During ""the thaw"" from Stalin's death in 1953 to the late 1960s and Khrushchev's rule, Soviet society experienced major transformations. So did films. In this first comprehensive account of the relationship between politics and cinema in this period, Josephine Woll skillfully interweaves cultural history with film analysis to explore how movies at once responded to the changes around them and helped engender them. She considers dozens of individual films within the context of Khrushchev's policies and the artistic foment they inspired.
It has been more than twenty years since Vicky Maitland last set foot on English soil. Two decades ago she left the city of Liverpool with her three children—leaving behind the husband she dearly loved, who had cruelly and inexplicably turned against them all—to begin a new life in America. Now nervous and apprehensive, with a fateful letter burning a hole in her pocket, Vicky has finally come home in search of the truth and the shattering secrets behind Barney's shocking betrayal—secrets only Vicky's old friend, Lucy Baker, knows but swore never to reveal . . .
The much-anticipated continuation to Scions, the prequel to the Starcrossed series, the #1 international bestseller. Presumed dead, Daphne and Ajax try to steal away what happiness they can while living as Outcasts, when they discover that the Fates aren’t done with them yet. Ajax may have escaped death, but his fate is sealed. Like mice in a maze, both are led back to New York City, where Daphne must find a way to keep the Fates from killing Ajax. But returning to the city puts them both in grave danger, and they are forced to seek help in the unlikeliest of places -- from a reluctant Heir to the House of Athens, and from a Prince of the House of Rome. But their biggest challenge will come from Tantalus, Heir to the House of Thebes, who has been busy plotting to start the war he knows he is destined to win, but who tragically finds himself caught between his devotion to his brother, and his obsession with Daphne.
This reassuring consideration of a deeply personal matter teams seamlessly with a reasoned, emphatic call to action." - Booklist, Starred Review • ABooklist Top 10 Book on the Environment & Sustainability 2024 Explore the ways in which the climate crisis is affecting our personal decisions about family planning, parenting, and political action. In The Conceivable Future, authors Meghan Elizabeth Kallman and Josephine Ferorelli explore the ways in which the climate crisis is affecting our personal decisions about family planning, parenting, and political action. This book offers fresh, timely answers to questions such as: How do I decide to have a baby when there's the threat of environmental collapse? How do I parent a child in the middle of the climate crisis? What can I actually do to help stop global warming? Drawing from their decade of work with the organization Conceivable Future, Kallman, a sociologist and Rhode Island State Senator, and Ferorelli, an activist and former Climate Bureau editor, offers both informed perspective and practical steps for taking meaningful action in combating the climate crisis, while also making smart, balanced decisions when it comes to starting and maintaining a family. First, The Conceivable Future explores what the real threats are to reproductive, gestational, and infant health (spoiler: it's inequality, heat, and fossil fueled pollution), and debunks the myths of personal carbon footprint, and the harmful legacy of population control. The authors examine the successes and impediments of women-led movements around the world and share what they've learned through ten years of organizing to bring attention to the reproductive crisis that is climate change. Finally, the book looks at what can be done about the climate crisis today. By taking these steps, we can both understand the crisis on its own terms, and stay rooted in the human scale, where our lives retain their full meaning. The Conceivable Future is a must-read for all who want to make a difference in the world--and secure a sustainable future for all our families.
In the spring of 1848 seventy-six slaves from the nation's capital hid aboard a schooner called the Pearl in an attempt to sail down the Potomac River and up the Chesapeake Bay to freedom in Pennsylvania. When inclement weather forced them to anchor for the night, the fugitive slaves and the ship's crew were captured and returned to Washington. Many of the slaves were sold to the Lower South, and two men sailing the Pearl were tried and sentenced to prison. Recounting this harrowing tale from the preparations for escape through the participants' trial, Josephine Pacheco provides fresh insight into the lives of enslaved blacks in the District of Columbia, putting a human face on the victims of the interstate slave trade, whose lives have been overshadowed by larger historical events. Pacheco also details the Congressional debates about slavery that resulted from this large-scale escape attempt. She contends that although the incident itself and the trials and Congressional disputes that followed were not directly responsible for bringing an end to the slave trade in the nation's capital, they played a pivotal role in publicizing many of the issues surrounding slavery. Eventually, President Millard Fillmore pardoned the operators of the Pearl.
Gracie Atwell and Sylvia Jenkinson are best friends growing up in a small Yorkshire village, under the shadow of World War II. Both born to well off families, from the outside their childhoods may have looked idyllic. Under the roofs of the large houses on Mulberry Hill, the families battle their own private demons.
¾–Josephine Waggonerês writings offer a unique perspective on the Lakota. Witness will become a widely referenced primary source. Emily Levine has meticulously examined all known collections of Waggonerês manuscripts, sometimes comparing handwritten drafts with multiple typed copies to preserve information in full. Levineês extensive notes are well chosen and informative. Witness will interest both specialist and popular audiences.”ãRaymond DeMallie, Chancellorsê Professor of Anthropology and American Indian Studies at Indiana University¾ During the 1920s and 1930s, Josephine Waggoner (1871_1943), a Lakota woman who had been educated at Hampton Normal and Agricultural Institute in Virginia, grew increasingly concerned that the history and culture of her people were being lost as elders died without passing along their knowledge. A skilled writer, Waggoner set out to record the lifeways of her people and correct much of the misinformation about them spread by white writers, journalists, and scholars of the day. To accomplish this task, she traveled to several Lakota and Dakota reservations to interview chiefs, elders, traditional tribal historians, and other tribal members, including women.¾¾ Published for the first time and augmented by extensive annotations, Witness offers a rare participantês perspective on nineteenth- and early twentieth-century Lakota and Dakota life. The first of Waggonerês two manuscripts presented here includes extraordinary firsthand and as-told-to historical stories by tribal members, such as accounts of life in the Powder River camps and at the agencies in the 1870s, the experiences of a mixed-blood HÏ?kpap?a girl at the first off-reservation boarding school, and descriptions of traditional beliefs. The second manuscript consists of Waggonerês sixty biographies of Lakota and Dakota chiefs and headmen based on eyewitness accounts and interviews with the men themselves. Together these singular manuscripts provide new and extensive information on the history, culture, and experiences of the Lakota and Dakota peoples.
Literature in a Time of Migration offers a profound rethinking of British fiction in light of the new practices of human mobility that reshaped the nineteenth-century world. Building on the growing critical engagement with globalization in literary studies, it confronts the paradox that at a time when transnational human movement occurred globally on an unprecedented scale, British fiction appeared to turn inward to tell stories of local places that valorized stability and rootedness. In contrast, this book reveals how literary works, from the end of the Napoleonic Wars to the advent of the New Imperialism, were active components of a culture of colonization and emigration. Fictional texts, as print commodities, were enmeshed in technologies of transport and communication, and innovations in literary form were spurred by the conditions and consequences of human movement. Examining works by Scott, Charlotte Brontë, Dickens, and George Eliot, as well as popular contemporaries, Mary Russell Mitford, John Galt, and Thomas Martin Wheeler, this volume demonstrates how literary texts overlap with an agenda set in public discussions of colonial emigration that they also helped to shape. Debates about assisted emigration, 'forced' and 'free' migration, colonization, settlement, and the removal of native peoples, figure in fictions in complex ways. Read alongside writings by emigration theorists, practitioners, and enthusiasts for colonization, fictional texts reveal a powerful and sustained engagement with British migratory practices and their worldwide consequences. Literature in a Time of Migration is a timely reminder of the place and importance of migration within British cultural heritage.
Mary Wroth (1587-1653?) was niece and god-daughter of Mary Sidney Herbert. She was married in 1604 to Sir Robert Wroth with whom she joined the Court circle of James I. In 1618 she began work on her enormous prose romance The Countesse of Mountgomeries Urania. The first known work of original fiction by an Englishwoman it reflects her experience as an eyewitness to the turbulent Jacobean Court. Drawing upon a wide range of reading Wroth created a vast encyclopedic romance with a network of women placed at the centre. Its publication swiftly unleashed a storm of criticism from powerful noblemen who attacked Wroth for depicting their private lives under the guise of fiction. When protests reached the King, Wroth wrote a letter of disclaimer to George Villiers, First Duke of Buckingham, in which she stated that copies ’were solde against my minde I never purposing to have had them published’. She explained that she had stopped the sale of the book and asked for the King’s warrant to recover other copies. There is no evidence that the book was recalled. The 1621 edition reproduced here is a unique copy containing the author’s own handwritten revisions.
A young Italian American woman struggles to find her way between two cultures in this novel of “familial dignity . . . credibility and intelligence” (Kirkus Reviews). On a stroll in his Queens neighborhood, Sicilian-born Nino Giardello glimpses his daughter, ambitious nineteen-year-old Gina, heading for the subway. Silently, he follows her to Manhattan and watches, outraged, as she walks into the arms of a golden-haired stranger. The incident confirms Nino’s worst suspicions about his daughter, whose American lifestyle he sees as an insult to his heritage. In a struggle that exceeds all boundaries, including death, father and daughter will engage in a conflict of generations, cultures, and sexes. Josephine Gattuso Hendin captures New York Italian immigrant life with startling precision, exploring the intricate web of a community’s everyday transactions and the multifaceted father-daughter relationship at the heart of the Italian American family. A coming-of-age novel that is both wryly funny and achingly sad, “The Right Thing to Do effectively portrays both New York’s Italian immigrant milieu and one man’s rage at his own powerlessness in the face of his child’s hunger for life” (Booklist).
This book combines theoretical and practical aspects of applied human resources management using a critical lens. It is both a descriptive and analytical journey through the tourism sector which, due to its nature, may be described as a relatively deregulated and eclectic industry. In such a context, human resource practice as presented in this book reflects these extremes.
This stylish and incisive narrative presents readers with a fresh perspective on one of the most fascinating kings in European history. Louis XIV’s story has all the ingredients of a Dumas classic: legendary beginnings, beguiling women, court intrigue, a mysterious prisoner in an iron mask, lavish court entertainments, the scandal of a mistress who was immersed in the dark arts, and a central character who is handsome and romantic, but with a frighteningly dark side to his character.Louis believed himself to be semi-divine. His self-identification as the Sun King, which was reflected in iconography by the sun god, Apollo, influenced every aspect of Louis’s life: his political philosophy, his wars, and his relationships with courtiers and subjects.As a military strategist, Louis’s capacity was ambiguous, but he was an astute politician who led his country to the heights of sophistication and power—and then had the misfortune to live long enough to see it all crumble away. As the sun began to set upon this most glorious of reigns, it brought a gathering darkness filled with the anguish of dead heirs, threatened borders, and a populace that was dangerously dependent upon—but greatly distanced from—its king.
The e-mail Danny and Allison read on their new computer in 1996 looks no different from the millions of others received by Web users around the world, with one glaring exception--it was sent by their dads who died during the 1970s. While residing in the afterworld at an amenity-laden paradise called Midway Manor, guitar-strumming Mickey Parks and piano-playing Lloyd Wallace monitor and manipulate the lives of their adult children on earth from the mid-'70s through the 1990s. Tampering with the facility's sophisticated computer, the dads thrust Mickey's daughter Allison and Lloyd's son Danny into a passionate but sometimes stormy relationship-a relationship steeped in Danny's heavy drinking and entangled in the often-zany world of men's adventure magazine publishing. After carefully implementing a plan to send their son and daughter a gift of knowledge that could enrich their lives forever, the dads' brief contact is cut short. They are banished to another destination in the afterworld, but not before they impart indisputable proof of life after death--and unwittingly put Danny's and Allison's earthbound lives on the line.
Josephine Cameron's A Dog-Friendly Town is a delightful middle-grade cozy caper sure to excite dog-lovers and gentle mystery readers alike! Twelve-year-old Epic McDade isn't ready for middle school. He'd rather help out at his family's dog-friendly bed n' breakfast all summer, or return to his alternative elementary school in the fall, where learning feels safe. But change comes in all shapes and fur colors. When Carmelito, California is named America's #1 Dog-Friendly Town, all the top dogs and their owners pour into Epic's sleepy seaside neighborhood for a week of celebration. The McDades are in dog heaven with all the new business until a famous dog's jewel-encrusted collar goes missing. Every guest is a suspect, and Epic will have to embrace new friends and new ideas to sniff out the culprit before the week is through.
Sheriff Robert Gallegos, tall, handsome, quiet, friendly, Native American/Hispanic, an ex-WWII Marine is determined that the encroaching Juarez, Mexico drug cartel that will stop at nothing to take over his south eastern New Mexico, Aragon Valley - will not, on his watch, succeed. But as intimidation, rape and murder stalk the rural community, the reality of the threat, this summer of 1965, grows ominously closer. A man's man, with friends dating back to childhood and enemies current, romantic when the time is right, the Sheriff's real companion is Old Lady Sara Tree-Root Tampoya, the part-Hopi Medicine Woman who communicates with Grey Lady Between the Mountains, bringer of passages of life and of death, as he struggles to stay centered in the present and decipher the past, to understand who he really is. The wild red-dust wind gallops day and night through the streets of this fictional Aragon Valley county and town, situated near the Rio Grande, somewhere between Las Cruces and the borders of El Paso, Texas and Ciudad de Juarez, Mexico. Santa Feans, Easterners, Denver and West Coast hippies, foreigners and lovers are welcomed, Juarez drug cartel goons are not, and all soon learn to ask no personal questions.
A continuation of Josephine Donovan's exploration of American women's literary traditions, begun with New England Local Color Literature: A Women's Tradition, which treats the nineteenth-century realists, this work analyzes the writing of major women writers of the early twentieth century--- Edith Wharton, Willa Cather, and Ellen Glasgow. The author sees the Demeter-Persephone myth as central to these writers' thematics, but interprets the myth in terms of the historical transitions taking place in turn-of-the-century America. Donovan focuses on the changing relationship between mothers and daughters--- in particular upon the "new women's" rebellion against the traditional women's culture of their nineteenth-century mothers (both literary and literal). An introductory chapter traces the male-supremacist ideologies that formed the intellectual climate in which these women wrote. Reorienting Wharton, Cather, and Glasgow within women's literary traditions produces major reinterpretations of their works, including such masterpieces as Ethan Frome, Summer, My Antonia, Barren Ground, and others. Josephine Donovan's books include Feminist Theory: The Intellectual Traditions of American Feminism; New England Local Color Literature: A Women's Tradition; and Sarah Orne Jewett. She is on the faculty of the University of Maine.
In 1996 I celebrated a year of sobriety and began a journey of rebirth. That year I developed confidence in myself that previously I never experienced. I took my personal collection of notes, diaries, and tapes from my year in Vietnam and begin to organize them into a book. In 1997 I completed the manuscript and titled it One Heart One Mind: one man's memoir of a tour of Vietnam. The book not only dealt with my year in Vietnam but with the emotional cost of the war on my soul and psyche. With assistance from Jonathan Shay M.D., Ph.D., the author of Achilles in Vietnam (a book about combat trauma and the undoing of character), I tried unsuccessfully to get my book published. In 1998 I legally changed my name from John Joseph to Janice Josephine and my writing now included transgender issues. I felt that I had come to terms with my trauma from the Vietnam War, and I was ready to move on. In 1999-2000 I wrote and performed a play "I Was Always Me." The two-act play is a monologue of my transition from John to Janice. In the fall of 2000 I had my first article published in the Transgender Tapestry Magazine. In 2001 I was the subject of a documentary: "TransJan" produced and directed by Katherine Cronin. Its premiere at the Provincetown International Film Festival opened the door for me and after each screening; I conducted a Q&A about transgender issues. The latest screening of "TransJan" was in 2002, when it was selected to be one of the films for the Tampa Gay and Lesbian Film Festival. In 2001, in Boston, while performing readings of my poems and rants at Slams, I met the writer Toni Amato. Shortly after that meeting I begin attending Toni's creative writing workshops at Women's Words and later attended one of her weekend writer retreats. That year I presented "TransJan" and sat on panels at the Transcending Boundaries Conference at Yale University and at Speak Out, a conference at Bunker Hill Community College in Boston. My most challenging event that year was the L/B/T/Allies Strategy Summit in Vermont, sponsored by the National Organization for Women. In 2002 I continued to do workshops using creative writing as a means of getting people to open up about transgender issues. I also put together a course of study on transgender issues called "Transsexuals are Human Also." I conducted creative writing workshops at the Midwest L/G/B/T/Allies College Conference. Out of this conference came my transgender monologue,' and, as "My Vagina Monologue," I performed this at the St Petersburg Metropolitan Community Churcher's Talent Show, and it was published in the summer issue of the Transgender Tapestry Magazine. This year I have presented creative writing workshops at the International Foundation for Gender Education in Philadelphia, the New Hampshire Transgender Resources for Education and Empowerment at the University of New Hampshire in Durham, and at Silver Threads, a weekend retreat on St Pete Beach. I have put together a collection of my poems, rants and essays that are directly from a transwoman's heart called "Purple Hearts and Silver Stars." One of my short stories was published as part of Mary Boenke's Trans Forming Families, real stories about transgender loved ones. Later this year two short stories will published in anthologies, Pinned down by Pronouns (http://www.convictionbooks.com) and Trans-lating Faith, Pilgrim Press, 700 Prospect Ave., Cleveland, Ohio. I am an active member of a local group of women artists called "Women Artist Rising" with whom I share my poems, rants and stories at various WAR events (http://www.womenartistsrising.com). My new column "Perspectives from a Trans-woman" that started in a local newsletter is now in syndication.
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