Joseph Kerman is one of the most eminent, wide ranging, and readable of today's writers on music. Admirers of his many books - on musicology, opera, Beethoven, and Elizabethan music - will find much to interest them in this collection of essays, taken from general journals, such as the Hudson Review and the New York Review of Books, as well as more specialized publications.
Following the 1972 Olympics one sportswriter referred to Mark Spitz, winner of seven gold medals, as “the first great Jewish athlete.” He couldn’t have been more wrong. As Jewish Sports Legends shows, Jews have excelled at athletics for centuries. This engaging volume illuminates the lives and unforgettable accomplishments of Jews in virtually every major sport played worldwide. Baseball stars Sandy Koufax and Hank Greenberg, basketball’s Red Auerbach and Dolph Schayes, and football’s Sid Luckman and Marv Levy are only a few notable examples. With photographs accompanying almost every sports personality, this fifth edition introduces some famous and some not-so-famous Jewish sports greats throughout history. More than eighty new entries have been added to the International Jewish Sports Hall of Fame since 2005, among them Lyle Alzado, Max Baer, Ira Berkow, Kenny Bernstein, Sasha Cohen, Shawn Green, Donna Geils Orender, Aly Raisman, and Bud Selig. While most of those profiled are professional sport champions and Olympic gold medalists, the book also features great coaches, officials, journalists, and other significant contributors in every major sport.
Demonstrates that the concept of genius is as vitally needed as ever and can illuminate the workings of Mozart's creative imagination. Much recent, distinguished Mozart criticism has set out a critique of the concept of genius. Whether following the scientist seeking greater objectivity, the postmodernist proclaiming the death of the author, the historian concerned about anachronism, or the critic who warns about making despotic claims, this demystifying literature has taken the weakening of genius's accumulated cultural authority as an indispensable step in arriving at a clarified Mozart. Mozart, Genius, and the Possibilities of Art advances a contrary claim. It proposes that anti-Romantic accounts of Mozart's genius themselves get lost in both the infinitely big--in utopianism and millenarianism--and the infinitesimally small--in materialism and process. Throughout, the book buttresses this argument with probing readings from contemporary documents ranging from ephemeral periodical literature to Kant's Third Critique, along with original analyses of the music itself. Goehring's book goes on to detail a contrasting Romantic portrait of Mozart's genius, one that allowed for ambiguity, embraced experience, and did not scorn reason. In Mozart's day, the term genius spoke to the unquantifiable and unpredictable in human inventiveness. And it continues to do so today. Goehring shows how the persisting fascination with an ingenious Mozart wells up from the middle of things, from the particularity of human beings--their "genie"--and the visible yet complex world of human intention and action.
A Thousand Cuts is a candid exploration of one of America's strangest and most quickly vanishing subcultures. It is about the death of physical film in the digital era and about a paranoid, secretive, eccentric, and sometimes obsessive group of film-mad collectors who made movies and their projection a private religion in the time before DVDs and Blu-rays. The book includes the stories of film historian/critic Leonard Maltin, TCM host Robert Osborne discussing Rock Hudson's secret 1970s film vault, RoboCop producer Jon Davison dropping acid and screening King Kong with Jefferson Airplane at the Fillmore East, and Academy Award-winning film historian Kevin Brownlow recounting his decades-long quest to restore the 1927 Napoleon. Other lesser-known but equally fascinating subjects include one-legged former Broadway dancer Tony Turano, who lives in a Norma Desmond-like world of decaying movie memories, and notorious film pirate Al Beardsley, one of the men responsible for putting O. J. Simpson behind bars. Authors Dennis Bartok and Jeff Joseph examine one of the least-known episodes in modern legal history: the FBI's and Justice Department's campaign to harass, intimidate, and arrest film dealers and collectors in the early 1970s. Many of those persecuted were gay men. Victims included Planet of the Apes star Roddy McDowall, who was arrested in 1974 for film collecting and forced to name names of fellow collectors, including Rock Hudson and Mel Tormé. A Thousand Cuts explores the obsessions of the colorful individuals who created their own screening rooms, spent vast sums, negotiated underground networks, and even risked legal jeopardy to pursue their passion for real, physical film.
On May 4, 1970, two platoons of Ohio National Guardsmen fired on a crowd of students at Kent State University, killing four and wounding nine. Neither the federal government nor the state of Ohio took any responsibility for the guardsmen’s actions. Through the account of the subsequent civil trial, we follow the events of that tragic day, as experienced by the victims and their families, and share their frustration as they try to discover the truth.
This book highlights research on and examples of redemptive managerial behaviors used in the successful reinstatement and improved performance of employees previously terminated for cause. Organizational pressure to hire and retain near-perfect employees is higher than ever, but by offering second chance opportunities and utilizing the resources outlined in this book managers can reclaim, restore, and redirect current employees with great potential. Based on qualitative research and contemporary stories of successful reinstatement, the author highlights the benefits of adopting a redemptive approach and offering employees second chances. The value proposition of retaining an already trained but underperforming employee often results in avoidance of arbitration costs, reduced turnover, higher productivity, and greater employee loyalty. Little research has been conducted assessing the impact of the manager’s leadership behavior on post-reinstatement employees, and this book fills that gap by providing seminal reading for faith-oriented students, scholars, managers, and human resources professionals.
The Old Man's Revenge takes place in a university art department in the South. The principals are four painters coping with their artistic legitimacy and their personal and professional lives. The department is in crisis as the long-time founder and head is retiring. There ensues, as often happens in academe, a political struggle for leadership with an unexpected culmination. The four painters, too, find deserved resolution in their work and in their personal lives.
Summary T HE GIFT OF MISFORTUNE CHRONICLES THE STORY OF A YOUNG HAITIAN IMMIGRANT TORN BETWEEN HIS NATIVE LAND, WHICH HE LOVES UNCONDITIONALLY, AND AN ADOPTED COUNTRY THAT HE FALLS IN LOVE WITH AT FIRST SIGHT. However, once he reluctantly arrives in his new country, in spite of himself, he loves it, but three major obstacles surface that alter his attitudes and eventually his life: his natural kinship with the Christian notion of poverty and wealth; his encounter with his adopted father/friend, Thomas, who is very critical of America; and the most important, the obstacle that makes him change his attitude about American culture and democracy his malevolent and greedy wife, Monica. Politics, religion, fear, deception, greed, courage, and revelation all come to play in the journey of Armand, who brings a willing sister to the United States while his heart and soul is still in Haiti. During Haiti's most turbulent recent times, Armand and sister, Deborah, become concerned about the chaos that is claiming the streets of Port-au-Prince. The fear, violence, murder, and hopelessness were affecting not only the poor and desperate but the wealthy and desperate as well. Deborah wants to go, and so one morning, she wakes up in her comfortable house. After hearing another story of one of her friends put to death because they will not join the military of Baby Doc (Jean-Claude Duvalier), she wants to go out of Haiti as both patriot and citizen. Deborah cannot go anywhere without her brother, Armand, and though he too is frightened, he feels that he can't leave Haiti. They are not involved in politics, but are religious: Armand, fundamentalist Protestant; and Deborah, traditional Catholic. They are still thrust into the politics of the country. They attend the finest school in Haiti, and they attend this school with the country's elite who are pro-Duvalier. With warring factions, violence spurting all around them, certain friends disappearing overnight, never to return, and some friends demanding them to choose between their neutral political life, and the need for them to get involved in the Duvalier government, and concerns for Deborah's freedom since an important Duvalier official might want Deborah for his son, they hatch a plan to escape to the United States of America. In the beginning, it is Deborah, and not Armand, who wanted to abandon Haiti, but Armand has to go to protect his sister and make sure she got there safely. After making a careful trip to Bainet to get money from their very wealthy parents, they leave for the United States of America. Armand leaves with a heavy heart because, unlike Deborah, he wanted to stay in Haiti to do religious work, which would end up looking like political work since Armand has a close connection and passion for the poor. But because of family and tradition, Deborah becomes the major priority. Armand starts a whole new journey when he gets on that plane to the United States and lands in New York City, where his relatives and friends are awaiting him and Deborah. In New York City, he is immediately thrown into a quandary. Though he misses Haiti, he excitingly falls in love with the United States and New York City. On his beginning U.S. journey, he is introduced to the two most important people in his life and the two most important characters in the novel. Also, he is introduced to two of the most important persons he met in his life in the United States: Thomas, a radical Christian socialist who constantly places the United States into the glaring light of expectation and reality and compels Armand to go beyond his strict religious beliefs to uncover deeper truth about a society that worships the material greed; and the other person is Monica, a young woman of questionable reputation, but has sterling charm, a charm that, in spite of all of the warning of Armand's family and church friends, got Armand to marry her. The novel unfolds with these two polar, opposite ch
Since it was founded in 1869, the American Museum of Natural History has stood as one of the world's greatest repositories of scientific information and investigation. This delightful book takes us behind the exhibits and shows us some of the great researchers and fabulous objects from the Museum's past and present, ranging through every department and focusing on fabulous tales and fascinating objects, both small and large, including: * the famous Oviraptor eggs unearthed in the Gobi desert. * the stunning new Hall of Biodiversity, whose trees hold 411,000 model leaves * the 563-carat Star of India sapphire and the 632-carat Patricia emerald * Katharine Burden's hunt for the Komodo dragon : "Women Huntress Revolts Against Playing Safe---Kills Huge 'Malay Dragon' " * the epic saga of the huge blue whale model This book offers a backstage tour through the halls and history of the Museum, venturing into ornithology, invertebrates, zoology, entomology, herpetology, and other disciplines, celebrating the treasures and the scientists responsible for bringing them to the light of day. Museum-goers will find their enjoyment enhanced by the wonderful anecdotes and insights, and armchair travelers will find the back-scenes tour enriching and enlightening.
With this challenging work, Joseph Margolis continues the project begun in The Flux of History and the Flux of Science (California, 1993). Tackling one of philosophy's master themes, he develops the controversial thesis that the world is a flux. Here he applies this doctrine to Western theories of history and the interpretation of cultural phenomena—offering the first sustained analysis of the logic, methodology, and metaphysics of interpretation committed to a thoroughgoing relativism and the historicized structure of cultural phenomena. Versed in Anglo-American and Continental philosophy, Margolis draws on the best views of Western philosophy to investigate a topic regularly ignored in that tradition. The result is the surprising synthesis of two historically antipathetic approaches to philosophy.
Part of the best-selling Operative Techniques series, Operative Techniques in Plastic Surgery provides superbly illustrated, authoritative guidance on operative techniques along with a thorough understanding of how to select the best procedure, how to avoid complications and what outcomes to expect. This stand-alone book offers focused, easy-to-follow coverage of flaps for all anatomic regions, taken directly from the larger text. It covers nearly all flap techniques hat are in current use, and is ideal for residents and physicians in daily practice.
This book deals with the federal income tax as it bears on gratuitous transfers and with the federal wealth transfer taxes. The federal wealth transfer taxes presently consist of a partially unified estate and gift tax and a generation-skipping tax. The federal transfer tax system is separate and apart from the federal income tax. Features: Emphasis on text, statutes, and regulations, rather than cases (especially cases that involve routine application of law to facts) "Building block" organization (simple to complex estates), rather than segmented organization according to Code sections. Extensive use of questions and problems to aid students High-profile authorship in Joseph M. Dodge (a highly regarded tax specialist), Wendy C. Gerzog, and Bridget J. Crawford (both well-established in the field) The book reconstitutes the Estate and Gift tax course from the ground up in light of modern estates practice. For example, special valuation rules are treated as basic, as opposed to being just "tacked on" as other books treat them. More emphasis on valuation and use of FLPs than in other books. Valuation is introduced early on and integrated with other material Integration of related income tax materials, including income taxation of estates and trusts Relation of tax doctrine to tax planning strategies Focus on doctrine that influences the practice of estate and trust law, rather than doctrine for its own sake Reference to state law (including recent developments) as it bears on transfer tax issues, with full coverage of issues raised by community property systems
A bold, restorative vision of Mozart's works, and Western art music generally, as manifestations of an idealism rooted in the sociable nature of humans. For over a generation now, many leading performers, critics, and scholars of Mozart's music have taken a rejection of transcendence as axiomatic. This essentially modernist, antiromantic orientation attempts to neutralize the sorts of aesthetic experiences that presuppose an enchantment with Mozart's art, an engagement traditionally articulated by such terms as intention, mimesis, author, and genius. And what is true of much recent Mozart interpretation isoften manifest in the interpretation of Western art music more generally. Edmund Goehring's Coming to Terms with Our Musical Past explores what gets lost when the vocabulary of enchantment is abandoned. The bookthen proceeds to offer an alternative vision of Mozart's works and of the wider canon of Western art music. A modernized poetics, Goehring argues, reduces art to mechanism or process. It sees less because it excludes a necessaryand enlarging human presence: the generative, and receiving, "I." This fascinating new book-length essay is addressed to any reader interested in the performing arts, visual arts, and literature and their relationship to the broader culture. Goehring draws on seminal thinkers in art criticism and philosophy to propose that such works as Mozart's radiate an idealism that has human sociability both as its source and its object. Edmund J. Goehring is Professor of Music History at the University of Western Ontario.
Joseph hopes to start a new life for himself after he finally, tearfully reunites with his immigrant grandfather after twenty years and inherits a house from him. As he works hard to fix the property, however, he draws the ire of local authorities who covet his home. Escalating harassment climaxes with a shocking act of police brutality under cover of darkness and trumped-up charges for Joseph, kicking off a saga of repeated injustices, attorney betrayals, and even an attempted double murder across three states and almost thirty years. Finished as the corrupt systems that tried cover up these crimes begin to crumble, House of DeWolff combines a vivid retelling of his story with documentation of the entire case to bring the truth to light. This true to life work reveals Joseph's family history, the kidnapping that changed his life, the miscarriages of justice that plague him and his family, and his continued struggle for relief and vindication.
In a major contribution to Hegel scholarship, Professor Flay has written two books in one. The first is a close and original reading of the Phenomenology of Spirit and the second, an invaluable source book containing a bibliography (more than 450 titles) and footnotes which discuss in detail the secondary resource material.
This is a case-based medical text intended to teach common toxicologic exposure scenarios beyond the basics. It provides an in-depth review of the pathology and management of multiple overdoses, poisonings, and envenomations, without requiring the reader to perform their own exhaustive literature review.
Discusses the newest marketing concepts. The Guru name is synonymous with expert, candid advice. The Guru format provides an easy reference to a wide range ofideas and practices.
Part of the best-selling Operative Techniques series, Operative Techniques in Plastic Surgery provides superbly illustrated, authoritative guidance on operative techniques along with a thorough understanding of how to select the best procedure, how to avoid complications and what outcomes to expect. This stand-alone volume offers focused, easy-to-follow coverage of breast, trunk reconstruction and body contouring, all taken directly from the larger text. It covers nearly all plastic surgery operations for these specific areas that are in current use, and is ideal for residents and physicians in daily practice.
An American reporter uncovers a politically explosive murder in post-WWII Berlin in this acclaimed historical thriller—now a major motion picture. Berlin, 1945. Hitler has been defeated, and Berlin is divided into zones of occupation. Jake Geismar, an American correspondent who spent time in the city before the war, has returned to write about the Allied triumph while pursuing a more personal quest: his search for Lena, the married woman he left behind. When an American soldier’s body is found in the Russian zone during the Potsdam Conference, Jake stumbles on the lead to a murder mystery. Joseph Kanon’s The Good German is a story of espionage and love, an extraordinary recreation of a city devastated by war, and a thriller that asks profound ethical questions about what we mean by good and evil in times of peace and of war. “[Kanon] is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell: provocative, fully realized fiction that explores, as only fiction can, the reality of history as it is lived by individual men and women.” —The New York Times Book Review
The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams. Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians. Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.
Contemplating Music is a book for all serious music lovers. Here is the first full-scale of ideas and ideologies in music over the past forty years; a period during which virtually every aspect of music was transformed. With this book, Joesph Kerman establishes the place of music study firmly in the mainstream of modern intellectual history. He treats not only the study of the history of Western art music--with which musicology is tradtionally equated--but also sometimes vexed relations between music history and other fields: music theory and analysis, ethnomusicology, and music criticism. Kerman sees and applauds a change in the study of music towarda critical orientation, As examples, he presents a fascinating vignettes of Bach research in the 1950's and Beethoven studies in the 1960's. He sketched the work of prominent scholars and theorists: Thurston Dart, Charles Rosen, Leonard B. Meyer, Heinrich Schenker, Miltion Babbit, and many others. And he comments on such various subjects as the amazing absorption of Stephen Foster's songs into the cannons of black music, the new intensity of Verdi research, controversies about performance on historical instruments, and the merits and demerits of The New Grove Dictionary of Music and Musicians. Comtemplating Music is fulled with wisdom and trenchant commmentary. It will spark controversy among musicologists of all stripes and will give many musicians and amateurs an entirely new perspective on the world of music.
Published in 1983: In this Atlas the discussion of equipment, technique, its nuances, and problems is followed by clinical and pathological presentations.
Extraordinary Measures studies the impact of disability and concepts of disability on composers, performers, and listeners with disabilities, as well as on discourse about music and works of music themselves. It shows that music (its composers, performers, listeners, critical traditions, and exemplary works) both embodies and constructs disability.
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