In this book, Joseph Citron offers the first comprehensive analysis of Prague Rabbi Isaiah Horowitz’s (c.1565-c.1626) magnum opus of Jewish ethical literature, the Shnei Luhot Ha-Berit. Citron’s close philological analysis reveals the pioneering nature of the work in creating an organic Jewish theological system rooted in the mystical structures of Kabbalah, cultivating an orthodoxy in thought and legal practice based upon its principles. It provided a platform for laypeople to attain great spiritual heights by emphasising that God could be served and cleaved to through mundane activity, and that Judaism demanded deep emotion and joy as much as Talmudic erudition or meticulous observance. The Shelah's paradigms significantly influenced 17th-century Sabbatean movement, the 18th-century Hasidic movement, and Jewish Orthodoxy in the 19th century. The book is essential for scholars and laypeople alike wishing to understand the evolution of Judaism in Central and Eastern Europe in the early modern period.
Joseph Horowitz's absorbing study of four key figures in the history of classical orchestral music in late nineteenth- and early twentieth-century America is consistently fascinating, thought-provoking, and rewarding. This book should be of great interest to anyone who loves music and cares about its place in, and meaning to, society." —Mark Volpe, Managing Director, Boston Symphony Orchestra “Moral Fire is not only a wonderfully readable book, but also a welcome work of scholarship by one of our most astute and discriminating students, critics, and champions of the classical music tradition in America. This book will be welcomed not only by those interested in the history of music in America, but also by cultural historians and American Studies specialists for its perceptive insights into U.S. culture—and cultural aspiration—at the dawn of the twentieth century.” —Paul S. Boyer, General Editor, The Oxford Encyclopedia of American History “In this vivid, empathetic book, renowned scholar Joseph Horowitz further develops his case that to understand American intellectual and cultural history, one must understand Americans’ deep engagement with music in the nineteenth and early twentieth centuries. Despite their different backgrounds and mindsets, the four figures profiled in Moral Fire all reveal the impulses and contradictions of Gilded Age culture through their involvement with music. Higginson, Langford, Krehbiel, and Ives were all intensely romantic yet devoted to moralism and uplift, democratic in spirit and agenda yet refined and sophisticated, Victorian yet modern. Moral Fire helps readers understand why the much-misunderstood Gilded Age in reality ranks as an especially creative and formative period in American thought and culture.” —Alan Lessoff, editor, Journal of the Gilded Age and Progressive Era
As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor ." And with the NBC Symphony (1937-54), created for him by RCA's David Sarnoff, he became the beneficiary of a voracious multimedia promotional apparatus that spread Toscanini madness nationwide. According to Life, he was as well-known as Joe Dimaggio; Time twice put him on its cover; and the New York Herald Tribune attributed Toscanini's fame to simple recognition of his unique "greatness." In this boldly conceived and superbly realized study, Joseph Horowitz reveals how and why Toscanini became the object of unparalleled veneration in the United States. Combining biography, cultural history, and music criticism, Horowitz explores the cultural and commercial mechanisms that created America's Toscanini cult and fostered, in turn, a Eurocentric, anachronistic new audience for old music.
As never before or since, Richard Wagner's name dominated American music-making at the close of the nineteenth century. Europe, too, was obsessed with Wagner, but—as Joseph Horowitz shows in this first history of Wagnerism in the United States—the American obsession was unique. The central figure in Wagner Nights is conductor Anton Seidl (1850-1898), a priestly and enigmatic personage in New York musical life. Seidl's own admirers included the women of the Brooklyn-based Seidl Society, who wore the letter "S" on their dresses. In the summers, Seidl conducted fourteen times a week at Brighton Beach, filling the three-thousand-seat music pavilion to capacity. The fact that most Wagnerites were women was a distinguishing feature of American Wagnerism and constituted a vital aspect of the fin-de-siècle ferment that anticipated the New American Woman. Drawing on the work of such cultural historians as T. Jackson Lears and Lawrence Levine, Horowitz's lively history reveals an "Americanized" Wagner never documented before. An entertaining and startling read, a treasury of operatic lore, Wagner Nights offers an unprecedented revisionist history of American culture a century ago. This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.
An award-winning scholar and leading authority on American symphonic culture argues that classical music in the United States is peculiarly performance-driven, and he traces a musical trajectory rising to its peak at the close of the 19th century and receding after World War I.
The perils of equating notions of freedom with artistic vitality Eloquently extolled by President John F. Kennedy, the idea that only artists in free societies can produce great art became a bedrock assumption of the Cold War. That this conviction defied centuries of historical evidence--to say nothing of achievements within the Soviet Union--failed to impact impregnable cultural Cold War doctrine. Joseph Horowitz writes: “That so many fine minds could have cheapened freedom by over-praising it, turning it into a reductionist propaganda mantra, is one measure of the intellectual cost of the Cold War.” He shows how the efforts of the CIA-funded Congress for Cultural Freedom were distorted by an anti-totalitarian “psychology of exile” traceable to its secretary general, the displaced Russian aristocrat/composer Nicolas Nabokov, and to Nabokov’s hero Igor Stravinsky. In counterpoint, Horowitz investigates personal, social, and political factors that actually shape the creative act. He here focuses on Stravinsky, who in Los Angeles experienced a “freedom not to matter,” and Dmitri Shostakovich, who was both victim and beneficiary of Soviet cultural policies. He also takes a fresh look at cultural exchange and explores paradoxical similarities and differences framing the popularization of classical music in the Soviet Union and the United States. In closing, he assesses the Kennedy administration’s arts advocacy initiatives and their pertinence to today’s fraught American national identity. Challenging long-entrenched myths, The Propaganda of Freedom newly explores the tangled relationship between the ideology of freedom and ideals of cultural achievement.
Here is a major rabbinic figure, author of the famed Tosafot yom tov, whose life spanned several countries and an important transitional period in the history of European Jewry—a time of social and economic development, intellectual ferment, wars and pogroms. Davis narrates Heller's life in its individuality and detail, places him in the context of his time, and shows his vision of Judaism, of the world around him, and of the events he lived through.
As America's symbol of Great Music, Arturo Toscanini and the "masterpieces" he served were regarded with religious awe. As a celebrity personality, he was heralded for everything from his unwavering stance against Hitler and Mussolini and his cataclysmic tantrums, to his "democratic" penchants for television wrestling and soup for dinner. During his years with the Metropolitan Opera (1908-15) and the New York Philharmonic (1926-36) he was regularly proclaimed the "world's greatest conductor ." And with the NBC Symphony (1937-54), created for him by RCA's David Sarnoff, he became the beneficiary of a voracious multimedia promotional apparatus that spread Toscanini madness nationwide. According to Life, he was as well-known as Joe Dimaggio; Time twice put him on its cover; and the New York Herald Tribune attributed Toscanini's fame to simple recognition of his unique "greatness." In this boldly conceived and superbly realized study, Joseph Horowitz reveals how and why Toscanini became the object of unparalleled veneration in the United States. Combining biography, cultural history, and music criticism, Horowitz explores the cultural and commercial mechanisms that created America's Toscanini cult and fostered, in turn, a Eurocentric, anachronistic new audience for old music.
The skyscraper is an American invention that has captured the public's imagination for over a century. The tall building is wholly manmade and borne in the minds of those with both slide rules and computers. This is the story of the skyscraper's rise and the recognition of those individuals who contributed to its development. This volume is unique; its approach, information, and images are fresh and telling. The text examines America's first tall buildings -- the result of twelve years of in-depth research by an accomplished and published architect and architectural historian. Over 300 compelling photographs, charts, and notes make this the ultimate tool of reference for this subject. Biographies woven throughout with period norms, politics and lifestyles help to place featured skyscrapers in context. Quite simply, there is no book like this. The text, carefully and insightfully written, is clear, concise, and easily digestible, the text being the product of well-documented original research written in an informative tone. The American Skyscraper 1850-1940: A Celebration of Height is a richly documented journey of a fascinating topic, and it promises to be a superb addition to libraries, schools of architecture, students of architecture, and lovers of art.
Operating largely within the world of European-American classical music, this book discusses the creative work of old musicians—composers, performers, listeners, and scholars—and how those forms of music- making are received and understood. Like everything else about old age, music-making is usually understood as a decline from a former height, a deficiency with respect to a youthful standard. Against this ageist mythology, this book argues that composing oldly, performing oldly, and listening oldly are distinctive and valuable ways of making music—a difference, not a deficit; to be celebrated, not ignored or condemned. Instead of the usual biomedical or gerontological understanding of old age, with its focus on bodily, cognitive, and sensory decline, this book follows Age Studies in seeing old age through a cultural lens, as something created and understood in culture. This book seeks to identify the ways that old musicians (composers, performers, listeners, and scholars) accept, resist, adapt, and transform the cultural scripts for the performance of old age. Musicking oldly (making music in old age) often represents an attempt to rewrite ageist cultural scripts and to find ways of flourishing musically in a largely hostile landscape.
This book is a polemic directed against the Republican Party and the conservative movement, drawing largely on their own published statements. Alleging that the Republican Party is fascist and treasonous, the author defines both fascism and treason, and offers quoted testimony in support of his claim. He shows that the US policy of political warfare around the world was originated under President Eisenhower and is still going on full force. In the wake of World War II, the US attacked democratic movements on the false claim of fighting communism. Now democratic movements are targeted on the false claim of fighting terrorism, suggesting that they are a threat to US security. Deciphering some of the code words and unmasking the misleading motivations that have been used to make US citizens support war, the book is a guide to reading between the lines of Washington news briefs and campaign rhetoric. The author discusses the hypocritical nature of the Republican Party and describes an important change in this country's foreign policy from the Truman administration's containment of communism to a new policy of political warfare that has held sway ever since. The narrative analyzes the Republican Party's overblown and misdirected anti-communism and its fascist orientation."--Publisher's description.
This fully-updated fourth edition introduces readers to the rich tapestry of persuasive technique and scholarship, interweaving perspectives from rhetoric, critical theory, and social science and applying their insights to practical political, social, and business contexts. This text examines current and classical theory through the lens of contemporary culture, encouraging readers to explore the nature of persuasion and to understand its impact in their lives. Employing a contemporary approach, it draws from popular culture, mass media, social media, advertising, political campaigns, and social movements to help readers become informed creators and consumers of persuasive messages. Case studies show how and why people fall for persuasive messages, demonstrating how persuasion works at a cognitive level. This new edition includes extended treatment of the ethics of persuasion, including opposing views on handling controversial issues in the college classroom; a new chapter on propaganda and ideology; and a greater focus on digital contexts and social media. Discussion questions, exercises, and key terms are provided for each chapter. This textbook will be a valuable tool for students of communication, media studies, politics, psychology, and business and advertising. Online resources for instructors include PowerPoint slides and test bank.
Post-traumatic stress disorder (PTSD) is an anxiety disorder that can develop after exposure to one or more traumatic events. It is a severe and ongoing emotional reaction to extreme psychological trauma, such as threat to life, being a victim of crime or sexual assault, witnessing someone's death, or a threat to one's physical and/or psychological integrity. The new edition updated throughout, presents information in a helpful, practical, and accessible way that will be helpful to survivors, and their family and friends. The book begins with a description of PTSD and other related problems, often experienced by survivors, a short history of the developments in the field, information on common responses to trauma, theory, assessment, treatment and research findings. Further chapters reflect new theoretical thinking and directions in the field of trauma including post-traumatic growth following adversity. New chapters to this edition address the impact of traumatic bereavement, the needs of ex-hostages and their families, and suggestions for self-help after trauma. Post-traumatic stress: The Facts is essential reading for sufferers of post-traumatic stress, their families and friends, and will also be of interest to the general reader and a valuable resource for helping professionals, such as general practitioners, psychologists, social workers, mental health nurses, counsellors and those supporting victims of trauma in the voluntary sector. The book will also be helpful for those in the voluntary and statutory sector responsible for providing crisis support to those affected by major traumatic events in the community.
Although the physical nature of the gene was essentially clear by the late 1950s, the study of gene action, particularly during the development of higher organisms, is ongoing. Wallace and Falkinham explain how intimately progress has relied on technology. Initially limited to an examination of external features and subsequently to classical genetics and cytogenetic analyses, research was revolutionized by Watson and Crick's discovery of the double helix structure of DNA.
Crisis in Sociology presents a compelling portrait of sociology's current troubles and proposes a controversial remedy. In the authors' view, sociology's crisis has deep roots, traceable to the over-ambitious sweep of the discipline's founders. Generations of sociologists have failed to focus effectively on the tasks necessary to build a social science. The authors see sociology's most disabling flaw in the failure to discover even a single general law or principle. This makes it impossible to systematically organize empirical observations, guide inquiry by suggesting falsifiable hypotheses, or form the core of a genuinely cumulative body of knowledge. Absent such a theoretical tool, sociology can aspire to little more than an amorphous mass of hunches and disconnected facts. The condition engenders confusion and unproductive debate. It invites fragmentation and predation by applied social disciplines, such as business administration, criminal justice, social work, and urban studies. Even more dangerous are incursions by prestigious social sciences and by branches of evolutionary biology that constitute the frontier of the current revolution in behavioral science. Lopreato and Crippen argue that unless sociology takes into account central developments in evolutionary science, it will not survive as an academic discipline. Crisis in Sociology argues that participation in the "new social science," exemplified by thriving new fields such as evolutionary psychology, will help to build a vigorous, scientific sociology. The authors analyze research on such subjects as sex roles, social stratification, and ethnic conflict, showing how otherwise disconnected features of the sociological landscape can in fact contribute to a theoretically coherent and cumulative body of knowledge.
The founders of the United States were well aware of religious differences in the new nation. Oppression had forced varied European religious groups to seek homes elsewhere, some in the new world of America. Governmental pressures toward conformity in religion had in the past led to corruption and civil strife. Thus, Congress made a dual assertion in its First Amendment to the Constitution: "Congress shall make no law respecting an establishment of religion, or prohibiting the free exercise thereof." However, the ethical foundations of American society--and therefore its laws--intermingle with the moral codes of religions, including the Judeo-Christian Ten Commandments. This handbook helps bring understanding and meaning to the controversies that have arisen in present day society over the application of the Ten Commandments to public law and moral problems. Applications can be logical and legal, or can violate the separation of church and state called for in the First Amendment. Part One provides background on the Ten Commandments. It gives the various versions found in the Old Testament, and explains the non-Israelite influences on those versions (the Hammurabi Code, for example). The moral thinking of the ancient Mesopotamian, Egyptian and Hebrew cultures is examined. The modern Jewish tradition is detailed, as well as the different interpretations placed on the Ten Commandments by Roman Catholics, Anglicans, Lutherans and other Protestants. Part Two focuses on the modern controversies, assessing the differing sides of each. Among the many controversies covered are government funding of faith-based charities, posting the Ten Commandments in public buildings, science versus religion in schools, prayer in public places, blue laws, stem cell research, cloning, euthanasia, capital punishment, abortion and war, racial profiling and covenant marriages.
How technology and community organizing can combine to help prevent violence, with examples from Chicago to Sri Lanka. Tunisian and Egyptian protestors famously made use of social media to rally supporters and disseminate information as the “Arab Spring” began to unfold in 2010. Less well known, but with just as much potential to bring about social change, are ongoing local efforts to use social media and other forms of technology to prevent deadly outbreaks of violence. In The Technology of Nonviolence, Joseph Bock describes and documents technology-enhanced efforts to stop violence before it happens in Africa, Asia, and the United States. Once peacekeeping was the purview of international observers, but today local citizens take violence prevention into their own hands. These local approaches often involve technology—including the use of digital mapping, crowdsourcing, and mathematical pattern recognition to identify likely locations of violence—but, as Bock shows, technological advances are of little value unless they are used by a trained cadre of community organizers. After covering general concepts in violence prevention and describing technological approaches to tracking conflict and cooperation, Bock offers five case studies that range from “low-tech” interventions to prevent ethnic and religious violence in Ahmedebad, India, to an anti-gang initiative in Chicago that uses Second Life to train its “violence interrupters.” There is solid evidence of success, Bock concludes, but there is much to be discovered, developed, and, most important, implemented.
This book portrays how the commercial development of safflower oil was done, how the different players involved approached the problem, and what can be learned from this that might help in the evolution of other "new" crops.
Sets forth the state of the science and technology in plasma protein production With contributions from an international team of eighty leading experts and pioneers in the field, Production of Plasma Proteins for Therapeutic Use presents a comprehensive overview of the current state of knowledge about the function, use, and production of blood plasma proteins. In addition to details of the operational requirements for the production of plasma derivatives, the book describes the biology, development, research, manufacture, and clinical indications of essentially all plasma proteins with established clinical use or therapeutic potential. Production of Plasma Proteins for Therapeutic Use covers the key aspects of the plasma fractionation industry in five sections: Section 1: Introduction to Plasma Fractionation initially describes the history of transfusion and then covers the emergence of plasma collection and fractionation from its earliest days to the present time, with the commercial and not-for-profit sectors developing into a multi-billion dollar industry. Section 2: Plasma Proteins for Therapeutic Use contains 24 chapters dedicated to specific plasma proteins, including coagulation factors, albumin, immunoglobulin, and a comprehensive range of other plasma-derived proteins with therapeutic indications. Each chapter discusses the physiology, biochemistry, mechanism of action, and manufacture of each plasma protein including viral safety issues and clinical uses. Section 3: Pathogen Safety of Plasma Products examines issues and procedures for enhancing viral safety and reducing the risk of transmissible spongiform encephalopathy transmission. Section 4: The Pharmaceutical Environment Applied to Plasma Fractionation details the requirements and activities associated with plasma collection, quality assurance, compliance with regulatory requirements, provision of medical affairs support, and the manufacture of plasma products. Section 5: The Market for Plasma Products and the Economics of Fractionation reviews the commercial environment and economics of the plasma fractionation industry including future trends, highlighting regions such as Asia, which have the potential to exert a major influence on the plasma fractionation industry in the twenty-first century.
In 1538, a partnership of Jewish silk makers in the city of Bologna published a book entitled Sefer òHasidim, a compendium of rituals, stories, and religious instruction that primarily originated in medieval Franco-Germany. This book tells the story of how these men came to produce such a book"--
Before the Enlightenment, before Spinoza had rejected traditional beliefs about the Bible, came the humanistic skeptics of the Renaissance. Alongside oft-cited Christian thinkers, Eliezer Eilburg now takes his rightful place. Comparable in view to Christopher Marlowe or Noel Journet, Eilburg perhaps uniquely represents the possibilities of Jewish skepticism in his day. Eliezer Eilburg: The Ten Questions and Memoir of a Renaissance Jewish Skeptic makes available for the first time a bilingual edition of two key works by the Jewish rationalist skeptic, kabbalist, and memoirist, Eliezer Eilburg. The Ten Questions-addressed to the Maharal of Prague and two of his colleagues-is one of the most radical statements of Jewish skepticism authored during the sixteenth century. Published here in its entirety, this text is especially remarkable for its critical approach to the Bible, foreshadowing later intellectual trends. Although many of his opinions were considered heretical by Jewish authorities, Eilburg argued that his doubts were innocent, and that there was room within Judaism for his skepticism. He presented himself as a penitent whose eyes had been opened through the study of medicine and philosophy and who had merited angelic visions and kabbalistic dreams. The second text, Eilburg's experimental memoir, is one of the very first modern Jewish efforts at autobiography. Put together from many smaller pieces, this patchwork of brag and bile is a unique document of sixteenth-century Jewish life. It is a testimony, if not to the "emergence of the individual" in this period, then at least to the emergence of new Jewish ways of imagining and writing about the self. Eilburg was an enigmatic man, a unique and as yet mostly unstudied Jewish thinker. Though his works are directed to audiences of Jews, and argue for the improvement of Judaism, this volume will appeal to historians and scholars of intellectual traditions both in and outside of Jewish studies. /Interview with Joseph Davis- Ten Questions of Eliezer Eilburg
Slap and Slap-Shelton proffer the schema as the basis of an internally consistent and clinically relevant model of the mind. Wedded to the dynamic and genetic points of view, the schema model accommodates the clinical realities of trauma, repetition, and sublimation while dispensing entirely with the abstract concepts of traditional metapsychology.
The Hungarian artist-designer László Moholy-Nagy, the Austrian sociologist Paul Lazarsfeld, and his fellow Viennese Victor Gruen—an architect and urban planner—made careers in different fields. Yet they shared common socialist politics, Jewish backgrounds, and experience as refugees from the Nazis. This book tells the story of their intellectual migration from Central Europe to the United States, beginning with the collapse of the Habsburg Empire, and moving through the heady years of newly independent social-democratic republics before the descent into fascism. It follows their experience of exile and adaptation in a new country, and culminates with a surprising outcome of socialist thinking: the opening of the first fully enclosed, air-conditioned suburban shopping center in the United States. Although the American culture they encountered ostensibly celebrated entrepreneurial individualism and capitalistic “free enterprise,” Moholy-Nagy, Lazarsfeld, and Gruen arrived at a time of the progressive economic reforms of the New Deal and an extraordinary open-mindedness about social democracy. This period of unprecedented economic experimentation nurtured a business climate that, for the most part, did not stifle the émigrés’ socialist idealism but rather channeled it as the source of creative solutions to the practical problems of industrial design, urban planning, and consumer behavior. Based on a vast array of original sources, Malherek interweaves the biographies of these three remarkable personalities and those of their wives, colleagues, and friends with whom they collaborated on innovative projects that would shape the material environment and consumer culture of their adopted home. The result is a narrative of immigration and adaptation that challenges the crude binary of capitalism and socialism with a story of creative economic hybridization.
This book is written for the clinician, students, and practitioners of neuropsychology, neuropsychiatry, and behavioral neurology. It has been my intent throughout to present a synthesis of ideas and research findings. I have reviewed thousands of articles and research reports and have drawn extensively from diverse sources in philosophy, psychol ogy, neurology, neurosurgery, neuropsychiatry, physiology, and neuroanatomy in order to produce this text. Of course I have also drawn from my own experience as a clinician and research scientist in preparing this work and in this regard some of my own biases and interests are represented. I have long sought to understand the human mind and the phenomena we experience as conscious awareness. After many years of studying a variety of Western and Eastern psychologists and philosophers, including the Buddhist, Taoist, and Hindu philosophical systems, I began, while still an undergraduate student, to formulate my own theory of the mind. I felt, though, that what I had come upon were only pieces of half the puzzle. What I knew of the brain was minimal. Indeed, it came as quite a surprise when one day I came across the journal Brain as I was browsing through the periodicals section of the library. I was awed. An entire journal devoted to the brain was quite a revelation. Nevertheless, although intrigued by the possibilities, I resisted.
A thorough, user-friendly guide of basic knowledge and group interventions for psychological trauma from terrorist attacks and other catastrophic disasters There is relatively little literature on the psychological trauma caused by catastrophic disasters, including terrorist attacks and the impending threats of terrorism. Psychological Effects of Catastrophic Disasters: Group Approaches to Treatment fills that gap by comprehensively discussing ways to minimize the psychological damage resulting from catastrophic disasters as well as the trauma developed from the threat of future terrorist attacks. The book provides thorough presentations of almost manualized group methods for the prevention and treatment of the acute and longer-term psychological effects for children, adolescents, and adults. Appropriate treatment immediately after a catastrophe can diminish harmful psychological effects, enhance an individual’s quality of life, decrease psychosomatic illnesses and the exacerbation of chronic medical conditions, increase the effective utilization of medical facilities, and decrease medical expenses. In this book, internationally renowned authorities provide practical expert suggestions and helpful examples to illustrate the interventions and provide a quick reference for professionals facing the aftermath of prospective terrorist disasters and other catastrophic events. Psychological Effects of Catastrophic Disasters: Group Approaches to Treatment is divided into four sections. The first section provides an overview of the book; the second discusses the foundations and broad issues which potentially affect the outcome of group treatment; the third section presents group models which address the particular needs of children, adolescents, parents, emergency service personnel, and mental health practitioners; and the fourth part considers future directions of treatment. Designed to be used as a comprehensive single source for professionals working with victims of trauma caused by terrorism or catastrophic disaster, this book can be read and used in its entirety, or specific chapters detailing treatments can be chosen and used independently as needed. Extensive references allow opportunities for further research. Psychological Effects of Catastrophic Disasters: Group Approaches to Treatment presents unique first-person accounts of September 11th and examines: the neurobiological effects of a traumatic disaster the effective use of psychotropic medication the implications of living with ongoing terrorist threats a new framework for preparedness and response to disasters and trauma for children and families cultural, religious, and ethnic differences related to the prevention and treatment of psychological sequelae the diagnosis and treatment of traumatic grief retraumatization, distressing reminders, and their effects on post-traumatic adjustment the knowledge trauma therapists need to integrate small group principles the diagnosis and group treatment of acute and long-term effects with adults and children the use of spiritual principles after a terrorist disaster or catastrophic event nine types of groups appropriate for specific populations Psychological Effects of Catastrophic Disasters: Group Approaches to Treatment is a timely, comprehensive reference for social workers, psychologists, psychiatrists, health professionals, mental health professionals, educators, and students. The royalties from this book shall be donated to organizations which provide direct services to those who continue to be affected by the events of September 11th, 2001 and Hurricane Katrina (August 29th, 2005).
Joseph F. Healey’s Race, Ethnicity, Gender, and Class, Sixth Edition builds upon the bestselling status of the prior editions, praised for the author’s writing style and the various effective pedagogical features that ensure students engage with core concepts in a meaningful way. With many updates and revisions, this edition once again uses sociological theory to tell the story of race and other socially constructed inequalities in the United States with consistency and clarity. Chapter-ending current debates based on the writings of prominent scholars spark classroom discussion on important issues, and first-person accounts, “Narrative Portraits,” are threaded throughout the text to bring life to a variety of topics.
Witty, “utterly compelling” short stories about Jewish men of a certain age, by the New York Times–bestselling author of Snobbery (San Francisco Chronicle Book Review). Set in Chicago and populated by characters ranging from lawyers and professors to scrap metal dealers, this collection of insightful and entertaining short fiction examines the crossroads and turning points of life, and the challenge of growing older and feeling suddenly adrift in a radically changed world. “Epstein’s narrators tend to be tough, hardworking, and solitary men who have survived poverty, the Holocaust, ruthless competition, and impossible domestic situations only to confront old age and a jittery new world that to their pragmatic eyes seems neurotic, flimsy, indulgent, and vacuous. Yet Epstein’s heroes—guys like salesman Moe Bernstein, dry-cleaner mogul Artie Glick, a bartender, a scamming ex-con, and a few soulful academics—do not despair. They maintain their sense of humor, they take chances, they open their hearts, and they find life sweeter than ever before. As rich in clever banter as in philosophic musings, Epstein’s funny and wise stories celebrate independence, the inner life, generosity of spirit, and rolling with the punches.” —Booklist “Epstein, always a graceful writer, also happens to possess a stand-up comic’s gift for punch lines.” —The New York Times Book Review
The death of classical music, the distinguished critic and musicologist Joseph Kerman declares, is “a tired, vacuous concept that will not die.” In this wide-ranging collection of essays and reviews, Kerman examines the ongoing vitality of the classical music tradition, from the days of Guillaume Dufay, John Taverner, and William Byrd to contemporary operas by Philip Glass and John Adams. Here are enlightening investigations of the lives and works of the greatest composers: Bach and his Well-Tempered Clavier, Mozart’s and Beethoven’s piano concertos, Schubert’s songs, Wagner’s and Verdi’s operas. Kerman discusses The Magic Flute as well as productions of the Monteverdi operas in Brooklyn and the Ring in San Francisco and Bayreuth. He also includes remembrances of Maria Callas and Carlos Kleiber that make clear why they were such extraordinary musicians. Kerman argues that predictions—let alone assumptions—of the death of classical music are not a new development but part of a cultural transformation that has long been with us. Always alert to the significance of historical changes, from the invention of music notation to the advent of recording, he proposes that the place to look for renewal of the classical music tradition in America today is in opera—in a flood of new works, the rediscovery of long-forgotten ones, and innovative productions by companies large and small. Written for a general audience rather than for experts, Kerman’s essays invite readers to listen afresh and to engage with his insights into how music works. “His gift is so uncommon as to make one sad,” Alex Ross has said.
Revised and updated, the second edition includes several new chapters with projects and applications. The authors keep pace with the ever-growing and rapidly expanding field of robotics. The new edition reflects technological developments and includes programs and activities for robot enthusiasts. Using photographs, illustrations, and informative t
Jewish humor, with its rational skepticism and cutting social criticism, permeates American popular culture. Scholars of humor--from Sigmund Freud to Woody Allen--have studied the essence of the Jewish joke, at once a defense mechanism against a hostile world and a means of cultural affirmation. Where did this wit originate? Why do Jewish humorists work at the margins of so many diverse cultures? What accounts for the longevity of the Jewish joke? Do oppressed people, as African American author Ralph Ellison suggested, slip their yoke when they change the joke? Citing examples from prominent humorists and stand-up comics, this book examines the phenomenon of Jewish humor from its biblical origins to its prevalence in the modern diaspora, revealing a mother lode of wit in language, literature, folklore, music and history.
In the early 1990s a number of violent civil wars and large-scale ethnic crises shocked the world. In Rwanda, Bosnia, Chechnya and elsewhere atrocities were committed that led to hundreds of thousands of dead and displaced people. Explaining the origins and dynamics of such inhuman actions and events, this new sensitive and detailed analysis includes: full analysis of the origins of civil wars, terrorism and ethnic strife insights drawn from across the social sciences practical and topical illustrations of the information provided fully updated assessments with details of key contemporary events Although the number of these conflicts has diminished over the years, the phenomenon has not disappeared: in the Sudan, the Congo, Sierra Leone, Liberia, Nigeria, Afghanistan and Iraq people are still being killed in large numbers, without authorities being able to avert or end the hostilities. On nine-eleven large-scale terrorist attacks in Washington and New York shocked the world again, and since then other violent events took place in Bali, Casablanca, Riyadh, Moscow, Istanbul and Madrid. This book of concern to all people, because recent history has shown us that such violence can strike everywhere and at any time. The final chapter delivers a number of constructive considerations aiming at the development of policies to prevent and stop such conflicts. This is an important new contribution to tackling the complex challenges of the twenty first century. This book will be of great interest to all students and scholars of contemporary history, development studies, political and social sciences and International Relations.
Joseph A. Califano, Jr. spent thirty years in Washington at the top of the Pentagon, on the White House staff as chief domestic advisor to the President, and in the Cabinet. His work, Governing America, explores the inner workings of the executive branch. From Simon & Schuster, Governing America is Joseph A. Califano, Jr.'s insider report from the White House an the cabinet.
A brilliant first novel. Joseph Schneider's contemporary writing evokes some of Hollywood's most classic crime stories, from Chinatown to LA Confidential."—Dick Wolf, creator of Law & Order An incredible debut from up-and-coming author Joseph Schneider. Detective Tully Jarsdel may not be a typical Los Angeles cop—but he's the only one who can solve this case A body so badly burned that it could be mistaken for a movie prop... except for the smell. That's not something California law enforcement finds lying on the street every day. And when Detective Tully Jarsdel is called to the scene, it's clear to him that something about the placement of the corpse is intentional, even ritualistic. Jarsdel isn't a classic noir detective, but his former career in academia seems to finally be coming in handy, rather than serving as material for jokes from his partner, Morales. But nothing Jarsdel learned in school can prepare him for the deep evil behind this case, which appears to be as hopeless as it is violent. As Jarsdel and Morales attempt to settle their differences and uncover the motive behind the horrendous crime, they find themselves dragged into the underbelly of a city notorious for chewing up and spitting out anyone dumb enough to turn their back on survival. One Day You'll Burn is a shimmering debut that captures the glitz and squalor of Los Angeles while introducing an unforgettable detective readers will rank among the best in the genre. The first in the LAPD Detective Jarsdel series, this detective mystery is: For readers who love murder mysteries and police procedurals Perfect for fans of Michael Connelly and Lawrence Block For fans of the T.V. series Bones and C.S.I
In this readable meditation on the nature of emotional experience, Joseph Jones takes the reader on a fascinating walking-tour of current research findings bearing on emotional development. Beginning with a nuanced reappraisal of Freud's philosophical premises, he argues that Freud's reliance on "primary process" as the means of linking body and mind inadvertantly stripped affects of their process role. Further, the resulting emphasis on fantasy left the problem of conceptualizing the mental life of the prerepresentational infant in a theoretical limbo. Affects as Process offers an elegantly simple way out of this impasse. Drawing in the literatures of child development, ethology, and neuroscience, Jones argues that, in their simplest form, affects are best understood as the presymbolic representatives and governors of motivational systems. So conceptualized, affects, and not primary process, constitute the initial processing system of the prerepresentational infant. It then becomes possible to re-vision early development as the sequential maturation of different motivational systems, each governed by a specific presymbolic affect. More complex emotional states, which emerge when the toddler begins to think symbolically, represent the integration of motivational systems and thought as maturation plunges the child into a world of loves and hates that cannot be escaped simply through behavior. Jones' reappraisal of emotional development in early childhood and beyond clarifies the strengths and weaknesses of such traditional concepts as infantile sexuality, object relations, internalization, splitting, and the emergence of the dynamic unconscious. The surprising terminus of his excursion, moreover, is the novel perspective on the self as an emergent phenomenon reflecting the integration of affective and symbolic processing systems.
The Performing Pianist's Guide to Fingering, the much-anticipated companion to Joseph Banowetz's The Pianist's Guide to Pedaling, provides practical fingering solutions for technical musical passages. Banowetz contends that fingering choices require much thought and consideration and that too often these choices are influenced by historical traditions and ideas rather than by actual performance conditions. By returning to the unedited original compositions, he strives to help the advanced pianist think through the composer's musical intent and the actual performance tempo and dynamics when selecting the fingering. Banowetz also includes valuable contributions by Philip Fowke, who examines redistributions by Benno Moiseiwitsch in Rachmaninoff's compositions, and Nancy Lee Harper, who explores the often very different approaches to fingering found in keyboard music of the Baroque era. The Performing Pianist's Guide to Fingering will be useful to the advanced pianist and to instructors looking to guide students in improving this important art.
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