This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
English Fairy Tales - Joseph Jacobs - Joseph Jacobs He published his English fairy tale collections: English Fairy Tales in 1890 and More English Fairy Tales in 1893.From the Preface:'WHO says that English folk have no fairy tales of their own? The present volume contains only a selection out of some 140, of which I have found traces in this country. It is probable that many more exist. A quarter of the tales in this volume have been collected during the last ten years or so, and some of them have not been hitherto published. Up to 1870, it was said equally of France and of Italy, that they possessed no folk-tales. Yet, within fifteen years from that date, over 1000 tales had been collected in each country.
This collection of Celtic Fairy tales was put together by noted Celtic expert Joseph Jacobs in the late 19th and early 20th Century. Including famous legends such as 'Conal Hammerclaw' and 'The Sea Maiden', this book will excite and delight fans of the Celtic arts, those who appreciate classic literature, and story-lovers in general.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Joseph Jacobs' version of the tale in which a boy climbs to the top of a giant beanstalk where he must use his quick wits to outsmart an ogre and make his and his mother's fortune.
Eight tales: "The Fate of the Children of Lir," "The Shepherd of Middvai," "Beth Gellert," "The Tale of Ivan," "Morraha," "The Story of Deirdre," "The Llanfabon Changeling," and "The Sea-Maiden.
Joseph Jacobs' fairytales are magical; but how do you get kids excited about the stories when most translations were written over 100 years ago in a dated English? This is a collection of the very best known works of Charles Perrault in modern English! All the classic tales are here (including: Jack and the Beanstalk, Jack the Giant Killer, the Story of the Three Bears, Chicken Little, and Rumpelstiltskin) This book is also available as a larger anthology with even more of Jacobs' stories. KidLit-o is a new publishing house just for kids! From reimagined classics to history books, there's something for everyone here!
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Celtic roots of Irish folklore are enriched with Nordic legend and colour. Here gathered in this collection are tales of giants and warriors, of old hags and fair maidens, and of the boyhood of the great hero Fionn Mac Uail (Finn MacCool).
This Book, Originally published in 1892, this beautifully written collection of Celtic fairy tales is bound to enrapture. Filled to the brim with, as Joseph Jacob says, "both the best, and the best known folk-tales of the Celts," this is the first of his two collections of Celtic folklore. Included in this charming collection are tales of romance, tales that will make you laugh, and tales with sadness intertwined. The twenty-six story medley includes: - Guleesh" - Conal Yellowclaw" - The Shepherd of Myddvai" - The Story of Deirdre" - The Wooing of Olwen" - The Sea-Maiden" - Jack and his Master" - Beth Gellert" - The Battle of the Birds" - The Lad with the Goat-Skin" And many more! The magic of these stories is brought to life with fantastical sketches by John D. Batten that are interspersed throughout the pages, including eight full-page illustrations. The wonder, witchcraft, and magic found in Celtic tales are sure to enrapture all readers, young and old alike.
Joseph Jacob’s first volume—English Fairy—did not exhaust the scanty remains of traditional English folktales. He retained those he did not use and most of the 44 illustrated tales that appear in More English Fairy Tales had never before appeared in print. Many of these 44 tales were recorded verbatim from storytellers. Stories like: Tattercoats, Yallery Brown, The Three Feathers, Sir Gammer Vans, A Pottle O' Brains, Old Mother Wiggle-Waggle and many, many more. Some will be familiar and others less so, but all are nonetheless captivating. In compiling More English Fairy Tales Joseph Jacobs flouted the Florklorist’s creed, choosing to present stories that would fill children's imaginations “with bright trains of images”, vividly painted princesses, Pied Pipers, pots of gold, giants, speaking cats, Kings, Hoybahs, wise men, washerwomen, and more overflow from this volume - all bound by the common threads of basic moral lessons. Academics of the day would say they are by no means in an authorised form, and even use a mix of archaic and colloquial English. Maybe so, but the effect is justified. In the times following Jacob’s original printing in 1894, the literary establishment objected to the use of such archaic colloquialisms. However, these tales have been told for generations in a form that used local dialects and colloquial words for effect. This traditional form makes these stories all the richer in a modern setting. We invite you to curl up with this volume and be transported back in time to when England had a hundred or more local dialects—a time when the words Lawkamercyme and noddle were commonplace. YESTERDAY'S BOOKS for TODAY'S CHARITIES 10% of the publisher’s profit from the sale from this book will be donated to Charities. ============= KEYWORDS/TAGS: folklore, fairy, Tales, children, stories, bedtime, fables, illustrated, myths, legends, more English, England, ye old England, Pied Piper Hereafterthis, Golden Ball, My Own Self, Black Bull, Norroway, Yallery Brown, Three Feathers, Sir, Gammer Vans, Tom Hickathrift, Hedley Kow , Gobborn Seer, Lawkamercyme, Tattercoats , Wee Bannock, Johnny Gloke, Coat o' Clay, The Three Cows , Blinded Giant, Scrapefoot, Pedlar of Swaffham, Old Witch, Three Wishes, Buried Moon, Son of Adam, Children in the Wood, Hobyahs, Pottle O' Brains, King of England, Three Sons, King John, Abbot of Canterbury, Rushen Coatie, King O' The Cats, Tamlane, Stars in the Sky, News, Paddock, Mousie, Ratton, Little Bull-Calf, wee, Mannie, Habetrot, Scantlie Mab , Old Mother Wiggle-Waggle, Catskin, Stupid's Cries, Lambton Worm, Wise men of Gotham, Princess of Canterbury
An “exceptional” account of underdog boxer Tony Galento’s surprising 1939 victory against renowned heavyweight champion Joe Louis (The Boston Globe) Beetle-browed, nearly bald, a head that rode his collarbones like a bowling ball returning on rails, his waist size more than half his five-foot-eight height, Two Ton Tony Galento resembled “a taxi driving away with its top down.” By all measures he stood no chance when he stepped into the ring against the Brown Bomber, Joe Louis, the finest heavyweight of his generation. But in Yankee Stadium on a June night in 1939, he entered the record books as one of the few men to put the great Louis down. For two splendid seconds he stood on the mat as the Joe Louis lay before him, champ of the world, the toughest man alive—the mythical hero of a nation little more than a year away from war. “I’ll moida da bum,” he had predicted. And though Louis was no bum, Galento was almost as good as his word. Joe Monninger’s spellbinding portrait of a man, a moment, and an era reminds us that sometimes it is through effort—and not the end result—that people most enduringly define themselves.
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