“The forty-seven components of Josh Russell’s engrossing King of the Animals are always entertaining, never less than mischievous, constantly surprising, and stunningly well expressed. Yes, they are stories, vignettes, parables, moral tales—but none of those descriptions do them full justice. Let’s just say that Russell is the master of short-form fiction in all its limitless variety.”—Jim Crace “With King of the Animals, Josh Russell affirms his status as one of our most shrewdly capable writers. Mortality and transformation, being a child and being a parent, the lifelong process that is growing up—these are but some of the aspects of American life toward which Russell, in stories that vary richly one from the other except in never ending up where you expect them to, aims his telescope. Tenderhearted, funny, and gorgeously written.”—David Leavitt A teenager and his family seek asylum in an Atlanta IKEA after their split-level is burned down because his father made fun of an autocrat’s bad grammar. A man remembers how seeing a snapshot of his sister naked changed his life—and hers too. A talking doll fails her spelling test, and a king made of sugar and flour watches Fox News and smokes dope with the neighbor kid. The Chicago Tribune praised Josh Russell’s fiction for “virtuoso storytelling, evocative prose, and original conception,” and in King of the Animals, he entwines the extraordinary with the commonplace, leaving us to wonder why we ever thought them separate.
Walter Schmidt's life isn't simple: His wife Nadine wants to live next door to her dead first husband's mother, the Mississippi River is three blocks down the street and rising dangerously, FDR is dead, and the war seems like it will never end -- but for the most part, things are going Walter's way. Then one bright April morning in 1945, Walter comes home early from work to find Nadine in bed with his best friend, Sammy. Shocked into silence, when she then calls him a "kraut," Walter becomes even more confused. True, he's a German immigrant, but he's lived in New Orleans for almost twenty years, and an hour before, he thought he was a happy American---baseball fan, reader of pulp novels, lover of gangster movies. Suddenly Walter wonders if Nadine's right, if he's more German than American, more enemy than friend. When Sammy later offers him $1,000 as an apology for sleeping with his wife, Walter accepts, desperately hoping to hurt his friend, but instead setting in motion a series of events more dangerous than betrayal and petty revenge. Set against a backdrop of a nation exhausted by war, in a decadent city that for years has been denied its butter, sugar, and Mardi Gras, My Bright Midnight is a novel about the complications of loyalties to country, to friends, and to those we love.
Set in New Orleans during the 1840s, a novel of erotic adventure and human corruption follows an apprentice of Louis Daguerre from the studio of his mentor, where he has just participated in inventing photography, to America, where he uses the new art to photograph the victims of Yellow Fever.
Theology and Spider-Man provides a look at the religious themes present in one of the most popular heroes of the past half-century, Spider-Man. In order to create a systematic theology of Spider-Man, the contributors delve into themes of sin, salvation, and creedal theology, while also addressing liberation theology, Black theology, bioethics, and hermeneutics. This volume balances theological depth with discussion of the comics and films, which makes it a perfect collection for those interested in theology, Spider-Man, or both.
With roots in entrepreneurship David and Josh, explore the darker sides to innovation and leadership. The year is 2018, the world has been flooded and the land uninhabitable. Piza a self focused opportunist finds himself in a colony moving back underwater to reclaim the sunken city of Miami. His talents undervalued, craving more independence and financial gain, he strikes out on his own to battle through the ocean, bureaucracy, and his largest challenge, himself.
Everything Is Symbolic is a compilation of blog posts—366 of them, to be exact. So it’s also a devotional. I grew up reading and listening to the King James Version of the Bible. Alongside this, I developed a seriously fluid imagination and mind (what with all the emergent media of the eighties). If I hadn’t had the former, the latter would have driven me mad as the inevitable “storms of life” came to me during my twenties. Herein are the distilled thoughts in the wake of those events, presented one day, one thought at a time.
6 ready-to-use Bible lessons on the biblical book of Joshua. Each Bible lesson consists of 20 or so ready-to-use questions that get groups talking. These questions make small group Bible study a joy. If you can read 20 questions, you can lead a Bible Study. Answers are provided in the form of quotes from respected authors such as John Piper, Max Lucado and Beth Moore. These lessons will save you time as well as provide deep insights from some of the great writers and thinkers from today and generations past. I also include quotes from the same commentaries that your pastor uses in sermon preparation. Ultimately, the goal is to create conversations that change lives.
Things are going Walter Schmidt's way -- he loves his wife, he likes his job, and he's enjoying New Orleans in springtime -- and then one April morning in 1945 he catches his wife in bed with his best friend, a betrayal that sets in motion a series of events more dangerous and complicated than Walter could ever imagine. Set against a backdrop of a nation exhausted by war, in a decadent city that's been denied its butter, sugar, and Mardi Gras, My Bright Midnight is a novel about the complications of loyalties to country, to friends, and to those we love.
In 1964 an Urban League survey ranked Los Angeles as the most desirable city for African Americans to live in. In 1965 the city burst into flames during one of the worst race riots in the nation's history. How the city came to such a pass—embodying both the best and worst of what urban America offered black migrants from the South—is the story told for the first time in this history of modern black Los Angeles. A clear-eyed and compelling look at black struggles for equality in L.A.'s neighborhoods, schools, and workplaces from the Great Depression to our day, L.A. City Limits critically refocuses the ongoing debate about the origins of America's racial and urban crisis. Challenging previous analysts' near-exclusive focus on northern "rust-belt" cities devastated by de-industrialization, Josh Sides asserts that the cities to which black southerners migrated profoundly affected how they fared. He shows how L.A.'s diverse racial composition, dispersive geography, and dynamic postwar economy often created opportunities—and limits—quite different from those encountered by blacks in the urban North.
Hugo Award winning editor, and horror legend, Ellen Datlow presents a terrifying and chilling horror anthology of original short stories exploring the endless terrors of winter solstice traditions across the globe, featuring chillers by Tananarive Due, Stephen Graham Jones, Alma Katsu and many more. The winter solstice is celebrated as a time of joy around the world—yet the long nights also conjure a darker tradition of ghouls, hauntings, and visitations. This anthology of all-new stories invites you to huddle around the fire and revel in the unholy, the dangerous, the horrific aspects of a time when families and friends come together—for better and for worse. From the eerie Austrian Schnabelperchten to the skeletal Welsh Mari Lwyd, by way of ravenous golems, uncanny neighbors, and unwelcome visitors, Christmas and Other Horrors captures the heart and horror of the festive season. Because the weather outside is frightful, but the fire inside is hungry... Featuring stories from: Nadia Bulkin Terry Dowling Tananarive Due Jeffrey Ford Christopher Golden Stephen Graham Jones Glen Hirshberg Richard Kadrey Alma Katsu Cassandra Khaw John Langan Josh Malerman Nick Mamatas Garth Nix Benjamin Percy M. Rickert Kaaron Warren
There’s “western,” and then there’s “Western”—and where history becomes myth is an evocative question, one of several questions posed by Josh Garrett-Davis in What Is a Western? Region, Genre, Imagination. Part cultural criticism, part history, and wholly entertaining, this series of essays on specific films, books, music, and other cultural texts brings a fresh perspective to long-studied topics. Under Garrett-Davis’s careful observation, cultural objects such as films and literature, art and artifacts, and icons and oddities occupy the terrain of where the West as region meets the Western genre. One crucial through line in the collection is the relationship of regional “western” works to genre “Western” works, and the ways those two categories cannot be cleanly distinguished—most work about the West is tinted by the Western genre, and Westerns depend on the region for their status and power. Garrett-Davis also seeks to answer the question “What is a Western now?” To do so, he brings the Western into dialogue with other frameworks of the “imagined West” such as Indigenous perspectives, the borderlands, and environmental thinking. The book’s mosaic of subject matter includes new perspectives on the classic musical film Oklahoma!, a consideration of Native activism at Standing Rock, and surprises like Pee-wee’s Big Adventure and Dr. Seuss’s The Lorax. The book is influenced by the borderlands theory of Gloria Anzaldúa and the work of the indie rock band Calexico, as well as the author’s own discipline of western cultural history. Richly illustrated, primarily from the collection of the Autry Museum of the American West, Josh Garrett-Davis’s work is as visually interesting as it is enlightening, asking readers to consider the American West in new ways.
Be prepared "in season and out" with this handy reference book of faith. Timely and biblically based, Josh McDowell's work offers defenses in 60 of the most-challenged areas of faith. All in one easy-to-reference volume, this book will strengthen your commitment and help you stand firm against challenges to the truth.
On August 3, 1949, the National Basketball Association was born, comprising 17 organizations that ranged geographically from Boston to Denver and culturally from Manhattan to Sheboygan. The league being the result of a merger, there were two different reigning champions vying for NBA supremacy between the George Mikan-led Minneapolis Lakers and the small-town Anderson Packers, with teams from Syracuse, Rochester, New York, Chicago, and Indianapolis all hoping to upset the apple cart enough to take both teams down. This history of the BAA-NBL merger that created the NBA demonstrates that, amid icy executive relations that reflected the league's larger cultural clash between bustling East Coast metropolises and quiet Midwestern towns, the relentless march toward integration sneaking up quicker than expected on the segregated league, and the Second World War still distinctly visible in the rearview mirror and America's involvement in Korea closer than it may have appeared, it was what lay just beyond basketball that mattered. From Tony Lavelli's halftime accordion, Lee Knorek's airport escapades, and Chicago Stags owner John Sbarbaro's Capone-era mob ties to tales of antisemitism, systemic racism, and prisoners of war--with cameos from Jackie Robinson, Chuck Connors, and President Gerald Ford--the book brings back to life, in its totality, the NBA as it was nearly 75 years ago in the year of the merger.
Growing up in South Dakota, Josh Garrett-Davis knew he would leave. But as a young adult, he kept going back -- in dreams and reality and by way of books. With this beautifully written narrative about a seemingly empty but actually rich and complex place, he has reclaimed his childhood, his unusual family, and the Great Plains. Among the subjects and people that bring his Midwestern Plains to life are the destruction and resurgence of the American bison; Native American "Ghost Dancers," who attempted to ward off destruction by supernatural means; the political allegory to be found in The Wonderful Wizard of Oz; and current attempts by ecologists to "rewild" the Plains, complete with cheetahs. Garrett-Davis infuses the narrative with stories of his family as well -- including his great-great-grandparents' twenty-year sojourn in Nebraska as homesteaders and his progressive Methodist cousin Ruth, a missionary in China ousted by Mao's revolution. Ghost Dances is a fluid combination of memoir and history and reportage that reminds us our roots matter.
Drawing on the tools of game design to fix democracy. Anyone who has ever been to a public hearing or community meeting would agree that participatory democracy can be boring. Hours of repetitive presentations, alternatingly alarmist or complacent, for or against, accompanied by constant heckling, often with no clear outcome or decision. Is this the best democracy can offer? In Making Democracy Fun, Josh Lerner offers a novel solution for the sad state of our deliberative democracy: the power of good game design. What if public meetings featured competition and collaboration (such as team challenges), clear rules (presented and modeled in multiple ways), measurable progress (such as scores and levels), and engaging sounds and visuals? These game mechanics would make meetings more effective and more enjoyable—even fun. Lerner reports that institutions as diverse as the United Nations, the U.S. Army, and grassroots community groups are already using games and game-like processes to encourage participation. Drawing on more than a decade of practical experience and extensive research, he explains how games have been integrated into a variety of public programs in North and South America. He offers rich stories of game techniques in action, in children's councils, social service programs, and participatory budgeting and planning. With these real-world examples in mind, Lerner describes five kinds of games and twenty-six game mechanics that are especially relevant for democracy. He finds that when governments and organizations use games and design their programs to be more like games, public participation becomes more attractive, effective, and transparent. Game design can make democracy fun—and make it work.
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