In their original form most of the Haydn compositions are usable by only very gifted musicians. In compiling this book Mr. Schaum has kept in mind the ideal of democratizing Haydn's music by making his oratorios, cantatas, songs, and symphonies playable for the average pianist. Through changed titles, the pupil gains a historical background while the biographical additions add color and charm. Only dependable references were used for the biographical data, and, as far as is known, it is historically true. Book 1 is to be used with the Schaum B Book and Adult II. Book 2 is to be used with the Schaum F Book.
These early keyboard works by Haydn were originally called Divertimentos or Sonatas, but because of their form and brevity were later renamed. Containing two to four movements each, they include much that is the essence of the Haydn style. The "Sonatina in G Major," Hob. XVI/8 is perhaps the best known of the set, yet all are worthy of study as preparation for Mozart and Haydn sonatas.
Our editors have selected six complete sonatas from Haydn's set of 56, choosing sonatas from the less-demanding levels and advancing in difficulty. This is a valuable resource for introducing students to this standard literature! Titles are: * Sonatas No. 3 in F Major * No. 5 in G Major * No. 14 in C Major * No. 35 in A-flat Major * No. 42 in G Major * No. 48 in C Major. Beautiful covers, exquisite engravings, and meticulous editing have made this series a best seller everywhere.
This selection of Haydn's keyboard works contains two sets of variations, individual works, sonata movements and the entire "Sonata in D Major," Hob. XVI:37. Lucktenberg documents Haydn's life and career and provides an overview of the composer's keyboard works. Each composition is briefly described and suggestions are made for performing ornaments in Haydn's keyboard works.
These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.
Franz Joseph Haydn (1732-1809) made important contributions to the development of the symphony, string quartet, and other classical styles and forms. Titles: * Sonata in C Major * Minuet from Sonata in E-Flat Major * Esterhazy Variations * Theme and Variations in F Minor * Arrangements of "Country Dance" from Symphony No. 97 * "Fifth London Symphony" * "Music Box" from the String Quartet Op. 64, No. 5 Mr. Schaum's historically appropriate captions add color and life and the wealth of true biographical information enhances the appreciation of these important classical works.
These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.
These three volumes, in practical urtext-pedagogical editions, are designed with the idea that these precious works will be performed on the modern piano. With respect to the original text, Dr. Hinson offers many valuable, stylistically faithful suggestions for interpretation. Volume I is appropriate for progressing intermediate students, and provides a most effective introduction to the great Viennese Classical style.
It was from Haydn that I first learned the true way to compose quartets." Mozart. "Twelve String Quartets" marks the second volume in a projected monumental undertaking the complete Haydn string quartets. Players and students, music historians, and Haydn lovers will have inexpensive access to a uniform, strongly bound, and clearly printed modern edition of Haydn's finest pieces in complete score. Musicians, music students, and music publishers have a difficult time keeping up with Haydn, whose ceaseless production of original, first-rate work was legendary. He essayed most of the recognized genres, conferring upon several a legacy of expanded possibilities and clearly defined, characteristic form. Among these may be mentioned the symphony, the sonata, and perhaps most notably, the quartet. In a period of 50 years, Haydn (1732 1809) composed over 80 string quartets. Scholars are still debating questions of attribution and even completeness (unknown works by Haydn still turn up), and music lovers have had to make do with scattered, out-of-date, out-of- print editions of a few of the more familiar quartets. Otto Jahn wrote: "It is not often that a composer hits so exactly upon the form suited to his compositions; the quartet was Haydn's natural mode of expressing his feelings." Haydn's affinity to the quartet began with his earliest works, when he perhaps more than anyone established the four-movement structure of chamber music. In common with truly great and complete artists, who surpass early innovation to achieve their greatest work at the end, Haydn's later quartets are his best. This volume contains the full scores of: Op. 55, Nos. 1 3 (including "Razor") dedicated to Joh. Tost, ca. 1788 Op. 65, Nos. 1 6 (including "The Lark" or "Hornpipe") dedicated to Joh. Tost, 1790 or 1792 Op. 71, Nos. 1 3 dedicated to Count Appony, 1793 Large readable noteheads, ample margins for fingerings, etc., opaque paper, and permanent binding make this a fundamental addition to music libraries and musicians' repertories: a book for all who pay tribute to Haydn and who agree with "Grove's Dictionary" "The quartet he brought to perfection.
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