American manufacturing is in obvious crisis: the sector lost three million jobs between 2000 and 2003 as the American trade deficit shot to record highs. Manufacturers have increasingly decentralized productive responsibilities to armies of supplier firms, both domestically and abroad. Many have speculated as to whether or not manufacturing is even feasible in the United States, given the difficulties. Josh Whitford's book examines the issues behind this crisis, looking at the emergence of a 'new old economy', in which relationships between firms have become much more important. Whitford shows that discussion of this shift, in the media and in the academic literature, hits on the right issues - globalization, de-industrialization, and the outsourcing of production in marketized and in network relationships - but in an overly polarized way that obscures as much as it enlightens. Drawing on the results of extensive interviews conducted with manufacturers in the American Upper Midwest, Whitford shows that the range of possibilities is more complex and contingent than is usually recognised. Highlighting heretofore unexamined elements of constraint, contradiction, and innovation that characterize contemporary network production models, Whitford shakes received understandings in economic and organizational sociology, comparative political economy, and economic geography to reveal ways in which the American economic development apparatus can be adjusted to better meet the challenges of a highly decentralized production regime.
American manufacturing is in obvious crisis: the sector lost three million jobs between 2000 and 2003 as the American trade deficit shot to record highs. Manufacturers have increasingly decentralized productive responsibilities to armies of supplier firms, both domestically and abroad. Many have speculated as to whether or not manufacturing is even feasible in the United States, given the difficulties. Josh Whitford's book examines the issues behind this crisis, looking at the emergence of a 'new old economy', in which relationships between firms have become much more important. Whitford shows that discussion of this shift, in the media and in the academic literature, hits on the right issues - globalization, de-industrialization, and the outsourcing of production in marketized and in network relationships - but in an overly polarized way that obscures as much as it enlightens. Drawing on the results of extensive interviews conducted with manufacturers in the American Upper Midwest, Whitford shows that the range of possibilities is more complex and contingent than is usually recognised. Highlighting heretofore unexamined elements of constraint, contradiction, and innovation that characterize contemporary network production models, Whitford shakes received understandings in economic and organizational sociology, comparative political economy, and economic geography to reveal ways in which the American economic development apparatus can be adjusted to better meet the challenges of a highly decentralized production regime.
In his debut novel, YouTube personality and author of We Should Hang Out Sometime Josh Sundquist explores the nature of love, trust, and romantic attraction. On his first day at a new school, blind sixteen-year-old Will Porter accidentally groped a girl on the stairs, sat on another student in the cafeteria, and somehow drove a classmate to tears. High school can only go up from here, right? As Will starts to find his footing, he develops a crush on a charming, quiet girl named Cecily. Then an unprecedented opportunity arises: an experimental surgery that could give Will eyesight for the first time in his life. But learning to see is more difficult than Will ever imagined, and he soon discovers that the sighted world has been keeping secrets. It turns out Cecily doesn't meet traditional definitions of beauty--in fact, everything he'd heard about her appearance was a lie engineered by their so-called friends to get the two of them together. Does it matter what Cecily looks like? No, not really. But then why does Will feel so betrayed? Told with humor and breathtaking poignancy, Love and First Sight is a story about how we relate to each other and the world around us.
After the Scottish National Party’s historic clean sweep in the 2015 General Election, destroying Scottish Labour and the Liberal Democrats North of the Border, this is a timely and in-depth examination of each one of the 56 individuals, many from outwith the political establishment, who now represent the vast majority of Scotland at the Westminster Parliament. Who are they? Where have they come from and what has been their journey into politi? What motivates them? Who or what inspires them? What is their vision for Scotland’s future? We are the 56 is a timely record of the seismic changes in Scottish politi and a fascinating insight into the compelling human stories behind the political headlines.
An examination of the global trade and traffic in discarded electronics that reframes the question of the “right” thing to do with e-waste. The prevailing storyline about the problem of electronic waste frames e-waste as generated by consumers in developed countries and dumped on people and places in developing countries. In Reassembling Rubbish, Josh Lepawsky offers a different view. In an innovative analysis of the global trade and traffic in discarded electronics, Lepawsky reframes the question of the “right” thing to do with e-waste, mapping the complex flows of electronic materials. He counters the assumption that e-waste is a post-consumer problem, pointing out that waste occurs at all stages of electronic materials' existence, and calls attention to the under-researched world of reuse and repair. Lepawsky explains that there are conflicting legal distinctions between electronic waste and non-waste, and examines a legal case that illustrates the consequences. He shows that patterns of trade do not support the dominant narrative of e-waste dumping but rather represent the dynamic ecologies of repair, refurbishment, and materials recovery. He asks how we know waste, how we measure it, and how we construe it, and how this affects our efforts to mitigate it. We might not put so much faith in household recycling if we counted the more massive amounts of pre-consumer electronic waste as official e-waste. Lepawsky charts the “minescapes,” “productionscapes,” and “clickscapes” of electronics, and the uneven “discardscapes” they produce. Finally, he considers both conventional and unconventional e-waste solutions, including decriminalizing export for reuse, repair, and upgrade; enabling ethical trade in electronics reuse, repair, refurbishment, and recycling; implementing extended producer responsibility; and instituting robust forms of public oversight.
Maybe you have a great idea for a movie, and you're thinking to yourself, "Man, if I only knew how to write a screenplay." Maybe you've started your screenplay already, but you get to a certain point where you JUST DON'T KNOW WHAT TO DO NEXT! Or maybe you've already finished your screenplay, printed it out, read it over again, hated it, and burned it in your trash can (but you saved a backup). Don't give up on your dreams just yet--not until you've read this book. Over the course of his successful career as a writer and producer, Josh Miller has learned plenty about the art of screenwriting. There are no fancy tricks or shortcuts to making a great screenplay, just time-honored techniques, fundamental story elements, and one secret ingredient: you. Josh will show you how to craft a compelling story and deploy advanced techniques used by professional screenwriters, but most importantly, he'll teach you how to harness your unique voice, experience and perspective to give your screenplay real substance. Get this book, and get yourself unstuck.
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