Reflecting on his fifty-year effort to steer the Grand Old Party toward black voters, Memphis power broker George W. Lee declared, "Somebody had to stay in the Republican Party and fight." As Joshua Farrington recounts in his comprehensive history, Lee was one of many black Republican leaders who remained loyal after the New Deal inspired black voters to switch their allegiance from the "party of Lincoln" to the Democrats. Ideologically and demographically diverse, the ranks of twentieth-century black Republicans included Southern patronage dispensers like Lee and Robert Church, Northern critics of corrupt Democratic urban machines like Jackie Robinson and Archibald Carey, civil rights agitators like Grant Reynolds and T. R. M. Howard, elected politicians like U.S. Senator Edward W. Brooke and Kentucky state legislator Charles W. Anderson, black nationalists like Floyd McKissick and Nathan Wright, and scores of grassroots organizers from Atlanta to Los Angeles. Black Republicans believed that a two-party system in which both parties were forced to compete for the African American vote was the best way to obtain stronger civil rights legislation. Though they were often pushed to the sidelines by their party's white leadership, their continuous and vocal inner-party dissent helped moderate the GOP's message and platform through the 1970s. And though often excluded from traditional narratives of U.S. politics, black Republicans left an indelible mark on the history of their party, the civil rights movement, and twentieth-century political development. Black Republicans and the Transformation of the GOP marshals an impressive amount of archival material at the national, state, and municipal levels in the South, Midwest, and West, as well as in the better-known Northeast, to open up new avenues in African American political history.
Cedric Robinson – political theorist, historian, and activist – was one of the greatest black radical thinkers of the twentieth century. In this powerful work, the first major book to tell his story, Joshua Myers shows how Robinson’s work interrogated the foundations of western political thought, modern capitalism, and changing meanings of race. Tracing the course of Robinson’s journey from his early days as an agitator in the 1960s to his publication of such seminal works as Black Marxism, Myers frames Robinson’s mission as aiming to understand and practice opposition to “the terms of order.” In so doing, Robinson excavated the Black Radical tradition as a form of resistance that imagined that life on wholly different terms was possible. In the era of Black Lives Matter, that resistance is as necessary as ever, and Robinson’s contribution only gains in importance. This book is essential reading for anyone wanting to learn more about it.
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
“Kwame Onwuachi’s story shines a light on food and culture not just in American restaurants or African American communities but around the world.” —Questlove By the time he was twenty-seven years old, Kwame Onwuachi had opened—and closed—one of the most talked about restaurants in America. He had sold drugs in New York and been shipped off to rural Nigeria to “learn respect.” He had launched his own catering company with twenty thousand dollars made from selling candy on the subway and starred on Top Chef. Through it all, Onwuachi’s love of food and cooking remained a constant, even when, as a young chef, he was forced to grapple with just how unwelcoming the food world can be for people of color. In this inspirational memoir about the intersection of race, fame, and food, he shares the remarkable story of his culinary coming-of-age; a powerful, heartfelt, and shockingly honest account of chasing your dreams—even when they don’t turn out as you expected.
Black Boy Fly is the inaugural photography book by Joshua Renfroe, designed by Fred Sands IV. The book is a compilation of visuals that showcases the unique makeup of black male culture, featuring concepts such as sneaker culture, fatherhood, brotherhood, police brutality, music and more. Self published. 240 pages, hardcover. Dimensions 8.5 x 11
They say sticks and stones break your bones, but words can never hurt you. That is a painful lie, for many lives have been destroyed by the very words spoken over them by family members, co-workers, classmates, and even leaders at church. After so long, you begin to believe everything that was said about you, making it harder for you to receive the truth. The truth is, you are precious in the sight of the Lord, and He desires to heal you and set you free from every lie that has damaged you! God will do it for you the same way he did it for Joshua, who reflects on his personal journey of breaking free from all the words that wounded him during the course of his first twenty-five years of life, and his first ten years as a preacher. You will see how this young man has plowed through poverty, abuse, rejection, failure, blacklisting, and much more! Joshua was able to tap into his identity and authority as a prophet and reverse the curses spoken over him, and his story will show you how to embrace your true identity as a child and friend of God! THIS IS THE GOSPEL OF JESUS CHRIST ACCORDING TO JOSHUA DE SOUSA!
This inspiring memoir, now adapted for young adults, chronicles Top Chef star and Forbes and Zagat 30 Under 30 phenom Kwame Onwuachi's incredible and odds-defying fame in the food world after a tough childhood in the Bronx and Nigeria. Food was Kwame Onwuachi's first great love. He connected to cooking via his mother, in the family's modest Bronx apartment. From that spark, he launched his own catering company with twenty thousand dollars he made selling candy on the subway and trained in the kitchens of some of the most acclaimed restaurants in the country. He faced many challenges on the road to success, including breaking free of a dangerous downward spiral due to temptation and easy money, and grappling with just how unwelcoming the world of fine dining can be for people of color. Born on Long Island and raised in New York City, Nigeria, and Louisiana, Kwame Onwuachi's incredible story is one of survival and ingenuity in the face of adversity. Praise for the adult edition of NOTES FROM A YOUNG BLACK CHEF "Kwame Onwuachi's story shines a light on food and culture not just in American restaurants or African American communities but around the world." --Questlove "Fierce and inspiring. . . . This rip-roaring tale of ambition is also a sobering account of racism in and out of the food industry." --New York Tiimes Book Review
Booklist Editors’ Choice WINNER of the Russell Freedman Award for Non-Fiction for a Better World Knowledge is power. The secret is this. Knowledge, applied at the right time and place, is more than power. It’s magic. That’s what the Black Panther Party did. They called up this magic and launched a revolution. In the beginning, it was a story like any other. It could have been yours and it could have been mine. But once it got going, it became more than any one person could have imagined. This is the story of Huey and Bobby. Eldridge and Kathleen. Elaine and Fred and Ericka. This is the story of the committed party members. Their supporters and allies. The Free Breakfast Program and the Ten Point Program. It’s about Black nationalism, Black radicalism, about Black people in America. From the authors of the acclaimed book, Black Against Empire: The History and Politics of the Black Panther Party, and introducing new talent Jetta Grace Martin, comes the story of the Panthers for younger readers—meticulously researched, thrillingly told, and filled with incredible photographs throughout. P R A I S E ★ “A passionate, honest, and intimate look into an important time in civil rights history.” —Booklist (starred) ★ “Impeccable writing and stellar design make this title highly recommended.” —School Library Journal (starred) “Detailed, thoroughly researched...A valuable addition to the history of African American resistance.” —Kirkus
FOX's musical drama Empire has been hailed as the savior of broadcast television, drawing 15 million viewers a week. A "hip-hopera" inspired by Shakespeare's King Lear and 1980s prime-time soap Dynasty, the series is at the forefront of a black popular culture Renaissance--yet has stirred controversy in the black community. Is Empire shifting paradigms or promoting pernicious stereotypes? Examining the evolution and potency of black images in popular culture, the author explores Empire's place in a diverse body of literature and media, data and discussions on respectability.
THE BOOK: Africa: The Origin of Life is a 10-year painstaking research on the Bibles story of mankinds cosmogony of which 7 out of the 10 years spent on the research were on full time basis. The Bible says that God created one man in the beginning and went ahead to describe the location of the habitation of the first man. Two important issues in the Bibles story were of great interest to the Author for which he set out to research. These were: ? If the Bible story were taken to be true, it then means that the multi-races and colors in humanity today only came to be years after the creation of the first man, which means that originally, humanity only had one race and color from that man to a certain point in its history. That being so, what was the original color of that man? In other words, was he a Caucasian, a Mongolian, a Negro or an Amerindian and when did the multi-races and colors of people that we have today come to be? ? The earth has gone through so many changes through earthquakes, landslides, tumults, ocean drifts and desert encroachments, and etc., over the years since the creation of the first man. Taking all these into consideration, is it still possible to establish the location of Eden where our first parents lived? In other words, was Eden in America, Europe, Asia, or Africa? And if we are able to establish the continent which Eden was located, is it not correct to say that the first man was a native of that continent? ? Africa is poor and backward today, what are the causes of Africas backwardness? Is there any hope for Africa, or has God forsaken Africa? These and more are the salient questions that this book has biblically, scientifically and historically found answers to. The book is highly explosive and revealing. It would cause so much ripples and likely going to change some of your Biblical beliefs.
15 Rupture -- 16 The Limits of Heroism -- Conclusion -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Figures
15 Rupture -- 16 The Limits of Heroism -- Conclusion -- Notes -- Acknowledgments -- Index -- A -- B -- C -- D -- E -- F -- G -- H -- I -- J -- K -- L -- M -- N -- O -- P -- Q -- R -- S -- T -- U -- V -- W -- Y -- Z -- Figures
This book critiques the colonial foundations of capitalism and supplants them with intellectual resources from the Black Panther Party. By highlighting The Panthers' praxis, Joshua S. Bartholomew asserts the need for anti-colonial economic models of social justice that can build upon visions of collective liberation and racial equality.
Reading African art’s impact on modernism as an international phenomenon, The “Black Art” Renaissance tracks a series of twentieth-century engagements with canonical African sculpture by European, African American, and sub-Saharan African artists and theorists. Notwithstanding its occurrence during the benighted colonial period, the Paris avant-garde “discovery” of African sculpture—known then as art nègre, or “black art”—eventually came to affect nascent Afro-modernisms, whose artists and critics commandeered visual and rhetorical uses of the same sculptural canon and the same term. Within this trajectory, “black art” evolved as a framework for asserting control over appropriative practices introduced by Europeans, and it helped forge alliances by redefining concepts of humanism, race, and civilization. From the Fauves and Picasso to the Harlem Renaissance, and from the work of South African artist Ernest Mancoba to the imagery of Negritude and the École de Dakar, African sculpture’s influence proved transcontinental in scope and significance. Through this extensively researched study, Joshua I. Cohen argues that art history’s alleged centers and margins must be conceived as interconnected and mutually informing. The “Black Art” Renaissance reveals just how much modern art has owed to African art on a global scale.
Reflecting on his fifty-year effort to steer the Grand Old Party toward black voters, Memphis power broker George W. Lee declared, "Somebody had to stay in the Republican Party and fight." As Joshua Farrington recounts in his comprehensive history, Lee was one of many black Republican leaders who remained loyal after the New Deal inspired black voters to switch their allegiance from the "party of Lincoln" to the Democrats. Ideologically and demographically diverse, the ranks of twentieth-century black Republicans included Southern patronage dispensers like Lee and Robert Church, Northern critics of corrupt Democratic urban machines like Jackie Robinson and Archibald Carey, civil rights agitators like Grant Reynolds and T. R. M. Howard, elected politicians like U.S. Senator Edward W. Brooke and Kentucky state legislator Charles W. Anderson, black nationalists like Floyd McKissick and Nathan Wright, and scores of grassroots organizers from Atlanta to Los Angeles. Black Republicans believed that a two-party system in which both parties were forced to compete for the African American vote was the best way to obtain stronger civil rights legislation. Though they were often pushed to the sidelines by their party's white leadership, their continuous and vocal inner-party dissent helped moderate the GOP's message and platform through the 1970s. And though often excluded from traditional narratives of U.S. politics, black Republicans left an indelible mark on the history of their party, the civil rights movement, and twentieth-century political development. Black Republicans and the Transformation of the GOP marshals an impressive amount of archival material at the national, state, and municipal levels in the South, Midwest, and West, as well as in the better-known Northeast, to open up new avenues in African American political history.
FOX's musical drama Empire has been hailed as the savior of broadcast television, drawing 15 million viewers a week. A "hip-hopera" inspired by Shakespeare's King Lear and 1980s prime-time soap Dynasty, the series is at the forefront of a black popular culture Renaissance--yet has stirred controversy in the black community. Is Empire shifting paradigms or promoting pernicious stereotypes? Examining the evolution and potency of black images in popular culture, the author explores Empire's place in a diverse body of literature and media, data and discussions on respectability.
Booklist Editors’ Choice WINNER of the Russell Freedman Award for Non-Fiction for a Better World Knowledge is power. The secret is this. Knowledge, applied at the right time and place, is more than power. It’s magic. That’s what the Black Panther Party did. They called up this magic and launched a revolution. In the beginning, it was a story like any other. It could have been yours and it could have been mine. But once it got going, it became more than any one person could have imagined. This is the story of Huey and Bobby. Eldridge and Kathleen. Elaine and Fred and Ericka. This is the story of the committed party members. Their supporters and allies. The Free Breakfast Program and the Ten Point Program. It’s about Black nationalism, Black radicalism, about Black people in America. From the authors of the acclaimed book, Black Against Empire: The History and Politics of the Black Panther Party, and introducing new talent Jetta Grace Martin, comes the story of the Panthers for younger readers—meticulously researched, thrillingly told, and filled with incredible photographs throughout. P R A I S E ★ “A passionate, honest, and intimate look into an important time in civil rights history.” —Booklist (starred) ★ “Impeccable writing and stellar design make this title highly recommended.” —School Library Journal (starred) “Detailed, thoroughly researched...A valuable addition to the history of African American resistance.” —Kirkus
In Culture, Relevance, and Schooling: Exploring Uncommon Ground, Lisa Scherff, Karen Spector, and the contributing authors conceive of culturally relevant and critically minded pedagogies in terms of opening up new spatial, discursive, and/or embodied learning terrains. Readers will traverse multiple landscapes and look into a variety of spaces where attempts to tear down or build up pedagogical borders based upon socially-just design are underway. In disciplines ranging from elementary science, to high school English, to college kinesiology, the contributors to this volume describe their attempts to remake schooling in ways that bring hope and dignity to their participants.
Black celebrities in America have always walked a precarious line between their perceived status as spokespersons for their race and their own individual success--and between being "not black enough" for the black community or "too black" to appeal to a broader audience. Few know this tightrope walk better than Kanye West, who transformed hip-hop, pop and gospel music, redefined fashion, married the world's biggest reality TV star and ran for president, all while becoming one of only a handful of black billionaires worldwide. Despite these accomplishments, his polarizing behavior, controversial alliances and bouts with mental illness have made him a caricature in the media and a disappointment among much of his fanbase. This book examines West's story and what it reveals about black celebrity and identity and the American dream.
How can leaders turn this challenge around and begin to reach young people with meaningful ministry that offers mature faith formation-keeping them interested and involved in the local church? Based on a nationwide study of African American young adults, Block Millennials and the Church uses a mix of humor, real-life illustrations, and research findings to present church leaders with valuable insights, specific ministry principles, and programming proposals to use in your church context to make disciples of this emerging generation of young adults. Includes VALUED VOICES, featuring interviews with black millennials who share their experiences with the Christian church.
A BON APPETIT BEST BOOK OF THE YEAR • What is American food? In his first cookbook, the acclaimed author of Notes from a Young Black Chef shares the dishes of his America; dishes that show the true diversity of American food. Onwauachi is “the most important chef in America” (San Francisco Chronicle) and chef of Tatiana, the New York Times #1 Restaurant in New York City 2023. “A must-have for anyone who wants to be a better cook. Each recipe is an insight into Kwame’s family, travels, and time spent in some of the best kitchens in the world.” —David Chang Featuring more than 125 recipes, My America is a celebration of the food of the African Diaspora, as handed down through Onwuachi’s own family history, spanning Nigeria to the Caribbean, the South to the Bronx, and beyond. From Nigerian Jollof, Puerto Rican Red Bean Sofrito, and Trinidadian Channa (Chickpea) Curry to Jambalaya, Baby Back Ribs, and Red Velvet Cake, these are global home recipes that represent the best of the patchwork that is American cuisine. Interwoven throughout the book are stories of Onwuachi’s travels, illuminating the connections between food and place, and food and culture. The result is a deeply personal tribute to the food of “a land that belongs to you and yours and to me and mine.”
A prize-winning poet argues that blackness acts as the caesura between human and nonhuman, man and animal. Throughout US history, black people have been configured as sociolegal nonpersons, a subgenre of the human. Being Property Once Myself delves into the literary imagination and ethical concerns that have emerged from this experience. Each chapter tracks a specific animal figure—the rat, the cock, the mule, the dog, and the shark—in the works of black authors such as Richard Wright, Toni Morrison, Zora Neale Hurston, Jesmyn Ward, and Robert Hayden. The plantation, the wilderness, the kitchenette overrun with pests, the simultaneous valuation and sale of animals and enslaved people—all are sites made unforgettable by literature in which we find black and animal life in fraught proximity. Joshua Bennett argues that animal figures are deployed in these texts to assert a theory of black sociality and to combat dominant claims about the limits of personhood. Bennett also turns to the black radical tradition to challenge the pervasiveness of antiblackness in discourses surrounding the environment and animals. Being Property Once Myself is an incisive work of literary criticism and a close reading of undertheorized notions of dehumanization and the Anthropocene.
In the Black Hills Edition of Biblical Truth & Outdoor Lies, Pastor Josh Jones artfully draws the outdoor enthusiast into a deeper reflection upon the intersection of Christian faith and hunting and fishing. Pastor Jones' wonderfully narrated experiences provide a backdrop that hunters and anglers alike will appreciate. Rather than leave the reader with good stories (which they are), he uses these familiar outdoor experiences to transition into simple yet thoughtful truths gleaned from God's Word. Much too often we lose sight of God's love for us in Jesus and disconnect the things we love from the One who loves us. In a down to earth language all hunters and anglers will recognize and understand, Jones bridges the gap between time in the outdoors and time in God's Word. The outdoor enthusiast who works through these thoughtful devotions will see the world in a better way that increases both his thanks for the gift of God's love in Christ and the gifts found in God's creation.
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