Centuries before W. B. Yeats wove Indian, Japanese, and Irish forms together in his poetry and plays, Irish writers found kinships in Asian and West Asian cultures. This book maps the unacknowledged discourse of Irish Orientalism within Ireland's complex colonial heritage.
Victorian Literary Cultures: Studies in Textual Subversion provides readers with close textual analyses regarding the role of subversive acts or tendencies in Victorian literature. By drawing clear cultural contexts for the works under review—including such canonical texts as Dracula, Jane Eyre, Middlemarch, and stories featuring Sherlock Holmes—the critics in this anthology offer groundbreaking studies of subversion as a literary motif. For some late nineteenth-century British novelists, subversion was a central aspect of their writerly existence. Although—or perhaps because—most Victorian authors composed their works for a general and mixed audience, many writers employed strategies designed to subvert genteel expectations. In addition to using coded and oblique subject matter, such figures also hid their transgressive material “in plain sight.” While some writers sought to critique, and even destabilize, their society, others juxtaposed subversive themes and aesthetics negatively with communal norms in hopes of quashing progressive agendas.
Joe Kaye was an American poet, philosopher, schoolteacher, and author of 11 books. Born in New York City, Joe taught in New York, Hawaii, and Michigan. In Hawaii, he started writing and by the age of 25 he published his first manuscript. He later moved to Michigan and then to Wisconsin, where he developed a tumor which began to give him delusions. His delusions led him to construct a giant labyrinth on a tropical island. He also had an obsession with looking for a message he believed he had left for himself in a past life, in the form of a poem, song, or story. He went insane with paranoia and believed the karma police were coming to take him away. He also became obsessed with cheating death, practicing a religion called Voodoo Botany, believing it would make him a god. On a late night talk show, he made a prophecy about the extinction of the human race. He was sent to rest at Fennimore Place Institute. The maze was never finished. He died broke and penniless. What most books wont tell you about the life of Joe Kaye, The False Prophet of Fennimore Place, is that before he thought he might be the reincarnation of Mark Twain, and after he thought he was the reincarnation of Jim Morrison, he thought he might have been a very strange science fiction writer named Philip K. Dick. During the time Joe Kaye believed he might have been Philip K. Dick, he wrote a novel called Blind Savior,in whichhe not only attempted to blend all major religions (Hindu/Jewish/Buddhist/Christian/Muslim/Taoist) into one, but also attempted to say all major religions were started by the same person reincarnated again and again. He buried the story in an unknown location. The world was not ready.
Embark on a poetic journey as author-poet Joseph Montezuma unleashes Broken Symmetry. Lush with subtle yet evocative pieces, this anthology is categorized into three parts for your reading pleasure. The first part is a reflection of the author’s inner thoughts and sentiment. The second part take readers into the very heart and culture of Korea, touching on topics such as Buddha, temples, Gochang, and many more engrossing cultural sites in Korea. The final yet explosive division of this collection is about the author’s words of encouragement for everyone. In it there are resounding themes of love, hope, faith, suffering and innocence, and more, much more awaits you in this astounding literature treasure.
Today's musical theatre world rocks. Now that rock 'n' roll music and its offshoots, including pop, hard rock, rap, r&b, funk, folk, and world-pop music, are the standard language of musical theatre, theatre singers need a source of information on these styles, their origins, and their performance practices. Rock in the Musical Theatre: A Guide for Singers fills this need. Today's musical theatre training programs are now including rock music in their coursework and rock songs and musicals in their repertoires. This is a text for those trainees, courses, and productions. It will also be of great value to working professionals, teachers, music directors, and coaches less familiar with rock styles, or who want to improve their rock-related skills. The author, an experienced music director, vocal coach, and university professor, and an acknowledged expert on rock music in the theatre, examines the many aspects of performing rock music in the theatre and offers practical advice through a combination of aesthetic and theoretical study, extensive discussions of musical, vocal, and acting techniques, and chronicles of coaching sessions. The book also includes advice from working actors, casting directors, and music directors who specialize in rock music for the stage.
Thank you for visiting our website. Would you like to provide feedback on how we could improve your experience?
This site does not use any third party cookies with one exception — it uses cookies from Google to deliver its services and to analyze traffic.Learn More.