Nearly all religious traditions have reserved a special place for sacred music. Whether it is music accompanying a ritual or purely for devotional purposes, music composed for entire congregations or for the trained soloist, or music set to holy words or purely instrumental, in some form or another, music is present. In fact, in some traditions the relation between the music and the ritual is so intimate that to distinguish between them would be inaccurate. The A to Z of Sacred Music covers the most important aspects of the sacred music of Buddhism, Christianity, Confucianism, Hinduism, Islam, Judaism, and other smaller religious groups. It provides useful information on all the significant traditions of this music through the use of a chronology, an introductory essay, a bibliography, appendixes, and hundreds of cross-referenced dictionary entries on major types of music, composers, key religious figures, specialized positions, genres of composition, technical terms, instruments, fundamental documents and sources, significant places, and important musical compositions.
The fourth edition of this work emphasizes the general practices and instrumentation involving TLC and HPTLC, as well as their applications based on compound types, while providing an understanding of the underlying theory necessary for optimizing these techniques. The book details up-to-date qualitative and quantitative densitometric experiments on organic dyes, lipids, antibiotics, pharmaceuticals, organic acids, insecticides, and more.
In the discussions and debates surrounding liturgical music of the past fifty years, music theorists, critics, and historians have contributed little, and their counsel has rarely been sought. Whenever the matter of liturgical music arises, most often in parishes, but sometimes in episcopal conferences or in the academy or in Vatican documents, the nature of the music, as music, almost never affects the discussion. With Sacred Treasure, Joseph Swain, a distinguished musicologist and accomplished performer, attempts to change that. He offers a theory for building authentic traditions of liturgical music for Roman Catholic parishes. This book is an exercise in pragmatic music criticism. By providing a rational basis for evaluating the essential issues, Swain seeks to show how a spiritually wholesome stability might supplant the confusion. Sacred Treasure shows how the hard facts of music must be taken into account in any holistic conception and any lasting form of liturgical music.
Love is a many splendored thing, as we are reminded in a wonderful old film with William Holden and Jennifer Jones. Many ordinary people in the course of their lives find themselves in an extraordinary romantic situation. It may be on the loading dock, in an office, at a party, or just by a chance meeting. Who can really say how a romance happens? Most discard these romances after they realize that continuing down that path might ruin their marriage or break up their lover’s marriage or for a number of other reasons. This story is about an Italian named Mario. Mario is one of those people who are not looking for romance but fall into the love trap; in this case a one-way love that he runs away from because of its trauma to him. The reader gets to travel with Mario to some exciting tourist places with exotic foods as he encounters other women and tries to shake off his love for Patricia, a married woman.
This new edition focuses on a variety of techniques available for the analysis of drugs in biological fluids. Over 150 figures and tables help to describe the latest advances and give examples of their applications. Current chiral analysis methods as well as discussions on the impact of chirality are described. Practical aspects of bioanalytical work, including many examples of laboratory problems not often reported in the scientific literature, are examined in depth.
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