those who have ever felt beaten down by life, Fight Song is a quest for happiness in a world in which we are increasingly losing control. It is an exciting novel by one of the most surprising and original writers of his generation. "A whimsical, madcap, delightfully depraved fable for our age.” —Jonathan Evison, New York Times bestselling author "For its irreverent beat, relentless energy, and sharp, funny characters, Fight Song may as well be titled 'Battle Cry.'" —The Rumpus “Mohr . . . brings a dollop of David Sedaris–like humor to the pathos . . . It’s a surprisingly sweet, rollicking tribute to anyone who’s ever needed a fight song to fight back.” —Booklist
Five-Star Trails: Charlotte is a handy guide for area residents, vacationers seeking outdoor fun, and for business travelers with a free afternoon. With a diverse collection of hiking routes, the book offers choices for everyone from solo trekkers to companions to families with either youngsters or oldsters to consider. Researched, experienced, and written by a local author, the guide provides in-depth trail descriptions, directions, and commentary on what to expect along the way. Each hike features an individual trail map, elevation profile, and at-a-glance key info, helping readers quickly determine the perfect trip for them when they are ready to head out the door. Sized to fit in a pocket, the book is convenient to keep in the car or toss into a backpack. Driving directions direct hikers to the nearest trailhead parking areas, and GPS trailhead coordinates get them to the start of the trail.
Why does Mark's Jesus speak in parables? Why does Plato's Socrates make bad arguments? Why are Beckett's novels so inscrutable? And why don't stage magicians even pretend to summon spirits anymore? In a series of captivating chapters on Mark, Plato, Beckett, Mallarm , and Chaucer, Joshua Landy not only answers these questions but explains why they are worth asking in the first place. Witty and approachable, How to Do Things with Fictions challenges the widespread assumption that literary texts must be informative or morally improving in order to be of any real benefit. It reveals that authors are sometimes best thought of not as entertainers or as educators but as personal trainers of the brain, putting their willing readers through exercises designed to fortify specific mental capacities, from form-giving to equanimity, from reason to faith. Delivering plenty of surprises along the way--that moral readings of literature can be positively dangerous; that the parables were deliberately designed to be misunderstood; that Plato knowingly sets his main character up for a fall; that metaphor is powerfully connected to religious faith; that we can sustain our beliefs even when we suspect them to be illusions--How to Do Things with Fictions convincingly shows that our best allies in the struggle for more rigorous thinking, deeper faith, richer experience, and greater peace of mind may well be the imaginative writings sitting on our shelves.
World War III has yet to happen, and yet material evidence of this conflict is strewn everywhere: resting at the bottom of the ocean, rusting in deserts, and floating in near-Earth orbit. In Military Waste, Joshua O. Reno offers a unique analysis of the costs of American war preparation through an examination of the lives and stories of American civilians confronted with what is left over and cast aside when a society is permanently ready for war. Using ethnographic and archival research, Reno demonstrates how obsolete military junk in its various incarnations affects people and places far from the battlegrounds that are ordinarily associated with warfare. Using a broad swath of examples—from excess planes, ships, and space debris that fall into civilian hands, to the dispossessed and polluted island territories once occupied by military bases, to the militarized masculinities of mass shooters—Military Waste reveals the unexpected and open-ended relationships that non-combatants on the home front form with a nation permanently ready for war.
While navigating his own mother's cancer diagnosis, the author explores how we might find solace in the fact that we will die. Traditionally, philosophical answers to this question center on two possibilities. First, some argue that death is not bad for the one who dies, because they won't exist after once they are dead. Second, others argue that because immortality would be bad, death has considerable upside. Finding these two answers less than satisfying, the author explores a third option. This third source of solace starts with the idea that insofar as our lives are worth being grateful for, they must have a value. This book argues that because life is implicated in all of our good projects and relationships, its value radiates out to all of life's parts, be they good or bad. And because passing away is one of the parts of life, it gets some of this radiant value. Finally, just as we are grateful for the value of our lives, so we can affirm this value in passing away. Gratitude is not the most fitting way of affirming the value in death, since passing away is also bad for us by depriving us of life's good opportunities. A more fitting affirmation of the value that death borrows from life, in a context where passing away also visits so much badness upon us, is to take some solace in the fact that our passing away has this portion of positive value"--
A bold new reconception of ancient Greek drama as a mode of philosophical thinking The Philosophical Stage offers an innovative approach to ancient Greek literature and thought that places drama at the heart of intellectual history. Drawing on evidence from tragedy and comedy, Joshua Billings shines new light on the development of early Greek philosophy, arguing that drama is our best source for understanding the intellectual culture of classical Athens. In this incisive book, Billings recasts classical Greek intellectual history as a conversation across discourses and demonstrates the significance of dramatic reflections on widely shared theoretical questions. He argues that neither "literature" nor "philosophy" was a defined category in the fifth century BCE, and develops a method of reading dramatic form as a structured investigation of issues at the heart of the emerging discipline of philosophy. A breathtaking work of intellectual history by one of today's most original classical scholars, The Philosophical Stage presents a novel approach to ancient drama and sets a path for a renewed understanding of early Greek thought.
Human Resource Development: Critical Perspectives and Practices is a landmark textbook on HRD scholarship and practice and is a significant departure from the standard HRD texts available. Based on Bierema and Callahan’s framework for critical human resource development, this book develops an understanding of HRD that addresses both key and contested issues of practice associated with relating, learning, changing, and organizing for organizations. This book covers the basic tenets of HRD, interrogates the dominant paradigms and practices of the field, teaches readers how to critically assess HRD practices and outcomes, and provides critical alternatives. The text also addresses HRD as a contested field and the importance for HRD professionals to reflect on their values, maintain their sanity, and retain their employment while attempting to do this difficult work that serves multiple stakeholders. The text weaves in Points to Ponder, Case in Point, and Tips & Tools features and exercises, giving readers an insight into HRD issues across the globe. This critical text offers an exciting alternative to the instrumentalist, managerialist, and masculine perspective of other books. Designed for students and practitioners, this textbook will be essential reading for upper-level courses on human resource development, human resource management, and adult education.
This is the first complete study of Semitic internal noun patterns since that of Jacob Barth, over a century ago. Drawing on the earlier work of Semitists and linguists, this work presents a comprehensive new synthesis. This diachronic-comparative study presents the internal patterns individually and organizes them systematically. This study investigates the special role of noun patterns in isolated nouns and gives a complete list of reconstructible isolated nouns. This diachronic-comparative study presents the internal patterns individually and organizes them systematically. The roles of the patterns in the derivation of nouns from roots, and in nominal inflection, are shown as part of a reconstructed system. This study investigates the special role of noun patterns in isolated nouns, and gives a complete list of reconstructible isolated nouns. The heart of the book is devoted to studies of all individual reconstructible internal patterns with their Semitic reflexes, including mono- and bisyllabics and patterns with ungeminated or geminated second or third consonants. The book reaches conclusions on the structure of the Proto-Semitic pattern system, including categories of reconstructible and non-reconstructible patterns, semantic groups of patterns, and relationships between different patterns. Further, patterns merge and split diachronically, appearing in different roles in the attested languages, where new pattern systems are formed.
The decades-long resilience of Middle Eastern regimes meant that few anticipated the 2011 Arab Spring. But from the seemingly rapid leadership turnovers in Tunisia and Egypt to the protracted stalemates in Yemen and Syria, there remains a common outcome: ongoing control of the ruling regimes. While some analysts and media outlets rush to look for democratic breakthroughs, autocratic continuity—not wide-ranging political change—remains the hallmark of the region's upheaval. Contrasting Egypt and Syria, Joshua Stacher examines how executive power is structured in each country to show how these preexisting power configurations shaped the uprisings and, in turn, the outcomes. Presidential power in Egypt was centralized. Even as Mubarak was forced to relinquish the presidency, military generals from the regime were charged with leading the transition. The course of the Syrian uprising reveals a key difference: the decentralized character of Syrian politics. Only time will tell if Asad will survive in office, but for now, the regime continues to unify around him. While debates about election timetables, new laws, and the constitution have come about in Egypt, bloody street confrontations continue to define Syrian politics—the differences in authoritarian rule could not be more stark. Political structures, elite alliances, state institutions, and governing practices are seldom swept away entirely—even following successful revolutions—so it is vital to examine the various contexts for regime survival. Elections, protests, and political struggles will continue to define the region in the upcoming years. Examining the lead-up to the Egyptian and Syrian uprisings helps us unlock the complexity behind the protests and transitions. Without this understanding, we lack a roadmap to make sense of the Middle East's most important political moment in decades.
Damascus succeeds in conveying a big-hearted vision." —The Wall Street Journal "At once gripping, lucid and fierce, Damascus is the mature effort of an artist devoted to personal growth and as such contains the glints of real gold." -San Francisco Chronicle It's 2003 and the country is divided evenly for and against the Iraq War. Damascus, a dive bar in San Francisco's Mission District, becomes the unlikely setting for a showdown between the opposing sides. Tensions come to a boil when Owen, the bar's proprietor who has recently taken to wearing a Santa suit full-time, agrees to host the joint's first (and only) art show by Sylvia Suture, an ambitious young artist who longs to take her act to the dramatic precipice of the high-wire by nailing live fish to the walls as a political statement. An incredibly creative and fully rendered cast of characters orbit the bar. There's No Eyebrows, a cancer patient who has come to the Mission to die anonymously; Shambles, the patron saint of the hand job; Revv, a lead singer who acts too much like a lead singer; and Owen, donning his Santa costume to mask the most unfortunate birthmark imaginable. Damascus is the place where confusion and frustration run out of room to hide. By gracefully tackling such complicated topics as cancer, Iraq, and issues of self-esteem, Joshua Mohr has painted his most accomplished novel yet. Joshua Mohr is the San Francisco Chronicle best-selling author of Some Things That Meant the World to Me and Termite Parade, a New York Times Book Review editors' choice selection.
The flying life has always demanded a passage across the razor's edge. At any moment you could slip to the other side: a gas leak, weather, fire in the cockpit. Sometimes what made the risks particularly horrible was that you could watch your mistakes play out in front of you, as a chorus of guilt followed you down. Usually you survived and could describe this music to others, but none of you -- not even with a long and growing trail of dead friends -- ever stopped flying. That was the truly unthinkable thing. In a good year aerobatics is one of the most beautiful sports imaginable. Pilots pull through impossibly elegant figures, twisting their planes at hundreds of miles an hour. The stress on their bodies reaches ten times the force of gravity, but this is nothing compared to the strain on their minds and the tension in their souls. In a bad year no sport kills more of its participants. To fly really well and to win you must depart the land of the possible and enter a place of pure faith. In this stunning literary debut, Joshua Cooper Ramo has crafted a meditation on the seduction of flight and a passionate love letter to a life of risk. It is partly the story of his own decision, after a decade of casual aerobatics, to transform himself into a serious competitive pilot aiming to finish high at the U.S. national competition. He introduces us to some of the greatest aerobatic pilots in the world: geniuses like Leo Loudenslager, a mild-mannered American Airlines pilot who spent his weekends redefining what it was possible to do in the air with a plane, flying figures so hard they made his eyes bleed as he whimpered with pain in the cockpit; or Kirby Chambliss, the Arizona pilot who performed figures just inches off the runway and sent his plane shooting through holes in cliffs. The classics of flight and extreme adventure, West With the Night; Wind, Sand, and Stars; and Into Thin Air have brought a poetic vision to their subjects. No Visible Horizon is an elegant and thrilling exploration, not simply of a pilot's physical battle against gravity, but of his dream of perfection and his quest for faith.
FOX's musical drama Empire has been hailed as the savior of broadcast television, drawing 15 million viewers a week. A "hip-hopera" inspired by Shakespeare's King Lear and 1980s prime-time soap Dynasty, the series is at the forefront of a black popular culture Renaissance--yet has stirred controversy in the black community. Is Empire shifting paradigms or promoting pernicious stereotypes? Examining the evolution and potency of black images in popular culture, the author explores Empire's place in a diverse body of literature and media, data and discussions on respectability.
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