MIDI--the Musical Instrument Digital Interface--is the data communications system that enables music equipment, computers, and software from many different manufacturers to exchange information. Since 1983 the impact of MIDI on the design and operation of synthesizers and related equipment has been dramatic. Rothstein's book provides a practical guide for anyone seeking a thorough discussion of the basic principles of MIDI. The text focuses on MIDI hardware and software as a single, integrated system. In addition to describing categories of MIDI instruments, accessories, and personal computer software, Rothstein explains what they do, what to look for in each, and how to get it all to work together. With this book, you will be able to evaluate, assemble, and manage a complex hardware/software MIDI system.
Burned out by working the baseball beat for years, in the summer of 1922 Damon Runyon was looking for a new sport to cover for The New York American as a change of pace. Having pilloried golf just a few years before, he went to Saratoga that August to sample horse racing and found that “There, right in front of him, were so many of the characters he so loved from his time covering the comings and goings of the Manhattan night crowd.” This was just the tonic Runyon needed to emerge from his malaise. Runyon didn’t just cover the great races and which horse won: he would get to the track days before and roam along the backstretch, speaking with the trainers, the gamblers, the rich owners, and the wise guys, many of which became model characters in his fiction and in the musical Guys and Dolls. This book collects the best of Runyon’s horse racing columns to 1936, when he moved on to other beats.
Music was a subject of considerable debate during the Renaissance. The notion that music could be interpreted in a meaningful way clashed regularly with evidence that music was in fact profoundly promiscuous in its application and effects. Subsequently, much writing in the period reflects a desire to ward off music’s illegibility rather than come to terms with its actual effects. In Broken Harmony Joseph M. Ortiz revises our understanding of music’s relationship to language in Renaissance England. In the process he shows the degree to which discussions of music were ideologically and politically charged. Offering a historically nuanced account of the early modern debate over music, along with close readings of several of Shakespeare’s plays (including Titus Andronicus, The Merchant of Venice, The Tempest, and The Winter’s Tale) and Milton’s A Maske, Ortiz challenges the consensus that music’s affinity with poetry was widely accepted, or even desired, by Renaissance poets. Shakespeare more than any other early modern poet exposed the fault lines in the debate about music’s function in art, repeatedly staging disruptive scenes of music that expose an underlying struggle between textual and sensuous authorities. Such musical interventions in textual experiences highlight the significance of sound as an aesthetic and sensory experience independent of any narrative function.
At over six and a half feet tall and nearly 300 pounds, heavyweight champion Primo Carnera was a giant for his times, but today "the Ambling Alp" is too often written off as an unskilled oaf and a product of the mob dealings that plagued boxing during the 1930s. He may not have been a natural in the ring, but he worked as hard as any boxer to learn his craft, to be in top condition, and he repeatedly showed that he was tougher than nails. This biography details Carnera's early life and boxing career, his success as a fighter as well as accusations of fight fixing, his strengths and limitations in the ring, and his later career as a wrestler.
Beginning with a remarkably comprehensive and accessible analysis of the gap's causes, the book offers a refreshingly balanced, evidence-based, state-of-the-art outline of productive solutions that should inform the work of all educational stakeholders' - Ken Leithwood, Professor, OISE/University of Toronto 'No one is better positioned than Joseph Murphy to provide lessons for education leaders on this important topic' - Andrew Porter, George and Diane Weiss Professor of Education , University of Pennsylvania 'For too long, the achievement gap has been proclaimed, discussed, and then dismissed as a subject of despair. Seldom has it been systematically defined, placed in historical perspective, or positively addressed. Through thorough scholarship, comprehensive knowledge, and creativity, this book fills that void' - James W. Guthrie, Patricia and Rodes Hart Professor of Educational Leadership and Public Policy, Vanderbilt University 'While offering no simple pathway to progress, this book reminds us how much more we can do to close achievement gaps' - Michael S. Knapp, Director Center for the Study of Teaching & Policy, University of Washington Distinguished researcher Joseph F. Murphy has gathered and analyzed the most up-to-date research and data to help headteachers understand what the achievement gap is, why it persists, and what teachers can do about it. This comprehensive handbook: - Examines external factors that contribute to achievement gaps, such as socioeconomic status, family environment, racism, and individual differences - Covers internal factors such as instruction, school culture, and school support - Provides strategies for addressing both internal and external factors to make an impact.
Essential reading in Jewish labor history, culture, and radicalism. Jewish immigrants from Eastern Europe once comprised the largest segment of the anarchist movement in the United States. Part historical excavation and part memoir, Joseph Cohen chronicles both well-known events and behind-the-scenes conflicts among radicals, as well as profiles of famous personalities like Emma Goldman and Alexander Berkman and of the rank-and-file radicals who sustained the anarchist movement across North America from the 1880s to the 1940s. The Jewish Anarchist Movement in America brings Joseph Cohen’s irreplaceable 1945 Yiddish-language study of America’s Jewish anarchists to an English-speaking audience for the first time and remains the most detailed examination of this neglected history. The book also contains Cohen’s own reflections on anarchist theory and tactics, based upon his experiences and observations over four decades. Edited and fully annotated, this edition includes a wealth of supplementary information about the people, places, and events central to American anarchist history.
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