Imagine if your darkest dreams had the power to kill ... First came the flies and the bees. Then the wild dog attacks and sightings by locals of terrifying beings. The wail of the Banshee is heard. Erinyes, Pan and the Wild Hunt are on the move. The old ones demand blood ... the killings begin. In Circle of Nine a coven of witches unleashed chaos by opening a portal to Eronth, a parallel world where magic, prophecy and ancient myths are real. Now the coven return to close the portal. But dark forces are working against them. Is one of their own betraying them? Eronth is on the edge of ruin. Its cunning folk have been decimated by witch hunts and are beset by invaders. Behind all this chaos lies the Eom crystal, ever growing in power and now with an offspring of equal evil. The faith and strength of Khartyn, Gwyndion, Maya and others are pushed to the limit as they face the horrific culmination of deadly energies. Not all of them will prove equal to the challenge. Heroes will fall by the wayside. Who will make the ultimate sacrifice? "Superb, complex and intriguing" Eternal Night
Emma Develle is a struggling artist trying to eke out a living in the big city. The violent and apparently supernatural death of her Aunt Johanna begins a strange series of events that will change Emma's life forever. Staying in her aunt's house, Emma is drawn to a mural that seems to change before her eyes. Like a modern-day Alice in Wonderland Emma discovers a doorway to the magical world of Eronth, where ancient goddesses are engaged in a bloody power battle with a clan of fallen angels, the Azephim. These dark angels are intent on charging the sacred Eom crystal, the single source of power for all known worlds. Their possession of this crystal will hurl these worlds into desolation and chaos. Khartyn the Crone and her apprentice Rosedark are Emma's guides in Eronth. Wise Khartyn recognises Emma as the prophesied 'Crossa', a time traveller with the ability to prevent the Eom crystal from charging. The Azephim are determined to capture and brainwash Emma to use her as a pawn in their evil and destructive game. Emma must use every part of her being to save herself from violent obvlivion. Circle of Nine is the first book in a spellbinding trilogy that effortlessly blends classical mythology and contemporary gothic fantasy.
Currawongs appearing at the Manor in vast numbers had come to portend one thing... Death was on its way. When photographer Elizabeth Thorrington is invited to document the history of Currawong Manor for a book, she is keen to investigate a mystery from years before: the disappearance of her grandfather, the notorious artist Rupert Partridge, and the deaths of his wife, Doris, and daughter, Shalimar. For years, locals have speculated whether it was terrible tragedy or a double murder, but until now, the shocking truth of what happened at the Manor that day has remained a secret. Relocating to the manor, Elizabeth interviews Ginger Flower, one of Rupert's life models from the seventies, and Dolly Shaw, the daughter of the enigmatic 'dollmaker' who seems to have been protected over the years by the Partridge family. Elizabeth is sure the two women know what happened all those years ago, but neither will share their truths unconditionally. And in the surrounding Owlbone Woods, a haunting presence still lurks, waiting for the currawongs to gather... An evocative tale set in the spectacular Blue Mountains, Currawong Manor is a mystery of art, truth and the ripple effects of death and deception.
Collected poetry from the 1995 National Book Award finalist. Winner of the Frost Medal, the Poets' Prize, and the William Carlos Williams Award of the Poetry Society of America Josephine Jacobsen's distinguished career as poet and writer spans more than six decades, from the publication of her first poem at age eleven to her 1994 American Academy of the Arts Citation, which celebrated her as a recipient of "almost every major poetry award." From 1971 to 1973 she served two terms as Consultant in Poetry to the Library of Congress, a post recently retitled National Poet Laureate. Now in paperback, In the Crevice of Time brings together 176 new and previously published poems by one of the most accomplished and most widely acclaimed poets of our time.
The Costs of Courage is one of the very few comprehensive volumes that shed a light on the needs of US military personnel and their families. The authors introduce social workers and other helping professionals to the dynamic warrior culture of the US military and their families and provides practitioners with the cultural competence necessary to successfully interact with members of this culture. This book includes best practices and eclectic approaches that encourage social workers and other mental health professionals to better consider the needs of our military and their families. The text contains the most up-to-date subject matter on social work with military personnel and their families, including thorough descriptions of major conditions suffered by members of the warrior culture in the past and present. Relevant topics such as suicide, sexual assault, veteran issues, and Don't Ask, Don't Tell, Don't Pursue, are discussed. The content is accented with a glossary of commonly used military terms and acronyms.
In this extraordinary book Josephine Peters, a respected northern California Indian elder and Native healer, shares her vast, lifelong cultural and plant knowledge. The book begins with Josephine's personal and tribal history and gathering ethics. Josephine then instructs the reader in medicinal and plant food preparations and offers an illustrated catalog of the uses and doses of over 160 plants. At a time of the commercialization of traditional ecological knowledge, Peters presents her rich tradition on her own terms, and according to her spiritual convictions about how her knowledge should be shared. This volume is essential for anyone working in ethnobotany, ethnomedicine, environmental anthropology, Native American studies, and Western and California culture and history.
Why cyberinsurance has not improved cybersecurity and what governments can do to make it a more effective tool for cyber risk management. As cybersecurity incidents—ranging from data breaches and denial-of-service attacks to computer fraud and ransomware—become more common, a cyberinsurance industry has emerged to provide coverage for any resulting liability, business interruption, extortion payments, regulatory fines, or repairs. In this book, Josephine Wolff offers the first comprehensive history of cyberinsurance, from the early “Internet Security Liability” policies in the late 1990s to the expansive coverage offered today. Drawing on legal records, government reports, cyberinsurance policies, and interviews with regulators and insurers, Wolff finds that cyberinsurance has not improved cybersecurity or reduced cyber risks. Wolff examines the development of cyberinsurance, comparing it to other insurance sectors, including car and flood insurance; explores legal disputes between insurers and policyholders about whether cyber-related losses were covered under policies designed for liability, crime, or property and casualty losses; and traces the trend toward standalone cyberinsurance policies and government efforts to regulate and promote the industry. Cyberinsurance, she argues, is ineffective at curbing cybersecurity losses because it normalizes the payment of online ransoms, whereas the goal of cybersecurity is the opposite—to disincentivize such payments to make ransomware less profitable. An industry built on modeling risk has found itself confronted by new technologies before the risks posed by those technologies can be fully understood.
Say Nothing is the moving true story of four neglected siblings who were taken into care following the breakdown of their parents' marriage. Sent to a small croft in the north-east of Scotland, they endured an onslaught of physical and mental abuse at the hands of an elderly, inexperienced foster mother. For ten years the children's cries for help were ignored and misunderstood in the naive social-work climate of the late 1950s, and this heartbreaking personal account of cruelty and neglect reveals the effect this maltreatment had on their ability to adjust to a normal adult life. Say Nothing was written as a voice of support for all abused children who are afraid or were never given the chance to tell their story.
In the mid-nineteenth century the Wisconsin Historical Society's first director, Lyman C. Draper, gathered outstanding materials such as the Daniel Boone papers, which include Draper's interviews with Boone's son, and the papers of Revolutionary War hero George Rogers Clark. These two collections alone are of vast significance to frontier history before 1830, but the full collection comprises nearly five hundred volumes of records, including military and government records, interviews, Draper's own research notes, and rare personal letters. For scholars, genealogists, and local historians, the Draper papers offer a wealth of information on the social, economic, and cultural conditions experienced by our frontier forebears. The 180-page index lists thousands of names and is an indispensable guide for all who wish to use the collection, which is available in libraries across the country on microfilm.
What can we recover after a life passes on? A novel about love, forgetting and remembering. Pansy Lim, a Peranakan girl, was brought up in a seaside village in colonial Singapore in the 1940s. She inherits her mother’s love for flowers, nature, the sea, and their healing qualities. Educated by English nuns, she learns and grows to love English, literature and poetry. We see her at the start of the novel, aged, forgetful, and desperately clinging to memories of her recently deceased husband. Through her recollections, she remembers George Chan, the village life that they shared, and the communal past left behind by a nation always on the move. “When I pick up one of Josephine Chia’s books on Singapore’s past, I always know that I’m in for a treat. Josephine brings her readers back to the Singapore of the 1950s and 60s that she grew up in and, in her simple, accessible prose she realistically evokes its sights and sounds and smells. In doing so, she helps us to re-live and re-imagine those days and, in singing her song, she helps us to sing ours.” −Angeline Yap, poet and author of “Closing My Eyes to Listen”
Emma Grady may have finally found happiness, but the same cannot be said for her long-lost daughter... Vagabonds is the final instalment of Josephine Cox's Emma Grady trilogy, which finds the heroine content, yet still struggling with the ghosts of her past. Perfect for fans of Lindsey Hutchinson and Rosie Goodwin. Twenty-two years ago Emma Grady was wrongfully convicted and sentenced to transportation to Australia where she bore and lost her baby daughter - conceived during a passionate affair with Marlow Tanner. It is now 1885, and Emma has returned to Blackburn. Reunited with Marlow, she has a loving family, yet she is still haunted by the past, unable to forget how her uncle Caleb Crowther ignored her desperate plea to save herself and her tragic first-born. Crowther curses his niece's return and also hounds Molly, Emma's estranged daughter. Molly and her children run away and, contending with hunger, exhaustion and the unwelcome attentions of the men who are drawn to Molly's dark beauty, their life at times is almost unbearable. But Molly has inherited Emma's indomitable spirit... What readers are saying about Vagabonds: 'An excellent finale to the Emma Grady series. This book was so gripping I could not put it down. I was completely lost in the story' 'A very fitting end to the Emma Grady trilogy, which keeps you in suspense to the end!' 'Brilliant from start to finish, could not put it down - five stars
1992 was a pivotal moment in African American history, with the Rodney King riots providing palpable evidence of racialized police brutality, media stereotyping of African Americans, and institutional discrimination. Following the twentieth anniversary of the Los Angeles uprising, this time period allows reflection on the shifting state of race in America, considering these stark realities as well as the election of the country's first black president, a growing African American middle class, and the black authors and artists significantly contributing to America's cultural output. Divided into six sections, (The African American Criminal in Culture and Media; Slave Voices and Bodies in Poetry and Plays; Representing African American Gender and Sexuality in Pop-Culture and Society; Black Cultural Production in Music and Dance; Obama and the Politics of Race; and Ongoing Realities and the Meaning of 'Blackness') this book is an engaging collection of chapters, varied in critical content and theoretical standpoints, linked by their intellectual stimulation and fascination with African American life, and questioning how and to what extent American culture and society is 'past' race. The chapters are united by an intertwined sense of progression and regression which addresses the diverse dynamics of continuity and change that have defined shifts in the African American experience over the past twenty years.
If America had a heart, one might call it Brooklyn. This story is a small piece of that heart, told with verve by a young girl who dreams of becoming a writer. In these pages, she records her travel from fourteen through "sweet sixteen" (1929-1930), mixing the routines of her neighborhood life in Flatbush with poems, radio song lyrics, her love of books, regular trips to the theater to watch the latest "pictures," illustrations of her Jazz Age clothes, and her romantic notions about boys. Here, at the beginning of the Depression, she reluctantly shortens her education to learn marketable skills at a business schooltyping, shorthand, letter-writingand finds her first job in Manhattan at a fan manufacturing firm for $15/week. Though the novel she is co-writing with her girl friend is ultimately burned in the winter woods, this, the truer, fuller story, survives. It is, at heart, a coming-of-ages narrative. Posthumously published, this book finally fulfills her girlhood dream.
In 1847 the love for a woman and a debt of honour threatens to destroy two men in the harsh penal colony of Norfolk Island. Driven by intense jealousy and guilt, Lieutenant Edmund Thornton sets out to destroy convicted felon, Michael Hanlon, both of whom share a love for Sarah Henshall. Her unexpected arrival on the island sets into motion a series of tragic events. Can Edmund slay the beast of jealousy and find redemption? Or must he accept his fate and risk losing forever the woman he can no longer live without?
The e-mail Danny and Allison read on their new computer in 1996 looks no different from the millions of others received by Web users around the world, with one glaring exception--it was sent by their dads who died during the 1970s. While residing in the afterworld at an amenity-laden paradise called Midway Manor, guitar-strumming Mickey Parks and piano-playing Lloyd Wallace monitor and manipulate the lives of their adult children on earth from the mid-'70s through the 1990s. Tampering with the facility's sophisticated computer, the dads thrust Mickey's daughter Allison and Lloyd's son Danny into a passionate but sometimes stormy relationship-a relationship steeped in Danny's heavy drinking and entangled in the often-zany world of men's adventure magazine publishing. After carefully implementing a plan to send their son and daughter a gift of knowledge that could enrich their lives forever, the dads' brief contact is cut short. They are banished to another destination in the afterworld, but not before they impart indisputable proof of life after death--and unwittingly put Danny's and Allison's earthbound lives on the line.
The author shares experiences and insights into one year's efforts to revert the author's and her husband's thirty-seven acre farm in Ohio back to wilderness, reflecting as well on many social and environmental issues of the United States in the 20th century.
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Many of us--without the money to contract special media consultants or expensive public relations firms--want to create change in the world, but find communicating our vision difficult, whether our audience is one individual, small groups, large audiences, or the media. Take action and empower others to act with this strategic approach. Target your message to the appropriate power holders. Design and pitch a compelling, persuasive presentation with visual impact. Field questions and comments to energize your audience to take action and move the message to others. With confidence, negotiate for progressive outcomes, construct captivating soundbites to the media, deflect personal attacks, and take the message to the streets to get winning results. In Move the Message, communications consultant and activist Josephine Bellaccomo delivers a step-by-step process, complete with tips, tactics, strategies examples and exercises, to ensure that your message is focused, powerful and unstoppable. Whether the difference you want is local or global, this guide is essential for activists and concerned individuals working to create lasting change. Whether the difference you want to make is local or global, Move the Message is an essential guide for activists and concerned individuals in any cause, and is sure to become a classic in the field.
In Piecing Together the Fragments, translator and poet Josephine Balmer examines the art of classical translation from the perspective of the practitioner. Positioning her study within the long tradition of translator prefaces and introductions, Balmer argues that such statements should be considered as much a part of creative writing as literary theory. From translating Sappho and other classical women poets, as well as Catullus and Ovid, to her poetry collections inspired by classical literature, Balmer discusses her relationship with her source texts and uncovers the various strategies and approaches she has employed in their transformations into English. In particular, she reveals how the need for radical translation strategies in any rendition of classical texts into English can inspire the poet/translator to new poetic forms and approaches. Above all, she considers how, through the masks or personae of ancient voices, such works offer writers a means of expressing dangerous or difficult subject matter they might not otherwise have been able to broach. A unique study of the challenges and rewards of translating classical poetry, this volume explores radical new ways in which creativity and scholarship might overlap - and interact.
The publication of Sanyika Shakur's Monster: The Autobiography of an L.A. Gang Member in 1993 generated a huge amount of excitement in literary circles—New York Times book critic Michiko Kakutani deemed it a “shocking and galvanic book”—and set off a new publishing trend of gang memoirs in the 1990s. The memoirs showcased tales of violent confrontation and territorial belonging but also offered many of the first journalistic and autobiographical accounts of the much-mythologized gang subculture. In The Culture and Politics of Contemporary Street Gang Memoirs, Josephine Metcalf focuses on three of these memoirs—Shakur’s Monster; Luis J. Rodriguez’s Always Running: La Vida Loca: Gang Days in L.A.; and Stanley “Tookie” Williams’s Blue Rage, Black Redemption—as key representatives of the gang autobiography. Metcalf examines the conflict among violence, thrilling sensationalism, and the authorial desire to instruct and warn competing within these works. The narrative arcs of the memoirs themselves rest on the process of conversion from brutal, young gang bangers to nonviolent, enlightened citizens. Metcalf analyzes the emergence, production, marketing, and reception of gang memoirs. Through interviews with Rodriguez, Shakur, and Barbara Cottman Becnel (Williams’s editor), Metcalf reveals both the writing and publishing processes. This book analyzes key narrative conventions, specifically how diction, dialogue, and narrative arcs shape the works. The book also explores how these memoirs are consumed. This interdisciplinary study—fusing literary criticism, sociology, ethnography, reader-response study, and editorial theory—brings scholarly attention to a popular, much-discussed, but understudied modern expression.
This book is specifically aimed at addressing a gap in the study of the evolution of corporate governance in Britain. In particular its key theme, the relationship between corporate governance and personal capitalism in British manufacturing in the first half of the twentieth century, provides the means for a systematic and critical examination of the dominant Chandlerian paradigm that the long-running persistence of personal capitalism shaped the governance of British manufacturing firms well into the twentieth century and acted to erode their competitive performance. The book helps to identify those aspects of corporate governance that have undergone change, with some critical observations on the magnitude of change and those aspects which have displayed characteristics of continuity. The empirical spine of this book is set out in a series of case studies which provide the basis for the examination of corporate governance in Britain during the period c. 1900 to 1950. By focusing particularly on the responses of a range of businesses to the turbulent environment of the inter-war years, this volume offers an insight into a much neglected, yet vital, area of business and economic history.
Songs for a Blind Date is the second in a trilogy. Each book stands alone but is linked by themes of place and the story of Jessica. In the second book, Ernesto, an Italian war orphan, is put on a ship to Australia when he is twelve years old. Ernesto grows into Queensland manhood in the canefields of the North and becomes Ernie, the postman who delivers Jessicas mail in a suburb of Brisbane. By the time Ernie meets Jessica, he has re-invented himself as a bachelor living on acreage with his own mail delivery company. Now he sings snatches of his own song but still yearns for the songs of his mother. Jessica is an established academic, living her own life and working on her PhD. Ernie and Jessica find some joy in each other but is it enough for them both to find new notes to harmonise the clashing chords of their different lives?
National Theatre Connections 2024 draws together ten new plays for young people to perform, from some of the UK's most exciting and popular playwrights. These are plays for a generation of theatre-makers who want to ask questions, challenge assertions and test the boundaries, and for those who love to invent and imagine a world of possibilities. The plays offer young performers an engaging and diverse range of material to perform, read or study. Touching on themes like trans-rights, the mental health crisis, colonial history, disability activism, and climate change, the collection provides topical, pressing subject matter for students to explore in their performance. This 2024 anthology represents the full set of ten plays offered by the National Theatre 2024 Festival (eight brand-new plays, and two returning favourites), as well as comprehensive workshop notes that give insights and inspiration for building characters, running rehearsals and staging a production.
Collected stories from the 1995 National Book Award finalist. The recipient of nearly every major literary award in the United States, Josephine Jacobsen has enjoyed a career that spans more than six decades, from the publication of her first poem at age eleven to her 1995 nomination as a National Book Award finalist. What Goes without Saying brings together thirty of her previously published stories. In "Sound of Shadows," she takes readers through the double-bolted front door of a rowhouse, into the narrow quarters of Mrs. Bart, an elderly widow who has folded her life into her dark living room where the sole light in her "one room wide" world comes from the magenta- and green-tinged colors flashing on her television screen. We follow the muezzin's melancholy call in "A Walk with Raschid," an O. Henry Prize story about an intriguing ten-year-old Arab boy who guides a honeymoon couple through the Moroccan Fez. And the tautly written "Protection" begins with an exacting poetic image that is typical of Jacobsen's insightful prose: "Mica sparkles. The banshee ambulance is beating its mad bell. Like a reaped grassblade on a meadow of macadam, its object lies.
This will help us customize your experience to showcase the most relevant content to your age group
Please select from below
Login
Not registered?
Sign up
Already registered?
Success – Your message will goes here
We'd love to hear from you!
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.