(Fretted). The popularity of the mandolin in the United States between 1885-1915 led to the formation of many regional mandolin orchestras and mandolin clubs across the country, particularly in the urban areas of the Northeast and Midwest, but also as far west as San Francisco and as far south as New Orleans, e.g., the Tulane University Mandolin Club. In fact, Scott Joplin dedicated one of his early rags, "The Entertainer," to his local mandolin club in Sedalia, Missouri, i.e., to "Mr. James Brown and his mandolin club." So tune up your mandolin and enjoy playing the music that would have been heard in the neighborhood dance halls and feel like you're back in the Gilded Age! Each song in this collection is arranged for mandolin in staff notation and mandolin tablature with chord symbols.
The Protection of Plant Varieties and Farmer’s Rights Act, 2001, promises to balance the intellectual property rights of plant breeders and farmers under one umbrella legislation. However, there remain several grey areas and the rights of farmers, in reality, are still tenuous. Though the rights framework was foregrounded on an understanding between non-governmental organizations and industry, there is lack of clarity at both conceptual and procedural levels. In this context, Sophy K. Joseph analyses the impact of legal policy reforms during the ongoing Second Green Revolution on farmers’ customary rights and livelihood. The author discusses how the extension of private property rights to plant varieties, seeds, and other agrarian resources changed the demographic composition of the rural space, with increased migration of cultivators to the cities. The book argues that the transition from state interventionism (during the First Green Revolution) to state abstention (in the Second Green Revolution) has dramatically influenced India’s conventional agrarian practices and traditions. This work maps the evolutionary process of neoliberal economic and legal policies and its interference with primary concerns such as food security, food sovereignty, and agrarian self-reliance of the country.
The Complete, Up-To-Date Guide to Building Great 3D User Interfaces for Any Application 3D interaction is suddenly everywhere. But simply using 3D input or displays isn’t enough: 3D interfaces must be carefully designed for optimal user experience. 3D User Interfaces: Theory and Practice, Second Edition is today’s most comprehensive primary reference to building state-of-the-art 3D user interfaces and interactions. Five pioneering researchers and practitioners cover the full spectrum of emerging applications, techniques, and best practices. The authors combine theoretical foundations, analysis of leading devices, and empirically validated design guidelines. This edition adds two new chapters on human factors and general human-computer interaction—indispensable foundational knowledge for building any 3D user interface. It also demonstrates advanced concepts at work through two running case studies: a first-person VR game and a mobile augmented reality application. Coverage Includes 3D user interfaces: evolution, elements, and roadmaps Key applications: virtual and augmented reality (VR, AR), mobile/wearable devices What 3D UI designers should know about human sensory systems and cognition ergonomics How proven human-computer interaction techniques apply to 3D UIs 3D UI output hardware for visual, auditory, and haptic/ tactile systems Obtaining 3D position, orientation, and motion data for users in physical space 3D object selection and manipulation Navigation and wayfinding techniques for moving through virtual and physical spaces Changing application state with system control techniques, issuing commands, and enabling other forms of user input Strategies for choosing, developing, and evaluating 3D user interfaces Utilizing 2D, “magic,” “natural,” multimodal, and two-handed interaction The future of 3D user interfaces: open research problems and emerging technologies
This book recounts the first fifteen years, early education and marriage negotiations of the Habsburg Archduchess, Elizabeth, who grew up in the Royal and Imperial Courts of Vienna and Wiener Neustadt in the latter half of the sixteenth century. It portrays life at the court of Elizabeth's mother, the Empress Maria, and describes tournaments, coronations, plays, medals, chivalric literature, music, art, sewing, and saints' lives, as well as urban contexts. Ideas of political space and travel are discussed against the settings of Prague, Frankfurt, Stuttgart, Bratislava, Munich and Augsburg. Elizabeth’s story reveals specific structures of the Habsburg Courts, featuring Spanish, Austrian, Hungarian, Low Country, Italian, and Bohemian courtiers, and sets her personal story against the background of larger international events, such as the Peace of Augsburg in 1555 and the Ottoman Wars.
(Fretted). The popularity of the mandolin in the United States between 1885-1915 led to the formation of many regional mandolin orchestras and mandolin clubs across the country, particularly in the urban areas of the Northeast and Midwest, but also as far west as San Francisco and as far south as New Orleans, e.g., the Tulane University Mandolin Club. In fact, Scott Joplin dedicated one of his early rags, "The Entertainer," to his local mandolin club in Sedalia, Missouri, i.e., to "Mr. James Brown and his mandolin club." So tune up your mandolin and enjoy playing the music that would have been heard in the neighborhood dance halls and feel like you're back in the Gilded Age! Each song in this collection is arranged for mandolin in staff notation and mandolin tablature with chord symbols.
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