When the 1% and the 99% clash, the fate of the human race hangs on the actions of two teens from very different backgrounds in this thrilling adventure that School Library Journal calls “a strong choice for YA sci-fi shelves.” In the Upperworld, the privileged 1% are getting ready to abandon a devastated planet Earth. And Cam can’t wait to leave. After sleeping through a 1,000-year journey, he and his friends will have a pristine new planet to colonize. And no more worries about the Lowerworld and its 99% of rejects. Then Cam sees a banned video feed of protesters in the Lowerworld who also want a chance at a new life. And he sees a girl with golden eyes who seems to be gazing directly at him. A girl he has to find. Sofie. When Cam finds Sofie, she opens his eyes to the unfairness of their world, and Cam joins her cause for Lowerworld rights. He also falls hard for Sofie. But Sofie has her own battles to fight, and when it’s time to board the spaceships, Cam is alone. Waking up 1,000 years in the future, Cam discovers that they are far off-course, trapped on an unknown and hostile planet. Who has sabotaged their ship? And does it have anything to do with Sofie, and the choices—and the enemies—he made in the past?
In a futuristic landscape ravaged by war, a colony’s hopes for survival hinge on one teenage boy in this fast-paced, action-packed story “filled with interesting plot twists, compelling characters, and gripping action” (VOYA). Querry Genn is in trouble. He can’t remember anything before the last six months. And Querry needs to remember. Otherwise he is dead weight to the other members of Survival Colony 9, one of the groups formed after a brutal war ravaged the earth. And now the Skaldi have come to scavenge what is left of humanity. No one knows what the Skaldi are, or why they are here, just that they impersonate humans, taking their form before shedding the corpse like a skin. Desperate to prove himself after the accident that stole his memory, Querry is both protected and tormented by the colony’s authoritarian commander, his father. The only person he can talk to is the beautiful Korah, but even with her, he can’t shake the feeling that something is desperately wrong. Whatever is going on, Querry is at the center of it, for a secret in his past not only makes him a target of the Skaldi’s wrath, but the key to the colony’s future.
Querry and the members of Survival Colony 9 have defeated a whole nest of the creatures called Skaldi, who can impersonate humans even as they destroy them. But now the colony is dangerously low in numbers and supplies. Querry's mother is in command, and is definitely taking them somewhere but where? Some secret from her past seems to be driving her relentlessly forward. When they do finally reach their destination, Querry is amazed to discover a whole compound of humans organized, with plenty of food and equipment. But the colonists are not welcomed. Everything about them is questioned, especially by Mercy, the granddaughter of the compound s leader. Mercy is as tough a fighter as Querry has ever seen and a girl as impetuous as Querry is careful. But the more Querry learns about Mercy and the others, the more he realizes that nothing around him is as it seems."--Provided by publisher.
When the 1% and the 99% clash, the fate of the human race hangs on the actions of two teens from very different backgrounds in this thrilling adventure that School Library Journal calls “a strong choice for YA sci-fi shelves.” In the Upperworld, the privileged 1% are getting ready to abandon a devastated planet Earth. And Cam can’t wait to leave. After sleeping through a 1,000-year journey, he and his friends will have a pristine new planet to colonize. And no more worries about the Lowerworld and its 99% of rejects. Then Cam sees a banned video feed of protesters in the Lowerworld who also want a chance at a new life. And he sees a girl with golden eyes who seems to be gazing directly at him. A girl he has to find. Sofie. When Cam finds Sofie, she opens his eyes to the unfairness of their world, and Cam joins her cause for Lowerworld rights. He also falls hard for Sofie. But Sofie has her own battles to fight, and when it’s time to board the spaceships, Cam is alone. Waking up 1,000 years in the future, Cam discovers that they are far off-course, trapped on an unknown and hostile planet. Who has sabotaged their ship? And does it have anything to do with Sofie, and the choices—and the enemies—he made in the past?
Querry and the members of Survival Colony 9 have defeated a whole nest of the creatures called Skaldi, who can impersonate humans even as they destroy them. But now the colony is dangerously low in numbers and supplies. Querry's mother is in command, and is definitely taking them somewhere but where? Some secret from her past seems to be driving her relentlessly forward. When they do finally reach their destination, Querry is amazed to discover a whole compound of humans organized, with plenty of food and equipment. But the colonists are not welcomed. Everything about them is questioned, especially by Mercy, the granddaughter of the compound s leader. Mercy is as tough a fighter as Querry has ever seen and a girl as impetuous as Querry is careful. But the more Querry learns about Mercy and the others, the more he realizes that nothing around him is as it seems."--Provided by publisher.
Myriad has been in so many timestrands she’s lost count – hiding from her feelings about her brother’s death she works to prevent crimes from happening but finds herself committing one instead… Agent Miriam Randle works for LifeTime, a private law enforcement agency that undertakes short-term time travel to erase crimes before they occur. Haunted by the memory of her twin brother’s unsolved murder at the age of six, Miriam thinks of herself as Myriad—an incarnation of the many lives she’s lived in her journeys to rearrange the past. When a routine assignment goes wrong and Miriam commits a murder she was meant to avert, she is thrown into the midst of a conspiracy that reaches to the highest levels of LifeTime. Along with her partner Vax, Miriam flees into the past in an attempt to unravel the truth before LifeTime agents catch up with her. But then her brother’s killer reappears, twenty years to the day since he first struck. And he’s not through with the twin who survived, not by a long shot. MYRIAD is a mind-bending time travelling sci-fi thriller that will keep readers guessing to the very end. File Under: Science Fiction [ Myrioi | Baked In | Three Ravens | The Dark Backward ]
In a futuristic landscape ravaged by war, a colony’s hopes for survival hinge on one teenage boy in this fast-paced, action-packed story “filled with interesting plot twists, compelling characters, and gripping action” (VOYA). Querry Genn is in trouble. He can’t remember anything before the last six months. And Querry needs to remember. Otherwise he is dead weight to the other members of Survival Colony 9, one of the groups formed after a brutal war ravaged the earth. And now the Skaldi have come to scavenge what is left of humanity. No one knows what the Skaldi are, or why they are here, just that they impersonate humans, taking their form before shedding the corpse like a skin. Desperate to prove himself after the accident that stole his memory, Querry is both protected and tormented by the colony’s authoritarian commander, his father. The only person he can talk to is the beautiful Korah, but even with her, he can’t shake the feeling that something is desperately wrong. Whatever is going on, Querry is at the center of it, for a secret in his past not only makes him a target of the Skaldi’s wrath, but the key to the colony’s future.
Beginning with celebrated classics, the author locates King Kong (1933) within the era of lynching to evince how the film protects whiteness against supposed aggressions of a black predator and reviews The Wizard of Oz (1939) as a product of the Depression's economic anxieties. From there, the study moves to the cult classic animated Sinbad Trilogy (1958-1977) of Ray Harryhausen, films rampant with xenophobic fears of the Middle East as relevant today as when the series was originally produced. Advancing to more recent subjects, the author focuses on the image of the monstrous woman and the threat of reproductive freedom found in Aliens (1986), Jurassic Park (1993), and Species (1995) and on depictions of the mentally ill as dangerous deviants in 12 Monkeys (1996) and The Cell (2000). An investigation into physical freakishness guides his approach to Edward Scissorhands (1990) and Beauty and the Beast (1991).
From the 1820s to the 1930s, Christian missionaries and federal agents launched a continent-wide assault against Indian sacred dance, song, ceremony, and healing ritual in an attempt to transform Indian peoples into American citizens. In spite of this century-long religious persecution, Native peoples continued to perform their sacred traditions and resist the foreign religions imposed on them, as well as to develop new practices that partook of both. At the same time, some whites began to explore Indian performance with interest, and even to promote Indian sacred traditions as a source of power for their own society. The varieties of Indian performance played a formative role in American culture and identity during a critical phase in the nation's development. In Medicine Bundle, Joshua David Bellin examines the complex issues surrounding Indian sacred performance in its manifold and intimate relationships with texts and images by both Indians and whites. From the paintings of George Catlin, the traveling showman who exploited Indian ceremonies for the entertainment of white audiences, to the autobiography of Black Elk, the Lakota holy man whose long life included stints as a dancer in Buffalo Bill's Wild West show, a supplicant in the Ghost Dance movement, and a catechist in the Catholic Church, Bellin reframes American literature, culture, and identity as products of encounter with diverse performance traditions. Like the traditional medicine bundle of sacred objects bound together for ritual purposes, Indian performance and the performance of Indianness by whites and Indians alike are joined in a powerful intercultural knot.
In recent years, the study and teaching of Native American oral and written art have flourished. During the same period, there has been a growing recognition among historians, anthropologists, and ethnohistorians that Indians must be seen not as the voiceless, nameless, faceless Other but as people who had a powerful impact on the historical development of the United States. Literary critics, however, have continued to overlook Indians as determinants of American—rather than specifically Native American—literature. The notion that the presence of Indian peoples shaped American literature as a whole remains unexplored. In The Demon of the Continent, Joshua David Bellin probes the complex interrelationships among Native American and Euro-American cultures and literatures from the mid-seventeenth to the mid-nineteenth centuries. He asserts that cultural contact is at the heart of American literature. For Bellin, previous studies of Indians in American literature have focused largely on the images Euro-American writers constructed of indigenous peoples, and have thereby only perpetuated those images. Unlike authors of those earlier studies, Bellin refuses to reduce Indians to static antagonists or fodder for a Euro-American imagination. Drawing on works such as Henry David Thoreau's Walden, William Apess' A Son of the Forest, and little known works such as colonial Indian conversion narratives, he explores the ways in which these texts reflect and shape the intercultural world from which they arose. In doing so, Bellin reaches surprising conclusions: that Walden addresses economic clashes and partnerships between Indians and whites; that William Bartram's Travels encodes competing and interpenetrating systems of Indian and white landholding; that Catherine Sedgwick's Hope Leslie enacts the antebellum drama of Indian conversion; that James Fenimore Cooper and Henry Wadsworth Longfellow struggled with Indian authors such as George Copway and David Cusick for physical, ideological, and literary control of the nation. The Demon of the Continent proves Indians to be actors in the dynamic processes in which America and its literature are inescapably embedded. Shifting the focus from textual images to the sites of material, ideological, linguistic, and aesthetic interaction between peoples, Bellin reenvisions American literature as the product of contact, conflict, accommodation, and interchange.
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