Most people believe that sucralose (Splenda) is a perfectly safe artificial sweetener. Big business and the FDA have fostered that dangerous misconception. The truth is Splenda is by no means safe; and the same is true for many of the other artificial sweeteners being marketed today. Dr. Joseph Mercola---supported by extensive studies and research---exposes the fact that Splenda actually contributes to a host of serious diseases. Sweet Deception will lay out how the FDA really works for big food companies and should not be trusted when it comes to your health.
Most people believe that sucralose (Splenda) is a perfectly safe artificial sweetener. Big business and the FDA have fostered that dangerous misconception. The truth is Splenda is by no means safe; and the same is true for many of the other artificial sweeteners being marketed today. Dr. Joseph Mercola---supported by extensive studies and research---exposes the fact that Splenda actually contributes to a host of serious diseases. Sweet Deception will lay out how the FDA really works for big food companies and should not be trusted when it comes to your health.
A journey into madness and Chaos. From an alien invasion, to a woman, losing her mind slowly, chained to a madman's basement floor. Don't let his name fool you, he's already being compared to Stephen King, Dean Koontz and Edgar Allen Poe - Feeding Time - A man watches from his window as a young woman is kidnapped. His attempt to save her, leads him to a discovery beyond his worst nightmares - Just Like Going to Sleep - A woman hangs on by a thread of sanity. In darkness, chained to the floor of a psychopath's basement. Her time is running out, as she is slowly starving to death. - Escape to Mars - In a last ditch effort to flee a dying planet, a group of rebels steal an experimental craft in hopes of making it to an unmanned terraforming facility on mars. Will they succeed, or will they suffer the rest of earth's fate regardless? This and many more await you in Hell 101 by Joseph Sweet.
The Damned: Attempting to save his sister's life, Marcus is trapped in the underworld, forced to watch through the eyes of a shape-shifting demon as it destroys all which he holds dear to torment him. How far will he go to escape and save those he cares about? And will the price be more than he can bear? Redemption: Lost in the land of the dead with no memory and separated from Rose, Marcus must face the coming trials with his soul and sanity intact. Rose, meanwhile, must face her past and rise above the darkness within or fall forever. The Gathering: Stranded in a post-apocalyptic world where massive storms tear the threads of reality further apart by the second, two groups must find a way to survive. Mortal now, Marcus must choose to ascend for real, or remain in a world hurtling toward destruction. The Harbingers: This world, the last of a number once beyond the mathematical capabilities of average human minds, will soon be gone unless Marcus and a handful of powerful beings can manage to save it.
“By playing with notions of collecting and cataloging, this anthology offers a range of investigations into detritus and forgotten ephemera.”—Colin Dickey, coeditor of The Morbid Anatomy Anthology The modern age is no stranger to the cabinet of curiosities, the freak show, or a drawer full of odds and ends. These collections of oddities engagingly work against the rationality and order of the conventional archive found in a university, a corporation, or a governmental holding. In form, methodology, and content, The Year’s Work in the Oddball Archive offers a counterargument to a more reasoned form of storing and recording the avant-garde (or the post-avant-garde), the perverse, the off, the bent, the absurd, the quirky, the weird, and the queer. To do so, it positions itself within the history of mirabilia launched by curiosity cabinets starting in the mid-fifteenth century and continuing to the present day. These archives (or are they counter-archives?) are located in unexpected places—the doorways of Katrina homes, the cavity of a cow, the remnants of extinct animals, an Internet site—and they offer up “alternate modes of knowing” to the traditional archive. “An unruly―and much-needed―model for how to do the archive differently.”—Scott Herring, author of The Hoarders: Material Deviance in Modern American Culture “It was a pleasure to read through this collection, and I suspect some of the essays, if not the entire book, will find itself on the syllabus for my Archive and Ephemera graduate course.”—Museum Anthropology Review “A finely wrought collection of curiosities . . . A vital intervention into how we talk about the stuff that surrounds us.”—Colin Dickey, coeditor of The Morbid Anatomy Anthology
What is a 69-year-old man to do when he returns for a high school reunion and falls madly in love with a woman he also fell in love with when he was in the third grade? The answer is: He pursues her, and they seem to have lots of common ground, particularly concerning religion, family concerns, and romance. Them strange things begin to happen.
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