We say that the style is the man. Style as the soul of wit and wisdom is the person. The aphorism points to this memoir’s author, Joseph Roccasalvo: refined, astute and ironic. Readers will envision him moving at a slight angle to family and friends, exuding his intelligence to wide benefit. He is at once scholar and believer. Although the events of his life may enlarge on his attainments, we value him best for his faith and hope. Like his namesake, Joseph, he’s accounted a blessing. He avoids being confessional by his cool, robust, somewhat distant stance. If he’s a practitioner of perfect prose, he’s also practitioner of the perfect pose: linguist, novelist and orientalist; priest and playwright. He alarms us with the library he carries in his brain. He’s the recorder of the secrets and longings, not only of his friends, but also of himself. The portraits in AS IT WERE issue a summons: “You, dear reader, take note. We are questioning you. Do you claim a soul among the soulless who wander our culture lost? You may yet be found.” This is the triumph of Roccasalvo’s memoir told with singular purpose. It’s a story of divine providence; of grace doled out during infancy which brings all things mysteriously to completion.
Island of the Assassin is about two kinds of silence in conflict. A covert killer, Kai Landrie, contracted by the CIA to target Islamic terrorists, develops moral scruples. He shares his doubts in confession with Peter Quince, a priest, who gets renditioned for receiving classified information. The result: two unconditional secreciessacred and profanetragically collide.
Twists of Faith is a captivating title for stories of the spiritual life, a phrase that might conjure up people at odds with the world. But these tales are the stellar opposite. In a phrase, they’re thrilling. These twenty-one action narratives, with twists and turns, project our inner struggles: epic accounts of our journey here below—our spiritual saga.
It Comes in Tides by Joseph Roccasalvo showcases a striking talent for the formal style in poetry. The collection is masterful for employing rhyme, meter, and the wordplay of puns and paradox. In the celebration of the highs and lows of romance and abiding friendship, the poems are subtle and emotional, complex but always comprehensible. They are so rhythmic that the image of tides hitting a shoreline best describes them. They share the gift for point and counterpoint in their musical precision. The playful wit, conspicuous in the love poems, captivates the astute reader. It Comes in Tides will inspire both poets and lovers who have a zest for romance in rhyme and meter.
Joseph Roccasalvo toasts two masters of the bon mot and the mot juste as he unleashes his own gifted command of the language in his two-part opus, Two for One. Roccasalvo celebrates his admiration for accomplished English satirist Evelyn Waugh in the first part, a two-act monologue starring Waugh himself at his confident best. Meanwhile, the second section introduces prominent Gospel stories in limerick form, countering the "breathless reporting" of the Bible by putting a twinke in each verse´s eye. He also toasts the master of the one-liner and timely quip, Jesus Christ, in this two-in-one literary show. For more information, please visit www.TWOFORONEBOOK.net
Dr. David McCauley, professor of psychiatry at Harvard Medical, revisits Thailand to study Buddhist forms of meditation in which all inflammatory mental conflicts cease. While in Bangkok, he meets again his former lover Maia, the beguiling Eurasian choreographer; his rival for her affection, the wealthy Giles Corbett; his estranged monastic son, Alex. Complicating the scene are David's visiting fiancee, Helena; Stefano, a Jesuit slum priest and doctor; Maia's ex-lover, Andrew. The Thai scenario is gorgeous, the characters richly complex and just as dubious. Like the sultry climate, they are all - in varying degrees- "in heat". Stefano alone knows how to pull in his fires and be (literally) cool. His is the one-pointed flame that burns in the absence of wind.For more information, please visit www.FIREINAWINDLESSPLACE.com
The trio of stories in TRIPLE SEC is like the high alcoholic liqueur: a bitter-sweet extract of orange rind thrice distilled for intensity. In The Vital Instinct, Nick is in love with Laura who is losing her memory. He discovers that one perfume alone, helping her to remember, rekindles their dying passion. But only Andre her jilted ex-lover who hates her but wants her has access to the formula of the defunct fragrance. In Sign of the Archer, Justin an archeologist gifted with clairvoyance is asked to join homeland security to become its living deterrent. His foresight is clouded by falling in love with Priya, an Indonesian model, who is his partner in anti-terrorism, as they both seek to safeguard a presidential visit. In The Blue Hours, a graduate student of journalism takes as his subject Juro, a renowned Japanese sculptor. In conversations held only at dusk, he learns how the sculptor has discovered an identical twin sister Mika after thirty years separation; and how forbidden love heightens passion at the cost o
Harry MacPherson, an Episcopal priest and writer of thrillers, is approached for help by Mark Raven, whose marriage to Roselyn West Harry has celebrated over twenty years earlier. To discover the father she’s never known, Céline Marquand, the daughter of Mark’s dead lover, Benedict, wants to read her father’s letters to Mark. Her arrival from France risks compromising Mark’s marriage to Roselyn, who is ignorant of her husband’s past. Céline eventually meets their son, Richard, and the children of male lovers fall in love. Meanwhile, the willful and beautiful Lidia Quintavalle also seeks Harry’s help after she is charged with inducing the death of her wealthy husband, Serge Meredith. All these alliances and misalliances are channeled into Harry’s new thriller, The Case of Dante’s Bones, about a mad professor obsessed with burying Beatrice’s remains with Italy’s greatest poet. Under one fictional roof several stories are linked: a triple romance, a thriller based on theft and burial, a memoir of sexual love lost and recovered. The relations between Harry and Lidia, Lidia and Serge, Mark and Benedict, Mark and Roselyn, Céline and Richard are all caught up in the stridency of THE DEVIL’S INTERVAL. Resonating together, the stories fill in the dissonance and sound the strongest chord in Western music, but not before the novel’s jarring, jangling finale.
Twists of Faith is a captivating title for stories of the spiritual life, a phrase that might conjure up people at odds with the world. But these tales are the stellar opposite. In a phrase, they’re thrilling. These twenty-one action narratives, with twists and turns, project our inner struggles: epic accounts of our journey here below—our spiritual saga.
Sacred music is a universal phenomenon of humanity. Where there is faith, there is music to express it. Every major religious tradition and most minor ones have music and have it in abundance and variety. There is music to accompany ritual and music purely for devotion, music for large congregations and music for trained soloists, music that sets holy words and music without words at all. In some traditions—Islamic and many Native American, to name just two--the relation between music and religious ritual is so intimate that it is inaccurate to speak of the music accompanying the ritual. Rather, to perform the ritual is to sing, and to sing the ritual is to perform it. This second edition of Historical Dictionary of Sacred Music contains a chronology, an introduction, appendixes, and an extensive bibliography. The dictionary section has over 800 cross-referenced entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions. This book is an excellent access point for students, researchers, and anyone wanting to know more about sacred music.
In the decade following the Second Vatican Council--roughly 1965-1975--the Jesuit order underwent an internal transformation probably greater than any if had experienced in its previous 400 years. The Re-Formed Jesuits provides a detailed history of this Jesuit experience in the United States. ...." [from back cover].
Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.
We say that the style is the man. Style as the soul of wit and wisdom is the person. The aphorism points to this memoir’s author, Joseph Roccasalvo: refined, astute and ironic. Readers will envision him moving at a slight angle to family and friends, exuding his intelligence to wide benefit. He is at once scholar and believer. Although the events of his life may enlarge on his attainments, we value him best for his faith and hope. Like his namesake, Joseph, he’s accounted a blessing. He avoids being confessional by his cool, robust, somewhat distant stance. If he’s a practitioner of perfect prose, he’s also practitioner of the perfect pose: linguist, novelist and orientalist; priest and playwright. He alarms us with the library he carries in his brain. He’s the recorder of the secrets and longings, not only of his friends, but also of himself. The portraits in AS IT WERE issue a summons: “You, dear reader, take note. We are questioning you. Do you claim a soul among the soulless who wander our culture lost? You may yet be found.” This is the triumph of Roccasalvo’s memoir told with singular purpose. It’s a story of divine providence; of grace doled out during infancy which brings all things mysteriously to completion.
This is a collection of stories about people who are almost happy, stuck in a kind of beatitude that does not beatify. They seemed doomed to pursue happiness in marginal places only to find that bliss is doled out in measured amounts. Hankering for satisfaction in a shifting world, they live lives of unquiet desperation: a connoisseur of oriental culture erotically smitten by a Japanese goldfish; a specialist in classics pursuing a student whose profile matches one on a Roman coin, itself the image of his dead son; identical twins whose loss of their brothers draws them together through an obituary ad; a pope whose heart transplant has him making strange, post-operative choices; a satiric theologian whose wit earns him a place on the Index of forbidden books; an Abyssinian cat who passes for a Coptic Christian. The premise of each story begins as wildly implausible, proves arguable until the conclusion becomes incontestable. The characters may be stuck, but “better a mansion in limbo,” they argue “than a high-rise in heaven.” By refusing to say what is bad or good, the last story leaves it to circumstance to assess the outcome. It seems to say that we all struggle with divided lives, engaging on earth in a shuttle diplomacy between limbo and heaven.
Joseph Roccasalvo toasts two masters of the bon mot and the mot juste as he unleashes his own gifted command of the language in his two-part opus, Two for One. Roccasalvo celebrates his admiration for accomplished English satirist Evelyn Waugh in the first part, a two-act monologue starring Waugh himself at his confident best. Meanwhile, the second section introduces prominent Gospel stories in limerick form, countering the "breathless reporting" of the Bible by putting a twinke in each verse´s eye. He also toasts the master of the one-liner and timely quip, Jesus Christ, in this two-in-one literary show. For more information, please visit www.TWOFORONEBOOK.net
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The desire of the Father in composing it, was to contribute to spread devotion to St. Joseph, as well as nourish his clients' piety. The same is our desire. Does not this great Saint, whom God has distinguished above all others by the glorious titles of Spouse of Mary and Father of Jesus, and whose heroic aets have admirably corresponded to this twofold dignity, which no creature, human or angelic, can ever share with him-does not, I repeat, this great saint merit on our part a special worship and particular homage? A great number of writers and sacred orators have undertaken, in elegant panegyrics, to show forth the prerogatives and the virtues of St. Joseph, and they have succeeded in rallying around him a multitude of devout clients, who invoke him as their advocate and their father, as the worthiest object of their confidence and love, after Jesus and Mary. We shall endeavor, our turn, to attain the same result, hut by an easier and shorter way-that of examples; a way to which Fr. Patrignani has given the preference. Examples, in fact, more easily enter into the mind, and penetrate more readily into the heart, than do the most solid reasonings. 'The latter merely convince; the former, besides conviction, carry something more soul-stirring-persuasion. In the first book we shall present the homage and services which have been rendered to St. Joseph, as so many motives for attaching ourselves to his worship: in the second, we shall narrate the favors granted by this saint to those devoted to his interests. The third book will contain certain pious practices calculated to honor St. Joseph and to make him known.
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