‘Step forward Kanon, the American Robert Harris, a man who finds untold stories from our recent past and brings them alive’ TIM SHIPMAN, SUNDAY TIMES Daniel Lohr, sensing that the Nazis are closing in on the Jews, leaves his dying father in Berlin and boards a ship to Shanghai. His passage is dependent upon him delivering a package to his shady uncle, his father’s brother, upon arrival. Daniel has no idea what the package contains. On board is Leah, also fleeing the Nazis. She and Daniel conduct a passionate but brief shipboard affair, but are separated as soon as the ship docks in Shanghai. Will he ever see her again? Daniel is immediately plunged into his uncle’s seductive and corrupt world, and becomes involved in the launch of a new nightclub, the biggest, best and most glitzy in town. When violence breaks out and lives are at risk, he finds himself drawn irrevocably into the terrifying underworld that is wartime Shanghai. Beautifully atmospheric and intricately plotted, this masterful thriller marks exciting new ground for an author hailed by the Sunday Times as ‘the most accomplished spy novelist working today’. PRAISE FOR JOSEPH KANON: 'Kanon is fast approaching the complexity and relevance not just of le Carré and Greene but even of Orwell' New York Times 'Heart-poundingly suspenseful' Washington Post 'Joseph Kanon continues to demonstrate that he is up there with the very best . . . he is the master of the shadows of the era' The Times 'Thoroughly absorbing, a thoughtful and subtle evocation of a place and era' Sunday Telegraph ‘Arguably America’s greatest writer of historical thrillers’ Sunday Times 'Joseph Kanon owns this corner of the literary landscape' Lee Child 'Sensational! No one writes period fiction with the same style and suspense – not to mention substance – as Joseph Kanon' Scott Turow 'The perfect combination of intrigue and accurate history brought to life' Alan Furst
A mesmerising tale of old Hollywood glamour and post-war espionage from the bestselling author of The Good German. Hollywood, 1945. Ben Collier returns from war to the news that his filmmaker brother Daniel has died in mysterious circumstances -- the papers say it was an accident, but others suspect suicide. Daniel was a heroic figure who helped many prominent German intellectuals escape Europe before the war and then settled in Los Angeles with his beautiful wife, Liesl. Why would a man with such a bright future take his own life? Could he have been murdered? Ben is determined to uncover the truth and uses his friendship with Continental Studios boss Sol Lasner to penetrate the maze of studio politics and Hollywood secrets. Beneath the surface shine of the movie business lies a darker world where even the biggest stars and star-makers are vulnerable to old secrets being exposed and old loyalties tested . . .
In a historical thriller set in postwar Venice, Adam Miller, a U.S. Army war crimes investigator, confronts a city still at war with itself and haunted by the atrocities of the recent past when he falls in love with a Jewish woman.
A gripping tale of a US undercover agent in 1945 Istanbul, from the bestselling author of The Good German. A neutral capital straddling Europe and Asia, Istanbul has spent the war as a magnet for refugees and spies. Even American businessman Leon Bauer has been drawn into this shadow world, doing undercover odd jobs and courier runs for the Allied war effort. Now, as the espionage community begins to pack up and an apprehensive city prepares for the grim realities of post-war life, he is given one more assignment, a routine job that goes fatally wrong, plunging him into a tangle of intrigue and moral confusion. Leon's attempt to save one life leads to a desperate manhunt and a maze of shifting loyalties that threatens his own. Istanbul Passage is the story of a man swept up in the aftermath of war, an unexpected love affair, and a city as deceptive as the calm surface waters of the Bosphorus that divides it.
Named “The Book of the Year” by Lee Child in The Guardian From “master of the genre” (The Washington Post) and author of Leaving Berlin, a heart-pounding and intelligent espionage novel about a Nazi war criminal who was supposed to be dead, the rogue CIA agent on his trail, and the beautiful woman connected to them both. Seventeen years after the fall of the Third Reich, Max Weill has never forgotten the atrocities he saw as a prisoner at Auschwitz—nor the face of Dr. Otto Schramm. He was the camp doctor who worked with Mengele on appalling experiments and who sent Max’s family to the gas chambers. As the war came to a close, Schramm was one of the many high-ranking former-Nazi officers who managed to escape Germany for new lives in South America, where leaders like Argentina’s Juan Perón gave them safe harbor and new identities. With his life nearing its end, Max asks his nephew Aaron Wiley—an American CIA desk analyst—to complete the task Max never could: to track down Otto in Argentina, capture him, and bring him back to Germany to stand trial. Unable to deny his uncle, Aaron travels to Buenos Aires and discovers a city where Nazis thrive in plain sight, mingling with Argentine high society. He ingratiates himself with Otto’s alluring but damaged daughter, whom he’s convinced is hiding her father. Enlisting the help of a German newspaper reporter, an Israeli agent, and the obliging CIA station chief in Buenos Aires, he hunts for Otto—a complicated monster, unexpectedly human but still capable of murder if cornered. Unable to distinguish allies from enemies, Aaron will ultimately have to discover just how far he is prepared to go to render justice. “With his remarkable emotional precision and mastery of tone” (Kirkus Reviews, starred review), Joseph Kanon crafts another “gripping and authentic” (The New York Times Book Review) thriller that you won’t be able to put down.
NEW YORK TIMES BESTSELLER • “The suspense novel for all others to beat . . . [a] must read.”—The Denver Post WINNER OF THE EDGAR AWARD FOR BEST FIRST NOVEL It is the spring of 1945, and in a dusty, remote community, the world’s most brilliant minds have come together in secret. Their mission: to split an atom and end a war. But among those who have come to Robert Oppenheimer ’s “enchanted campus” of foreign-born scientists, baffled guards, and restless wives is a simple man in search of a killer. Michael Connolly has been sent to the middle of nowhere to investigate the murder of a security officer on the Manhattan Project. But amid the glimmering cocktail parties and the staggering genius, Connolly will find more than he bargained for. Sleeping in a dead man’s bed and making love to another man’s wife, Connolly has entered the moral no-man’s-land of Los Alamos. For in this place of brilliance and discovery, hope and horror, Connolly is plunged into a shadowy war with a killer—as the world is about to be changed forever. Praise for Los Alamos “A magnificent work of fiction . . . a love story inside a murder mystery inside perhaps the most significant story of the twentieth century: the making of the atomic bomb.”—The Boston Globe “Compelling . . . [Joseph Kanon] pulls the reader into a historical drama of excitement and high moral seriousness.” —The New York Times “Thrilling . . . Kanon writes with the sure hand of a veteran and does a marvelous job.”—The Washington Post Book World
Berlin, 1963. An early-morning spy swap, not at the familiar setting for such exchanges, nor at Checkpoint Charlie, where international visitors cross into the East, but at a more discreet border crossing, usually reserved for East German VIPs. The Communists are trading two American students caught helping people to escape over the wall and an aging M16 operative. On the other side of the trade: Martin Keller, a physicist who once made headlines, but who then disappeared into the English prison system. Keller's most critical possession: his American passport. Keller's most ardent desire: to see his ex-wife Sabine and their young son. But Martin has questions: who asked for him? Who negotiated the deal? The KGB? He knows that nothing happens by chance. They want him for something. Not physics - his expertise is out of date. Something else, which he cannot learn until he arrives in East Berlin, when suddenly the game is afoot. Intriguing and atmospheric, The Berlin Exchange "expertly describes what happens when a disillusioned former agent tries to come in from the cold" (The New York Times Book Review) and confirms Kanon as "the most accomplished spy novelist working today" (The Sunday Times, UK)"-- Back cover.
Shanghai begins when Daniel Lohr, sensing the Nazis closing in on the Jews of Berlin, leaves his dying father and agrees to flee to Shanghai on an Italian passenger ship. His passage is dependent upon him agreeing to deliver a package to his shady uncle upon arrival. Aboard the ship he will meet a woman, Leah, also a Jew fleeing the Nazis. They conduct a passionate but brief shipboard affair and then the passenger ship arrives. Will Dan ever see her again? He is met by his uncle--who has changed his name--and soon Dan is plunged into his uncle's world, specifically a big new nightclub, the best and most glitzy in town. Within minutes, violence breaks out as someone tries to assassinate his uncle, and with that, Dan is drawn deep into the underworld that is wartime Shanghai"--
Istanbul Passage is the story of a man swept up in the dawn of the Cold War, of an unexpected love affair, and a city as deceptive as the calm surface waters of the Bosphorus that divides it. -- Cover.
The bestselling author of Leaving Berlin and Istanbul Passage “continues to demonstrate that he is up there with the very best...of spy thriller writers” (The Times, UK) with this “fascinating” (The Washington Post) novel about two brothers bound by blood but divided by loyalty. In 1949, Frank Weeks, agent of the newly formed CIA, was exposed as a Communist spy and fled the country to vanish behind the Iron Curtain. Now, twelve years later, he has written his memoirs, a KGB- approved project almost certain to be an international bestseller, and has asked his brother Simon, a publisher, to come to Moscow to edit the manuscript. It’s a reunion Simon both dreads and longs for. The book is sure to be filled with mischief and misinformation; Frank’s motives suspect, the CIA hostile. But the chance to see Frank, his adored older brother, proves irresistible. And at first Frank is still Frank—the same charm, the same jokes, the same bond of affection that transcends ideology. Then Simon begins to glimpse another Frank, capable of treachery and actively working for “the service.” He finds himself dragged into the middle of Frank’s new scheme, caught between the KGB and the CIA in a fatal cat and mouse game that only one of the brothers is likely to survive. “A finely paced Cold War thriller with [Kanon’s] usual flair for atmospheric detail, intriguing characters, and suspenseful action” (Library Journal), Defectors takes us to the heart of a world of secrets, where even the people we know best can’t be trusted and murder is just collateral damage.
The acclaimed, bestselling author of The Good German and Los Alamos returns with his most absorbing and accomplished novel yet—a mesmerizing tale of Hollywood, postwar political intrigue, and one man's determination to learn the truth about his brother's death. Hollywood, 1945. Ben Collier has just arrived from war-torn Europe to find his brother has died in mysterious circumstances. Why would a man with a beautiful wife, a successful movie career, and a heroic past choose to kill himself? Ben enters the uneasy world beneath the glossy shine of the movie business, where politics and the dream factories collide and Communist witch hunts are rendering the biggest star makers vulnerable. Even here, where the devastation of Europe seems no more real than a painted movie set, the war casts long and dangerous shadows. When Ben learns troubling facts about his own family’s past and embarks on a love affair that never should have happened, he is caught in a web of deception that shakes his moral foundation to its core. Rich with atmosphere and period detail, Stardust flawlessly blends fact and fiction into a haunting thriller evoking both the glory days of the movies and the emergence of a dark strain of American political life.
Targeted by McCarthyism for his prewar politics, a young Jewish writer who fled the Nazis to America makes a desperate bargain with a fledgling CIA to work as a spy in a decimated Berlin.
In a time of accusations, treachery and lies, some secrets were heartbreaking.... Others were deadly. Once, Nick Kotlar tried to save his father. From the angry questions. From the accusations. From a piece of evidence that only Nick knew about and that he destroyed—for his father. But in the Red Scare of 1950 Walter Kotlar could not be saved. Branded a spy, he fled the country, leaving behind a wife, a young son—and a key witness lying dead below her D.C. hotel room. Now, twenty years later, Nick will get a second chance. Because a beautiful journalist has brought a message from his long-lost father, and Nick will follow her into Soviet-occupied Prague for a painful reunion. Confronting a father he barely remembers and a secret that could change everything, Nick knows he must return to the place where it all began: to unravel a lie, to penetrate a deadly conspiracy, and to expose the one person who knew the truth—and watched a family be destroyed.
Named “The Book of the Year” by Lee Child in The Guardian From “master of the genre” (The Washington Post) and author of Leaving Berlin, a heart-pounding and intelligent espionage novel about a Nazi war criminal who was supposed to be dead, the rogue CIA agent on his trail, and the beautiful woman connected to them both. Seventeen years after the fall of the Third Reich, Max Weill has never forgotten the atrocities he saw as a prisoner at Auschwitz—nor the face of Dr. Otto Schramm. He was the camp doctor who worked with Mengele on appalling experiments and who sent Max’s family to the gas chambers. As the war came to a close, Schramm was one of the many high-ranking former-Nazi officers who managed to escape Germany for new lives in South America, where leaders like Argentina’s Juan Perón gave them safe harbor and new identities. With his life nearing its end, Max asks his nephew Aaron Wiley—an American CIA desk analyst—to complete the task Max never could: to track down Otto in Argentina, capture him, and bring him back to Germany to stand trial. Unable to deny his uncle, Aaron travels to Buenos Aires and discovers a city where Nazis thrive in plain sight, mingling with Argentine high society. He ingratiates himself with Otto’s alluring but damaged daughter, whom he’s convinced is hiding her father. Enlisting the help of a German newspaper reporter, an Israeli agent, and the obliging CIA station chief in Buenos Aires, he hunts for Otto—a complicated monster, unexpectedly human but still capable of murder if cornered. Unable to distinguish allies from enemies, Aaron will ultimately have to discover just how far he is prepared to go to render justice. “With his remarkable emotional precision and mastery of tone” (Kirkus Reviews, starred review), Joseph Kanon crafts another “gripping and authentic” (The New York Times Book Review) thriller that you won’t be able to put down.
In a time of accusations, treachery and lies, some secrets were heartbreaking.... Others were deadly. Once, Nick Kotlar tried to save his father. From the angry questions. From the accusations. From a piece of evidence that only Nick knew about and that he destroyed—for his father. But in the Red Scare of 1950 Walter Kotlar could not be saved. Branded a spy, he fled the country, leaving behind a wife, a young son—and a key witness lying dead below her D.C. hotel room. Now, twenty years later, Nick will get a second chance. Because a beautiful journalist has brought a message from his long-lost father, and Nick will follow her into Soviet-occupied Prague for a painful reunion. Confronting a father he barely remembers and a secret that could change everything, Nick knows he must return to the place where it all began: to unravel a lie, to penetrate a deadly conspiracy, and to expose the one person who knew the truth—and watched a family be destroyed.
From the bestselling author of Los Alamos and The Good German comes Joseph Kanon's riveting tale of love, revenge and murder set in postwar Venice. Winner of the Hammett Prize It is 1946, and Adam Miller has come to Venice to visit his widowed mother and try to forget the horrors he has witnessed as a U.S. Army war crimes investigator in Germany. But when he falls in love with Claudia, a Jewish woman scarred by her devastating experiences during World War II, he is forced to confront another Venice, a city still at war with itself, haunted by atrocities it would rather forget. Everyone, including his mother's suave new Venetian suitor, has been compromised by the occupation, and Adam finds himself at the center of a web of deception, intrigue, and unexpected moral dilemmas. When is murder acceptable? What are the limits of guilt? How much is someone willing to pay for a perfect alibi?
The acclaimed, bestselling author of The Good German and Los Alamos returns with his most absorbing and accomplished novel yet—a mesmerizing tale of Hollywood, postwar political intrigue, and one man's determination to learn the truth about his brother's death. Hollywood, 1945. Ben Collier has just arrived from war-torn Europe to find his brother has died in mysterious circumstances. Why would a man with a beautiful wife, a successful movie career, and a heroic past choose to kill himself? Ben enters the uneasy world beneath the glossy shine of the movie business, where politics and the dream factories collide and Communist witch hunts are rendering the biggest star makers vulnerable. Even here, where the devastation of Europe seems no more real than a painted movie set, the war casts long and dangerous shadows. When Ben learns troubling facts about his own family’s past and embarks on a love affair that never should have happened, he is caught in a web of deception that shakes his moral foundation to its core. Rich with atmosphere and period detail, Stardust flawlessly blends fact and fiction into a haunting thriller evoking both the glory days of the movies and the emergence of a dark strain of American political life.
NEW YORK TIMES BESTSELLER • “The suspense novel for all others to beat . . . [a] must read.”—The Denver Post WINNER OF THE EDGAR AWARD FOR BEST FIRST NOVEL It is the spring of 1945, and in a dusty, remote community, the world’s most brilliant minds have come together in secret. Their mission: to split an atom and end a war. But among those who have come to Robert Oppenheimer ’s “enchanted campus” of foreign-born scientists, baffled guards, and restless wives is a simple man in search of a killer. Michael Connolly has been sent to the middle of nowhere to investigate the murder of a security officer on the Manhattan Project. But amid the glimmering cocktail parties and the staggering genius, Connolly will find more than he bargained for. Sleeping in a dead man’s bed and making love to another man’s wife, Connolly has entered the moral no-man’s-land of Los Alamos. For in this place of brilliance and discovery, hope and horror, Connolly is plunged into a shadowy war with a killer—as the world is about to be changed forever. Praise for Los Alamos “A magnificent work of fiction . . . a love story inside a murder mystery inside perhaps the most significant story of the twentieth century: the making of the atomic bomb.”—The Boston Globe “Compelling . . . [Joseph Kanon] pulls the reader into a historical drama of excitement and high moral seriousness.” —The New York Times “Thrilling . . . Kanon writes with the sure hand of a veteran and does a marvelous job.”—The Washington Post Book World
From “the most accomplished spy novelist working today” (The Sunday Times, London), a “heart-poundingly suspenseful” (The Washington Post) espionage thriller set at the height of the Cold War, when a captured American who has spied for the KGB is returned to East Berlin, needing to know who arranged for his release and what they now want from him. Berlin, 1963. An early morning spy swap, not at the familiar setting for such exchanges, nor at Checkpoint Charlie, where international visitors cross into the East, but at a more discreet border crossing, usually reserved for East German VIPs. The Communists are trading two American students caught helping people to escape over the wall and an aging MI6 operative. On the other side of the trade: Martin Keller, a physicist who once made headlines, but who then disappeared into the English prison system. Keller’s most critical possession: his American passport. Keller’s most ardent desire: to see his ex-wife Sabine and their young son. The exchange is made with the formality characteristic of these swaps. But Martin has other questions: Who asked for him? Who negotiated the deal? The KGB? He knows that nothing happens by chance. They want him for something. Not physics—his expertise is out of date. Something else, which he cannot learn until he arrives in East Berlin, when suddenly the game is afoot. Intriguing and atmospheric, with action rising to a dangerous climax, The Berlin Exchange “expertly describes what happens when a disillusioned former agent tries to come in from the cold” (The New York Times Book Review), confirming Kanon as “the greatest writer ever of historical espionage fiction” (Spybrary).
Istanbul Passage is the story of a man swept up in the dawn of the Cold War, of an unexpected love affair, and a city as deceptive as the calm surface waters of the Bosphorus that divides it. -- Cover.
The bestselling author of Leaving Berlin and Istanbul Passage “continues to demonstrate that he is up there with the very best...of spy thriller writers” (The Times, UK) with this “fascinating” (The Washington Post) novel about two brothers bound by blood but divided by loyalty. In 1949, Frank Weeks, agent of the newly formed CIA, was exposed as a Communist spy and fled the country to vanish behind the Iron Curtain. Now, twelve years later, he has written his memoirs, a KGB- approved project almost certain to be an international bestseller, and has asked his brother Simon, a publisher, to come to Moscow to edit the manuscript. It’s a reunion Simon both dreads and longs for. The book is sure to be filled with mischief and misinformation; Frank’s motives suspect, the CIA hostile. But the chance to see Frank, his adored older brother, proves irresistible. And at first Frank is still Frank—the same charm, the same jokes, the same bond of affection that transcends ideology. Then Simon begins to glimpse another Frank, capable of treachery and actively working for “the service.” He finds himself dragged into the middle of Frank’s new scheme, caught between the KGB and the CIA in a fatal cat and mouse game that only one of the brothers is likely to survive. “A finely paced Cold War thriller with [Kanon’s] usual flair for atmospheric detail, intriguing characters, and suspenseful action” (Library Journal), Defectors takes us to the heart of a world of secrets, where even the people we know best can’t be trusted and murder is just collateral damage.
Joseph Rykwert is one of the major architectural historians of this century. THE DANCING COLUMN is his most controversial and challenging work to date. A decade in preparation, it is a deeply erudite, clearly written, and wide-ranging deconstruction of the system of column and beam known as the "orders of architecture". Rykwert traces the analogy between columns and/or buildings and the human body. 315 illustrations.
Since the early days of Christianity a tension has existed between the authority of the Bible and the authority of the Church. This has been further heightened by the question of Bible translation: How does the Word stand firm and yet continue to speak to a changing Church? Joseph Lienhard, a specialist in Early Christianity, examines the evolution of the Christian canon by casting this question against the life of the early Christians. Among the topics treated are the Christian use of Jewish Scriptures, the Catholic and Protestant Old Testaments, the emergence of the New Testament, the struggle for the right interpretation of the Scriptures, the problem of inspiration, and modern attempts to explain the Church's New Testament canon theologically. The book questions the use of historicist methods of interpretation and appeals to the Rule of Faith as the right norm for interpreting the Scriptures in the Church. Joseph T. Lienhard, SJ, earned his doctorate at the University of Freiburg im Breisgau (Germany) with two dissertations on Paulinus of Nola and Marcellus of Ancyra. His work is in patristics. He taught at Marquette University from 1975 to 1990, and since 1990 has been at Fordham University, where he is also chair of the department of theology. He has published Ministry in the Message of the Fathers of the Church series and other titles.
Combining compelling narrative and grand historical sweep, Forgotten Allies offers a vivid account of the Oneida Indians, forgotten heroes of the American Revolution who risked their homeland, their culture, and their lives to join in a war that gave birth to a new nation at the expense of their own. Revealing for the first time the full sacrifice of the Oneidas in securing independence, Forgotten Allies offers poignant insights about Oneida culture and how it changed and adjusted in the wake of nearly two centuries of contact with European-American colonists. It depicts the resolve of an Indian nation that fought alongside the revolutionaries as their valuable allies, only to be erased from America's collective historical memory. Beautifully written, Forgotten Allies recaptures these lost memories and makes certain that the Oneidas' incredible story is finally told in its entirety, thereby deepening and enriching our understanding of the American experience.
This study of military historiography examines the changing narrative of the Battle of New Orleans through two centuries of commemoration. Once celebrated on par with the Fourth of July, the anniversary of the Battle of New Orleans is no longer a day of reverence for most Americans. The United States’ stunning defeat of the British army on January 8th, 1815, gave rise to the presidency of Andrew Jackson, the Democratic Party, and the legend of Jean Laffite. Yet the battle has not been a national holiday since 1861. Joseph F. Stoltz III explores how generations of Americans have consciously revised, reinterpreted, and reexamined the memory of the conflict to fit the cultural and social needs of their time. Combining archival research with deep analyses of music, literature, theater, and film across two centuries of American popular culture, Stoltz highlights the myriad ways in which politicians, artists, academics, and ordinary people have rewritten the battle’s history. From Andrew Jackson’s presidential campaign to the occupation of New Orleans by the Union Army to the Jim Crow era, the continuing reinterpretations of the battle alienated whole segments of the American population from its memorialization. Thus, a close look at the Battle of New Orleans offers an opportunity to explore not just how events are collectively remembered across generations but also how a society discards memorialization that is no longer necessary or palatable.
New York Times Notable Book * Named one of NPR and Wall Street Journal's Best Books of the Year * The acclaimed author of The Good German “deftly captures the ambience” (The New York Times Book Review) of postwar East Berlin in his “thought-provoking, pulse-pounding” (Wall Street Journal) New York Times bestseller—a sweeping spy thriller about a city caught between political idealism and the harsh realities of Soviet occupation. Berlin, 1948. Almost four years after the war’s end, the city is still in ruins, a physical wasteland and a political symbol about to rupture. In the West, a defiant, blockaded city is barely surviving on airlifted supplies; in the East, the heady early days of political reconstruction are being undermined by the murky compromises of the Cold War. Espionage, like the black market, is a fact of life. Even culture has become a battleground, with German intellectuals being lured back from exile to add credibility to the competing sectors. Alex Meier, a young Jewish writer, fled the Nazis for America before the war. But the politics of his youth have now put him in the crosshairs of the McCarthy witch-hunts. Faced with deportation and the loss of his family, he makes a desperate bargain with the fledgling CIA: he will earn his way back to America by acting as their agent in his native Berlin. But almost from the start things go fatally wrong. A kidnapping misfires, an East German agent is killed, and Alex finds himself a wanted man. Worse, he discovers his real assignment—to spy on the woman he left behind, the only woman he has ever loved. Changing sides in Berlin is as easy as crossing a sector border. But where do we draw the lines of our moral boundaries? At betrayal? Survival? Murder? Joseph Kanon’s compelling thriller is a love story that brilliantly brings a shadowy period of history vividly to life.
The Many Voices of Modern Physics follows a revolution that began in 1905 when Albert Einstein published papers on special relativity and quantum theory. Unlike Newtonian physics, this new physics often departs wildly from common sense, a radical divorce that presents a unique communicative challenge to physicists when writing for other physicists or for the general public, and to journalists and popular science writers as well. In their two long careers, Joseph Harmon and the late Alan Gross have explored how scientists communicate with each other and with the general public. Here, they focus not on the history of modern physics but on its communication. In their survey of physics communications and related persuasive practices, they move from peak to peak of scientific achievement, recalling how physicists use the communicative tools available—in particular, thought experiments, analogies, visuals, and equations—to convince others that what they say is not only true but significant, that it must be incorporated into the body of scientific and general knowledge. Each chapter includes a chorus of voices, from the many celebrated physicists who devoted considerable time and ingenuity to communicating their discoveries, to the science journalists who made those discoveries accessible to the public, and even to philosophers, sociologists, historians, an opera composer, and a patent lawyer. With their final collaboration, Harmon and Gross offer a tribute to the communicative practices of the physicists who convinced their peers and the general public that the universe is a far more bizarre and interesting place than their nineteenth-century predecessors imagined.
Daily life during the Black Death was anything but normal. When plague hit a community, every aspect of life was turned upside down, from relations within families to its social, political, and economic stucture. Theaters emptied, graveyards filled, and the streets were ruled by the terrible corpse-bearers whose wagons of death rumbled day and night. Daily life during the Black Death was anything but normal. During the three and a half centuries that constituted the Second Pandemic of Bubonic Plague, from 1348 to 1722, Europeans were regularly assaulted by epidemics that mowed them down like a reaper's scythe. When plague hit a community, every aspect of life was turned upside down, from relations within families to its social, political and economic structure. Theaters emptied, graveyards filled, and the streets were ruled by terrible corpse-bearers whose wagons of death rumbled night and day. Plague time elicited the most heroic and inhuman behavior imaginable. And yet Western Civilization survived to undergo the Renaissance, Reformation, Scientific Revolution, and early Enlightenment. In Daily Life during the Black Death Joseph Byrne opens with an outline of the course of the Second Pandemic, the causes and nature of bubonic plague, and the recent revisionist view of what the Black Death really was. He presents the phenomenon of plague thematically by focusing on the places people lived and worked and confronted their horrors: the home, the church and cemetary, the village, the pest houses, the streets and roads. He leads readers to the medical school classroom where the false theories of plague were taught, through the careers of doctors who futiley treated victims, to the council chambers of city hall where civic leaders agonized over ways to prevent and then treat the pestilence. He discusses the medicines, prayers, literature, special clothing, art, burial practices, and crime that plague spawned. Byrne draws vivid examples from across both Europe and the period, and presents the words of witnesses and victims themselves wherever possible. He ends with a close discussion of the plague at Marseille (1720-22), the last major plague in northern Europe, and the research breakthroughs at the end of the nineteenth century that finally defeated bubonic plague.
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