Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in the field, with additional coverage of transformational theory and voice leading. The Fourth Edition helps students identify key theoretical points and guides them through the process of analysis, while also offering new recently composed musical examples—all at an exceptional value.
Broken Beauty illustrates how disability is right at the core of musical modernism; it is one of the things that musical modernism is fundamentally about. The most characteristic features of musical modernism-fractured forms, immobilized harmonies, conflicting textural layers, radical simplification of means in some cases, and radical complexity and hermeticism in others-can be understood as musical representations of disability conditions, including deformity/disfigurement, mobility impairment, madness, idiocy, and autism.
Approaching disability as a cultural construction rather than a medical pathology, this book studies the impact of disability and concepts of disability on composers, performers, and listeners with disabilities, as well as on discourse about music and works of music themselves. For composers with disabilities--like Beethoven, Delius, and Schumann--awareness of the disability sharply inflects critical reception. For performers with disabilities--such as Itzhak Perlman and Evelyn Glennie--the performance of disability and the performance of music are deeply intertwined. For listeners with disabilities, extraordinary bodies and minds may give rise to new ways of making sense of music. In the stories that people tell about music, and in the stories that music itself tells, disability has long played a central but unrecognized role. Some of these stories are narratives of overcoming-the triumph of the human spirit over adversity-but others are more nuanced tales of accommodation and acceptance of life with a non-normative body or mind. In all of these ways, music both reflects and constructs disability.
Broken Beauty illustrates how disability is right at the core of musical modernism; it is one of the things that musical modernism is fundamentally about. The most characteristic features of musical modernism-fractured forms, immobilized harmonies, conflicting textural layers, radical simplification of means in some cases, and radical complexity and hermeticism in others-can be understood as musical representations of disability conditions, including deformity/disfigurement, mobility impairment, madness, idiocy, and autism.
This book consists of analyses of thirty-three musical passages or entire short works in a variety of post-tonal styles. The works under study are taken from throughout the long twentieth century, from 1909 to the present. Within the atonal wing of modern classical music, the composers discussed here, some canonical and some not, represent a diversity of musical style, chronology, geography, gender, and race/ethnicity. Composers studied include Schoenberg, Webern, Berg, Bartok, Stravinsky, Copland, Crawford-Seeger, Babbitt, Dallapiccola, Carter, Louise Talma, Hale Smith, Elisabeth Lutyens, Ursula Mamlok, Tania León, Tan Dun, Shulamit Ran, Kaija Saariaho, Joan Tower, John Adams, Sofia Gubaidulina, Thomas Adès, Caroline Shaw, Chen Yi, and Suzanne Farrin. The approach is pedagogical, in the somewhat informal style of a classroom. Musical examples and analytical videos carry the burden of the analytical argument, with relatively little prose. For each piece, the book suggests ways of making sense of the music, using basic concepts of post-tonal theory to tease out rich networks of musical relationships and reveal something of the fascination and beauty of this challenging music"--
Very little has been written about America's own history of anti-Semitism. In this shocking book, the first documented examination of anti-Semitism in an American governmental institution, Joseph Bendersky shows that such racism permeated the highest ranks of the U.S. military throughout the past century, having a very real effect on policy decisions. Through ten years of research in more than thirty-five archives, the author uncovered irrefutable evidence of endemic and virulent anti-Semitism throughout the Army Corps from the turn of the century right up to the 1970s. This fully developed and clearly articulated perspective had a direct effect on policy discussions and decisions, affecting such matters as immigration, refugees, military strategy, and the establishment of Israel. Written with novelistic intensity and attention to intriguing detail, The "Jewish Threat" forces us to revise some of our cherished notions about our country and its most revered leaders.
Robert A. Van Wyck, mayor of the greater city of New York, broke ground for the first subway line by City Hall on March 24, 1900. It took four years, six months, and twenty-three days to build the line from City Hall to West 145th Street in Harlem. Things rarely went that quickly ever again. The Routes Not Taken explores the often dramatic stories behind the unbuilt or unfinished subway lines, shedding light on a significant part of New York City’s history that has been almost completely ignored until now. Home to one of the world’s largest subway systems, New York City made constant efforts to expand its underground labyrinth, efforts that were often met with unexpected obstacles: financial shortfalls, clashing agendas of mayors and borough presidents, battles with local community groups, and much more. After discovering a copy of the 1929 subway expansion map, author Joseph Raskin began his own investigation into the city’s underbelly. Using research from libraries, historical societies, and transit agencies throughout the New York metropolitan area, Raskin provides a fascinating history of the Big Apple’s unfinished business that until now has been only tantalizing stories retold by public-transit experts. The Routes Not Taken sheds light on the tunnels and stations that were completed for lines that were never fulfilled: the efforts to expand the Hudson tubes into a fullfledged subway; the Flushing line, and why it never made it past Flushing; a platform underneath Brooklyn’s Nevins Street station that has remained unused for more than a century; and the 2nd Avenue line—long the symbol of dashed dreams—deferred countless times since the original plans were presented in 1929. Raskin also reveals the figures and personalities involved, including why Fiorello LaGuardia could not grasp the importance of subway lines and why Robert Moses found them to be old and boring. By focusing on the unbuilt lines, Raskin illustrates how the existing subway system is actually a Herculean feat of countless political compromises. Filled with illustrations of the extravagant expansion plans, The Routes Not Taken provides an enduring contribution to the transportation history of New York City.
“Jewish thinkers don’t talk all that much about love. All too often we leave that to Christian theologians. But in this excellent volume, Rabbi Joseph Telushkin puts the commandment to love at the center of Jewish theology and experience. This is a book that will change the way you think about–and practice–Judaism.” –Professor Ari L. Goldman, Columbia University, and author of The Search for God at Harvard “Love your neighbor as yourself” is the best-known commandment in the Bible. Yet we rarely hear anyone talk about how to apply these words in daily life. In this landmark work, Rabbi Joseph Telushkin, one of the premier scholars and thinkers of our time, gives both Jews and non-Jews an extraordinary summation of what Jewish tradition teaches about putting these words into practice. Writing with great clarity and simplicity as well as with deep wisdom, Telushkin covers topics such as love and kindness, hospitality, visiting the sick, comforting mourners, charity, relations between Jews and non-Jews, compassion for animals, tolerance, self-defense, and end-of-life issues. This second volume of the first major code of Jewish ethics written in the English language is breathtaking in its scope and will undoubtedly influence readers for generations to come. It offers hundreds of practical examples from the Torah, the Talmud, the Midrash, and both ancient and modern rabbinic commentaries–as well as contemporary anecdotes–all teaching us how to care for one another each and every day. A Code of Jewish Ethics, Volume 2: Love Your Neighbor as Yourself is a consummate work of scholarship. Like its acclaimed predecessor, which received the National Jewish Book Award, it is rich with ideas to contemplate and discuss, while being primarily a book to live by. Nothing could be more important in these strife-torn times than learning how to love our neighbors as ourselves. The message of this book is as vital and timely now as it has been since time immemorial.
Operating largely within the world of European-American classical music, this book discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Like everything else about old age, music-making is usually understood as a decline from a former height, a deficiency with respect to a youthful standard. Against this ageist mythology, this book argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. Instead of the usual biomedical or gerontological understanding of old age, with its focus on bodily, cognitive, and sensory decline, this book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. This book seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape.
This book is the first to study the music of Ruth Crawford Seeger, widely considered to be the most important American woman composer of this century. Indeed, it is the first full-length analytical study of the music of any woman composer. The book contains extensive technical descriptions of Ruth Crawford Seeger's music, and also considers her in relation to her contemporaries and to the history of women and music.
From New Zion to Old Zion analyzes the migration of American Jews to Palestine between the two World Wars and explores the contribution of these settlers to the building of Palestine. American Aliyah (immigration to Palestine) began in the mid-nineteenth century fueled by the desire of American Jews to study Torah and by their wish to live and be buried in the Holy Land. His movement of people-men and women-increased between World War I and II, in direct contrast to European Jewry’s desire to immigrate to the United States. Why would American Jews want to leave America, and what characterized their resettlement? From New Zion to Old Zion analyzes the migration of American Jews to Palestine between the two world wars and explores the contribution of these settlers to the building of Palestine. From New Zion to Old Zion draws upon international archival correspondence, newspapers, maps, photographs, interviews, and fieldwork to provide students and scholars of immigration and settlement processes, the Yishuv (Jewish community in Palestine), and America-Holy Land studies a well-researched portrait of Aliyah.
All new, never-before-published? from the author of the phenomenal bestseller The Power of Your Subconscious Mind. When Dr. Joseph Murphy wrote his bestselling book The Power of Your Subconscious Mind, he set forth the basic techniques for enriching one?s life by programming the subconscious mind. This all-new book, based on forty years of previously unpublished research, shows how the subconscious mind can be used by people in their workplace when dealing with both routine and unexpected problems faced on the job. To illustrate Murphy?s principles, editor Arthur Pell has provided examples from the lives of past and contemporary business leaders who have achieved success by applying these concepts in their professional lives. This book covers the most vital subjects in career and business success including: establishing goals, developing self-confidence and resilience, mastering the law of attraction, leading a dynamic team, effective communication, managing time efficiently, and more.
The #1 New York Times Bestseller—Winner of the Pulitzer Prize and National Book Award In his extraordinary biography of the major political couple of the twentieth century, Joseph P. Lash reconstructs from Eleanor Roosevelt's personal papers her early life and four-decade marriage to the four-time president who brought America back from the Great Depression and helped to win World War II. The result is an intimate look at the vibrant private and public worlds of two incomparable people.
Immigrants to Freedom is not a volume of past circumstances; it details the continuing quest of the Jewish people to find a more perfect union with lands and peoples of expanding freedom. from the Preface by Moshe Davis An almost unknown chapter in the story of U.S. immigration and social history opened in 1882 with the creation Southern New Jersey of Alliance, the first rural Jewish settlement in the New World. Escaping from the pogroms of Eastern Europe, disillusioned with the poverty-ridden slums of the big cities, and inspired by popular leaders such as Michael Bakal and Moshe Herder who taught the dignity of manual labor, four hundred Jews chose to become American farmers. Thousands more followed, to settle within the triangular district bounded by Vineland, Millville, and Bridgeton, all searching for individual transformation as well as group transplantation, all seeking to disprove the stereotype of the Jew as small trader and middleman. Their successes, failures, conflicts with the urban Jews of nearby New York and Philadelphia these are the fascinating subjects of this intimately written history. These organized agricultural communities were not primarily Zionist, unlike the pioneering settlements of the same period in Eretz Yisrael. Originally conceived as privately subsidized social experiments, free of socialist or nationalist ringes, these groups sought to overcome anti-Semitism while striving for a more creative life and almost at once, true to their basic Jewish sense of family and self-help, the experiments in farming became programs for saving lives, first from the sanctioned savagery of Alexander III, later from the holocaust of Nazi Germany. These colonizing experiments, says Dr. Brandes, were both a kaleidoscope and a mirror of the major forces in modern Jewish life. Agrarianism, Americanism, Zionism, a testing traditional values all were to be found here in microcosm. [They are]a significant chapter in the history of a people straining from oppression to freedom.
Now published by Norton, Introduction to Post-Tonal Theory has been thoroughly updated to reflect the latest developments in the field, with additional coverage of transformational theory and voice leading. The Fourth Edition helps students identify key theoretical points and guides them through the process of analysis, while also offering new recently composed musical examples—all at an exceptional value.
Pierre Boulez was born a middle child to Léon and Marcelle Boulez on March 26, 1925 in Montbrison, a community not far from Saint-Étienne in the Loire valley of France. By today's faster standards, this put him a little over an hour from Lyon, about three hour's drive from Geneva, about five hours from Paris, and about seven from Baden-Baden-all future residences of Boulez during his formative period. Montbrison was predominately Catholic and relatively small: it probably had a population of about 7,000 during Boulez's childhood in the 1930s, while census statistics from 1968 begin at 11,213. By comparison, nearby Saint-Étienne had a census population of 223,223 in the same year, and Lyon stood at 527,800. While Montbrison was primarily agricultural, Boulez's father was an engineer. By the time Boulez turned five, the family owned a private home and a radio that occasionally broadcast orchestral music. The radio came from a business trip abroad to the United States, but the family also traveled frequently within France. Thus, while he was born into a smaller community some distance from cultural centers in France, Boulez's childhood foreshadowed the slow, growing circumference of his worldly presence"--
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